“The book is intelligent and informative. Investors should find it particularly interesting.” — Financial Times

The future is uncertain but for one thing: the global economy is in disarray. Investors, companies and governments must rethink their approach in light of raging inflation, the ongoing climate crisis and an ageing population. In addition, they have to deal with the highest mountain of debt ever accrued in peacetime, disruptive innovations and the effects of multi-globalization. So much is happening simultaneously, making it difficult to distinguish the big waves from the small hypes. Which economic developments are here to stay and which are transient? How will interest rates evolve? Which emerging countries will become tomorrow’s global powers? Which sectors offer the most opportunities? Macroeconomist Koen De Leus and market strategist Philippe Gijsels take a deep dive into the inner workings of our economy. They identify the five major trends that will dominate our lives and our money over the next 30 years. With in-depth analyses and concrete advice, they offer guidance, reveal connections and temper alarmism. The New World Economy in 5 Trends shows how you can surf global megatrends and successfully invest in our changing reality.

This is a beautifully produced catalog accompanying the Holburne Museum’s groundbreaking retrospective of Henry Moore’s sculptures that could fit in the hand. At the heart of Moore’s practice was the directness of working on a small scale, whether carving small stones or pieces of wood, casting lead, modeling in clay or, in later years, modeling in plasticine around a found stone or bone to be cast in bronze.

The exhibition will include sculptures in stone, wood, terracotta, plaster, lead, plasticine and bronze, and span themes recurrent in his work: the reclining female figure, the mother and child, the human head, and the fallen warrior. It will include maquettes for some of his best-known, public sculptures alongside lesser-known works, including the display for the very first time in a museum exhibition of a recently discovered early lead cast of Mother & Child.

The catalog presents 85 illustrations with an introduction by Chris Stephens.

‘That this is a legitimate question, even a necessary one, is argued by Vergara in a pleasurable manner, with the pace and attitude of a peripatetic thinker. There is something here that reminds one of Montaigne or Stendhal.’ – El País

Throughout history, human beings have excelled at creating art of the highest quality. Aristotle wrote that Homer “surpassed all others” and Pliny the Elder referred to “masterpieces that we never tire of admiring”. Velázquez distinguished between portraits “made with art” and those that were not. What did they all mean exactly? What do we mean when we say that a work of art is good, of high quality? This book is an attempt to explain this central question, which remains surprisingly unexplored.

Alejandro Vergara-Sharp argues that “a deep knowledge of the history of art provides us with the tools to approach this issue objectively”. He then invites the reader to share with him a Socratic voyage of discovery, gradually unveiling arguments that can assist us in understanding this elusive and crucial concept.

“This book is a fascinating look at a history rarely told.” —The Guardian

“a fascinating look at a history rarely told” — The Observer

“In his new book “Around the World in 200 Globes” (Luster), he spot-lights some of the most significant and interesting, shpwing that a globe is more than a map on a ball.” — Wall Street Journal

“…a superb illustrator of changing boundaries and national self-regard” — Strong Words

“…exquisite examples that speak to our species’ ever-shifting ideas of who we are and where we live” — National Geographic Traveler

“…beautifully put together – and the photographs of the globes are straightforward but show off the magnificence of the collection admirably” — Amateur Photographer

The Dutch architect Willem Jan Neutelings (co-founder of Neutelings Riedijk Architects) is known as the architect of, among other things, the MAS in Antwerp and the Gare Maritime in Brussels’ Tour & Taxis district. Few people know, however, that Neutelings is also an avid collector who, over the years, has built up a very extensive and also very specific collection of hundreds of globes, made between 1900 and 2000. In this book, he presents his collection to the public for the first time. He selected 200 globes, each telling a very individual and interesting story about the time and place when and where they were created. Some globes bear witness to technological innovations by the way they were made, some show how advanced people’s knowledge of space was at the time, some were intended as navigational aids. Neutelings’ collection includes globes in cast iron, steel, wood and even paper; some look very old and fragile, others are very colorful, and some even give off light. Each one is a beautiful and intriguing object that teaches us a lot about the ever-changing world view of mankind. This beautiful and skillfully crafted book is an ode to these stories, to the unique objects often anonymous craftsmen produced in the last century, and to the special dedication of collectors.

