After finishing her training in painting, ceramics and sculpting, Moniek Vanden Berghe turned her talents to floral art, achieving great success. One of her main specialities is bridal work, in a contemporary-modern style. She has an eye for detail and designs bridal bouquets, floral purses, corsages, hair clasps and tiara’s with great accuracy. She also decorates the bridal table, the cars, the church and the bridesmaids in an elegant and harmonious way. This book is overflowing with spontanaeity and vision; a source of inspiration for florists and brides-to-be alike, Flowers in Love 3 is an excellent addition to the author’s two other bestsellers on the theme of love and marriage.
“Moniek is a uniquely creative talent. Her intriguing combination of materials as well as her technical creativity shows that she is a true visionary in floral design.”Diane MomnomotoAlso Available:Flowers in Love ISBN: 9789058561619 £22.50Flowers in Love 2 ISBN: 9789058562241 £22.50
A superb attention to detail, unsurpassed craftmanship, an emotional understanding of her clients, a dislike of overcomplicating things and a mind that never stops seeing new opportunities and ideas. These are only a few of the characteristics that made and still make Moniek Vanden Berghe the number one and trendsetting floral designer as far as bridal arrangements are concerned. And as time goes by, as is the case with many talented people, Moniek only seems to become more determined, more focused, more passionate. The colorful array and the diversity of the bridal bouquets, corsages, table arrangements, head pieces, and other decorative wedding designs compiled in Flowers in Love 4 demonstrate that Moniek is one of these artists whose well of inspiration never runs dry, on the contrary, it only flows more vigorously. Packed with fantastic new designs, this fourth book in the Flowers in Love collection will prove once again to be a goldmine of inspiration for aspiring florists and brides alike. Text in English, French and Dutch.
Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: ‘Towards a Critical Pragmatism: Contemporary Chinese Architecture’. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital.
The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China’s architecture culture.
Born in 1995 in Ho Chi Minh City, Eris Tran has led a dream life, one of his own choosing in haute couture fashion illustration. His reputation is international; his clients are among the elite in fashion design; and his drawings are bewitching yet disciplined. He perfectly captures the intricate detail of fabrics, be they delicate silks, bold brocades, or diaphanous sheers. At the same time, Tran combines humor with a touch of the avant-garde, and the effects are both magical and audacious. With more than 200,000 followers on Instagram (@eris_tran), and a favorite of such houses as Alexander McQueen, Dior, Armani, Marchesa, Givenchy, Versace, and many others, including many emerging designers from Asia, Eris Tran interprets haute couture in a style perfectly suited to the times. This, his first book, is a showcase of Tran’s stunning work for some of the world’s best designers over the past few years. Featuring over 200 color illustrations and his own commentary throughout, Dressing in Dreams is a book no true connoisseur of high fashion should be without.
Modern public space requires wayfinding information that can help users familiarize or adapt themselves in new building environments. Wayfinding systems designed to fulfill the essential functions of direction, notice or explanation often absorb creative designing elements. This book is an informative and systematic compilation of many updated design works for wayfinding by international designing studios, ranging across shopping malls, gardens, hospitals, schools, office buildings, museums, libraries, among others. And the wayfinding design works represented in this book originate from their application in various public spaces. This book is a great reference for graphic designers, architects, scholars, or students majored in the design disciplines.
Inspired by the book Made in Tokyo, Shanghai architectural scholar Li Xiangning and his team worked closely with its author, Yoshiharu Tsukamoto, to edit this book about the features of Shanghai city and its architecture. This book is a celebration of the particular elements of the architecture and urban design of Shanghai, and brings together 54 places that contribute to the unique DNA of the city. The photography, detailed drawings, and written pieces reveal Shanghai as it is to its residents. Whilst including well-known architectural features of Shanghai, the book also explores the less well-known elements that make Shanghai the city that it is.
Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
The Pushtimarg, or the Path of Grace, is a Hindu tradition whose ritual worship of the deity Krishna has developed in close relationship to a distinct genre of early-modern Hindi prose hagiography. This volume introduces readers to the most popular hagiographic text of the Pushtimarg – the Chaurasi Vaishnavan ki Varta, or ‘Narratives of Eighty-Four Vaishnavas’, which tells the sacred life stories of the community’s first preceptor Vallabhacharya (1497-1531) and his most beloved disciples.
