The conceptual art practice of Cerith Wyn Evans encompasses installations, sculpture, film and text, translating ideas from philosophy, art history, film and literature into lyrical, often monumental, site-specific exhibitions. This publication provides valuable insight into Evans’ wide-ranging practice, as well as a document to the artist’s 2025–26 exhibition of the same name – Forms in Space…through Light (in Time) – at Lisbon’s MAAT – Museum of Art, Architecture and Technology. Featuring specially commissioned photographs of Evans’ complex, captivating works in situ, the catalogue includes an introduction by exhibition curator Sérgio Mah, who also conducts an interview with the artist, and an essay by Professor Michael Newman.

Dual Language English and Portuguese.

“…sumptuous large illustrations of the selected Works, with a beautifully printed tonality”
“lt is exciting to think about how this important collection can continue to grow while this publication is already a beautiful tribute to Scottish art.” — Journal of the Scottish Society for Art History, Volume 29, 2024-2025, p.128
The National Galleries of Scotland is home to the most important collection of Scottish art in the world. This beautifully illustrated book introduces the collection through 100 works, specially chosen by the curatorial team who care for them.
The selection ranges chronologically from a 16th-century portrait of a Scottish king to 21st-century instalations and prints. Some of the most famous painters in Scotland’s history feature alongside some of the finest artists working in Scotland today. Many of the most distinctive movements in Scotland’s artistic heritage are represented, including the Celtic Revival, Arts and Crafts, the Glasgow Boys and the Scottish Colourists.
Each of the 100 works is reproduced alongside a text by one of 23 three expert contributors. The introduction gives an overview of the collection and Scottish art history more broadly. It is perfect for those who already love Scottish art, and those who are yet to discover its riches.  

This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiam for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves.

The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.

Foreword; Introduction; 1 Rembrandt’s Fame in Britain, 1630 1900: An Overview- Christian Tico Seifert; 2 Rembrandt and Britain: The Modern Era – Patrick Elliott; 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700 1840 – Stephanie S. Dickey; 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain – Jonathan Yarker; 5 Regarding Rembrandt: Reynolds and Rembrandt – Donato Esposito; 6 Rembrandt: Paragon of the Etching Revival – Peter Black; 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850 1930 – M.J. Ripps; Catalogue; Bibliography.

In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit scene to a globally recognized center of artistic innovation and experiment. Generation Reader provides the first collection of key documents from the period including essays, interviews, critical writing and artists’ own texts. This publication will fill a significant gap in the scholarship of the period and provide a resource for the future, an illustrated guide to the ideas, events and debates that shaped a generation. The selected archive texts from the period will sit alongside some newly-commissioned writing which includes essays by the novelist Louise Welch and by Nicola White, Dr Sarah Lowndes, Francis McKee, Professor Andrew Patrizio and Julianna Engberg. GENERATION is a landmark series of exhibitions tracing the remarkable development of contemporary art in Scotland over the last twenty-five years. It is an ambitious and extensive program of works of art by more than 100 artists at over 60 galleries, exhibition spaces and venues the length and breadth of Scotland between March and November 2014.

A fascinating exploration into the landscape painting career of one of Scotland’s best-loved designers and architects: Charles Rennie Mackintosh.

Known worldwide for his architecture and interior designs, Charles Rennie Mackintosh (1868-1928) was also an extremely gifted painter. Towards the end of his life, he gave up his principal career as an architect and moved to the south of France where he devoted himself to painting in watercolor. Meticulously executed and brilliantly colored, these landscape watercolors are conceived with a sense of design and an eye for pattern in nature, which owes much to his brilliance as an architect and designer. This book charts Mackintosh’s time in France and explores his career as a landscape painter, placing his work in the context of the modern movement. The 44 paintings Mackintosh is known to have completed while in France are illustrated, and are supported by documentary photographs of the places he painted as well as extracts from his letters written to his wife and friends.

This book will accompany the first major solo exhibition of Douglas Gordon’s work in Scotland since he presented his now celebrated work, 24 Hour Psycho at Tramway in Glasgow in 1993. Gordon is one of a number of Glasgow-trained artists who came to prominence in the 1990s. He has gone on to achieve huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. Gordon works with film, video, photographs, objects and texts, examining issues such as memory and identity, good and evil, life and death. He makes great play with the doubling of images often in positive and negative or in mirrored form. This book will show all the important aspects of Gordon’s work, both past and present. In addition, it will be specially tailored to bring out the particularly Scottish nature of Gordon’s ideas and practice. The exhibition book will contain essays by the exhibition curator, Keith Hartley, senior curator at the Scottish National Gallery of Modern Art, Edinburgh; Dr Holger Broeker, Kunstmuseum; Dr Jaroslav Andel of the Museum of Contemporary Art, Prague and an essay by the renowned Scottish author, Ian Rankin.

