They Must Fall: Muhammad Ali and the Men He Fought features powerful and often moving images and stories of Muhammad Ali and the men he fought in the ring, by award-winning photographer Michael Brennan.
“Around 1978, I had been in Houston, Texas photographing former Ali opponent George Foreman who had then reinvented himself as a roadside preacher. On the plane back to NYC, I thought, ‘If that’s what George is doing, I wonder what the rest of his opponents are up to?’ I set out to track down as many of the old guys as I could find.”
Brennan spent decades locating Ali’s former opponents to discover what had become of them. This unique book is a look through Brennan’s remarkable archive, containing numerous never-before- seen photos plus poignant stories illuminating the images and contextualizing Ali’s powerful role in the world of sport. Includes a special introductory essay by the late, great Jimmy Breslin.
“Michael Brennan’s iconic 1977 portrait photograph of Muhammad Ali captures something far bigger and deeper than just the beautiful face of a beautiful man. It is a detailed map of the personal journey of one whose incomparable talents and audacity caused literati to swoon, taught a generation to question authority, and ultimately altered the path of a society which had never before seen a man exactly like him. To look at him the way he was then is to remember, with joy and sorrow, who we all once were.” – Jim Lampley, discussing the cover image (Boxing commentator, HBO Sports)
Helena Calmfors is a New York-based artist and performer whose work is inspired by the archetype of the dominant woman. It is a role with which she identifies and yet gently subverts by introducing ‘soft’ elements such as flowers into the typically ‘hard’ aesthetic vocabulary of domination. Central to her work is the feminist belief in the right to own one’s body; she also explores the theme of reclaiming identity through hierarchical power play. The act of creating intimate scenes and experiences is present in all aspects of her art, ranging from performance to watercolor paintings, and digital and Polaroid photography. She uses instant photography as a way of representing the ephemerality of performance and the fleeting intimacy of the dominant/submissive relationship. With an introduction by the Indian-American artist, Ankita Mishra, Forget Me Not is Calmfors’ debut monograph.
Not For A Want Of Trying is an extensive retrospective of the 35-year career of Belgian designer and creative maker Bart Luijten. This comprehensive publication serves as a chronological “picture book” and historical document, tracing Luijten’s profound influence on the Belgian cultural landscape. Spanning 384 pages, the book presents a vibrant explosion of visual material, from iconic music posters for venues like Ancienne Belgique (Brussels, Belgium) and Arenberg & OLT (Antwerp, Belgium) to the avant-garde layout of cult magazines such as Pulp, Plastiks, and Gonzo Circus.
The collection expertly balances Luijten’s high-profile commercial work for clients like Virgin Records, Lannoo Publishers, and M HKA with his deeply personal independent practice, including intricate collages and illustrations. By showcasing design work that bridges the post-punk and pre-internet eras, the book captures a unique evolution in visual communication. While Luijten’s most significant cultural campaigns are front and center, the selection remains idiosyncratic, offering a rare glimpse into the archives and creative mind of a designer who helped shape the aesthetic identity of a generation.
The Homes that Shaped Us is the first monograph on the work by Park + Associates, showcasing a selection of the renowned Singaporean firm’s award-winning houses. Singapore’s residential architectural scene is notable for blending futuristic design with sustainable practices and cultural influences. For over 25 years, Park + Associates has been quietly earning praise and plaudits for designing houses that stand out for their architectural innovation, yet which are very much designed as family homes. The studio’s bespoke designs respond to context, lifestyle, and the client’s own ideas. The firm is noted for designing for the tropical climate of Singapore, with emphasis on natural light, cooling effects of water and including beautiful green spaces. The houses showcased in this stunning monograph document the evolution of the firm since its inception in 1999, provide valuable insight into its work, and reflect the joy the Park + Associates team finds in designing homes. Each project is illustrated with beautiful photography and detailed floor plans and elevations. This book is a valuable and inspirational resource for anyone interested in architecture and design, with particular reference to tropical climates and modern contemporary comfort.
This study of the wooden Serpent figures/headdresses of the Baga people of Guinea is a collaboration by the author, as an art historian, with many contributions from diverse perspectives, including scientists preeminent in their fields, Robert J. Koestler, Roy Sieber, Dennis William Stevenson, Mark T. Wypyski, and Peter J. Zanzucchi.
