Nudity, lasciviousness, sensuality, provocation, shamelessness, or obscenity. During the 19th century, eroticism takes on a new place in Western visual culture, in particular thanks to the development of reproduction such as photography, press or lithography.<\/p>\n
Result of long and meticulous research, this book reviews the major reflections carried out on the theme of nudity in the field of art history and the history of sensibilities. It studies the reception of nudity in France, based on documentary and iconographic sources renewed (little-known works, drawings and photographs, newspapers, archives, texts of laws) and allows us to better understand this history of erotic art of the nineteenth century, long perpetuated by the sole taste of description.<\/p>\n
By placing the works in their context, by comparing expressions and aesthetics, and studying visual culture of time, Claire Maingon opens up new fields of reflection, while allowing to discover unknown or forgotten artists such as Broc, Gavarni, Dubufe, Galimard, Ranft, Eakins, alongside the big names in the history of 19th century, David, Ingres, Delacroix, Courbet, Manet, Rodin.<\/p>\n
Text in French.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nudity or obscenity. During the 19th century, eroticism takes on a new place in Western visual culture. This book reviews the major reflections on the theme of nudity in the field of art history and the history of sensibilities. Text in French.
7 Introduction
\n17 D’où vient l’érotisme du XIXe siècle ?
\n21 L’empire de la pudeur
\n23 Voir la nudité
\nVoir l’érotisme
\n29 Au musée du Louvre
\n41 Au Salon
\n69 Des femmes (presque) nues en vitrine
\n75 Le spectacle de la nudité
\n81 Le commerce des images érotiques et pornographiques
\n86 L’érotisme en collections privées
\nReprésenter la nudité
\n97 Le danger du sexe féminin
\n109 Un érotisme académique ?
\n125 Les illustrateurs, premiers pornographes
\n131 La crudité du réalisme
\nL’artiste et le modèle
\n155 Le mythe ambigu de l’artiste amoureux
\n160 Dans l’antre du peintre et du photographe
\n172 La pudeur du modèle
\n177 Une mauvaise réputation
\nLe poids de la morale
\n185 Mesures de censure
\n193 Ce que la loi prévoit
\n207 Le terrible Bérenger et les dessinateurs
\nConclusion
\n224 Notes
\n232 Bibliographie
\n000 Index
\n000 Crédits
\n000 Remerciements<\/p>\n","protected":false},"featured_media":30812,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"product_brand":[],"product_cat":[5523],"product_tag":[],"class_list":{"0":"post-30811","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art","7":"author-by-author-claire-maingon","8":"publisher-editions-norma","10":"first","11":"instock","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"\n