{"id":50849,"date":"2024-07-05T07:10:39","date_gmt":"2024-07-05T07:10:39","guid":{"rendered":"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/"},"modified":"2025-11-01T09:26:54","modified_gmt":"2025-11-01T09:26:54","slug":"anselm-kiefer-2","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/","title":{"rendered":"Anselm Kiefer"},"content":{"rendered":"

This book accompanies a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works<\/em><\/strong> is the first institutional show and publication in the UK dedicated to Kiefer’s early practice. The book introduces themes, subjects and styles that have become signature to Kiefer’s work, while providing a more intimate and complementary context for his large-scale installations that he is best known for today. The early works are accompanied by three recent paintings from the artist’s own collections and White Cube, chosen by the artist himself.<\/p>\n

Art historians, artists, curators and experts of Kiefer’s art from Germany, Austria, Belgium, Britain and the US have contributed 46 original texts on individual works, organized in a chronological structure. An illustrated chronology at the end of the book compiled by Stephanie Biron from the Hall Art Foundation provides an overview of the artist’s early practice and life, to contextualize the works.<\/p>\n

The book begins with Kiefer’s iconic Occupations and Heroische Sinnbilder series, created in 1969 and 1970, which Kiefer views as his first serious works. Kiefer was among the first generation of German post-war artists to directly confront the country’s troubled past and identity. Full of complex references to German socio-political history but also to culture, literature and his personal life, Kiefer’s early works carry a unique iconography, linking classic ideas of great art with a distinctive understanding of concrete artistic materiality. The landscapes in his watercolors are historically charged; hand-written words on paintings are closely linked with poetry well known to most German viewers; motifs and symbols point at Nazi ideologies and a collective feeling of guilt.<\/p>\n","protected":false},"excerpt":{"rendered":"