The text begins with a thorough exploration of the ethnological and art historical evidence for the Serpent masquerade among the Baga of Guinea, bearing an immense wooden serpent figure on top of the head representing a python. Never witnessed or photographed by an outsider, it disappeared in the 1950s along with most ritual performance after an Islamic jihad instated strict prohibitions against indigenous religions. The ritual context is followed by an in-depth analysis of the Serpent masquerade figures now extant in collections in Europe, the Americas, and Africa, as well as other representations of the python in the ritual art of the region. The final sections present the arguments, as a debate, between interested persons in the arts, including art historians, dealers, appraisers, collectors, and curators, and the scientific examinations by specialists in botany, chemistry, physics, entomology, and conservation concerning one particular Serpent figure in question.
For over 142,000 years, beads have played an important role around the world as the oldest form of personal adornment. Joyce J. Scott has revolutionized and transformed the potential of the ubiquitous bead as a relevant, contemporary art form. For over 51 years, wielding beads as a vision, she has devoted her aesthetic practice to waking up the world, expanding beadwork’s boundaries, with powerful in-your-face social commentary. While addressing society’s ills, her visual and performance conversations on cultural stereotypes and racial injustices, elucidate her vibrant brilliant works of art.
The publication Messages features Joyce J. Scott’s dynamic images with scholarly essays from experts in their field, as well as museum curator’s comments. Each individual provides deeper insights into the influences and extraordinary work of Joyce J. Scott, astutely capturing the essence and spirit of this icon of contemporary art.
With contributions by Jacqueline Copeland, Henry John Drewal, Valerie Hector, and Joyce J. Scott, and a foreword by Libby Cooper & Joanne Cooper.
From cars made of carrot to tea-smuggling spies; Popeye’s spinach to the hallucinogenic effects of lettuce, renowned garden expert Chris Beardshaw takes us on a journey though history’s most fascinating plants, flowers, vegetables and herbs: the ones that changed the world, the ones that almost did, and the ones that certainly didn’t! Ranging from Roman times to present day and even covering future plant-inventions, 100 Plants that (almost) changed the World is a fascinating compendium of stories about the plants and vegetables we see, nurture and consume every day. If you have ever wondered why carrots are supposed to help you see in the dark or why we hang fairy lights and decorations on our Christmas trees then this is the book for you a fun and quirky new volume that offers unique exploration of our planets most fascinating plants.
India, Jewels that Enchanted the World presents for the first time the remarkable history and unique legacy of 500 years of Indian jewelry, from the 17th century to the present. The essays, all written by leading international scholars, explore the rich, distinctive, and unique heritage of Indian jewelry; the striking boldness of South Indian ornaments; the delicate refinement of the Mughal period; the dazzling jewels of the post-Mughal maharajas; the cross-cultural influences between Europe and India in the 19th and early 20th centuries; and the creations of leading contemporary designers whose jewels display the enduring beauty of Indian design and craftsmanship.
Published to accompany a major exhibition at the State Museums of the Moscow Kremlin organized jointly with the Indo-Russian Jewellery Foundation, this lavishly illustrated catalog brings together royal, ceremonial, and personal Indian jewels to showcase the entire range and variety of the jeweler’s art in India.
Maps that Made History is like a 1000-year-long journey around the world; every one of the carefully selected maps featured here has influenced the course of history in some way. This beautifully illustrated book gathers 100 marvelous old maps, each with a fascinating story to tell, from a 12th century Persian world atlas to a Soviet spy map. These maps were used to resolve conflicts, situate battles, construct a road or a canal, establish important shipping routes, even as propaganda tools. All the maps are reproduced in an oversized format, while accompanying text from an experienced team of historians explains the importance of each one.
In times of global crises, architecture must also seek new sustainable approaches to climatic and social challenges. Designed by Kashef Chowdhury / Urbana, the Friendship Hospital in southern Bangladesh can be regarded as pioneering in this respect. The hospital, which was awarded the 2022 RIBA International Prize, provides life-saving healthcare, as well as enhancing the identity of a coastal region that has been devastated by cyclones and soil salinisation as a result of rising sea levels.