At the core of these narratives are descriptions of how Vallabhacharya’s disciples cultivated intimate relationships with Lord Krishna through ritual performances known as seva, or loving service. Despite the widespread practice of illustrating seva through painting, these narratives, which showcase everyday men and women, have rarely been visually depicted. This book focuses on the only extant Chaurasi Vaishnavan ki Varta manuscript dated to the beginning of the 18th century, now in artist Amit Ambalal’s collection.
The volume will appeal to scholars and students of Indian art and literature, to those who have grown up in the Pushtimarg tradition, and more broadly to those with an appreciation for the distinct ways in which pictures can tell stories that unite the everyday with intimate experiences of the Divine.
Contents:
Foreword by Amit Ambalal; Introduction; The Pushtimarg and its Devotional Aesthetics; The Chaurasi Vaishnavan ki Varta; The Illustrated Manuscript from the Amit Ambalal Collection; Pictures that Tell Stories; Select Varta Prasangs and Illustrations; Illustrated Index of the 1702 Manuscript.
“These photos are stunning, bittersweet visions of a past shared by all of us.“ – Tom Hanks.
“Brian Hamill is best known as a still photographer and a photojournalist. But I’ve always regarded him – first and foremost – as a master portraitist. And this book bears that out – capturing as it does, the many-faceted phenomenon that was John and Yoko – artists, lovers, cultural comrades and – most elusively – business partners. Behind his camera, Hamill is something of a phenomenon himself.” – Richard Price
Renowned celebrity photojournalist Brian Hamill delivers his own insider view of this Beatles icon, through intense, intimate photographic portraits and insightful text. Whether Lennon is dominating the stage, posing on the roof of the Dakota building, or relaxing with Yoko Ono, Hamill’s photography takes this quasi-mythical figure from the world of Rock ‘n’ Roll and shows him as the man he really was.
“Brian looked at the John Lennon who had become an icon and saw instead a familiar face. He saw a working-class hero like those that built the City of New York. And so when John Lennon came to live in New York, Brian captured him as a New Yorker, in the joyous images that you will find in this book.” – Pete Hamill
“Lennon, one of the most famous men in human history, wanted to live as one among many. Of course, he hit it off with Hamill. The guy that flew so high needed some oxygen. Hamill is fresh air. His folio of Lennon images shows Lennon focused, present, but edgy, never relaxed.” – Alec Baldwin
“Erudite, while still being fun to read.” — Professor Tim Neild, physiologist and medical educator
“A triumph of Social History in the Georgian period.” — Dr Nigel Cooke FRCP, physician and ceramic historian
This is the first biography and reference book dedicated to Samuel Percy, a modeler who produced an impressive oeuvre of wax portraits and tableaux in the mid-to-late eighteenth and early nineteenth century. Based in part on the author’s own substantial collection of Percy waxes, this book follows Percy from his beginnings in Dublin, at the Dublin Society Drawing Schools, working with the famed statuary John Van Nost; to England, where he journeyed from town to town, putting advertisements in regional newspapers. These revealing advertisements have been gathered here for the first time, in order to track his travels. Whether taking the likeness of Princess Charlotte of Wales, or falling victim to a highway robber in Birmingham, these fragments of Percy’s history paint a fascinating picture of his life as a wandering artisan. As well as a chronological narrative of Percy’s life, this book commits an entire chapter to an area of his work that has never been studied before: his miniature tableaux. These portray various subjects, both religious and secular, from Christ on the Cross to playing children. They are catalogued in an appendix, and almost thirty are illustrated. Based entirely on original research, Mr. Percy: Portrait Modeller in Coloured Wax features over a hundred illustrations, celebrating both Percy’s accomplishments and the works of other modellers for comparison.
Jewellery in Context
is the doctoral dissertation, edited by Theo Smeets in its first English translation, by the Dutch art historian and design critic Marjan Unger (1946-2018). In this work she initially endeavours to formulate a general definition of jewelery. Yet above all she also analyzes to what extent jewelery is associated, across the globe, with different, sometimes contrary issues: all human fears, but also desires, have, in a sense, materialized as objects of adornment, she postulates. This comprehensive approach aimed not least at developing a solid theoretical framework to aid the study of jewelery. Thus the text can already be seen as an outright standard reference work, indispensable for all students of jewelery. However, experts, too, will discover new perspectives on the phenomenon of jewelery.
