{"version":"1.0","provider_name":"ACC Art Books UK","provider_url":"https:\/\/www.accartbooks.com\/uk","author_name":"ACC Art Books UK","author_url":"https:\/\/www.accartbooks.com\/uk","title":"G. H. Hovagimyan - ACC Art Books UK","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pkQ5l09t7q\"><a href=\"https:\/\/www.accartbooks.com\/uk\/book\/g-h-hovagimyan\/\">G. H. Hovagimyan<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.accartbooks.com\/uk\/book\/g-h-hovagimyan\/embed\/#?secret=pkQ5l09t7q\" width=\"600\" height=\"338\" title=\"&#8220;G. H. Hovagimyan&#8221; &#8212; ACC Art Books UK\" data-secret=\"pkQ5l09t7q\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.accartbooks.com\/uk\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781951541996-04-1.jpg","thumbnail_width":750,"thumbnail_height":1000,"description":"Title: G. H. Hovagimyan, Pages: 208 Pages, Publish Date: 10th Jun 2022, Author: Stephen Zacks, ISBN: . Situationist Funhouse is a joyride through the history of G. H. Hovagimyan is an absurdist, a strategist, a serial collaborator in the arts.Foreword by Amanda McDonald Crowley \/ 8 Introduction \/ 12 1. Early Collaborations \/ 16 Rafael Ferrer, Three Leaf Pieces, 1968 \/ 17 112 Greene Street \/ 20 Robert Bell and Richard Serra, Prisoner&rsquo;s Dilemma, 1974 \/ 22 Gordon Matta-Clark, 1975&ndash;76 \/ 24 Day&rsquo;s End, 1975 \/ 25 Conical Intersect, 1975 \/ 27 Salvatore Ala Gallery and Arche Du Triomphe for Workers (unrealized), Milan, 1975 \/ 28 Substrait , 1976 \/ 31 597 Group, 1975 \/ 31 Videotapes and Performances, The Kitchen, February 1975 \/ 32 Loft Show, 597 Broadway, Spring 1975 \/ 34 Colab, 1977&ndash;79 \/ 37 The Communists, punk\/No Wave band, 1977&ndash;1978 \/ 44 Virtual Garrison Gallery, 19 2nd Avenue at 1st Street, 1984&ndash;1985 \/ 51 2. Early Work \/ 58 Control Designators, 112 Greene Street, Sep. 21&ndash;Oct. 3, 1974 \/ 59 About 405 E. 13th Street, Apr. 18&ndash;21, 1974 &amp; Jun. 10&ndash;20, 1975 \/ 61 Scale 1\/1, James Yu Gallery, May 1975 \/ 63 Thought Models, Idea Warehouse, Jun. 11&ndash;12, 1975 \/ 64 Rubber Room, P.S. 1, Mar. 24&ndash;Apr. 10, 1977 \/ 65 Rich Sucker Rap, Artists Space, 1977\/Chant &agrave; Capella, Jean Dupuy and Davidson Gigliotti, Museum of Modern Art, 1978 \/ 67 A Tower at P.S. 1, February 1978 \/ 69 75 Warren Street, Jan. 6&ndash;Feb. 1, 1979 \/ 70 Tactics for Survival in the New Culture, Manifesto Show, Colab, Apr. 1979 \/ 70 Excerpts from a Novel, 112 Workshop, Apr. 24, 1980 \/ 73 3. Net Art \/ 74 BKPC (Barbie and Ken Politically Correct), The Thing, 1993, 1995 \/ 75 Terrorist Advertising, Bowery &amp; 5th Street, Sep. 23, 1993&ndash;Feb. 23, 1994 \/ 79 Hey Bozo, Use Mass Transit, MTA Arts for Transit &amp; Creative Time, Apr.&ndash;May, 1994 \/ 80 Surveys &amp; Questionnaires, Gallery 128, 1994 \/ 86 Faux Conceptual Art, artnetweb, 1993-1995 \/ 92 Art Direct\/ Sex Violence Politics, Thing.net\/artnetweb, 1995 \/ 94 Barbie and Ken Politically Correct \/ 96 Flowers &amp; Ecstasy \/ 96 Pray for Death \/ 98 Sacred &amp; Profane \/ 98 Art Dirt, Pseudo Online Radio\/ Collider, The Thing, 1995&ndash;1998 \/ 100 Art Dirt Im-Port, Port MIT: Navigating Digital Culture, MIT List Visual Arts Center, Jan. 25&ndash;Mar. 29, 1997 \/ 105 Complete Art Dirt Im-Port Lineup \/ 111 4. Multimedia Performances \/ 112 A Soa(p Op)era for Laptops, 1997&ndash;1999 \/ 113 A Soa(p Op)era for iMacs (with Peter Sinclair), 1999&ndash;2005 \/ 118 Heartbreak Hotel (with Peter Sinclair), 2000 \/ 122 Shooter (with Peter Sinclair), EGyebeam, 2001o&ndash;2002 \/ 12f5"}