{"id":73622,"date":"2026-01-13T08:11:37","date_gmt":"2026-01-13T08:11:37","guid":{"rendered":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/"},"modified":"2026-03-03T12:11:28","modified_gmt":"2026-03-03T12:11:28","slug":"the-life-of-j-m-w-turner","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/","title":{"rendered":"The Life of J. M. W. Turner"},"content":{"rendered":"

Joseph Mallord William Turner (1775–1851) is without contest England’s greatest painter – as his contemporaries were quick to admit, even when they could not understand his increasingly abstract art. Yet, despite achieving fame young, the man himself was so intensely private as to be almost unknown. Both brusque and kindly, tight-fisted and generous, taciturn and witty company, he remained a fascinating enigma and source of many legends. <\/p>\n

Soon after Turner’s death the journalist, critic and novelist Walter Thornbury began collecting anecdotes from friends and colleagues. The resulting biography provides most of what we know about Turner. It is unfailingly energetic and entertaining – but also ill-organised and prolix. In this edition, the scholar Ian Warrell has arranged Thornbury’s most illuminating passages into a compact, coherent narrative of the painter’s life.<\/p>\n

Unfailingly vivid and thought-provoking, and with nearly 100 pages of colour illustrations, this is the first stop on any exploration of Turner’s life and career.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ian Warrell’s expert, amply illustrated arrangement of Walter Thornbury’s illuminating biography of England’s greatest painter, the enigmatic and intensely private J. M. W. Turner.
Introduction by IAN WARRELL<\/p>\n

Some further reading, p. 38<\/p>\n

Selections from The Life and Correspondence of J. M. W. Turner, WALTER THORNBURY<\/p>\n

The Curtain Rises, p. 41
\nMaiden Lane, Covent Garden
\n(London vs Venice), p. 45
\nEarly Ambitions, p. 47
\nBrentford: The Country Eden, p. 48
\nMargate, p. 49
\nArchitects and Blue Skies, p. 49
\nThe Royal Academy, p. 51
\nFirst Tour to Bristol, 1791, p. 52
\nFirst Painting in Oils, p. 53
\nTurner and Girtin at Dr Thomas
\nMonro’s ‘academy’, p. 55
\nThomas Girtin (1775–1802), p. 56
\nEmbarking on Travels in England, p. 59
\nTurner Portraits, 1800, p. 62
\nSummary of Turner’s Art Life, p. 64
\nVandervelde’s Rival, 1801, p. 65
\nThe First Foreign Tour, p. 69
\nThe Shipwreck, p. 72
\nTurner’s Liber Studiorum, p. 73
\nClaude and the Liber, p. 77
\nJohn Dillon on the Liber, p. 82
\nAppreciations of Turner’s Early Paintings, p. 83
\nTeaching Perspective, p. 88
\nTurner and Poetry, p. 90
\nWalter Fawkes (1769–1825), p. 91
\nDevon and Plein Air Painting (1811–14), p. 100
\nPictures of Nothing: Turner and the Critics, p. 105
\nSandycombe Lodge, p. 108
\nThe Yorkshire Frost, p. 112
\nCarthage and Claude, p. 114
\nThe Old Masters, p. 120
\nCuyp and Turner, p. 121
\nWork for the Engravers, p. 125
\nItaly 1819, p. 129
\nPlagiarism, p. 132
\nBay of Baiæ, p. 133
\nWorking to Order—Sights Unseen, p. 136
\nVarnishing Days (1): The Black Cloud, p. 137
\nFishing, p. 141
\nPetworth, Sussex, p. 144
\nFloating Carrots, p. 146
\nChantrey’s Trick, p. 146
\nFrancis Chantrey, p. 148
\nRome 1828, p. 149
\nThe Polyphemus, p. 153
\nDeath of William Turner Senior, p. 159
\nThe Benevolent Hoarder [row of 1829], p. 160
\nEngraving on Steel, p. 162
\nTurner in Scott-land, p. 168
\nVarnishing Days (2): Constable vs Turner, p. 173
\nConstable, p. 179
\nVarnishing Days (3): George Jones, p. 180
\nChantrey and the Fire Office, p. 186
\nNew Patrons, p. 186
\nThe Money Spider, p. 187
\nVarnishing Days (4): A Venetian Painting, p. 189
