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</html><thumbnail_url>https://www.accartbooks.com/app/uploads/books/9781953225207-04-2.jpg</thumbnail_url><thumbnail_width>968</thumbnail_width><thumbnail_height>1422</thumbnail_height><description>Follows the author&rsquo;s 2017 book James Lee Byars: Days in Japan to illuminate a similarly crucial yet overlooked period in the artist&rsquo;s development.07&#x3000;&#x3000;Preface 012&#x3000;&#x3000;1. 4731 Brooklyn Street 015&#x3000;&#x3000;2. Born in the Great Depression 024&#x3000;&#x3000;3. The Navy, Active Duty, and Marriage 028&#x3000;&#x3000;4. Returning to Detroit and to College 034&#x3000;&#x3000;5. Exposure to Japanese Culture 039&#x3000;&#x3000;6. The Freer House and the Merrill-Palmer Institute 042&#x3000;&#x3000;7. Divorce and Plans for Japan 045&#x3000;&#x3000;8. Mr. Softi and Mr. Softi&rsquo;s Neighbors 055&#x3000;&#x3000;9. A One-Man Show and Departure for Japan 063&#x3000;&#x3000;10. Encounter with the Mingeikan 066&#x3000;&#x3000;11. Days in Bizen 082&#x3000;&#x3000;12. Days in Kurashiki 088&#x3000;&#x3000;13. Return from Japan (July 1959&ndash;Spring 1960) 094&#x3000;&#x3000;14. Tonomura&rsquo;s Trip Abroad 104&#x3000;&#x3000;15. An Exhibition in MoMA&rsquo;s Emergency Stairwell 116&#x3000;&#x3000;16. To Japan Again 122&#x3000;&#x3000;17. Byars&rsquo;s Sumi-e and the Influence of Calligraphy</description></oembed>
