{"id":6943,"date":"2020-03-16T18:46:15","date_gmt":"2020-03-16T18:46:15","guid":{"rendered":"https:\/\/www.accartbooks.com\/uk\/?post_type=product&#038;p=6943"},"modified":"2026-03-05T09:24:26","modified_gmt":"2026-03-05T09:24:26","slug":"three-mona-lisas","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/uk\/book\/three-mona-lisas\/","title":{"rendered":"Three Mona Lisas"},"content":{"rendered":"<p>In this study Rab Hatfield provides a thorough, no-nonsense analysis of Leonardo da Vinci&#8217;s <i>Mona Lisa<\/i> or <i>Gioconda.<\/i> The book begins with a consideration of the generally known sources and documents and a careful look at the painting as we know it now. There follow discussions of rarely examined laboratory photographs and of a recently discovered annotation by Ser Agostino Vespucci in a book he owned of letters by Cicero, from which we learn that Leonardo left a portrait of &#8220;Lisa del Giocondo&#8221; unfinished no later than October 1503. The book concludes with a hitherto unknown letter written in 1515 by Filippo Strozzi to Lorenzo de&#8217; Medici, Captain General of the Florentine Armies and soon to become Duke of Urbino, describing some supposed advances these two men made to Mon(n)a Lisa. The laboratory photographs and newly discovered sources make it clear that the <i>Mona Lisa<\/i> has probably been reworked twice, that it in fact depicts Mon(n)a Lisa del Giocondo, and that it would be better if we spoke of it as <i>La Gioconda<\/i> rather than the <i>Mona Lisa.<\/i><br \/>\n Contents: Part One: Setting the Stage &#8211; I. Vasari and Some Other Well Known Sources and Documents.  II. The <i>Mona Lisa<\/i> As We See It Now.   Part Two: The Three <i>Mona Lisas.<\/i>   III.   The Changes: The x-ray photographs and the first <i>Mona Lisa.<\/i>   IV.   The Annotation of Ser Agostino Vespucci.   V. Filippo Strozzi&#8217;s letter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rab Hatfield uses rarely examined laboratory photographs, a recently discovered annotation, and a hitherto unknown letter to shed new light on Leonardo da Vinci&#8217;s Mona Lisa.<br \/>Contents: Part One: Setting the Stage I. Vasari and Some Other Well Known Sources and Documents. II. The Mona Lisa As We See It Now. Part Two: The Three Mona Lisas. III. The Changes: The x-ray photographs and the first Mona Lisa. IV. The Annotation of Ser Agostino Vespucci. V. Filippo Strozzi&#8217;s letter.<\/p>\n","protected":false},"featured_media":6944,"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"product_brand":[],"product_cat":[5568],"product_tag":[],"class_list":{"0":"post-6943","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art","7":"author-by-author-rab-hatfield","8":"publisher-officina-libraria","10":"first","11":"instock","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Three Mona Lisas - ACC Art Books UK<\/title>\n<meta name=\"description\" content=\"Title: Three Mona Lisas, Pages: 248 Pages, Publish Date: 17th Dec 2014, Author: Rab Hatfield, ISBN: 9788897737391. Rab Hatfield uses rarely examined laboratory photographs, a recently discovered annotation, and a hitherto unknown letter to shed new light on Leonardo da Vinci&#039;s Mona Lisa.Contents: Part One: Setting the Stage I. Vasari and Some Other Well Known Sources and Documents. II. The Mona Lisa As We See It Now. Part Two: The Three Mona Lisas. III. The Changes: The x-ray photographs and the first Mona Lisa. IV. The Annotation of Ser Agostino Vespucci. V. 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The Changes: The x-ray photographs and the first Mona Lisa. IV. The Annotation of Ser Agostino Vespucci. V. 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