In an era of rapid technological and social change Trends in the Transformation Economy offers insights into a new economic landscape. It explores how companies can navigate a world where customers seek not just products, but meaning. The book offers strategies to meet these new customer aspirations and thereby it makes a positive impact on the planet, society and individuals.

Where’s the best place to go out on a Saturday night in Barcelona? What off-beat museums can be discovered after Sunday brunch (and where to have it)? Which locations offer the best viewpoints of the Catalan capital? What Gaudí buildings are essential? Where does Barcelona’s modernizm reach its zenith? Where to take the children? What’s the best place to buy wine? And where do the locals hang out?

The 500 Hidden Secrets of Barcelona reveals hundreds of good-to-know addresses, avoiding the touristy places and pointing out the urban details you are likely to miss. Mark Cloostermans, a Belgian journalist living in Barcelona, unlocks the various districts, pointing out historical details in the streets of the old town, taking you from green Montjuïc hill to the beach and back. The best places to eat halal, the must-visits for Barça fans and the various festivals you can plan your visit around: The 500 Hidden Secrets of Barcelona reveals it all.

According to Count Galeazzo Arconati, who gave other Leonardo manuscripts to the Ambrosiana Library in Milan, the drawings concerning nature, anatomy, and color, have been “in the hands of the King of England before 1640.” The collection has been recorded as being in the possession of Queen Mary II, in 1690, a year after she and her husband, William III, ascended the throne as joint monarchs. The collection comprises all the known anatomical drawings by Leonardo. Three hundred images of the human body by the great artist, made between about 1485 and 1510–15, are showcased in this magnificent volume. Based on the artist’s own anatomical dissections, they show his evolving understanding of physiology. The drawings demonstrate, as well, Leonardo’s progress from technical mastery of his subject to consummate draftsmanship.
The commentary on this astonishing body of work is by Professor Martin Kemp of Oxford University, a leading international authority of Leonardo da Vinci, who explains the uniqueness of the painter’s stroke and the refined figurative transposition. One of the most renowned Italian Anatomists, Professor Mario Rende of the University of Perugia, analyses the significance of these works from a medical-scientific angle, revealing the insights, the research methodology, and the experimental and analytical approach of the Genius of da Vinci. Moving between art and anatomy, between unsurpassed illustrative display and avant-garde Renaissance scientific research, the work thus provides an in-depth and comprehensive look at an indispensable aspect of the Great Master’s story.

Text in English and Italian.

Say Cheeeeese is the highly anticipated first book by British painter Rachel Jones featuring her explosive new works and an original, collectible insert. The book was published to accompany Jones’ new commission at Chisenhale Gallery, London, in Spring 2022. For this first solo exhibition, she used her signature material, oil pastels, to produce a new body of paintings on canvas and paper. The publication includes a photo essay and commissioned text by poet and artist Anaïs Duplan; Chisenhale Gallery senior curator Ellen Greig; curator and researcher Aïcha Mehrez; poet, essayist, playwright and MacArthur Fellow Claudia Rankine; and curator Yates Norton. The foreword is written by Zoé Whitley, Chisenhale Gallery Director.

Radiant City is a major monograph documenting a decade of figurative and geometric work by London-based British contemporary artist Lucy Williams (b. 1972, Oxford). Her mixed-media bas-relief collages depict modernist architecture and interiors, from tower blocks and municipal buildings to private residences in Palm Springs. 

All made painstakingly by hand, this is a contemporary art practice that, with the precision of an architect or a draughts person, references craft traditions, using materials including paper, Plexiglas, wood veneer, fabric, piano wire, and thread. Space, form, pattern, design, and geometry meet with color and light to form mesmerizing, detailed scenes such as tiled swimming pools with mosaic walls, the imposing facades of Brutalist buildings, and domestic interiors containing bookcases replete with books, vases and ornaments.

In addition to figurative works, the publication also features the artist’s Threaded Collages, abstract geometric pieces inspired by Bauhaus tapestries and constructivism. Williams creates repeated triangular and diamond forms, using colorful painted papers along with silk and cotton threads. 

Featuring a variety of text contributions, this, Williams’s second trade monograph, has been designed by Kristin Metho, edited by Matt Price, and produced by Hurtwood. It is published by Hurtwood with generous support from Berggruen Gallery, San Francisco.

Small Paintings presents the gestural, intimate and hauntingly beautiful paintings by Indian-born British artist Jai Chuhan. The book showcases the art created for her solo exhibition of the same name at Qrystal Partners in London in the summer of 2023.