\nVarnishing Days (5): The Burning of the
\nHouses of Parliament, p. 192
\nIndifferent, p. 197
\nTravelling with H. A. J. Munro, 1836, p. 199
\nThe Old Temeraire, p. 204
\nLater Travels, p. 210
\nThe Slave Ship, p. 213
\nMr Ruskin and Modern Painters, p. 214
\nSoapsuds and White-wash, p. 215
\nA Critic Chastened, p. 219
\nWider Criticisms, p. 220
\nThe Gallery on Queen Anne Street
\nin the 1840s, p. 223
\nJames Astbury Hammersley’s Visit to the
\nGallery in 1844, p. 224
\nFrustrated Hopes, p. 227
\nTurner’s Prices, p. 228
\nLast Works, p. 233
\nDrawn into Society, p. 235
\nJohn Jabez Edwin Mayall and Photography, p. 237
\nTwilight at Chelsea, p. 241
\nThe Last Sunshine, p. 248
\nThe Empty Gallery, p. 249
\nTurner’s Painting Room, p. 251
\nThe Grand Funeral, p. 255
\nOld Mortality: An Assessment, p. 259<\/p>\n

List of illustrations, p. 268<\/p>\n

Note on the text, p. 272<\/p>\n","protected":false},"featured_media":73623,"template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"product_brand":[],"product_cat":[5568],"product_tag":[],"class_list":{"0":"post-73622","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art","7":"author-by-author-walter-thornbury","8":"author-introduction-by-ian-warrell","9":"publisher-pallas-athene","10":"series-lives-of-the-artists","12":"first","13":"instock","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"acf":[],"yoast_head":"\nThe Life of J. M. W. Turner - ACC Art Books UK<\/title>\n<meta name=\"description\" content=\"Title: The Life of J. M. W. Turner, Pages: 272 Pages, Publish Date: 28th Jan 2026, Author: Walter Thornbury, Introduction by Ian Warrell, ISBN: 9781843682868. Ian Warrell’s expert, amply illustrated arrangement of Walter Thornbury’s illuminating biography of England’s greatest painter, the enigmatic and intensely private J. M. W. Turner.Introduction by IAN WARRELL Some further reading, p. 38 Selections from The Life and Correspondence of J. M. W. Turner, WALTER THORNBURY The Curtain Rises, p. 41 Maiden Lane, Covent Garden (London vs Venice), p. 45 Early Ambitions, p. 47 Brentford: The Country Eden, p. 48 Margate, p. 49 Architects and Blue Skies, p. 49 The Royal Academy, p. 51 First Tour to Bristol, 1791, p. 52 First Painting in Oils, p. 53 Turner and Girtin at Dr Thomas Monro’s ‘academy’, p. 55 Thomas Girtin (1775–1802), p. 56 Embarking on Travels in England, p. 59 Turner Portraits, 1800, p. 62 Summary of Turner’s Art Life, p. 64 Vandervelde’s Rival, 1801, p. 65 The First Foreign Tour, p. 69 The Shipwreck, p. 72 Turner’s Liber Studiorum, p. 73 Claude and the Liber, p. 77 John Dillon on the Liber, p. 82 Appreciations of Turner’s Early Paintings, p. 83 Teaching Perspective, p. 88 Turner and Poetry, p. 90 Walter Fawkes (1769–1825), p. 91 Devon and Plein Air Painting (1811–14), p. 100 Pictures of Nothing: Turner and the Critics, p. 105 Sandycombe Lodge, p. 108 The Yorkshire Frost, p. 112 Carthage and Claude, p. 114 The Old Masters, p. 120 Cuyp and Turner, p. 121 Work for the Engravers, p. 125 Italy 1819, p. 129 Plagiarism, p. 132 Bay of Baiæ, p. 133 Working to Order—Sights Unseen, p. 136 Varnishing Days (1): The Black Cloud, p. 137 Fishing, p. 141 Petworth, Sussex, p. 144 Floating Carrots, p. 146 Chantrey’s Trick, p. 146 Francis Chantrey, p. 148 Rome 1828, p. 149 The Polyphemus, p. 153 Death of William Turner Senior, p. 159 The Benevolent Hoarder , p. 160 Engraving on Steel, p. 162 Turner in Scott-land, p. 168 Varnishing Days (2): Constable vs Turner, p. 173 Constable, p. 179 Varnishing Days (3): George Jones, p. 180 Chantrey and the Fire Office, p. 186 New Patrons, p. 186 The Money Spider, p. 187 Varnishing Days (4): A Venetian Painting, p. 189 Varnishing Days (5): The Burning of the Houses of Parliament, p. 192 Indifferent, p. 197 Travelling with H. A. J. Munro, 1836, p. 199 The Old Temeraire, p. 204 Later Travels, p. 210 The Slave Ship, p. 213 Mr Ruskin and Modern Painters, p. 214 Soapsuds and White-wash, p. 215 A Critic Chastened, p. 219 Wider Criticisms, p. 220 The Gallery on Queen Anne Street in the 1840s, p. 223 James Astbury Hammersley’s Visit to the Gallery in 1844, p. 224 Frustrated Hopes, p. 227 Turner’s Prices, p. 228 Last Works, p. 233 Drawn into Society, p. 235 John Jabez Edwin Mayall and Photography, p. 237 Twilight at Chelsea, p. 241 The Last Sunshine, p. 248 The Empty Gallery, p. 249 Turner’s Painting Room, p. 251 The Grand Funeral, p. 255 Old Mortality: An Assessment, p. 259 List of illustrations, p. 268 Note on the text, p. 272\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Life of J. M. W. Turner - ACC Art Books UK\" \/>\n<meta property=\"og:description\" content=\"Title: The Life of J. M. W. Turner, Pages: 272 Pages, Publish Date: 28th Jan 2026, Author: Walter Thornbury, Introduction by Ian Warrell, ISBN: 9781843682868. Ian Warrell’s expert, amply illustrated arrangement of Walter Thornbury’s illuminating biography of England’s greatest painter, the enigmatic and intensely private J. M. W. Turner.Introduction by IAN WARRELL Some further reading, p. 38 Selections from The Life and Correspondence of J. M. W. Turner, WALTER THORNBURY The Curtain Rises, p. 41 Maiden Lane, Covent Garden (London vs Venice), p. 45 Early Ambitions, p. 47 Brentford: The Country Eden, p. 48 Margate, p. 49 Architects and Blue Skies, p. 49 The Royal Academy, p. 51 First Tour to Bristol, 1791, p. 52 First Painting in Oils, p. 53 Turner and Girtin at Dr Thomas Monro’s ‘academy’, p. 55 Thomas Girtin (1775–1802), p. 56 Embarking on Travels in England, p. 59 Turner Portraits, 1800, p. 62 Summary of Turner’s Art Life, p. 64 Vandervelde’s Rival, 1801, p. 65 The First Foreign Tour, p. 69 The Shipwreck, p. 72 Turner’s Liber Studiorum, p. 73 Claude and the Liber, p. 77 John Dillon on the Liber, p. 82 Appreciations of Turner’s Early Paintings, p. 83 Teaching Perspective, p. 88 Turner and Poetry, p. 90 Walter Fawkes (1769–1825), p. 91 Devon and Plein Air Painting (1811–14), p. 100 Pictures of Nothing: Turner and the Critics, p. 105 Sandycombe Lodge, p. 108 The Yorkshire Frost, p. 112 Carthage and Claude, p. 114 The Old Masters, p. 120 Cuyp and Turner, p. 121 Work for the Engravers, p. 125 Italy 1819, p. 129 Plagiarism, p. 132 Bay of Baiæ, p. 133 Working to Order—Sights Unseen, p. 136 Varnishing Days (1): The Black Cloud, p. 137 Fishing, p. 141 Petworth, Sussex, p. 144 Floating Carrots, p. 146 Chantrey’s Trick, p. 146 Francis Chantrey, p. 148 Rome 1828, p. 149 The Polyphemus, p. 153 Death of William Turner Senior, p. 159 The Benevolent Hoarder , p. 160 Engraving on Steel, p. 162 Turner in Scott-land, p. 168 Varnishing Days (2): Constable vs Turner, p. 173 Constable, p. 179 Varnishing Days (3): George Jones, p. 180 Chantrey and the Fire Office, p. 186 New Patrons, p. 186 The Money Spider, p. 187 Varnishing Days (4): A Venetian Painting, p. 189 Varnishing Days (5): The Burning of the Houses of Parliament, p. 192 Indifferent, p. 197 Travelling with H. A. J. Munro, 1836, p. 199 The Old Temeraire, p. 204 Later Travels, p. 210 The Slave Ship, p. 213 Mr Ruskin and Modern Painters, p. 214 Soapsuds and White-wash, p. 215 A Critic Chastened, p. 219 Wider Criticisms, p. 220 The Gallery on Queen Anne Street in the 1840s, p. 223 James Astbury Hammersley’s Visit to the Gallery in 1844, p. 224 Frustrated Hopes, p. 227 Turner’s Prices, p. 228 Last Works, p. 233 Drawn into Society, p. 235 John