1.0ACC Art Books UShttps://www.accartbooks.com/usACC Art Books UShttps://www.accartbooks.com/usrich600338<blockquote class="wp-embedded-content" data-secret="gsWmfc0w27"><a href="https://www.accartbooks.com/us/book/chantal-akerman/">Chantal Akerman</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.accartbooks.com/us/book/chantal-akerman/embed/#?secret=gsWmfc0w27" width="600" height="338" title="“Chantal Akerman” — ACC Art Books US" data-secret="gsWmfc0w27" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.accartbooks.com/us/wp-includes/js/wp-embed.min.js </script> https://www.accartbooks.com/app/uploads/books/9789401410922-04-1.jpg9921400This book is a posthumous collective portrait of Chantal Akerman as one of the most influential filmmakers of our time, with contributions from people who admired her and worked closely with her.5 Chantal Akerman, Bordering on Fiction Christophe Slagmuylder, Zoë Gray, Quentin Bajac 9 Travelling Céline Brouwez, Marta Ponsa, Laurence Rassel, Alberta Sessa 17 News from Chantal The Maternal Territory and the Novelistic Landscape Jacqueline Aubenas 23 ‘My name is Jan and I play the role of Sylvain in Chantal’s film, called Jeanne Dielman’ Anouk De Clercq in conversation with Jan Decorte 35 Trying to Dismantle the Home with the Tools of the Trade Verónica Gago 43 Phantom Gestures Latifa Laâbissi 49 inside ‘i, you, he, she’ Eileen Myles 69 Chantal and the Cello Sonia Wieder-Atherton 83 The River Luc Benhamou 101 The Golden Fleece –Summer 2023 Christophe Honoré 109 Resonances Claire Atherton 123 From the East: Space as Question, Time as Border Sylvie Lindeperg 133 Of Place and Performance Sharon Lockhart 143 Traces Wang Bing 149 Dear Chantal Nicolás Pereda 159 ‘Don’t worry. Whatever you do, don’t worry. Everything will be fine.’ Marilyn Watelet 163 Subjective Filmo-biography Jacqueline Aubenas, Marilyn Watelet 193 Toward the Future Sylviane Akerman 195 A Professional Tenderness Tomas Leyers 196 Translation of the documents