Chuhan often paints lonely figures in indistinct, nebulous rooms in works that explore love and alienation. They evoke psychological tensions between genders, agency and subjection, the familiar and the unreal. Her practice engages deeply with histories of painting as she navigates transculturalism and the female gaze. Chuhan emigrated to London with her family in the late 1960s, where she later studied at the Slade School of Fine Art.

Donald Ryan, co-founder of Qrystal Partners, contributes a foreward contextualising the exhibition and delineating Chuhan’s key artistic concerns. In her essay, Hannah Marsh, assistant curator of Contemporary British Art at the Tate, ruminates on the idea of being seen, holding space and how Chuhan’s art speaks on its own terms.

During the 1890s and early 1900s Édouard Vuillard (1868–1940) produced a body of work that combines intimate subject matter with abstract form through the simplification of pictorial elements and observation of decorative fabrics and wallpapers. Through these devices he developed an art that is unashamedly decorative and yet always replete with subtle suggestions of deeper meanings. In balancing form and content, psychological drama and abstraction, his pictures are about as close to poetry as any artist’s, and all the more brilliant for their understatement and the near imperceptibility of their craft.

Illustrating many rarely seen paintings from private collections, this book offers a fresh look at the early career of this much-loved artist. Introduced by Chris Stephens, director of the Holburne Museum, and with an original essay by Belinda Thompson.

Discover the life and work of Joan Eardley; one of Scotland’s best loved artists and a major figure of the post-war British art scene.

Joan Eardley was one of the best-loved Scottish artists of the twentieth century. Her observations of children in the back streets of Glasgow as well as her expressionistic drawings and oils of the elements on the north-east coast of Scotland have caught the imagination of the Scottish public. Eardley is cherished as a painter of the Scottish identity in both town and country, who had a unique ability to sum up a community and the timeless drama of the natural world. This book examines Eardley’s ouevre and its place in the international and British context.

It includes paintings and drawings from private collections and works from the collection of the Scottish National Gallery of Modern Art, which also holds the Joan Eardley Archive.

Swiss photographer Samuel Zeller reveals the quietness and serenity found in some of Europe’s greenest, manmade corners. Starting his project in Geneva’s botanical gardens, Zeller shoots plants through translucent glass, exploring how the shapes and refractions create a blurred beauty reminiscent of impressionist paintings. Using the same technique across Paris, Amsterdam, Brussels and beyond, the photographer draws on classical botanical illustrations from the 19th century to illustrate nature in a contemporary and unusual way.

Basil Spence (1907-1976) was one of Britain’s most celebrated architects. This book explores his extraordinary career from the 1930s to the 1970s, focusing particularly on the post-war period. Initially known for his work on national exhibitions such as the ‘Festival of Britain,’ Spence became a household name in 1951 when he won the competition to design a new cathedral for Coventry. He worked on an unusually wide range of projects from housing in Glasgow’s Gorbals to the University of Sussex and the British Embassy in Rome. Central to his work was a sensitivity toward materials and a commitment to working with artists. Spence’s work is discussed here in a series of essays introduced by a personal memoir specially written by the architect’s close family members.

In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit community to a globally recognized center of artistic innovation and experiment. This book provides the first comprehensive and fully illustrated guide to the art of the period. Featuring the work of more than eighty contemporary artists who first made their careers in Scotland including Turner Prize winners Douglas Gordon, Simon Starling and Martin Boyce. An accessible introduction for new audiences and a handy reference guide to the art of this period.

Joan Eardley (1921-1963) is one of Scotland’s most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley’s working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley’s subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley’s life and art.

Uncover the stories of 45 female painters and sculptors and their influence on Scottish modern art history. 

In 1885 Sir William Fettes Douglas, President of the Royal Scottish Academy, declared that the work of a woman artist was ‘like a man’s only weaker and poorer’. Yet between 1885, when Fra Newbery was appointed Director of Glasgow School of Art and did much in terms of gender equality amongst his staff and students, and 1965, when Anne Redpath, the doyenne of post-Second World War Scottish painting, died, an unprecedented number of Scottish women trained and worked as artists. 

This book focuses on 45 Scottish female painters and sculptors and explores the conditions that they negotiated as students and practitioners due to their gender. Many of the artists featured are not widely known and so will be a revelation to readers, while others with established reputations are evaluated afresh. 