Accompanies a major exhibition in the Ashmolean Museum on the early work of acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation.
DIRECTOR’S FOREWORD 9
\nAlexander Sturgis
\nINTRODUCTION 10
\nLena Fritsch
\nIN FOCUS
\n1
\nFÜR JEAN GENET, 1969 16
\nChristian Weikop
\n2
\nBESETZUNG (OCCUPATION), 1969–2016 26
\nChristian Weikop
\n3
\nHEROISCHE SINNBILDER, 1970 30
\nChristian Weikop
\n4
\nICH – DU, 1971 34
\nLena Fritsch
\n5
\nLANDSCHAFT BEI BUCHEN, 1971 38
\nLena Fritsch
\n6
\nWALD, 1973\/74 40
\nLena Fritsch
\n7
\nDIE ETSCH, MID-1970S 44
\nLena Fritsch
\n8
\nV ON OSCAR WILDE FÜR JULIA, 1973 47
\nLiz Rideal
\n9
\nT HE DREAM KING, 1974 51
\nLiz Rideal
\n10
\nLANDSCHAFT MIT KOPF, 1973 55
\nSabine Schütz
\n11
\nUNTITLED (U-BOAT), 1973 58
\nLena Fritsch
\n12
\nSOL INVICTUS HELIOGABAL, 1974 61
\nLena Fritsch
\n13\/14
\nNASCITA DI PITTURA (THE BIRTH OF PAINTING ) \/ 64
\nUNTITLED, 1974
\nLena Fritsch
\n15
\nHOW TO PAINT NUDES, 1974 70
\nLena Fritsch
\n16
\nSTILL LIFE IS EXCITING, 1974 72
\nLena Fritsch
\n17
\nDAS DEUTSCHE VOLKSGESICHT. 76
\nKOHLE FÜR 2000 JAHRE, 1974
\nSabine Schütz
\n18
\nUNTITLED, 1974 94
\nLena Fritsch
\n19
\nAUSBRENNEN DES LANDKREISES BUCHEN, 95
\n1974
\nLena Fritsch
\n20
\nHELIOGABAL, 1974-75 110
\nLena Fritsch
\n21\/22
\nSTEFAN!, 1975 \/ STEFAN II, 1975 113
\n23
\nDIE KUNST GEHT KNAPP NICHT UNTER, 1975 118
\nLena Fritsch
\n24
\nBRÜNHILDES TOD, 1976 121
\nLiz Rideal
\n25
\nUNTERNEHMEN TRAPPENFANG, 1976 124
\nLisa Saltzman
\n26
\nW EGE DER WELTWEISHEIT, 1977 128
\nAntonia Hoerschelmann
\n27
\nW EGE DER WELTWEISHEIT: GOTTFRIED KELLER, 1977 132
\nAn Van Camp
\n28
\nW EGE DER WELTWEISHEIT: GOTTFRIED KELLER, 1977 145
\nAn van Camp
\n29
\nENGEL MIT PALETTE, 1977-78 152
\nLisa Saltzman
\n30
\nVON SCHLIEFFEN, 1977 156
\nLena Fritsch
\n31
\nFÜR JULIA, 1977-78 158
\nLena Fritsch
\n32
\nPALETTE MIT FLÜGELN, 1978 162
\nHarriet Häußler
\n33
\nBRÜNHILDE GRANE, 1978 165
\nLena Fritsch
\n34
\nYGGDRASIL, 1978 168
\nHarriet Häußler
\n35
\nRITT AN DIE WEICHSEL, 1980-81 172
\nLena Fritsch
\n36
\nNOCH IST POLEN NICHT VERLOREN, 1981 174
\nLena Fritsch
\n37
\nBRÜNHILDE, 1981 178
\nLena Fritsch
\n38
\nURD, WERDANDI, SKULD (DIE NORNEN), 1981 181
\nLena Fritsch
\n39
\nMARGARETHE-SULAMIT, 1981 184
\nLena Fritsch
\n40
\nET LA TERRE TREMBLE ENCORE, 1981 188
\nLena Fritsch
\n41
\nDER RHEIN, 1982 191
\nAntonia Hoerschelmann
\n42
\nINNENRAUM, 1982 195
\nRichard Calvocoressi
\n43\/44
\nDIE BLÄTTER FALLEN \/ UND IN DEN NÄCHTEN 198
\nFÄLLT DIE SCHWERE ERDE, 2017–23
\nLena Fritsch
\n45
\nW ER JETZT KEIN HAUS HAT, 2023 199
\nLena Fritsch
\nCONTRIBUTORS 210
\nCHRONOLOGY 212
\nStephanie Biron<\/p>\n","protected":false},"featured_media":52894,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":""},"product_brand":[],"product_cat":[5523],"product_tag":[],"class_list":{"0":"post-50849","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art","7":"author-edited-by-lena-fritsch","8":"publisher-ashmolean-museum","10":"first","11":"instock","12":"shipping-taxable","13":"purchasable","14":"product-type-simple"},"acf":[],"yoast_head":"\nAnselm Kiefer - ACC Art Books US<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anselm Kiefer - ACC Art Books US\" \/>\n<meta property=\"og:description\" content=\"Accompanies a major exhibition in the Ashmolean Museum on the early work of acclaimed German artist Anselm Kiefer. It focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation.DIRECTOR’S FOREWORD 9 Alexander Sturgis INTRODUCTION 10 Lena Fritsch IN FOCUS 1 FÜR JEAN GENET, 1969 16 Christian Weikop 2 BESETZUNG (OCCUPATION), 1969–2016 26 Christian Weikop 3 HEROISCHE SINNBILDER, 1970 30 Christian Weikop 4 ICH – DU, 1971 34 Lena Fritsch 5 LANDSCHAFT BEI BUCHEN, 1971 38 Lena Fritsch 6 WALD, 1973\/74 40 Lena Fritsch 7 DIE ETSCH, MID-1970S 44 Lena Fritsch 8 V ON OSCAR WILDE FÜR JULIA, 1973 47 Liz Rideal 9 T HE DREAM KING, 1974 51 Liz Rideal 10 LANDSCHAFT MIT KOPF, 1973 55 Sabine Schütz 11 UNTITLED (U-BOAT), 1973 58 Lena Fritsch 12 SOL INVICTUS HELIOGABAL, 1974 61 Lena Fritsch 13\/14 NASCITA DI PITTURA (THE BIRTH OF PAINTING ) \/ 64 UNTITLED, 1974 Lena Fritsch 15 HOW TO PAINT NUDES, 1974 70 Lena Fritsch 16 STILL LIFE IS EXCITING, 1974 72 Lena Fritsch 17 DAS DEUTSCHE VOLKSGESICHT. 76 KOHLE FÜR 2000 JAHRE, 1974 Sabine Schütz 18 UNTITLED, 1974 94 Lena Fritsch 19 AUSBRENNEN DES LANDKREISES BUCHEN, 95 1974 Lena Fritsch 20 HELIOGABAL, 1974-75 110 Lena Fritsch 21\/22 STEFAN!, 1975 \/ STEFAN II, 1975 113 23 DIE KUNST GEHT KNAPP NICHT UNTER, 1975 118 Lena Fritsch 24 BRÜNHILDES TOD, 1976 121 Liz Rideal 25 UNTERNEHMEN TRAPPENFANG, 1976 124 Lisa Saltzman 26 W EGE DER WELTWEISHEIT, 1977 128 Antonia Hoerschelmann 27 W EGE DER WELTWEISHEIT: GOTTFRIED KELLER, 1977 132 An Van Camp 28 W EGE DER WELTWEISHEIT: GOTTFRIED KELLER, 1977 145 An van Camp 29 ENGEL MIT PALETTE, 1977-78 152 Lisa Saltzman 30 VON SCHLIEFFEN, 1977 156 Lena Fritsch 31 FÜR JULIA, 1977-78 158 Lena Fritsch 32 PALETTE MIT FLÜGELN, 1978 162 Harriet Häußler 33 BRÜNHILDE GRANE, 1978 165 Lena Fritsch 34 YGGDRASIL, 1978 168 Harriet Häußler 35 RITT AN DIE WEICHSEL, 1980-81 172 Lena Fritsch 36 NOCH IST POLEN NICHT VERLOREN, 1981 174 Lena Fritsch 37 BRÜNHILDE, 1981 178 Lena Fritsch 38 URD, WERDANDI, SKULD (DIE NORNEN), 1981 181 Lena Fritsch 39 MARGARETHE-SULAMIT, 1981 184 Lena Fritsch 40 ET LA TERRE TREMBLE ENCORE, 1981 188 Lena Fritsch 41 DER RHEIN, 1982 191 Antonia Hoerschelmann 42 INNENRAUM, 1982 195 Richard Calvocoressi 43\/44 DIE BLÄTTER FALLEN \/ UND IN DEN NÄCHTEN 198 FÄLLT DIE SCHWERE ERDE, 2017–23 Lena Fritsch 45 W ER JETZT KEIN HAUS HAT, 2023 199 Lena Fritsch CONTRIBUTORS 210 CHRONOLOGY 212 Stephanie Biron\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/\" \/>\n<meta property=\"og:site_name\" content=\"ACC Art Books US\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-01T09:26:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.accartbooks.com\/app\/uploads\/books\/9781910807644-04-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1108\" \/>\n\t<meta property=\"og:image:height\" content=\"1400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/\",\"url\":\"https:\/\/www.accartbooks.com\/us\/book\/anselm-kiefer-2\/\",\"name\":\"Anselm Kiefer - 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