South African sculptor Angus Taylor, born in Johannesburg in 1970 and alumnus of the University of Pretoria, is known mainly for his monumental works. For these, in addition to the classic bronze, he uses a selection of materials special to his immediate environment: black granite, red jasper, straw, and the red earth of the Pretoria region. In the symbiosis of these materials with traditional artistic craft techniques, distinctly contemporary works arise, which Taylor pioneeringly positions as figurative landmark sculpture.

This first-ever monograph on Angus Taylor offers a comprehensive survey of his oeuvre to date. Key works from his entire career since the founding of his studio Dionysus Sculpture Works in 1997 are featured in full colour illustrations throughout. The essays discuss Taylor’s methods, practices, and personal philosophies and put his work is context within South Africa’s social situation as well as with his own biography. The book offers a much welcomed profound introduction to Angus Taylor’s innovative and characteristic body of work.

“…captures the energy and camaraderie of the city’s burlesque club scene.” — Burlesque Mag
Angus Stewart has spent 10 years backstage with London’s burlesque community, getting to know the performers and documenting their shared world to create what he calls ‘a family album’. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the ‘big reveal’. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Belle de Beauvoir, REIx, Lady Cheek, Lady May and Lynn Ruth Miller. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun.

‘I discovered that while some performers earn a living from burlesque, most have other jobs – anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It’s an incredibly supportive community, and I wanted to try to capture that spirit.’ – Angus Stewart

Urban planners have paid more attention to the concept of the pocket park as modern cities become denser and buildings taller. As the pace of urbanisation accelerates and populations increase, particularly in larger cities, there becomes much less park space available for people to enjoy. With less investment and area required, ‘Pocket Parks’ could provide a solution. They fulfil the need for highly sought-after leisure spaces, which can operate in high-density city environments, bypassing the hurdle of space. These beautiful green areas increase the ecological benefits of the urban environment, helping to enrich and satisfy the local residents’ lives. Pocket Park Design introduces the outstanding landscape architects and designers who create pocket parks.

Pocket parks should be located where they are safe and convenient to access, as well as providing open spaces that are comfortable, functional, and pleasant for park visitors. While the areas of a pocket park will generally cater to a variety of demographics, specific spaces or activity areas may be provided for dominant user groups, such as children, workers, or the elderly. This book studies the pocket park’s characteristics, as well as the relationship between humanity and the surrounding landscape. It will be a great source of inspiration to landscape designers.

This scholarly volume explores the evolution and artistic significance of human figures and faces in historical and prehistorical Chinese jade. The fruit of an extraordinary collection of artefacts, assembled over several decades, Jade People: The Human Figure and Faces in Chinese Jade over More Than 7,000 Years showcases Chinese jade working dating back millennia, focusing on representations of the human figure in 3D, in relief and in cutout silhouette form. Portrayals of the human form have featured among the principal drivers of artistic expression throughout history, with China being no exception to this shared spirit of sculptural exploration, as the amazing historical development of Chinese jade-working skills makes clear in these pages.
The well-preserved jade artefacts presented here include prehistoric works from before the Shang Dynasty and are accurately dated thanks to carbon dating of buried organic matter and skeletal remains, providing us with a continuous timeline from ancient times to the present. From leading expert Angus Forsyth, this is an important guide to the history of human images in China’s jade artefacts. 

Darwishi Ur-atum Msamaki Minkabh Ishaq Eboni, the son of an Egyptian pharaoh, is only nine years old when he dies. He is mummified and laid to rest in a tomb, with the powerful Golden Scarab of Mukatagara hanging around his neck. Thousands of years later, during a transport of three precious sarcophaguses, there is a terrible storm. Lightning strikes, the lorry plunges from a flyover and the sarcophaguses are hurled through the air. During all this, a little white shape escapes the wreckage unnoticed…

Angus Gust is ten and has a perfectly normal life. Then one night a little mummy appears in his room! Life changes completely. Angus and Dummie (short for his real name) become best friends. One dreadful day, Dummie’s scarab goes missing. Without the scarab Dummie falls terribly ill. Angus must now do everything he can to find the scarab, so Dummie doesn’t have to face death again. Can Dummie be saved in time?

In this second book in the Dummie the Mummy series, Dummie, Angus and Nick travel to Egypt. It’s Dummie’s great wish to return to his country to visit the grave of his father, Pharaoh Akhnetut. Unfortunately, Egypt has completely changed in four thousand years and Akhnetut’s grave seems untraceable. To make matters even worse, Nick falls ill and Angus and Dummie set off without him. Then something terrible happens – Dummie has to give everything he’s got to save his best friend. Yet he is also determined to find his father’s grave. Fortunately, he remembers more and more about his life long ago and this proves to be very handy!

Based on documentation originating in the environmental sciences, history of science, philosophy and art, Architecture of Nature explores the materiality and the effects of the forces at play in the history of the earth through the architect’s modes of seeing and techniques of representation. This book presents research work developed for the past eight years in the Advanced Research graduate studio ‘Architecture of Nature/ Nature of Architecture’, created and directed by Diana Agrest at the Irwin S. Chanin School of Architecture of the Cooper Union. Architecture of Nature departs from the traditional approach to nature as a referent for architecture and reframes it as its object of study. The complex processes of generation and transformations of extreme natural phenomena such as glaciers, volcanoes, permafrost, and clouds are explored through unique drawings and models, confronting a scale of space and time that expands and transcends the established boundaries of the architectural discipline.