An essay by Alice Strang and artist entries by twenty-one authors uncover and celebrate women’s contribution to this chapter of Scottish modern art history.

Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons’ intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons’ friends, family, and colleagues at I Tatti as well as the couple’s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons’ collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot’s murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.

Contents:
Preface Lino Pertile; Acknowledgments – Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: “Bernard and Mary Collect: Pictures Come to I Tatti” – Carl Brandon Strehlke; Essay II: “The Berensons and Siena” (working title) – Machtelt Israëls; Essay III: “Passions Intertwined: Art and Photography at I Tatti” – Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century – Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni – Gianni Mazzoni; Entries: Fakes – Plates 112 to 116; Section III: Roger Fry; Essay V: “Roger Fry and Bernard Berenson” – Caroline Elam; Entry: Fry – Plate 117; Section IV: René Piot; Essay VI: “A Failure: René Piot and the Berensons” – Claudio Pizzorusso; Entries: Piot – Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits – Plates 132 to 138; Entries: Miscellanea – Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons – Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.

Whisky is a story. Whisky is many stories. This book brings together the most surprising anecdotes from the world of whisky and is therefore the perfect addition to other books on distilling, tasting and travelling. Enjoy heart-warming tales about secret recipes, haunted castles, hidden distilleries, generous drunks and the first whisky tourist, and discover aspects about whisky that you’ll never find in any other book. For almost 40 years, whisky enthusiast Fernand Dacquin has been traveling through this wonderful world of whisky, in search of the most striking stories and images. Now he turns those experiences into 111 stories, in his own tongue-in-cheek style. The result is a wonderfully unusual book, published in a practical format that leaves one hand free for a good glass of whisky.

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”– The Independent
Discover the city’s best-kept secrets, with this practical guide to Antwerp’s most beautiful, interesting and often unknown places. This book takes you off the beaten track to discover the city’s hidden gardens, small museums and intimate coffee bars. On its pages you will find the 5 best places to eat frites, the 5 most secret courtyards and the 5 best independent record shops in town. It also guides you to some of the more unusual experiences that you can track down in Antwerp. So you can find out where to eat the best dim sum in Chinatown, sample a chocolate flavored with fried bacon, or dance the night away. The aim of this book is not to cover the city from A to Z, but to inspire; it is a guide to the places the author would recommend to a friend who wants to discover the real Antwerp.
The 500 Hidden Secrets of Antwerp offers a practical way to explore Antwerp’s finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarized in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveler.

Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honor to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s. Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today. Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297

“A collection of glamorous lodgings offering what Scarabeo Camp in Morocco calls “dusty luxury.” — Remodelista

“Celebrates the solitude of the desert and extraordinary places to stay.” — Wallpaper
The desert offers the great benefits of silence, slowness and space. These startling landscapes and awe-inspiring vistas can only be found in a few places in the world. Accompanied by stunning photography, this book bundles together 40 dreamy locations in one volume and shows the most luxurious and special overnight stays the desert has to offer. Get insider tips on travel to the Sahara in Morocco, the salt flats (Salar de Uyuni) in Bolivia or the Gobi Desert in Mongolia, among others.

This Boston guide is the newest addition to the internationally successful series The 500 Hidden Secrets. Like the other city guides in the series, it contains 500 places to visit or things to know. All of them are addresses or activities the author, savvy Boston local Natalia Ivanytsky, would recommend to friends visiting her hometown. A new feature are the two city walks included in the book, leading past a selection of the 500 secrets: a great way for first-time visitors to get to know the city.

This bulky selection of Boston tips is based only on the author’s personal opinions after thorough research: Natalia wandered through the many Boston streets and neighborhoods accompanied by her dog, looking for the best places to eat, drink, shop, visit, dive into the cultural scene, … She drank and ate her way through the best brunch spots, cocktail bars, and restaurants with family and friends, looking for the five best on-the-go sandwiches, the five tastiest street food trucks, the nicest shops for New England-inspired home décor or five urban oasis garden escapes. She also tells you which unofficial stops along the Freedom Trail are worthwhile, or where to find cool outdoor art installations. Her aim is to showcase Boston’s strong culture beyond sports and history, and to help you discover new, unexplored places.

Also available: The 500 Hidden Secrets of Chicago, The 500 Hidden Secrets of Seattle, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Tokyo, and many more. Discover the series at the500hiddensecrets.com