“I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York.” —Lemeau, Decorator’s Insider
“This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history.” — Timothy Brittain-Catlin, World of Interiors
“New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions… An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy.” — The Critic
The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue—collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts.
This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age—often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognizable and accessible to all, others are obscure buildings that history has forgotten.
Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York’s most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day—Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White—and some of the most prominent millionaires in American history—Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that—as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword—“still reek of money.” Excerpt from the Introduction
The value of inventories in charting how houses were arranged, furnished and used is now widely appreciated. Typically, the listings and valuations were occasioned by the death of an owner and the consequent need to deal with testamentary dispositions. That was not always so. The inventory for Castlecomer House, Co. Kilkenny, for example, was drawn up to make a claim following the house’s devastation in the 1798 uprising.
Mostly hitherto unpublished, the inventories chosen give new-found insights into the lifestyle and taste of some of the foremost families of the day.
A comprehensive index facilitates access to the myriad items within the inventories, while the books listed at three of the houses are tentatively identified in separate appendices. A foreword, together with preambles to the inventories, sets the households in their historical context. The book will appeal to historians of interiors, patronage, collecting and material culture, as well as to scholars, curators, collectors, creative designers, film directors, bibliographers, lexicographers and historical novelists.
Multidisciplinary designer and passionate world traveler Jiun Ho looks back on a life of global exploration, inspiration, determination, and boundless creativity in Jiun Ho: Experience, the first monograph from a creative force who has gained international attention for his harmonious, well-balanced interiors and innovative furniture, lighting, and textile designs. Jiun’s body of work, informed by elements observed in the world around him, draws deeply on the colors, textures, and shapes of nature, the designer’s greatest inspiration.
When Jiun was eight years old, his mother took him aside and gave him a single sentence of advice: “You can be poor in life, but Jiun, you should never be poor in experiences.” Those words have gone on to influence all the decisions he has made from that day forward. Born in Malaysia, Jiun moved from his home in Kuala Lumpur in the early 1990s to study interior design and architecture in Chicago. At the age of 26—after a successful but emotionally unfulfilling career with a prestigious international architecture and design firm—he boldly launched his eponymous design company and set out to achieve his personal goal of visiting more than 100 countries by the time he turned 40 and, most important, living a life rich in experiences. Tracing his journeys across the continents with camera and sketchbook in hand, Jiun Ho: Experience is spectacular photographic travelogue as well as a document of the designer’s best work, including luxury hotels, resorts, restaurants, and private residences around the world.
Originally from Chicago, Ryan W. Kennihan has been working in Dublin since 2007 and has taught at various universities. His architecture is reserved, peaceful and elegant. Each building is a little gem, where every detail reflects the architecture. For instance the Vita Family Center in Roscommon assumes the volume and appearance of the surrounding traditional buildings, while varying the details in an astute and subtle way.
Text in English and German.
Beyond Bold: Inspiration, Collaboration, Evolution follows the “Next Generation”of leadership at Oehme van Sweden, a landscape architecture firm that’s been creating extraordinary outdoor spaces for nearly 50 years. With 320 pages of vibrant photographs, detailed project plans, and first-hand commentary from principals Sheila Brady, Lisa Delplace, and Eric Groft, the book is a one-of-a-kind record of OvS’ history and evolution. Building upon OvS’ reputation for sustainable, client-tailored residential design, the current leaders have developed an ouvre that’s as legacy-driven as it is exploratory. From private gardens and pools to the expansive Tippet Rise Art Center in rural Montana to urban oases like the Chicago and New York Botanical Gardens, the projects featured in this book are masterpeices of both horticulture and hardscape. Arranged into thematic chapters – “The House and its Garden,” “Gathering Places,” “At the Water’s Edge,” “Urban Retreats” and “Farms and Fields” – Beyond Bold: Inspiration, Collaboration, Evolution is an image-rich study of some of the most geographically and stylistically diverse landscape projects by the top players in the industry.
This interdisciplinary scholarly catalog examines Motherland, an important series of photo-performances by the acclaimed artist Pushpamala N. on the Indian nation personified as woman, mother, and goddess. The series shows Pushpamala taking on Mother India’s myriad personifications: nubile beauty and saintly renunciant; militant goddess wearing a garland of skulls or receiving the ultimate sacrifice of a warrior’s head; the mother-surgeon activating the birth of model citizens; and destitute widow, bent from years of abject labor. As she does so, she reveals that nations are invented, as are national embodiments. The artist’s burden is to reveal the ingredients of such inventions.
One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Self-referential, playful and imaginative, Addenda to a Sequence of Appearances documents his exhibitions with Thomas Dane Gallery across Europe and is a guide to the artist’s key bodies of work.
Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology Carlo De Rita.
Adopting a semiotic approach to books as ‘not just a thing you hold, but something held in common’, Addenda to a Sequence of Appearances embraces the archetypal format, tropes and conventions of a traditional – if unorthodox – book, employing printing and publishing practices seldom seen in contemporary bookmaking.
This lavishly photographed monograph, Mountain to Coast, showcases 20 magnificent residences designed by the renowned American firm Kelly|Stone Architects. These pages feature stunning scenic retreats that are crafted for discerning clients who also want respite from life’s daily stresses or have a legacy home that will be passed down for generations. Set amid beautiful mountain landscapes and coastal climates from across California, Colorado, and Nevada in the south, Canada in the north, and all the way to the beaches of Hawaii in the Pacific, these award-winning homes are bespoke, timeless in character, and innovative in the way they reflect the unique lifestyles, stylistic preferences, and aspirations of the people who inhabit them. The firm’s residential architecture and interior designs focus on being sustainable and minimizing environmental impact by prioritizing energy efficiency, integrating responsible materials, and advancing building science, as well as creating beautiful custom spaces that honor the sites, landscapes, and climates where the houses reside. Mountain to Coast reveals how Kelly|Stone Architects deftly weaves creativity with reality.
With his Indian vision and French sens de la plastique coalescing to create a unique modernism, S. H. Raza has been a master of colors, concepts and creativity. From his early expressionist works to the mesmerizing abstraction of his later years, Raza’s artistic evolution is a testimony to his relentless pursuit of truth through color and form.
As an artist, Raza moved through many dualities, namely home and exile, color and concept, imagination and thought, modernity and memory, creativity and invention, locale and universality, passion and meditation, anxiety and silence, time and eternity. His journey is a testament to the power of artistic vision and cultural amalgamation.
Raza: The Other Modern celebrates the artist’s outstanding body of work and invites the viewer to explore the depth of his artistic genius. One of the most significant exhibitions of Raza’s work to be held in Dubai, it is a quest through the evolving phases of Raza’s life and artistic endeavors.
This publication appears on the occasion of Luc Tuymans’ retrospective exhibition in Hungary. With innumerable analyses by art historians, we thought the most fitting and exciting accompaniment to this display would be a collection of writers’ reflections on Tuymans’ work. Since one of the things to make this retrospective display special is its being the artist’s debut in Central-Europe, Hungary and Poland, we made a point of inviting authors from the region to comment on his art. We gave complete liberty to our authors to decide what to reflect on: a picture, Tuymans’ activity as a painter, or some other aspect of his personality.
This lavishly presented coffee table book, features 20 of the most beautiful and inviting houses and mansions from all over the world.
Timeless Residences includes projects by internationally acclaimed architects and designers, with properties all over the world including Washington, Palm Beach, Sydney, California, Victoria, Brussels, Flanders, The Netherlands, Chicago, Montana, Paris, Miami, Los Angeles, Massachusetts, Amsterdam, and many more.
The life of Gustave Caillebotte is shrouded in legend – untimely death, hidden genius, generous patron of Monet, Pissaro, Sisley and Degas – making him one of the most appreciated and mysterious painters of the Impressionist movement. This biography, written by a descendant of the painter, journalist and producer of programs on France Culture, is illustrated with numerous previously unpublished photographic documents. It takes a detailed look at Gustave Caillebotte’s history and career, placing his pictorial work in the context of his family, social and economic environment, for the life of Gustave Caillebotte is above all a lesson in history and geography, that of the Parisian bourgeoisie under the Second Empire and the blossoming of the Impressionist movement in the Ile-de-France region. The biography describes Gustave’s father Martial Caillebotte’s meteoric rise in the textile industry, his education and pictorial training in Bonnat’s studio and at the Beaux-Arts in Paris, his participation in the 1870 war at the age of 22, and his decisive encounter with the Impressionist group, led by Renoir, Monet and Degas. Thanks in particular to family archives, the book revisits Caillebotte’s decisive role in the diffusion of the movement, including the organization of the group’s third exhibition, as well as the genesis and presentation of his own works, including the famous Raboteur.
Exploring fashion and interior design through a gender lens, from the Victorian era to contemporary designers like Martin Margiela and Raf Simons
Fashion & Interiors. A Gendered Affair explores the relationship between fashion and interiors from a gender perspective.