Peggy Liechti, Andreas Graf and Lukas Zumsteg have been working in Brugg since 1992, developing an architectural oeuvre with individual buildings that have been conceived with great care and precision. They are all atmospheric buildings that have a great coherence with their surroundings, despite their highly contrasting building programmes.

Text in English and German.

Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 37 of the finest in the City of Light, spanning the 12th to the 19th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary. 

Offering insight into the buildings’ construction and genesis, this book narrates how each church was shaped by war, revolution and time. With information on restoration and preservation, this is an invaluable guide for Francophiles and curious armchair travellers alike. 

Featured churches include: Basilique du Sacré-Coeur de Montmartre, Basilique Sainte-Clotilde, Basilique Cathédrale de Saint-Denis, Notre-Dame Cathedral, La Chapelle de l’Epiphanie des Missions Etrangères et la Salle des Martyrs, La Chapelle Notre-Dame de la Médaille Miraculeuse, La Chapelle Saint-Vincent-de-Paul, La Madeleine, Notre-Dame-de-Lorette, Notre-Dame-des-Blancs-Manteaux, Notre-Dame-des-Victoires, Cathedral Saint-Alexandre-Nevsky, Saint-Augustin, La Sainte-Chapelle, Sainte-Élisabeth-de-Hongrie, Sainte-Marguerite, Saint-Étienne-du-Mont, La Sainte-Trinité, Saint-Eugène-Sainte-Cécile, Saint-Eustache, Saint-François-Xavier, Saint-Germain-des-Prés, Saint-Germain l’Auxerrois, Saint-Gervais-Saint-Protais, Saint-Jacques-du-Haut-Pas, Saint-Joseph-des-Carmes, Saint-Julien-le-Pauvre, Saint-Louis-en-l’Île, Saint-Merry, Saint-Paul-Saint-Louis, Saint-Pierre de Montmartre, Saint-Roch, Saint-Séverin, Saint-Sulpice, Saint-Thomas-d’Aquin, Saint-Vincent-de-Paul, The American Cathedral in Paris

The discovery of silver cannot be pinpointed; humans have mined it far back into antiquity. Our fascination with this malleable metal and the beautiful works of art that can be shaped from it continues to this day. 

This book brings together two expansive collections of silver objects, the ‘Lion’ collection and the ‘Hamme’ collection. The ‘Lion’ collection provides a broad overview of beautiful silver objects made by a great variety of contemporary British silversmiths. It is divided between holloware, caddy spoons and napkin rings. Part of the collection revolves around the theme of lions, because the lion image bears a resemblance to the collector’s family history. The Hamme collection is a spectacular array of ‘hero’ pieces and commissions that demonstrate some of the best of each silversmith’s work. With more than 500 images, Contemporary British Silver Designers shares some of the finest work crafted by 21st-century silversmiths. 

Interviews with numerous modern silversmiths – Jane Short, Kevin Grey, Miriam Hanid, Nan Nan Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter, Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd and Wally Gilbert – offer insight into the silversmiths’ process and inspirations. Brief biographies are also included on numerous other silversmiths whose work is featured in this book: Phil Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker, Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork, Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers and Katie Watson, among others.

“Glamour is what I sell,” Marlene Dietrich once said. “It’s my stock in trade.” 

Marlene Dietrich remains one of the most enigmatic figures of twentieth-century cinema. This collection brings together rare and iconic photographs spanning her extraordinary career, from glamorous studio portraits and film-set moments to intimate encounters away from the spotlight.  

Featuring both world-famous and never-before-seen images, the book includes portraits by world-renowned photographers: Clarence Sinclair Bull, Cecil Beaton, George Hurrell, Lin Mayberry, Lee Miller, Cornel Lucas, Angus McBean and John Engstead as well as portfolios of eight renowned photographers – Eugene Robert Richee, Don English, William Walling Jr, Eve Arnold, Lawrence Fried, Norman Parkinson, Douglas Kirkland, and Terry O’Neill.  

An illustrated essay by former head of photographs at the National Portrait Gallery, Terence Pepper OBE tells the stories behind the images, from childhood photographs of Dietrich through to her years in cabaret.  

The historical sweep and stylistic variety of the photographs throughout this book creates a rich visual tableau, shedding light on Dietrich’s famously mysterious character, which combined the sultry cabaret singer, the fierce patriot, the lover, the mother, and the independent thinker. 

These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Taking inspiration from Delacroix’s shipwreck paintings, as well as one of the most feted paintings in the world; Géricault’s, The Raft of the Medusa, 1818–19. In her introduction to the book, Whitworth curator Dr Samantha Lackey writes, ‘These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Of course, these drawings also push to the forefront of our minds the images we see every day on our screens, of shipwrecked refugees attempting, and failing, to make their own sea voyages.’

The exhibition ‘Cecily Brown: Shipwreck Drawings’ was shown at The Whitworth (University of Manchester) from 12 November 2017 to 15 April 2018.