“In this abridged extract from Don’t Be A Tourist In London, Vanessa Grall suggests a few places to start a conversation in London… and one place to go and listen.” — Londonist

“Discover the capital’s secret spots with Vanessa Grall’s new book.” — Country and Town House

“The cliché says that when one is tired of London, one is tired of life – but I think this book might help some to rediscover the joys of both… there’s probably enough here to keep you going for things to explore for the next decade.” — Amateur Photographer

“This book will encourage the wanderer within. It is a true traveller’s companion as much as a beautifully designed collectable for your bookshelf.” — Polo Lifestlye

Discover the secret recipe for becoming an artful traveler in a messy world.

Don’t be a Tourist in London offers an escape route from the typical tourist itinerary to the British capital, unlocking a vault of thoughtfully-curated itineraries, local secrets, insider advice and little-known urban anecdotes.

For the third instalment of the best-selling Don’t be a Tourist series, the author takes us to her hometown to rediscover the personal joy of travel, following our instincts – not the tour buses. Each episode’s journey has its own mood, inspired by different traveler mindsets shaped by life’s relatable challenges and familiar emotions like heartbreak, career hurdles or strong personality quirks.

This book will encourage the wanderer within. It is a true traveler’s companion as much as a beautifully-designed collectible for your bookshelf. Within the pages of this beautifully bound hardback, you will find…

Secret Restaurants; Time Capsule Pubs; Cosy Hideaways & Unique Date Ideas; Unexpected alternatives to major museums; Film-worthy Walks & Quaint neighborhood Discoveries; Hip London Hangouts; Aladdin’s Caves & booklover Havens; Places to be creative; Obscure/ Underground Adventures; Places to entertain the kids (or the kid in you!); Budget-friendly life-savers; Endless good-to-know advice and fascinating anecdotes.

More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.

Travel with nature and wildlife photographer Wouter Pattyn to explore 12 of the most beautiful nature reserves on the European continent. Along with photographs of stunning landscapes, Wild Places of Europe is a sourcebook of information for the adventurous traveler, including practical tips for booking your visit and taking the best photographs. Immerse yourself in these wonderful places and perhaps make plans to go to one yourself.

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”- The Independent
The 500 Hidden Secrets of Brussels is a guide to the Brussels that no one knows. It takes you to undiscovered art museums, forgotten squares and secret shops. The book doesn’t mention everything there is to see. There are already more than enough guides that cover the familiar tourist places. This book goes one step further and lists the places the author would recommend to friends if they asked him where to go in Brussels. Here you will find the 5 best places to eat frites, the 5 small museums that no one should miss and the 5 best record shops in town. The aim is to take the reader to the unexpected places that give the city its charm, like the restaurant on the top floor of the national library, or the metro station that is decorated with 140 characters from Tintin albums, or the art cinema that seats just 20 people. You do not have to do everything listed in the book, but you are urged at the very least to drink a Gueuze beer in one of the 5 best Brussels bars, eat at one of the 5 best fish restaurants, and visit one of the 5 best independent cinemas. If you do, you will begin to discover a city that no one else knows.
The 500 Hidden Secrets of Brussels offers a practical guide to Brussels’ finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarized in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveler.

It is a fascinating story that the merchant companies of Europe, established with the aim of sourcing exotic eastern spices, stumbled upon Indian handmade textiles and found these a highly profitable product for their home markets. This process was to have far-reaching consequences for colonial history. 

In When Indian Flowers Bloomed in Europe the author takes us on a tour of 30 masterpieces of Indian textiles from the TAPI Collection, commissioned by European patrons in the 17th and 18th centuries. Presented here are outstanding examples of large, intricately hand-drawn, dye-painted cotton chintzes made in the Coromandel Coast, and embroidered palampores and garment pieces made in Gujarat and the Deccan. Textiles made for Dutch and British patrons demonstrate the aesthetic high point achieved by Indian artisans in the 17th and 18th centuries. Indian patterned cottons such as these, with their infinite variety of floral motifs, left a profound and enduring impact on textile designers in the western hemisphere, unexpectedly setting the stage for the Industrial Revolution.

The informative text is accompanied by rarely seen images from museums and private collections, offering fresh insights into these iconic examples. Three essays followed by individually explained catalog entries for each textile add to a greater understanding of an important, historical phase in the development and global recognition of India’s textile art, now preserved in museums and collections worldwide as a testament to the handiwork of the skilled artisans of India.

In the third decade of the 21st century, we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera.
Guerrero grew up against a backdrop of sleek automobiles. As a child she would sit in the driver’s seat of her mother’s Mercedes and dream of one day being in control of such an elegant machine. Her father was a mechanical engineer whose hobby was fixing up cool cars, and she would watch him at work, taking in the details of fins and fenders. It sparked a fascination, which became an adult passion, which eventually inspired an entire body of work. Auto Erotica is Guerrero’s second monograph with Circa and follows Wicked Women down the same electrifying road.