In the second half of the nineteenth century, bourgeois ladies embellished both their bodies and their homes with drapes, fringing and ruches. Male designers such as Henry van de Velde and Josef Hoffmann waged war on that decorative excess and designed women’s clothing and interiors as part of a well-thought-out total work of art. Fashion designers Paul Poiret and Jeanne Lanvin drew inspiration from this approach and used interior design to create a powerful brand for their fashion houses. The impact of clothing also resonated with modernist (interior) architects such as Adolf Loos, Lilly Reich and Le Corbusier.
This complex history is reflected in surprising ways in the visual language and creations of contemporary fashion designers such as Ann Demeulemeester, Martin Margiela, and Raf Simons.
A miniature painting holds wondrous powers, beyond its defined space. A single image can summon up a world of adventures, enclosed chambers, gardens, rivers, lakes, forests, flowers, and an infinite variety of trees in bloom. In Indian art, miniatures were conceived as sets of narrative illustrations based on classic texts, such as the Ramayana, Bhagavata Purana, Ragamala, etc. Miniature painting continues to hold its appeal well into the 21st century. Contemporary artists of importance have imbibed influences from the miniature traditions, in technique, theme and coloration. This book explores a relationship between Indian contemporary painting and inspiration from medieval miniatures.
The author studies the art of five significant Indian modern and contemporary artists—Abanindranath Tagore, Manjit Bawa, Waswo X. Waswo with Rakesh Vijayvargiya, and Nilima Sheikh—who have resourced and reinvented iconic traditions with different perspectives and using different techniques. Accompanied with splendid illustrations, the essays bring attention to the Indian art of today with the magical transformation of older concepts and techniques in miniature painting into contemporary practice.
This artist’s book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield. Joëlle Tuerlinckx guides us through the studio’s archives, and through the development of a thought process and culminates in the inventory of the M.M. collection (‘Musée de la Mémoire’ or ‘Museum of Memory’). Building on the great classic of the inventory catalogue and encompassing ‘all of J.T.’s work’, she presents ‘a museum in itself’. While the book is originally connected to ‘La Triangulaire de Cransac’, a monumental work of art in the small town of Aveyron, France, it also puts into perspective the evolution of the museum in its relationship with the artist and the book. Joëlle Tuerlinckx reminds us that if the museum is compared to a book because of its internal organization, then a book can be compared to a museum because of its systematics and its method of contemplating the object.
Text in French. Introduction and colophon translated into English.
500 piece puzzle featuring the artwork of Devan Shimoyama.
In Témperance (2022) Devan Shimoyama portrays himself as a translucent and Bejeweled blue angel pouring liquid from one container to another- echoing the Témperance tarot card that depicts water diluting wine as a symbolic act of restraint. Ironic perhaps in that his use of color and materials are, more often than not, gloriously unrestrained.
Abounding in fur, feathers, glitter, rhinestones, and sequins, Shimoyama engages with mythology, spiritual traditions, and classical composition to depict the Black, queer, male body as both desirable and desirous.
1000 Piece Puzzle featuring the artwork of Kour Pour.
Peacock Tiger is one of a series of remarkable medium and large scale painting/block prints that Kour Pour has created in recent years. This one is our personal favorite and, as it so happens, the artist’s favorite as well.
Recently granted US citizenship, Pour’s experience as an immigrant with a mixed-raced background is the foundation of his work. Weaving together representational imagery, abstract patterning, and ornamental elements, he creates new hybrid artworks that trace cultural exchange around the globe.
Joan Mitchell, an extraordinary figure in 20th-century art, remains one of the most celebrated painters of the Abstract Expressionist movement. Born in 1925, in Chicago, Illinois, she grew to redefine abstraction, blending emotional intensity with lyrical beauty. Her work, characterized by dynamic brushstrokes, vivid colors, and profound emotional depth, established her as a towering presence in a predominantly male art world.
Joan Mitchell had at least nine dogs during her lifetime, and Georges du Soleil, a brown poodle, was her first beloved canine companion. Known for her deep affection for animals, Mitchell treasured Georges as a constant presence during her New York years. Like the other dogs that would follow, Georges was more than just a companion; he was also part of the vibrant, dynamic environment that nourished her creativity and her ability to channel emotion into her art.
“Dogs are objects of love (I suppose people could be? Sometimes)” wrote Joan Mitchell.
From her first dog, the adored Georges du Soleil, to Skye Terriers Idée, Isabelle, and Ibertelle (“Bertie”), Brittany Spaniel Patou, German Shepherds Iva, Marion, and Madeleine, and not forgetting Prunelle and Belle-Bête; all of them cherished companions in her life and work, all of them celebrated here. Joan Mitchell and her dogs: a love story.