Contents:
Foreword – Theorems; 1. Introduction; 2. Definitions and classifications; 3. Art history as foundation for the study of jewellery; 4. Man as measure; 5. Angles from other disciplines; 6. Symbolism in jewellery; 7. Evaluation; 8. Conclusion.
From the late 15th to the mid-16th century, an impressive corpus of architecture, sculpture, and painting was created to embellish monastic sites affiliated with the Benedictine Cassinese Congregation of Italy. A religious order of humanistically trained monks, the Cassinese engaged with the most eminent artists and architects of the early modern period, supporting the production of imagery and architecture that was often highly experimental in nature: from Raphael’s Sistine Madonna in Piacenza to Andrea Riccio’s Moses/Zeus Ammon, from Andrea Palladio’s church of San Giorgio Maggiore (Venice) to the superbly crafted choirstalls of San Severino and Sossio (Naples).
Applying a network framework to the congregation’s infrastructure of monasteries makes clear that the circulation of sophisticated Renaissance art and architecture constituted only a segment of the monks’ investment in the arts. Monks also served as custodians of an antique monumental heritage and popular votive images, assuring the survival of ancient buildings and artifacts of limited aesthetic value that supplied opportunities for early modern masters to confront an array of artworks for the reinvention of reformed Christian art and architecture.
Text in English, Italian and German.
Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius’ treaty on architecture, and the examples of modern architects like Donato Bramante.
This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.
1941. War is raging in Europe and now sweeps through Southeast Asia.
In Bangkok, Kate Fallon, an American nurse, who came to Thailand to leave her past of poverty and a broken heart behind, and Lawrence Gallet, a wealthy English journalist, are trapped in the chaos of conflict, believing their love can overcome their differences before being torn apart.
Lawrence flees to China to escape the advancing Japanese army, while the net closes slowly around Kate, who has remained behind, increasingly threatened and forced to hide her identity.
A sweeping saga moving from a Thailand uneasily poised between Japan and the west to the ravaged battlegrounds of Burma and India, from the charity ward of the Bangkok hospital to bombed airfields, from the Thai domestic resistance movement to the deadly jungles of the Arakan, Bangkok in Times of Love and War is the story of life and death, passion, loyalty and loss, and of a man and a woman caught up in the upheaval of history.
Digital Architecture employs computer modeling, programing, simulation, and imaging to create both virtual forms and physical structures, and it is becoming increasingly popular in today’s architecture landscape the world over.
This book presents the fast-shaping and actively progressing digital architecture scene in China as it discusses the current status and trends in its development, design, and construction, in the different dimensions of digital architecture.
It includes four parts: Theoretical Explorations; Building Practice; Research Projects; and a chronology of digital architecture in China. The first part summarizes the understanding and positioning of digital architecture in China from the perspectives of construction, design techniques, and design concepts. The second and third parts provide readers with a wealth of information and resource through many analytical diagrams, technical drawings, and construction and completion images. This book is not only an academic review, but also a lively account of digital architecture in China. This read will feel like a visit to a vivid Chinese digital architecture exhibition, and will be a welcome addition to any architecture reference collection.
The beautifully illustrated volume is an editorial tribute to the history of the Comunale Theatre in Bologna, a city institution of international fame. With previously unpublished and richly detailed images and complementary texts by Professor Piero Mioli, this publication celebrates the theatre’s great and unique story. Also included is a rich photographic array from the theatre’s historical archives featuring posters, stage photos, sketches, drawings and figurine plates, which have been hidden from public view, until now.
Text in English and Italian.
The Sansevero Chapel, located in the heart of historic Naples, is a treasure chest of baroque beauty, fascination, and mystery. There are 28 statues in the chapel, including The Veiled Christ
(1753), a masterpiece of translucent drapery and emotive power by Giuseppe Sanmartino, which was much admired by Canova. This book presents the chapel’s statues, crypts, and paintings in all-new photography. There is a chapter devoted entirely to The Veiled Christ, which goes deeply into the history of this important and moving work.
