{"id":62514,"date":"2025-06-23T17:11:03","date_gmt":"2025-06-23T17:11:03","guid":{"rendered":"https:\/\/www.accartbooks.com\/us\/book\/christian-krohg\/"},"modified":"2025-11-25T16:10:34","modified_gmt":"2025-11-25T16:10:34","slug":"christian-krohg","status":"publish","type":"product","link":"https:\/\/www.accartbooks.com\/us\/book\/christian-krohg\/","title":{"rendered":"Christian Krohg"},"content":{"rendered":"<p>Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and &#8220;the fallen woman&#8221;. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as <em>Errand Boy Drinking Coffee <\/em>and<em> Woman Cutting Bread<\/em>. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg&#8217;s own family. The catalogue sheds light on the subject matter of the exhibition, Krohg&#8217;s period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel <em>Albertine<\/em> and Krohg&#8217;s own use of photography as a model for his work and a medium.<\/p>\n<p>Text in English and Norwegian.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The catalogue sheds light on Christian Krohg&#8217;s period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg&#8217;s own use of photography as a model for his work and a medium. 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