Jabez Edwin Mayall and Photography, p. 237 Twilight at Chelsea, p. 241 The Last Sunshine, p. 248 The Empty Gallery, p. 249 Turner’s Painting Room, p. 251 The Grand Funeral, p. 255 Old Mortality: An Assessment, p. 259 List of illustrations, p. 268 Note on the text, p. 272\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/\" \/>\n<meta property=\"og:site_name\" content=\"ACC Art Books UK\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ACCArtBooks\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-03T12:11:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781843682868-04-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"1753\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@accartbooks\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/\",\"url\":\"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/\",\"name\":\"The Life of J. 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Turner, WALTER THORNBURY The Curtain Rises, p. 41 Maiden Lane, Covent Garden (London vs Venice), p. 45 Early Ambitions, p. 47 Brentford: The Country Eden, p. 48 Margate, p. 49 Architects and Blue Skies, p. 49 The Royal Academy, p. 51 First Tour to Bristol, 1791, p. 52 First Painting in Oils, p. 53 Turner and Girtin at Dr Thomas Monro’s ‘academy’, p. 55 Thomas Girtin (1775–1802), p. 56 Embarking on Travels in England, p. 59 Turner Portraits, 1800, p. 62 Summary of Turner’s Art Life, p. 64 Vandervelde’s Rival, 1801, p. 65 The First Foreign Tour, p. 69 The Shipwreck, p. 72 Turner’s Liber Studiorum, p. 73 Claude and the Liber, p. 77 John Dillon on the Liber, p. 82 Appreciations of Turner’s Early Paintings, p. 83 Teaching Perspective, p. 88 Turner and Poetry, p. 90 Walter Fawkes (1769–1825), p. 91 Devon and Plein Air Painting (1811–14), p. 100 Pictures of Nothing: Turner and the Critics, p. 105 Sandycombe Lodge, p. 108 The Yorkshire Frost, p. 112 Carthage and Claude, p. 114 The Old Masters, p. 120 Cuyp and Turner, p. 121 Work for the Engravers, p. 125 Italy 1819, p. 129 Plagiarism, p. 132 Bay of Baiæ, p. 133 Working to Order—Sights Unseen, p. 136 Varnishing Days (1): The Black Cloud, p. 137 Fishing, p. 141 Petworth, Sussex, p. 144 Floating Carrots, p. 146 Chantrey’s Trick, p. 146 Francis Chantrey, p. 148 Rome 1828, p. 149 The Polyphemus, p. 153 Death of William Turner Senior, p. 159 The Benevolent Hoarder , p. 160 Engraving on Steel, p. 162 Turner in Scott-land, p. 168 Varnishing Days (2): Constable vs Turner, p. 173 Constable, p. 179 Varnishing Days (3): George Jones, p. 180 Chantrey and the Fire Office, p. 186 New Patrons, p. 186 The Money Spider, p. 187 Varnishing Days (4): A Venetian Painting, p. 189 Varnishing Days (5): The Burning of the Houses of Parliament, p. 192 Indifferent, p. 197 Travelling with H. A. J. Munro, 1836, p. 199 The Old Temeraire, p. 204 Later Travels, p. 210 The Slave Ship, p. 213 Mr Ruskin and Modern Painters, p. 214 Soapsuds and White-wash, p. 215 A Critic Chastened, p. 219 Wider Criticisms, p. 220 The Gallery on Queen Anne Street in the 1840s, p. 223 James Astbury Hammersley’s Visit to the Gallery in 1844, p. 224 Frustrated Hopes, p. 227 Turner’s Prices, p. 228 Last Works, p. 233 Drawn into Society, p. 235 John Jabez Edwin Mayall and Photography, p. 237 Twilight at Chelsea, p. 241 The Last Sunshine, p. 248 The Empty Gallery, p. 249 Turner’s Painting Room, p. 251 The Grand Funeral, p. 255 Old Mortality: An Assessment, p. 259 List of illustrations, p. 268 Note on the text, p. 272","og_url":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/","og_site_name":"ACC Art Books UK","article_publisher":"https:\/\/www.facebook.com\/ACCArtBooks\/","article_modified_time":"2026-03-03T12:11:28+00:00","og_image":[{"width":1400,"height":1753,"url":"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781843682868-04-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@accartbooks","twitter_misc":{"Estimated reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/","url":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/","name":"The Life of J. 