Text in English and Italian.
Where’s the best place to go out on a Saturday night in Barcelona? What off-beat museums can be discovered after Sunday brunch (and where to have it)? Which locations offer the best viewpoints of the Catalan capital? What Gaudí buildings are essential? Where does Barcelona’s modernizm reach its zenith? Where to take the children? What’s the best place to buy wine? And where do the locals hang out?
The 500 Hidden Secrets of Barcelona reveals hundreds of good-to-know addresses, avoiding the touristy places and pointing out the urban details you are likely to miss. Mark Cloostermans, a Belgian journalist living in Barcelona, unlocks the various districts, pointing out historical details in the streets of the old town, taking you from green Montjuïc hill to the beach and back. The best places to eat halal, the must-visits for Barça fans and the various festivals you can plan your visit around: The 500 Hidden Secrets of Barcelona reveals it all.
These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.
Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognize them. This is thanks to his technique, his art and the patience with which he waits for the light.
Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.
The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.
Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons’ intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons’ friends, family, and colleagues at I Tatti as well as the couple’s diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons’ collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot’s murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.
Contents:
Preface Lino Pertile; Acknowledgments – Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: “Bernard and Mary Collect: Pictures Come to I Tatti” – Carl Brandon Strehlke; Essay II: “The Berensons and Siena” (working title) – Machtelt Israëls; Essay III: “Passions Intertwined: Art and Photography at I Tatti” – Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century – Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni – Gianni Mazzoni; Entries: Fakes – Plates 112 to 116; Section III: Roger Fry; Essay V: “Roger Fry and Bernard Berenson” – Caroline Elam; Entry: Fry – Plate 117; Section IV: René Piot; Essay VI: “A Failure: René Piot and the Berensons” – Claudio Pizzorusso; Entries: Piot – Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits – Plates 132 to 138; Entries: Miscellanea – Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons – Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.
“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Havana to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”– The Independent
Discover the city’s best-kept secrets, with this practical guide to Antwerp’s most beautiful, interesting and often unknown places. This book takes you off the beaten track to discover the city’s hidden gardens, small museums and intimate coffee bars. On its pages you will find the 5 best places to eat frites, the 5 most secret courtyards and the 5 best independent record shops in town. It also guides you to some of the more unusual experiences that you can track down in Antwerp. So you can find out where to eat the best dim sum in Chinatown, sample a chocolate flavored with fried bacon, or dance the night away. The aim of this book is not to cover the city from A to Z, but to inspire; it is a guide to the places the author would recommend to a friend who wants to discover the real Antwerp.
The 500 Hidden Secrets of Antwerp offers a practical way to explore Antwerp’s finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarized in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveler.
Gertrude Jekyll was perhaps the most important British garden designer of the 20th century. She famously argued that gardening ought to be considered a Fine Art, highlighting that it becomes a point of honor to be always striving for the best. This volume examines Jekyll’s work at Manor House, Upton Grey in Hampshire, offering an insight into her eclectic, imaginative, and inspiring art. Designed between 1908 and 1909, and once maintained by as many as nine gardeners, the garden fell into disrepair by the second half of the twentieth century, before a full and accurate restoration was carried out in the early 1980s. Gertrude Jekyll: Her Art Restored at Upton Grey presents a visual record of the garden’s plants and layout, with original plans and photographs, as well as beautiful images of the garden taken since its restoration. There is also a fascinating chapter about Miss Jekyll’s discovery, admiration and use of Mediterranean plants. The book succeeds in illustrating exactly why Jekyll was so admired in her lifetime and why she continues to inspire and influence gardeners today. Contents: Introduction Chapter 1: The Garden from 1902 to the Start of its Restoration in 1984 Chapter 2: The Rose Garden Chapter 3: The Dry-Stone Walls Chapter 4: The Main Herbaceous Borders Chapter 5: The Pergola, the Rose Arbour and Surrounding Garden Chapter 6: Miss Gertrude Jekyll’s mediterranean travels and plant discoveries and their use at Upton Grey Chapter 7: The Wild Garden Chapter 8: The Art Completed Also available: The English Garden Through the Twentieth Century ISBN: 9781870673297