Appreciation of the works by the German artist couple Annelies and Fred Stelzig from Besigheim in the discipline of art made for architecture has been a long time coming. To mark the 100th anniversary of them both, the town of Besigheim has made this its task. For the large retrospective, a publication is launched that focuses on the incredible breadth of their production for the very first time. Waiting to be discovered alongside wall ceramics and carpets are works in wood, glass, and enamel. Numerous contributions by authoritative experts present the personal backgrounds of the couple, trace lines of development, and highlight the material specificities of their works. Over 300 illustrations additionally provide a lively impression of the couple’s ability to be versatile yet at the same time retain continuity during their long creative period, from the 1950s to their last work in 2006.
With contributions by Christian Behrer, Dieter Büchner, Christiane Fülscher, Sabine Gärttling, Inken Gaukel, Regina Ille-Kopp, Andreas Janssen, Cornelia Marinowitz, Martha Pflug-Grunenberg, and Sandy Richter.
Text in German.
According to medieval theologians, faith is a deadly serious business. Humor and virtue are irreconcilable, because laughter is uncontrollable and escapes the control of reason. A modest smile is permitted. But laughing loudly, grinning and grimacing: these are the playing field of the devil – just as pernicious as other uncontrollable urges, such as physical love or the addiction of the gambler. That is the domain of the peasant or fool.
In the late Middle Ages, every right-thinking town-dweller knew the difference between the peasant and the fool. Peasants are innocently gullible, primitive, throwing themselves into feasting, gorging, drinking and sex. The peasant is the antithesis of the cultivated urbanite, who fastidiously controls his urges – and who therefore above all must not laugh too loudly. Only during Innocents Day parties or Shrove Tuesday celebrations is it permitted for urban partygoers to play the fool and to show their ‘underbelly’.
In contrast to the peasant, the fool escapes the existing order. He holds up a mirror to the self-declared wise citizens, because ‘the fool reveals the truth through laughter’, even though it may be hidden between piss and shit, sex and snot. It is for precisely this reason that Erasmus, in his In Praise of Folly writes not as himself but through the persona of Folly, a broad back behind which the wise person can hide when he denounces social problems. Laughter thus alters the world.
In this context, the fool and irony became important motifs in medieval art, especially in the Low Countries. This original art book is illustrated with dozens of top-quality works by Flemish masters from worldwide collections.
As early as 1934 Charlotte Perriand began to reflect on the architectural aspects of leisure activities for all, but it was with Les Arcs, her greatest work, that she completed her reflection on the art of living in the mountains.
Alongside the developer Roger Godino, Charlotte Perriand displayed all the facets of her immense talent: design, urban planning, but also bioclimatic architecture, of which she was a pioneer. She had to deal with financial and time constraints in order to design most of the Arc 1600 and 1800. Thanks to her perseverance and growing inventiveness, her integration of architecture into the sites, her innovative and human approach to traffic, and the life she breathes into the resort, especially on the rooftops, she has made it a friendly place, in harmony with the environment. Thus, she designs the interior architecture of more than 4,500 homes, 25,000 beds, for an annual flow of more than one million people. Her wish to combine the art of living in the mountains with housing for the greatest number of people has been largely realized.
In this book you will rediscover the beloved ‘Country Style,’ which can be applied in so many different ways in a variety of interiors. From modern villas to old fermettes, country design finds its place everywhere. With an emphasis on natural elements, muted colors and an eccentric accent here and there, you’ll learn from these homes how to get started in your own interiors, too. Photographer Brent Darby and author Wink Colville guide you through these more than 20 dream interiors.
Companies face increasingly turbulent times. To what extent are the traditional strategy models still relevant to deal with this new environment? This new book presents how to analyze turbulent environments, how to build new strategies, and how to implement them. Through many case studies managers of large and smaller companies can learn how to successfully react to fundamental change. It covers these topics: 1. What is turbulence: disruption vs. disturbance. 2. Corporate foresight/sensing turbulence (incl. scenario analysis) 3. Choosing the right turbulence strategy 4. Implementing turbulence strategies
Even though they belong to the mineral kingdom, the stones in the collection of the French writer Roger Caillois appear miraculously similar to works of art. Beginning from this mysterious but captivating link between two such apparently distant universes, the book collects a carefully curated selection of the finest stones in the collection and recounts the life of Caillois (sociologist, member of the surrealist movement…), reviewing and presenting his essays on stones. The persona and the personality of this atypical 20th-century intellectual emerge from the essay by Stefano Salis, who introduces us to Caillois’ world and that of Marguerite Yourcenar, who took his place in the Académie de France after his death with a speech reviewing his life and work. The literary critic Carlo Ossola traces the outlines of the cultural climate in which Caillois lived and operated, while François Farges, now in charge of the collection, illustrates it in the final essay.