Going against the grain of conventional street photography or humanist photography—both too traditional for his bold creative vision—Ray K. Metzker (1931–2014) uniquely appropriated urban space through its vertical and horizontal lines, with complete mastery of light. Long underrated, his work has previously only been featured in about a handful publications, all of which are now out of print. This new monograph, bringing together approximately 150 photographs, offers a fresh perspective on Metzker’s work as well as a (re)discovery of the American photographer, who developed an emotional affinity early on with the cities of Chicago and Philadelphia. His photography broke free from narrative aesthetic conventions, elevating monochrome photography to new heights.
A new title in the Design series and an excellent introduction to the life and work of this versatile Russian artist. Alexander Mikhailovich Rodchenko (1891-1953) was a central figure in the Russian Constructivist art movement; a radical activist, a pioneer of photomontage, a theorist, and a teacher. He was an active force in the organization of the first museums of modern art that arose in Russia in the first years after the Russian Revolution of 1917. Attending art school in 1914 in Kazan was to be a defining influence: that year Russian Futurists performed in the town, and Rodchenko saw their leading figures in action. It transformed his vision and he was still working with Futurist artists and their ideas twenty-five years later. And it was at art school where Rodchenko first met the artist Varvara Stepanova, with whom he collaborated extensively, and who would become his life-long partner. Central in the re-examination of art and its place in society after the Revolution, and in the search for a new culture without the class implications of the past, Rodchenko’s radical approach proposed a new understanding of a constructed, rather than a tastefully composed, culture. This concise, comprehensive and informative work focuses largely on Rodchenko’s graphic work in the form of book jackets, posters and advertising. Also avaliable: Claud Lovat Fraser ISBN: 9781851496631 GPO ISBN: 9781851495962 Peter Blake ISBN: 9781851496181 FHK Henrion ISBN: 9781851496327 David Gentleman ISBN: 9781851495955 David Mellor ISBN: 9781851496037 E.McKnight Kauffer ISBN: 9781851495207 Edward Bawden and Eric Ravilious ISBN: 9781851495009 El Lissitzky ISBN: 9781851496198 Festival of Britain 1951 ISBN: 9781851495337 Harold Curwen & Oliver Simon: Curwen Press ISBN: 9781851495719 Jan Le Witt and George Him ISBN: 9781851495665 Paul Nash and John Nash ISBN: 9781851495191 Abram Games ISBN: 9781851496778
Terry O’Neill (1938-2019) was one of the world’s most celebrated and collected photographers, with work displayed and exhibited at first-class museums and fine-art galleries worldwide. His iconic images of Frank Sinatra, The Beatles, Brigitte Bardot, Faye Dunaway, and David Bowie – to name but a few – are instantly recognizable across the globe.
Now, for the first time, O’Neill selects a range of images from his extensive archive of “vintage prints”, which will surprise and delight collectors and photography lovers alike. Long before the age of digital, photographers would send physical prints to the papers and magazines. These prints were passed around, handled by many, stamped on the back, and often times captioned. After use, the prints were either filed away, thrown out or – for the lucky few – sent back to the photographer or their photo agencies.
At the dawn of the 1960s, when O’Neill’s career began, physical prints were the norm. Terry kept as many as he could that were sent back to him. “I just kept everything,” he says. “I don’t know why. Back then, there wasn’t really a reason to keep them. Photos were used straight away and then I just moved on to the next assignment. No one was thinking these would be worth anything down the line, let alone fifty years later.”
This book collects hundreds of these rare images, a true must for Terry’s fans and photography collectors.
Hainan Island is the southernmost extent of what is now the People’s Republic of China. Today the island is strategically important for its geographic position and its rich mineral and oil resources, and economically important as a thriving tropical resort. Historically, however, Hainan had been regarded as a backwater by successive Chinese dynasties. In Shore of Pearls the eminent Sinologist Edward Schafer recounts the history and culture of the island, annexed during the reign of Han emperor Wu Di in 111 BC, when Chinese armies defeated its indigenous Li people. Pearl gathering became an important industry, and this “treasure island” also yielded other luxury goods prized by the Chinese court, including incense, medicinal herbs, precious metals, tortoise shell, ivory, and exotic woods. However, the difficulty of colonizing and exploiting Hainan’s riches changed its reputation from a “treasure island” to one of a “dank, poisonous land unfit for normal men,” and it later became a place of exile for scholars and officials who had offended the court, including the great poet Su Shi, as well as a lair for criminals and pirates. As in Vermilion Bird, Professor Schafer writes precisely and poetically about this fascinating interface between China and the cultures of its southern borders. Also available: 9781891640377 Vermilion Bird, $50.00
“The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste.” — HOLA! Magazine
“I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” – Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014.
From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna.
Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire.
But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humor most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today’s generation”.
The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.