Constructed in local brickwork, the architecture collects the valuable rainwater and uses the wind for natural cooling, while subtly interacting with specific characteristics of the world’s largest river delta. It also applies universal architectural means such as space, light and proportions to ensure the well-being of patients and the people close to them.
A profound architectural stance developed out of the geography and history of the local context makes this work globally relevant. This book, which includes a photo essay by Hélène Binet, presents plans, diagrams and model photos that offer insight into the design and construction process in one of the world’s most climate-affected regions.
Things That Cannot Be Put Into Words is an artist’s book written by Marie-Sophie Beinke and published by M-S B Verlag and HOPPER&FUCHS (originally published in German in 2021 by M-S B Verlag) and five translations of the same book as paperback editions. This publishing project consists of a mainly blank book, open to every possible idea and image. Things, that cannot be put into words: What has disappeared, the snatched away, the absent, the nothingness, the void are made present. Space for the thinkable, where words fail. An artist’s book that openly invites readers to critical thinking, dialogue and debate.
Working from his Urbana practice in Bangladesh, Kashef Chowdhury designs architecture that is rooted in the history and nature of its location – whereby the latter also relates to a spiritual and cultural level. This explains his fascination for Kahn’s parliamentary building in Dhaka, which inspired this volume of photo essays.
Kahn’s design is characterized by an innovative architectural language that combines western and eastern traditions, forms and materials. For instance, in view of the great importance of water in Bengali tradition, he placed the building complex by an artificial lake. Furthermore, although it is defined by strict geometrical forms, the parliamentary building reflects the transcendental nature of the National Assembly, defining the hopeful founding years of the independent state of Bangladesh.
A Red that Sings brings together three great colorists (James Ensor, Rik Wouters, and Jules Schmalzigaug) in a dazzling celebration of color. At the Royal Museum of Fine Arts in Antwerp, which houses the largest collection of their works, vermilion reds, intense blues, and vivid yellows shine, revealing the vibrant visual language they created. Ensor composed “unbelievable chords of color,” Wouters let bright red accents dictate the rhythm of his compositions, and Schmalzigaug reintroduced the ‘singing red,’ inspired by the Baroque emotion of Rubens. The book shows how these artists transcended the soft palette of Impressionism, turning color into a symphony of rhythm, emotion, and sound. Complemented by masterpieces from contemporaries like Adolphe Monticelli, A Red that Sings invites readers to experience these modern masters as they themselves painted the world: at a pitch that sings, vibrates, and resonates.
How can you stay relevant for your customers? The answer is a combination of the following three factors: technology, personal involvement and social commitment. The past ten years have been marked by the arrival of 4G, mobile services, and robotics. These technologies have brought about a revolution in the field of customer experience and in the future, this will evolve even further. As a company, you will have to take a more active part in the personal life journey of your customers. This opens up the opportunity to tackle, together with your customer, concrete social world problems, including climate change, mobility, and health care. Customers increasingly seek out companies that do good for both themselves, and the world.
This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world.
The book documents the artist’s first solo exhibition of the same name at Alexander Berggruen, New York, in 2023, and showcases the eight large oil paintings on canvas and five oil paintings on copper that were on display. This star I give to you includes a conversation between the artist and British publisher Matt Price, a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works.
A graduate of the University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.
A gem of a book that stays with you long after you have finished it. Edvard Munch wrote continuously; letters, diaries, literary texts and other notes. In Like a Ghost I Leave You you will find striking statements about art versus nature, enemies, money, death and much more. – “Had I been in Possession of the as yet undiscovered little Remote telephone which one carries around in one’s Pocket You would have long ago received Communications from me”- Undated draft of a letter to Jens Willumsen.
Through a selection of Edvard Munch works the Norwegian award-winning author Lene Ask invites children of all ages to draw and be creative together with Munch. The book has texts by Ask accompanied by exercises that are related to Munch’s way of experimenting and encourage children to participate in the wonderful world of Munch’s art. Design by Aslak Gurholt, one of Norway’s most renowned and award-winning book designers.