Los Angeles has so much to offer, and this guide helps you to choose where to start when discovering this beautiful city. Where are the best farmers’ markets? Which street foods are not to be missed? What are the liveliest places to go dancing? What are some unlikely places to spot celebrities? Which art galleries are worth a visit? In The 500 Hidden Secrets of Los Angeles, Andrea Richards shares 500 must-know addresses in one of the coolest cities in the United States. It is an affectionate guide to the City of Angels that avoids the touristy places and points out the urban details you are likely to miss. From the best outdoor concert venues to the most beautiful country escapes, this guide is the perfect companion visitors who want to make the most of their stay and residents who want to get to know their city even better. 

Also available: The 500 Hidden Secrets of Miami, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Toronto, The 500 Hidden Secrets of Vancouver and many more. Discover the series: the500hiddensecrets.com

“Opening it and turning the pages is an invitation to dream, to wonder, and to appreciate the very large emotional size of the natural landscapes in the United States.” — Frames
“The 230 beautifully rendered black & white images in the book provide a compelling tour of America’s wild places and national parks, from Yosemite and Yellowstone to Death Valley and Utah’s Canyonlands to the Hudson Valley in New York and beyond.” — Black & White Photography

“From towering redwoods in California to the remote canyons of Utah, his work shows us not just what these places look like, but what they feel like to those who dare to go.” — About Photography

“Ortner’s use of black-and-white film and large-format cameras for Visions of Paradise unveils the true essence of the natural world. By peeling away color, he forces us to immerse ourselves more deeply and see anew America’s breathtaking sites through the purified language of light and shadow, form and texture, shape and pattern…” — VIE Magazine

“… a photographic masterpiece celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film.” — Dodho Magazine

Visions of Paradise: American Wilderness is a singular, timeless publication—a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.

Holly Addi is a U.S.-based artist who creates abstract paintings focused on the philosophy of beauty in imperfection. With a background in psychology, Addi examines energy, color, space, and landscape through tempered abstraction. Addi considers her practice as a “composition of imperfectionism.” By utilizing abstraction, she creates moments by means of rules and omissions, acceptance and refusal, providing a space for contemplation. Her works do not reference any particular form, and interpretation becomes multifaceted. She has exhibited nationwide, and has been featured in Architectural Digest, My Domain, and Electrify Magazine. Holly’s work can be found in public and private collections worldwide.

Magritte in 400 images offers a selection of the most iconic paintings from the master Surrealist, René Magritte, along with a multitude of perhaps less well-known, but no less exciting jewels from his expansive oeuvre. The novel choice of works will surprise and delight the reader as they continue to uncover ever more facets of the celebrated painter, from his gouaches to his painted bottles and much more. Spanning seven chapters, this book brings together the myriad aspects of Magritte’s pictorial vision. Beginning with his first forays into abstract painting in the 1920s, navigating his search for solace in his Sunlit Period, as well as his brittle période vache and moving on to his Surrealist masterpieces of the 1950s and 1960s, it gently guides the reader through Magritte’s world. Each chapter opens with a summary of the artistic stakes at play during that period and Magritte’s place in them, immersing the reader in the contemporary artistic milieu. The 400 reproductions of Magritte’s work are complemented by a unique selection of historical photographs. Alive with images and information, this compact gem is a must-have for all art enthusiasts and connoisseurs.

“Bruce Springsteen in All His Rock Star Glory.” —Janet Macoska, The Daily Beast

“Two careers were born on that cold night in 1974. Macoska would blossom into one of the most notable rock ‘n’ roll photographers of the last 50 years. And Springsteen was on his way to becoming The Boss.” —Jay Crawford and Meg Hambach, wkyc3

“…Live In The Heartland covers almost five decades of touring from The Boss, and also includes set-lists and corresponding editorial content. The majority of the photos are previously unseen.” —Classic Rock Magazine

“There’s only one boss of rock ‘n’ roll.”  —Tria Wen, Reader’s Digest

“… an energetic and moving visual tour that records the romance between The Boss and the Cleveland stages.” —GQ Mexico

Five decades of blue-jeans, down-to-earth rock ‘n’ roll. Five decades of poetic, authentic performances, political commentary, global tours and even a Broadway show. Bruce Springsteen hasn’t just left an impact on the surface of modern music, he helped shape its foundations.

From the early beginnings in 1974 to the seminal Born in the USA – one of the best-selling albums of all time – to the 2016 River Tour, the highest grossing tour of the year, Springsteen has a truly timeless appeal, captured here by lauded rock photographer, Janet Macoska. Macoska charts Springsteen through the ages. Through her lens we witness his enduring energy on the stage, from 1974 to 2016. Here is Springsteen at his finest: a down-to-earth superstar, whose powerful performances stand the test of time.