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Turner, WALTER THORNBURY The Curtain Rises, p. 41 Maiden Lane, Covent Garden (London vs Venice), p. 45 Early Ambitions, p. 47 Brentford: The Country Eden, p. 48 Margate, p. 49 Architects and Blue Skies, p. 49 The Royal Academy, p. 51 First Tour to Bristol, 1791, p. 52 First Painting in Oils, p. 53 Turner and Girtin at Dr Thomas Monro’s ‘academy’, p. 55 Thomas Girtin (1775–1802), p. 56 Embarking on Travels in England, p. 59 Turner Portraits, 1800, p. 62 Summary of Turner’s Art Life, p. 64 Vandervelde’s Rival, 1801, p. 65 The First Foreign Tour, p. 69 The Shipwreck, p. 72 Turner’s Liber Studiorum, p. 73 Claude and the Liber, p. 77 John Dillon on the Liber, p. 82 Appreciations of Turner’s Early Paintings, p. 83 Teaching Perspective, p. 88 Turner and Poetry, p. 90 Walter Fawkes (1769–1825), p. 91 Devon and Plein Air Painting (1811–14), p. 100 Pictures of Nothing: Turner and the Critics, p. 105 Sandycombe Lodge, p. 108 The Yorkshire Frost, p. 112 Carthage and Claude, p. 114 The Old Masters, p. 120 Cuyp and Turner, p. 121 Work for the Engravers, p. 125 Italy 1819, p. 129 Plagiarism, p. 132 Bay of Baiæ, p. 133 Working to Order—Sights Unseen, p. 136 Varnishing Days (1): The Black Cloud, p. 137 Fishing, p. 141 Petworth, Sussex, p. 144 Floating Carrots, p. 146 Chantrey’s Trick, p. 146 Francis Chantrey, p. 148 Rome 1828, p. 149 The Polyphemus, p. 153 Death of William Turner Senior, p. 159 The Benevolent Hoarder , p. 160 Engraving on Steel, p. 162 Turner in Scott-land, p. 168 Varnishing Days (2): Constable vs Turner, p. 173 Constable, p. 179 Varnishing Days (3): George Jones, p. 180 Chantrey and the Fire Office, p. 186 New Patrons, p. 186 The Money Spider, p. 187 Varnishing Days (4): A Venetian Painting, p. 189 Varnishing Days (5): The Burning of the Houses of Parliament, p. 192 Indifferent, p. 197 Travelling with H. 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Munro, 1836, p. 199 The Old Temeraire, p. 204 Later Travels, p. 210 The Slave Ship, p. 213 Mr Ruskin and Modern Painters, p. 214 Soapsuds and White-wash, p. 215 A Critic Chastened, p. 219 Wider Criticisms, p. 220 The Gallery on Queen Anne Street in the 1840s, p. 223 James Astbury Hammersley’s Visit to the Gallery in 1844, p. 224 Frustrated Hopes, p. 227 Turner’s Prices, p. 228 Last Works, p. 233 Drawn into Society, p. 235 John Jabez Edwin Mayall and Photography, p. 237 Twilight at Chelsea, p. 241 The Last Sunshine, p. 248 The Empty Gallery, p. 249 Turner’s Painting Room, p. 251 The Grand Funeral, p. 255 Old Mortality: An Assessment, p. 259 List of illustrations, p. 268 Note on the text, p. 272","breadcrumb":{"@id":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/#primaryimage","url":"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781843682868-04-1.jpg","contentUrl":"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781843682868-04-1.jpg","width":1400,"height":1753},{"@type":"BreadcrumbList","@id":"https:\/\/www.accartbooks.com\/uk\/book\/the-life-of-j-m-w-turner\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.accartbooks.com\/uk\/"},{"@type":"ListItem","position":2,"name":"Books","item":"https:\/\/www.accartbooks.com\/uk\/books\/"},{"@type":"ListItem","position":3,"name":"The Life of J. 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