Holly Addi is a U.S.-based artist who creates abstract paintings focused on the philosophy of beauty in imperfection. With a background in psychology, Addi examines energy, color, space, and landscape through tempered abstraction. Addi considers her practice as a “composition of imperfectionism.” By utilizing abstraction, she creates moments by means of rules and omissions, acceptance and refusal, providing a space for contemplation. Her works do not reference any particular form, and interpretation becomes multifaceted. She has exhibited nationwide, and has been featured in Architectural Digest, My Domain, and Electrify Magazine. Holly’s work can be found in public and private collections worldwide.
Color in Knitting: By Designers, for Designers delves into the methods of constructing multicolor knits using knitting structures, techniques, and technologies. The book not only showcases the beauty of multicolor knitwear but also provides a solid foundation for readers to further explore and manipulate these methods for their own design work. The book begins with a color journey of fascinating patterns, designed and implemented by Stoll from both past decades and recent collections, which illustrate the different color effects of multicolor knitting. In the second part of the book, the authors provide insight into the specific structures and techniques used to create these patterns; the section also includes stitch diagrams written using basic knitting symbols to further elucidate the construction of a knit.
“There’s a deeply personal and detailed account of how these homes came about that can’t fail to inspire the would-be house builder to push a little harder to create something beyond the ordinary that will truly stand the test of time.” — enki UK Magazine
Mark English Architects believes every home is a prototype, developed in collaboration with the client, landscape, topography, climate, and cultural considerations. in Situ: Unique Homes Crafted for California Living invites readers into seven of the firm’s residences to learn more about the studio’s approach to architecture and design.
Landscape and climate play a vital role in every Mark English project, with buildings and spaces designed to celebrate their California location, whether it’s the city, coast, or mountains. Each residential design is a sensitive and creative response to the site and environment and reflects the firm’s inherent understanding of the Golden State’s relaxed indoor-outdoor lifestyle. The practice draws on the California vernacular of open-plan living, light-filled spaces, and natural materials to blur the boundaries of inside and outside, and embeds every design with a layer of artistry to create meaningful homes for their residents.
This beautifully presented monograph features seven outstanding homes, illustrated with color photography, renders, plans, drawings, scale models, and site photographs that showcase Mark English Architects’ design and construction process and reveal how the firm crafts these unique homes for California living.
This theoretical work on architecture examines the meaning and relevance of a neutral stance in the face of contemporary urban chaos. It stems from a desire to move beyond a paradigmatic reading of urbanization and to establish a calmer relationship to this condition. The neutral stance in question is not one of passivity, but of heightened receptivity. It articulates a desire for a just relationship with the present that is attentive and unassuming, and that readily accepts the polyphonic character of the contemporary city. Its central argument concerns the creative and productive potential of neutrality and the way it engages with chaos as an inexhaustible source. This research draws on a broad body of multidisciplinary work (art, literature, photography, psychoanalysis etc.) to define a position within the architectural discipline.
The publication emerges from Ido Avissar’s in-depth research at the École nationale supérieure d’architecture de Versailles. It is closely connected to a monograph on the work of LIST, the architecture and urban planning office founded by Avissar in 2012, and complements it with a more in-depth theoretical perspective.
Beyond Borders. Isabel Miquel Arqués in Dialogue with Georgia O’Keeffe marks the final chapter of Arqués’ Beyond Borders trilogy and forms an intense visual dialogue with one of the most iconic female artists of the twentieth century.
Following in O’Keeffe’s footsteps, Isabek Miquel Arqués traveled to New York and New Mexico, from the city to the vast landscapes of Ghost Ranch. Her travel journal runs like a common thread throughout the book, weaving together personal impressions with quotations from O’Keeffe’s letters. Through her photography, Arqués explores themes such as nature, silence, light, and form. The result is a poetic interplay of word and image, in which the two artists meet across time and distance.
