Jinya Zhao

Jinya Zhao: Holding Air, Holding Light explores the sculptural and perceptual practice of artist and researcher Jinya Zhao. Combining blown glass with drawing, installation, and spatial choreography, Zhao’s work occupies a liminal space between fragility and presence, memory and light. Rather than present objects as finished forms, she creates conditions for perception – inviting viewers to pause and inhabit moments of perceptual suspension. “Glass is not what I make, but how I listen to time,” she writes. Integrating theory and practice, Zhao transforms glass into an artistic language that connects memory, perception, and experience. This book features an essay by arts writer Emma Crichton-Miller and a conversation with Dr Xiaoxin Li of the Victoria and Albert Museum. It also includes 50 full-colour images. It is part of the Hurtwood Contemporary Artist Series and is published in collaboration with Taste Contemporary in Geneva.