1.0ACC Art Books UShttps://www.accartbooks.com/usACC Art Books UShttps://www.accartbooks.com/usrich600338<blockquote class="wp-embedded-content" data-secret="uglkn48ibW"><a href="https://www.accartbooks.com/us/book/london-calling/">London Calling</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.accartbooks.com/us/book/london-calling/embed/#?secret=uglkn48ibW" width="600" height="338" title="“London Calling” — ACC Art Books US" data-secret="uglkn48ibW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.accartbooks.com/us/wp-includes/js/wp-embed.min.js </script> https://www.accartbooks.com/app/uploads/books/9789462626751-04-1-600x741.jpg600741A landmark publication on the School of London, showcasing how postwar British artists like Bacon, Hockney, Freud, and Rego transformed figurative painting and the human form.Foreword by General Director Kunstmuseum The Hague Essay by Gregory Salter, Assistant Professor at the University of Birmingham, (specialising in postwar British art) Essay by Sanjukta Sunderason, assistant professor University of Amsterdam, (specialising in Modernism and activist art) Essay by Elena Crippa, former curator Tate and Thijs de Raedt, curator at Kunstmuseum The Hague and of the exhibition Catalogue with all 75 works in the exhibition Portrait and group photos of the participating artists A selection of iconic images of London in the second half of the 20th century, spanning the post-war period to around 2000