“Bruce would rip his heart out and give it to his audience. He put everything into his performance. He was all over the stage, and the whole rest of the band was in lockstep, complimenting that energy. It was going out to the audience in bundles. We were sending it back , too, and that’s really electric. That energy, those visuals? Photographers love that. It’s perfect to have something like that to photograph.” – Janet Macoska

Everett Fahy’s writings are of fundamental importance to the study of Tuscan Renaissance painting from the late 14th to the 16th century. An endeavor that lasted 50 years, starting with his 1965 essay on Piero di Cosimo and ending with his contributions for the 2015 Florentine exhibition on the same artist. In between Fahy wrote on some of the most acclaimed and loved artists (from Beato Angelico to Botticelli, from Ghirlandaio to the young Michelangelo), but also on lesser known masters such as Lorenzo di Nicolò, Spinello Aretino, the Master of the Campana panels, the Master of the Fiesole Adoration of the Magi, etc., and through his pioneering studies rediscovered minor artistic schools, such as the Lucca school. Fahy reconstruction of Fra Bartolomeo’s early career is considered a classic of art historiography.

With texts in English (36), French (1), and Italian (10).

Mohandas K. Gandhi has been described as ‘an artist of non-violence,’ crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, ‘the great soul.’ His philosophy and praxis of satyagraha, non-violent civil disobedience, has been analyzed extensively. But is satyagraha also an aesthetic regime, with practices akin to a work of art? Is Gandhi, then, an artist of disobedience? Sumathi Ramaswamy explores these questions with the help of India’s modern and contemporary artists who have over the past century sought out the Mahatma as their muse and invested in him across a wide range of media from painting and sculpture to video installation and digital production. At a time when Gandhi is a hallowed but hollow presence, why have they lavished so much attention on him? A hundred and fifty years after his birth, Gandhi is hyper visible across the Indian landscape from tea stalls and government offices to museums and galleries. This is ironical given that the Mahatma appeared to have had little time for the visual arts or for artists for that matter. Yet fascinatingly, the visual artist has emerged as Gandhi’s conscience-keeper, reminding others of the meaning of the Mahatma in his own time and today. In so doing, these artists also reveal why this most disobedient of ‘modern’ icons has grabbed their attention, resulting in a veritable art of disobedience as an homage to one of the twentieth century’s great prophets of disobedience.

Peter Hinssen’s radical long-term view on organizing and innovation is as fascinating as it is insightful. This is a great read about the future of business, aimed at those who want to witness the potential of this age of disruption. Adam Pisoni, CEO at Abl Schools, Co-founder of Responsive.org and Co-founder of Yammer. “Peter Hinssen has done it again! The Day After Tomorrow is a provocative and inspiring book that will challenge you, educate you and open your eyes to possibilities that you never thought existed. A must-read for any organization that wants to prepare for disruptive changes.” Costas Markides, Professor of Strategy and Entrepreneurship at London Business School. “Many futurists entice us with fanciful notions. Peter Hinssen, however, manages the impossible, combining a stunning clear vision of the future with a compelling but concrete framework to act on now.” Eddie Obeng, Professor at Pentacle The Virtual Business School For today s organizations, our exponentially changing world has come with great consequences. In this book, Peter Hinssen tells the story of the pioneers who managed to adapt to those changes and who moved beyond today and even tomorrow in their approach to innovation. In doing so, they were able to change the course of entire industries. Peter’s book focuses on the business models of these pioneers, on the organizational culture, the talent, the mindset and the technology we should tap into in order to maximize our chances for survival in the ‘Day After Tomorrow’. It will shift your perspective on your future, on the future or your company and even that of your grandchildren.

The uniqueness of Silke Trekel (*1969) lies in the melding of artisan skills and awareness with a particular sensibility for the character and texture of the inherent quality of her materials. Whether industrial or organic, they play a crucial role in her designs. The many travels of the Halle-educated artist broadened her perspectives, validating them in a concept of jewelry fed by universal symbolic metaphors of form. The publication gives a first in-depth account of her development, of this dialog between abstraction and ornamental tradition. In fact Trekel invites us to rethink, for her work unites motifs and guiding concepts, which galvanized 20th century art – between sculptural spatial configurations and signs held in suspension. Trekel takes an active part in this story.

Text in English and German.

Published to accompany exhibitions at Bayerischer Kunstgewerbeverein, Munich, from 5 March-17 April 2021, at Deutsches Goldschmiedehaus Hanau from 12 September-10 November 2021, and Galerie Viceversa, Lausanne from February 12–March 12, 2022