1.0ACC Art Books UShttps://www.accartbooks.com/usLeahhttps://www.accartbooks.com/us/blog/author/lcollett/rich600338<blockquote class="wp-embedded-content" data-secret="pvTWygbDBM"><a href="https://www.accartbooks.com/us/book/seeing-loud-basquiat-and-music/">Seeing Loud, Basquiat and Music</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.accartbooks.com/us/book/seeing-loud-basquiat-and-music/embed/#?secret=pvTWygbDBM" width="600" height="338" title="“Seeing Loud, Basquiat and Music” — ACC Art Books US" data-secret="pvTWygbDBM" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.accartbooks.com/us/wp-includes/js/wp-embed.min.js </script> https://www.accartbooks.com/app/uploads/books/9782072985942-04-1.jpg8041000An exhibition catalog that explores the influence of the downtown New York music scene in the 1970s and '80s on Jean-Michel Basquiat's work as a musician and an artist.FOREWORDS 008 Basquiat: Musician of Our Times Stephane Aquin 010 When the Eye Listens Marie-Pauline Martin PRELUDES 014 INTRODUCTION Seeing Loud: Basquiat and Music Mary-Dailey Desmarais (MDD) 032 Michael Holman Interview: Mary-Dailey Desmarais NEW YORK BEATS 040 The Urban Soundscape: A Playlist in Remix Carlo McCormick 052 Gray Matters: Rambling Reminiscence of Basquiat and His Orchestra Glenn O’Brien 061 “Beat Bop” Vincent Bessieres 064 Nicholas Taylor Interview: Vincent Bessieres 090 Torrick “Toxic” Ablack Interview: Vincent Bessieres SEEING SOUND 098 The Sound of Basquiat Dieter Buchhart 122 Anna Domino Interview: Vincent Bessieres 127 Basquiat’s Notebooks Mary-Dailey Desmarais 134 A Panel of Experts Mary-Dailey Desmarais 136 Arto Lindsay Interview: Vincent Bessieres JAZZ 150 Now’s the Time Vincent Bessieres 152 “One Great Big Loudspeaker”: Jazz and Blues in the Work of Jean-Michel Basquiat Vincent Bessieres (VB) 190 George Condo Interview: Mary-Dailey Desmarais 196 Basquiat’s Boxes Vincent Bessieres FROM HIP-HOP TO BLUES AND BEYOND 204 Cut to the Bone: The Blackness of Basquiat’s Performative Line Kobena Mercer 220 Lee Jaffe Interview: Mary-Dailey Desmarais 222 Slave Auction Vincent Bessieres 224 Basquiat: Eroica Franklin Sirmans 230 Fab 5 Freddy Interview: Franklin Sirmans 254 Scores James Brandon Lewis Thomas Sayers Ellis 258 Chronology: In Time with Basquiat 276 List of Illustrations 281 Suggested Readings and Doc