{"id":13452,"date":"2020-06-02T15:57:33","date_gmt":"2020-06-02T15:57:33","guid":{"rendered":"https:\/\/www.accartbooks.com\/uk\/book\/documents-on-contemporary-crafts-1-5\/"},"modified":"2026-01-11T08:20:05","modified_gmt":"2026-01-11T08:20:05","slug":"documents-on-contemporary-crafts-1-5","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/uk\/book\/documents-on-contemporary-crafts-1-5\/","title":{"rendered":"Documents on Contemporary Crafts 1-5"},"content":{"rendered":"<div>\n<div>\n<p><strong><em>Documents on Contemporary Crafts<\/em><\/strong><br \/>\n is a book series published by Norwegian Crafts in collaboration with  Arnoldsche Art Publishers. The series provides a critical reflection of  contemporary crafts in a wider context and in doing so asks questions  about the ties between contemporary craft, fine art and design, thus  helping to redefine the concept of crafts as such. The five volumes  discuss such topics as skills, materiality, curating, collecting,  perception and New Materialism. The more than thirty contributors range  from leading craft theorists, such as Jorunn Veiteberg, Glenn Adamson  and Liesbeth den Besten, via academics outside the craft tradition, such  as Roger L. Kneebone, professor of surgical education, Trevor Marchand,  professor of social anthropology, and Margaret Wasz, consultant  psychological therapist, to emerging voices like Sarah R. Gilbert,  Marianne Zamecznik and Stephen Knott.<\/p>\n<p>No. 1: <em>Museum for Skills<\/em>.  Skills are essential to the crafts discourse. Yet in an art world that  for the last 50 years has become increasingly focused on conceptual  strategies, we have seen the tendencies of deskilling and outsourcing.  In <em>Museum for Skills<\/em>, the contributors analyse the current  situation for skills by drawing on experience from the fields of brain  research, surgery and anthropology.<\/p>\n<p>No. 2: <em>Materiality Matters<\/em>.  If materiality is a quality-related concept in both contemporary crafts  and contemporary art, are we talking about the same notion? Or is there  a fundamental difference between, on one hand, a maker&#8217;s confidence in  his or her materials, and on the other, a contemporary artist&#8217;s use and  adaption of a given material?<\/p>\n<p>No. 3: <em>Crafting Exhibitions<\/em>.  Curatorial discourse has been an increasingly important aspect of  contemporary art. The curator took on a new role as the &#8216;author&#8217; of the  exhibition. <em>Crafting Exhibitions<\/em> introduces some of the  processes that go into making an exhibition, from developing concepts to  the physical realisation. The contributors offer different approaches  to exhibitions.<\/p>\n<p>No. 4: <em>On Collecting<\/em>. Collections make up  an important part of the contemporary arts and crafts infrastructure.  Collectors and museums help improve the financial situation of artists.  Additionally, to be included in the &#8216;right&#8217; collection or museum can  give an artist a high level of recognition and preserves the art works  for the future. <em>On Collecting<\/em> offers insights into collecting  from different perspectives and sheds light on some of the structures  that determine the &#8216;collectability&#8217; of works of art.<\/p>\n<p>No. 5: <em>Material Perceptions<\/em>.  Contemporary craft objects can be perceived for instance, as works of  art in ceramics, glass, textile, metal and wood, or as functional,  handmade and everyday objects. <em>Material Perceptions<\/em>  investigates contemporary crafts as representations of reality that do  not rely on the concept of autonomy, unravelling the dualism between  aesthetic objects and everyday things.<\/p>\n<\/div>\n<div>\n<p>Norwegian  Crafts is a non-profit organisation founded by the Norwegian  Association for Arts and Crafts in 2012. Norwegian Crafts initiates and  produces exhibitions in collaboration with Norwegian and international  institutions, curators and artists. The aim is to strengthen the  position of contemporary craft from Norway internationally, contribute  to the development of the artists&#8217; careers and stimulate further  exchange across national borders in the field of crafts.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A unique series on the current issues of contemporary crafts now united in a beautifully designed box. 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