Ages 8+
Shot over three years from 2019 to 2022, Thank You For Playing With Me by Yolanda Y. Liou is an intimate look at two plus-size models, Enam Ewura Adjoa Asiama and Vanessa Russell. Liou first came across Asiama’s Instagram in 2019 and was blown away by her confidence and charisma. It was the type of confidence that Liou struggled to have about her own body due to her upbringing in Taiwan. “Growing up in Taiwan, I was consistently exposed to the relentless beauty standards that prioritised being skinny… This obsession led me to believe that I was never beautiful enough, and consequently, I felt unworthy of love. I constantly sought ways to conform, believing that only then would I be accepted and appreciated.” Liou’s main aim with this photo book is to help people embrace their individuality.
“THANK YOU BYE was born out of a need to put down somewhere what I have experienced over the last five years. Although it gives the impression of a veil being lifted, it is simply a record of my personal experience. The intention, through these hundreds of photos, is to transcribe the absurd, crazy and little-known world of modelling, by means of an unpublished souvenir album of my time spent in fashion. The result is THANK YOU BYE, which owes its name to the phrase uttered by casting directors every time you walk in front of them. It recounts my moments of sadness, my anxieties, my unease, my questions, but also our laughter, our travels, our togetherness, our mutual support. Five years during which I fought not to lose myself. Thrown at the age of 18 at a speed I found hard to manage into a dimension that was not my own, I embrace all the models who ‘pose’ in this book and who, without realising it, helped me to escape. What you hold in your hands is none other than the last chance to prove that I was still worth something. When you turn the last page, you’ll know that I’ve resigned and can finally say that I’m happy.” – Clémentine Balcaen
I’m Showing How Big the Sky Is is Martina Bacigalupo’s tribute to her former nanny, Chiou Taur Wu, a Taiwanese woman who lived over three decades in Italy. Despite a harsh life—from working in fields and factories to managing her husband’s gambling debts — Chiou remained resilient. At almost 70, she returned to Taiwan, resumed her studies, took dance classes, and began traveling.
Through hundreds of photos from Chiou during ten years of correspondence, Bacigalupo presents a story of extraordinary resilience. Told in the first person, with Chiou’s images and words, the book is a celebration of freedom, humor, and poetry.
This major retrospective catalogue accompanies the first institutional exhibition focusing on the visual works of art by Stanley Donwood and Thom Yorke. The majority of the paintings, drawings and digital works were specifically made for Yorke’s internationally celebrated band Radiohead, formed in Oxford in 1985. The book is beautifully designed in the same size as a record cover and features iconic artworks from the 1980s until today, relating to Radiohead albums, their covers and promotional band images, as well as sketchbooks and rare materials from their archives that have never before been published. It offers fresh views on the art of album covers, exploring the complex relationship between visual art and music.
Radiohead was formed in Abingdon, Oxfordshire, in 1985. The collaboration with the artist Stanley Donwood began in 1994 when the band was developing their second album, The Bends, which was released on 13th March, 1995. 2025 is therefore the 40-year anniversary of the band and the 30-year anniversary of the release of The Bends. The catalogue’s focus is upon the art produced by both Stanley Donwood and the band’s lead vocalist, Thom Yorke presented chronologically. Radiohead’s popularity has never waned and they have a strong core following and new fans (many of who are the children of ‘original’ fans).
The high-quality reproductions are complemented by exclusive interviews with the artists, and essays by Alex Farquharson, Nico Kos Earle, Benjamin Myers, James Putnam and Jennifer Ramkalawon.
A major retrospective is held at the Ashmolean Museum from August 2025 to January 2026.
Birmingham (UK) born and based Ben Sadler’s colorful painted portraits of imaginary people are full of personality, eclectic states of mind, and varying degrees of intrigue. They are also sometimes evocative, emotive, and amusing. The publication features two bodies of work: You and I (2024) and Exclamations! (2023), both of which present small paintings corresponding to each letter of the alphabet (though the letters U and I are curiously missing from the series You and I). The starting point was the idea of visitors to an imaginary exhibition––who are they, what kinds of people are they, and what thoughts are going through their minds? Such questions are explored in celebrated Birmingham-based author Catherine O’Flynn’s text commissioned for the publication, along with a foreword by Deborah Kermode, Chief Executive and Artistic Director of Midlands Arts Centre (MAC), Birmingham, and an interview by London-based creative coach, podcaster, and public speaker Ceri Hand.
“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical
“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks
AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.