Jane Yang-Dhaene
- A visually stunning art monograph featuring immersive photography alongside original writings and critical essays
- Explores themes of memory, diaspora, identity, grief, and transformation through contemporary ceramics
- Showcases the work of Jane Yang D’Haene, whose practice bridges Korean tradition and contemporary abstraction
- Includes deeply personal, poetic reflections written by the artist herself
- Features essays by leading voices in contemporary art and design discourse, including Glenn Adamson and Hyeyoung Cho
- Offers rare insight into the artist’s studio process, techniques, glazing methods, and exhibitions
- Connects ancient Korean ceramic traditions, including moon jars, to contemporary artistic practice
- Appeals to readers interested in ceramics, fine art, Korean culture, design, craft history, and contemporary visual culture
- Combines scholarly perspective with emotional intimacy, making the book accessible to both art audiences and general readers
- A collectible volume celebrating the intersection of art, ritual, materiality, and personal narrative
- Jane has a big following on Instagram (@janeyangdhaene) and works with Loewe
This visually rich monograph explores the ceramic practice of Jane Yang D’Haene, whose work bridges memory, material, and identity through clay. Accompanied by immersive photography throughout, the book traces Yang D’Haene’s journey from architecture and interior design to ceramics, revealing an artistic language shaped by Korean heritage, diasporic experience, and deeply personal transformation.
Structured through a series of poetic and critical chapters—including reflections on moon jars, glaze, painting, transition, and studio practice—the book moves between intimate autobiography and broader cultural inquiry. Yang D’Haene writes with lyrical sensitivity about loss, displacement, ritual, and the search for balance between past and present. Her vessels emerge not simply as objects, but as emotional and psychological landscapes that hold both remembrance and reinvention.
Essays by Glenn Adamson and Hyeyoung Cho situate her work within contemporary ceramic discourse, abstraction, and the evolving condition of diasporic identity. Together, the texts illuminate a practice rooted equally in disciplined craftsmanship and conceptual openness.
More than a survey of ceramic works, this book is a meditation on endurance, material memory, and the quiet possibilities of making. Through clay, Yang D’Haene creates a space where Korea and America, grief and beauty, silence and expression coexist in delicate equilibrium.
- Publisher
- Pointed Leaf Press
- ISBN
- 9781948799041
- Publish date
- 27th Apr 2027
- Binding
- Hardback
- Territory
- USA & Canada
- Size
- 9 in x 12 in
- Pages
- 160 Pages
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