Tales in Ink by Rob Walbers and Bart Luijten is a visually and conceptually rich exploration of identity, creativity, and self-expression through the art of tattooing. This loose-leaf publication brings together a series of intimate portraits and conversations with renowned figures from the creative world from Tokyo to Los Angeles, who share personal stories about how their tattoos have become integral to whom they are. Each interview delves into the symbolic meaning behind their ink, revealing how body art can reflect transformation, personality, memory, or artistic philosophy. Beyond documentation, the book’s graphic design introduces a new visual dialogue, merging photography, typography, and illustration into a layered aesthetic that treats each page as a living canvas — a “new tattoo” in itself. By intertwining word, image, and design, Tales in Ink transcends the boundaries of traditional portraiture and celebrates tattoo culture as a profound expression of creative identity and individuality.
Text in English and Japanese.
Between 2008 and 2016, Magnum photographer Bieke Depoorter traveled through Russia, the United States, and Egypt, asking random people if she could spend the night in their homes. Day after day, different people prepared a bed for her – on air mattresses, couches, carpets, on the ground, in living rooms, or kitchens. A decade later, she happened upon the hundreds of images she had taken of these beds, which were never intended for publication, and wondered if she had been collecting evidence. This book is the compelling result.
Christian Martin, author of Life in Ferrari Red and Best of Porsche, presents his new work dedicated to the most exclusive and expensive car manufacturer in the world (a Bugatti Chiron costs €2.4 million). In 1998, Bugatti rose from its ashes under the aegis of the Volkswagen Group. After a long period of inactivity and a failed revival attempt in Italy, the brand finally made a comeback under the guidance of a powerful industrial group. This unique destiny—marked by drama and brilliant achievements—is what this book reveals. It offers a stunning rediscovery, through magnificent photography, of the diversity of Ettore and Jean Bugatti’s work across the major periods of an adventure that is as much human as it is industrial. All the iconic models of this prestigious brand are showcased through rich, highly aesthetic, and varied imagery. The ultimate book for seeing life in Bugatti blue!
Milan is one of fashion’s supercities. The home of Dolce & Gabbana, Versace, Moschino, Armani and Prada, as well as one of the world’s most lauded fashion weeks, the Italian city has become a byword for class, style and sophistication.
Milan. In Fashion is a sumptuous exploration of everything the city has to offer, from the fashion shows to trattorias, basilicas, boutiques and more. Immerse yourself in the historical artistry, fairytale glamor and modern chic of a cultural epicenter that never disappoints.
From Paris and New York to more surprising hotbeds of style, the In Fashion series invites you to discover the most fashionable locations in the world. Covering high fashion, classic street style and trendsetting people, as well as interiors, streets, shops and more, each beautifully presented volume offers a unique glimpse into the clothes and fashion culture of a distinct and remarkable destination.
Perfect for fans of fashion and travel.
Published to coincide with the exhibition at Kettle’s Yard, Christopher Wood: In Love offers an intimate and revelatory encounter with one of Britain’s most compelling modern artists. Drawing on new research and previously unpublished works from private collections, the book traces Wood’s brief yet incandescent career through the relationships, places and creative exchanges that shaped his art. Structured in a series of thematic ‘acts’, it moves from London and Paris to the Mediterranean and Brittany, weaving together painting, drawing, stage design and archival material to illuminate Wood’s passionate devotion to both art and life. Six newly commissioned essays explore questions of love, performance and sexuality in the early twentieth century, situating Wood within an international avant‑garde network that included Jean Cocteau, Serge Diaghilev and the Ballets Russes. Beautifully designed and richly illustrated, this publication is an essential contribution to Christopher Wood scholarship and a vital companion to a vibrant moment in British modernism.
Chinese Wild Plants in Botanical Illustration presents 300 beautiful, hand-drawn illustrations of China’s native plants. From common wildflowers and wild grasses to rarer species found on mountains and in forests, these botanical artworks reveal the extraordinary in what we commonly take to be the ordinary. With her uncanny ability to bring real life to the page, illustrator Wu Xiuzhen exposes the exceptional beauty that is inherent in the natural world all around us.
Blending scientific precision with artistic tradition, Wu Xiuzhen combines natural observation with her strong artistic and cultural knowledge of China’s native plant life. With poetic expression, harmony, rhythm and symbolic meaning, flowers like plum blossom, orchid, bamboo and chrysanthemum appear as artistic marvels, scientific record and enduring cultural expression.
