{"id":518,"date":"2020-03-16T13:05:22","date_gmt":"2020-03-16T13:05:22","guid":{"rendered":"https:\/\/www.accartbooks.com\/uk\/?post_type=product&#038;p=518"},"modified":"2025-02-02T21:31:53","modified_gmt":"2025-02-02T21:31:53","slug":"encyclopedia-of-russian-stage-design","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/uk\/book\/encyclopedia-of-russian-stage-design\/","title":{"rendered":"Encyclopedia of Russian Stage Design"},"content":{"rendered":"<div>Why collect Russian stage designs? Why write about them? These questions are not rhetorical or idly academic. They have real historical, intellectual, and commercial relevance. Answers may vary, but surely a primary response must be that, quite simply, Russian stage designs are immensely pleasing to the eye. They vibrate, and scintillate with colour, texture and movement. \n<\/div>\n<div>\n<\/div>\n<div>\nFurthermore, through their daring inventions, Russian artists of the first thirty years of the 20th century transformed, profoundly and permanently, our perception of stage design &#8211; and hence of the theatre. They belonged to an extraordinarily creative generation of impresarios, dancers, actors, patrons, and critics who inspired or at least made a major contribution to the international renaissance of the art of the stage, and in particular areas, e.g. the teaching and performing of ballet, their influence is still present today. \n<\/div>\n<div>\n<\/div>\n<div>However, in spite of the many published commentaries on the Russian theatre, in spite of the autobiographies and biographies of its leading representatives, and in spite of the scholarly appreciations of its various components (ballet, drama, opera), the subject of stage design in Russia has yet to be explored in all its manifestations. \n<\/div>\n<div>\n<\/div>\n<div>\nEach work presented here is documented as fully as possible, and includes curatorial data, provenance index, and references to relevant published sources, exhibitions; and variants such as copies and preliminary drawings. The catalogue raisonn&eacute; addresses the issues of attribution, identification of stage production, and date of execution and adduces evidence in the form of bibliographical, archival, and photographic data, expert opinion, and circumstantial evidence in order to support assumptions and conclusions. <i><br \/>\n<\/i><\/div>\n<div><i><br \/>\n<\/i><\/div>\n<div><i>&#8220;For the general reader there are many splendid discoveries; for anyone in today&#8217;s theatre, with its drearily modish, predictabilities of image, it should prove an eye-opener, an eye-cleanser, an inspiration&#8221;.<\/i> <b>Clement Crisp, The Financial Times<\/b><br \/>\n<i><br \/>\n<\/i><\/div>\n<div><i><br \/>\n<\/i><\/div>\n<div><i>&#8220;This is an essential guide not just to the works in the collection themselves, but to the biographies of the artists&#8221;. <b>The Art Newspaper<\/b> <br \/>\n<\/i><\/div>\n<div><i><br \/>\n<\/i><\/div>\n<div><i>The <b><i>Encyclopedia of Russian Stage Design 1880-1930<\/i><\/b> has been published to accompany <i><a href=\"http:\/\/www.accdistribution.com\/uk\/store\/productdatasheet\/9781851496884\">Masterpieces of Russian Stage Design 1880-1930<\/a><\/i> ISBN: 9781851496884.<\/i><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Charts one of the most important interludes within the Russian cultural Renaissance of the early 20th Century.<\/p>\n","protected":false},"featured_media":519,"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"product_brand":[],"product_cat":[5597],"product_tag":[],"class_list":{"0":"post-518","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-design","7":"author-by-author-john-e-bowlt","8":"author-by-author-nikita-d-lobanov-rostovsky","9":"author-by-author-nina-lobanov-rostovsky","10":"publisher-acc-art-books","12":"first","13":"instock","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Encyclopedia of Russian Stage Design - ACC Art Books UK<\/title>\n<meta name=\"description\" content=\"Title: Encyclopedia of Russian Stage Design, Pages: 504 Pages, Publish Date: 12th Jul 2013, Author: John E. Bowlt, Nikita. D. Lobanov-Rostovsky, Nina Lobanov-Rostovsky, ISBN: 9781851497195. Charts one of the most important interludes within the Russian cultural Renaissance of the early 20th Century.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.accartbooks.com\/uk\/book\/encyclopedia-of-russian-stage-design\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Encyclopedia of Russian Stage Design - ACC Art Books UK\" \/>\n<meta property=\"og:description\" content=\"Title: Encyclopedia of Russian Stage Design, Pages: 504 Pages, Publish Date: 12th Jul 2013, Author: John E. Bowlt, Nikita. D. Lobanov-Rostovsky, Nina Lobanov-Rostovsky, ISBN: 9781851497195. 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