{"version":"1.0","provider_name":"ACC Art Books US","provider_url":"https:\/\/www.accartbooks.com\/us","author_name":"ACC Art Books US","author_url":"https:\/\/www.accartbooks.com\/us","title":"Rembrandt-Hoogstraten - ACC Art Books US","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iz0TeORdva\"><a href=\"https:\/\/www.accartbooks.com\/us\/book\/rembrandt-hoogstraten\/\">Rembrandt-Hoogstraten<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.accartbooks.com\/us\/book\/rembrandt-hoogstraten\/embed\/#?secret=iz0TeORdva\" width=\"600\" height=\"338\" title=\"&#8220;Rembrandt-Hoogstraten&#8221; &#8212; ACC Art Books US\" data-secret=\"iz0TeORdva\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.accartbooks.com\/us\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9789464941319-04-1-600x701.jpg","thumbnail_width":600,"thumbnail_height":701,"description":"Published to accompany the once-in-a-lifetime Rembrandt exhibition at the Kunsthistorisches Museum Vienna. Rembrandt's powerful art left a lasting impression on his gifted pupil Samuel van Hoogstraten. The fascinating interplay between both artists is unique &ndash; you have never seen Rembrandt like this before.8 Foreword Sabine Haag 10 Acknowledgements Sabine P&eacute;not 13 Introduction Sabine P&eacute;not 26 Comparative Timeline Angelina Illes 37 Rembrandt and Samuel van Hoogstraten: Collecting, Presence, and Esteem in the Habsburg Patrimonial Lands and Collections Sabine P&eacute;not 63 &lsquo;Come, behold Hochstraet!&rsquo;: Samuel van Hoogstraten&rsquo;s Self-Portraits and Rembrandt Volker Manuth 81 Reflecting on the Visible World Celeste Brusati 91 &lsquo;Art cannot attain any perfection unless one &hellip; is guided by unerring rules of instruction.&rsquo; Van Hoogstraten&rsquo;s Estimation of Rembrandt as a teacher Jonathan Bikker 113 History Painting Volker Manuth 123 From Rembrandt&rsquo;s nae &rsquo;t leven to Van Hoogstraten&rsquo;s zichtbaere werelt David de Witt 153 Rembrandt and Samuel van Hoogstraten and their Passion for Illusions Leonore van Sloten 183 Precious Props. Rembrandt&rsquo;s Strategic Use of Fashion Accessories in his Portraits Marieke de Winkel 199 Gold Marieke de Winkel 207 Rembrandt&rsquo;s A Woman in Bed (Sarah Awaiting Tobias): Ambiguity and Illusion Christian Tico Seifert 219 Samuel van Hoogstraten and the Central European Scientists of Sight: Astronomy, Jesuit Optics, Perspective Technique Paolo Sanvito 233 Samuel van Hoogstraten&rsquo;s Illusionistic Paintings for Emperor Ferdinand III &ndash; Two Case Studies Erma Hermens and Sabine P&eacute;not in collaboration with Eva G&ouml;tz, Elke Oberthaler, and Ina Slama 254 List of Works 264 Reference List 273 Index"}