1.0ACC Art Books UShttps://www.accartbooks.com/usoperatorhttps://www.accartbooks.com/us/blog/author/operator/rich600338<blockquote class="wp-embedded-content" data-secret="ucAaTWn4e2"><a href="https://www.accartbooks.com/us/book/rembrandt/">Rembrandt</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.accartbooks.com/us/book/rembrandt/embed/#?secret=ucAaTWn4e2" width="600" height="338" title="“Rembrandt” — ACC Art Books US" data-secret="ucAaTWn4e2" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.accartbooks.com/us/wp-includes/js/wp-embed.min.js </script> https://www.accartbooks.com/app/uploads/books/9781911054191-04-1.jpg8571000Foreword Introduction 1 Rembrandt’s Fame in Britain, 1630–1900: An Overview Christian Tico Seifert 2 Rembrandt and Britain: The Modern Era Patrick Elliott 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700–1840 Stephanie S. Dickey 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain Jonathan Yarker 5 Regarding Rembrandt: Reynolds and Rembrandt Donato Esposito 6 Rembrandt: Paragon of the Etching Revival Peter Black 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850–1930 M.J. Ripps Catalogue BibliographyThe story of Rembrandt's fame and influence in Britain, exploring his works in British collections and his influence on British artists from the 17th century to today.