Chinese Wild Plants in Botanical Illustration presents 300 beautiful, hand-drawn illustrations of China’s native plants. From common wildflowers and wild grasses to rarer species found on mountains and in forests, these botanical artworks reveal the extraordinary in what we commonly take to be the ordinary. With her uncanny ability to bring real life to the page, illustrator Wu Xiuzhen exposes the exceptional beauty that is inherent in the natural world all around us. Blending scientific precision with artistic tradition, Wu Xiuzhen combines natural observation with her strong artistic and cultural knowledge of China’s native plant life. With poetic expression, harmony, rhythm and symbolic meaning, flowers like plum blossom, orchid, bamboo and chrysanthemum appear as artistic marvels, scientific record and enduring cultural expression.
China’s Song dynasty (960-1279) ceramics have long been famed for their simple shapes and beautiful glazes. Ceramics in Song China is the first book to look beyond their creation and aesthetics to explore how they functioned in Chinese society in their own time, and beyond. Looking at connections between ceramics and daily life, it takes in geology and environmental impacts as well as the movement of ceramics throughout the expanding Song urban environment. It shows how some ceramics document otherwise forgotten lives and social practices while illuminating how the concerns of poets, scholars and officials are present in others. Concluding with a survey of Song ceramics in the collections of Chinese emperors, Japanese temples, European royalty and English writers, this book presents a new account of how one of the world’s greatest ceramic productions touched every Song life and went on to intrigue generations of admirers across the world.
Rising near the baths of Diocletian, where Imperial Rome once proclaimed its power, the Teatro dell’Opera in Rome stands as a different but no less enduring monument to Italian genius. Inaugurated in 1880 as the Teatro Costanzi, it was born at a pivotal hour – when a newly unified Italy sought not only political coherence but a shared cultural soul. Within its crimson and golden interiors, that soul found one of its most resounding expressions. Here Puccini’s Tosca premiered in 1900, at a time when the theater became both witness and protagonist of modernity – surviving war, regime, and reinvention – while safeguarding a repertoire that binds Italy to the wider world. To enter its auditorium is to step into a continuum: ancient stone outside, velvet and light within, and above all the breath of singers transforming silence into shared memory. This is a stunning volume, enriched by glorious photography, that honors and uplifts one of the most important opera houses in the world.
Text in English and Italian.
Matisse in 400 Images offers a vibrant introduction to one of the most influential artists of modern art. Bringing together 400 carefully selected works, this compact volume traces Henri Matisse’s artistic journey from his early experiments at the turn of the twentieth century to the bold cut-outs of his final years. Alongside celebrated masterpieces, readers will discover lesser-known paintings, drawings, and decorative works that reveal the richness and evolution of his vision.
Organized chronologically, the book follows Matisse’s development through key periods — from the discovery of modern art and the explosive Fauvist years, through phases of decoration, abstraction, and experimentation, to the luminous works created in Nice and the radical innovations of his late career. A remarkable selection of historical photographs further illuminates the artist’s life and creative environment. Accessible and visually engaging, this beautifully illustrated volume is an ideal introduction for a broad audience and an essential companion for all admirers of Matisse and modern art.
This publication offers a rare and fascinating insight into the teaching world of renowned architect Peter Zumthor. Based on previously unpublished material – including letters, sketches and photographs – as well as recent interviews with former students, assistants, colleagues and Zumthor himself, it examines the origins, historical context and far-reaching influence of his pioneering course “Primo Anno” (1996–1999) at the Accademia di Architettura di Mendrisio. The “Primo Anno” exercises form the structural basis of the book, while thematically organized interviews open up diverse perspectives on Zumthor’s thinking and his unique didactic approach. Narrative chapters connect these elements into a common thread, reflecting on the findings and placing them in a broader theoretical context. Based on his dissertation, written between 2018 and 2021, as well as previously unpublished materials and interviews, the Swiss-Brazilian architect Rafael Lorentz documents a rediscovery that not only sheds light on Zumthor’s thinking, but also reveals his formative influence on the identity of the Accademia.
A uniform symbolizes the separation between the individual and their function, the citizen and the state. It also obscures the personality of the wearer.
In his book Uniform, Jan Kraus portrays individuals employed in the executive and judicial branches. Their uniforms change identities, set boundaries, and assign roles simultaneously. Observing these individuals in their private lives offers a fresh perspective, challenges stereotypes, and prompts us to reevaluate our relationship with the state and its representatives.
Text in English and German.