Things That Cannot Be Put Into Words is an artist’s book written by Marie-Sophie Beinke and published by M-S B Verlag and HOPPER&FUCHS (originally published in German in 2021 by M-S B Verlag) and five translations of the same book as paperback editions. This publishing project consists of a mainly blank book, open to every possible idea and image. Things, that cannot be put into words: What has disappeared, the snatched away, the absent, the nothingness, the void are made present. Space for the thinkable, where words fail. An artist’s book that openly invites readers to critical thinking, dialogue and debate.
Working from his Urbana practice in Bangladesh, Kashef Chowdhury designs architecture that is rooted in the history and nature of its location – whereby the latter also relates to a spiritual and cultural level. This explains his fascination for Kahn’s parliamentary building in Dhaka, which inspired this volume of photo essays.
Kahn’s design is characterized by an innovative architectural language that combines western and eastern traditions, forms and materials. For instance, in view of the great importance of water in Bengali tradition, he placed the building complex by an artificial lake. Furthermore, although it is defined by strict geometrical forms, the parliamentary building reflects the transcendental nature of the National Assembly, defining the hopeful founding years of the independent state of Bangladesh.
A Red that Sings brings together three great colorists (James Ensor, Rik Wouters, and Jules Schmalzigaug) in a dazzling celebration of color. At the Royal Museum of Fine Arts in Antwerp, which houses the largest collection of their works, vermilion reds, intense blues, and vivid yellows shine, revealing the vibrant visual language they created. Ensor composed “unbelievable chords of color,” Wouters let bright red accents dictate the rhythm of his compositions, and Schmalzigaug reintroduced the ‘singing red,’ inspired by the Baroque emotion of Rubens. The book shows how these artists transcended the soft palette of Impressionism, turning color into a symphony of rhythm, emotion, and sound. Complemented by masterpieces from contemporaries like Adolphe Monticelli, A Red that Sings invites readers to experience these modern masters as they themselves painted the world: at a pitch that sings, vibrates, and resonates.
How can you stay relevant for your customers? The answer is a combination of the following three factors: technology, personal involvement and social commitment. The past ten years have been marked by the arrival of 4G, mobile services, and robotics. These technologies have brought about a revolution in the field of customer experience and in the future, this will evolve even further. As a company, you will have to take a more active part in the personal life journey of your customers. This opens up the opportunity to tackle, together with your customer, concrete social world problems, including climate change, mobility, and health care. Customers increasingly seek out companies that do good for both themselves, and the world.
As part of a personal quest, director Hermann Vaske explored the genius behind the world’s most intriguing artists and thinkers for over 30 years. His interview partners include over 1000 luminaries, among them Academy Award and Nobel Prize winners, from the fields of visual art, music, acting, philosophy, politics, business and science, posing the question: “Why are you creative?”
All of the participants also created an artefact for the project — some very personal, some bizarre. Following the success of exhibitions across Europe, now, 100 of the most interesting, fascinating answers are compiled in this book.
Skiing connects people. Based on this motto, graphic designer Peter Erlach had an idea in 2022: a quartet and mini travel guide presenting 32 legendary ski resorts and slopes, accompanied by the most important facts and figures. The selection of the 32 ski resorts is based both on the personal memories of the author, who grew up skiing in Austria, and on the destinations that are still on his wish list. Each ski area is presented on a map with a meaningful photo and all the important key data. This makes it easy to discover 32 of the most beautiful and spectacular ski areas. Accompanying it there is a booklet, which deals still more in detail with the ski areas, and special attention lies also on the quality of the photos. All photographers are listed with their name and website, so you can also discover other impressive winter sports photographs.
This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world.
The book documents the artist’s first solo exhibition of the same name at Alexander Berggruen, New York, in 2023, and showcases the eight large oil paintings on canvas and five oil paintings on copper that were on display. This star I give to you includes a conversation between the artist and British publisher Matt Price, a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works.
A graduate of the University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.
A gem of a book that stays with you long after you have finished it. Edvard Munch wrote continuously; letters, diaries, literary texts and other notes. In Like a Ghost I Leave You you will find striking statements about art versus nature, enemies, money, death and much more. – “Had I been in Possession of the as yet undiscovered little Remote telephone which one carries around in one’s Pocket You would have long ago received Communications from me”- Undated draft of a letter to Jens Willumsen.
Through a selection of Edvard Munch works the Norwegian award-winning author Lene Ask invites children of all ages to draw and be creative together with Munch. The book has texts by Ask accompanied by exercises that are related to Munch’s way of experimenting and encourage children to participate in the wonderful world of Munch’s art. Design by Aslak Gurholt, one of Norway’s most renowned and award-winning book designers.
Ages 8+
Shot over three years from 2019 to 2022, Thank You For Playing With Me by Yolanda Y. Liou is an intimate look at two plus-size models, Enam Ewura Adjoa Asiama and Vanessa Russell. Liou first came across Asiama’s Instagram in 2019 and was blown away by her confidence and charisma. It was the type of confidence that Liou struggled to have about her own body due to her upbringing in Taiwan. “Growing up in Taiwan, I was consistently exposed to the relentless beauty standards that prioritised being skinny… This obsession led me to believe that I was never beautiful enough, and consequently, I felt unworthy of love. I constantly sought ways to conform, believing that only then would I be accepted and appreciated.” Liou’s main aim with this photo book is to help people embrace their individuality.
“THANK YOU BYE was born out of a need to put down somewhere what I have experienced over the last five years. Although it gives the impression of a veil being lifted, it is simply a record of my personal experience. The intention, through these hundreds of photos, is to transcribe the absurd, crazy and little-known world of modelling, by means of an unpublished souvenir album of my time spent in fashion. The result is THANK YOU BYE, which owes its name to the phrase uttered by casting directors every time you walk in front of them. It recounts my moments of sadness, my anxieties, my unease, my questions, but also our laughter, our travels, our togetherness, our mutual support. Five years during which I fought not to lose myself. Thrown at the age of 18 at a speed I found hard to manage into a dimension that was not my own, I embrace all the models who ‘pose’ in this book and who, without realising it, helped me to escape. What you hold in your hands is none other than the last chance to prove that I was still worth something. When you turn the last page, you’ll know that I’ve resigned and can finally say that I’m happy.” – Clémentine Balcaen
I’m Showing How Big the Sky Is is Martina Bacigalupo’s tribute to her former nanny, Chiou Taur Wu, a Taiwanese woman who lived over three decades in Italy. Despite a harsh life—from working in fields and factories to managing her husband’s gambling debts — Chiou remained resilient. At almost 70, she returned to Taiwan, resumed her studies, took dance classes, and began traveling.
Through hundreds of photos from Chiou during ten years of correspondence, Bacigalupo presents a story of extraordinary resilience. Told in the first person, with Chiou’s images and words, the book is a celebration of freedom, humor, and poetry.
This major retrospective catalogue accompanies the first institutional exhibition focusing on the visual works of art by Stanley Donwood and Thom Yorke. The majority of the paintings, drawings and digital works were specifically made for Yorke’s internationally celebrated band Radiohead, formed in Oxford in 1985. The book is beautifully designed in the same size as a record cover and features iconic artworks from the 1980s until today, relating to Radiohead albums, their covers and promotional band images, as well as sketchbooks and rare materials from their archives that have never before been published. It offers fresh views on the art of album covers, exploring the complex relationship between visual art and music.
Radiohead was formed in Abingdon, Oxfordshire, in 1985. The collaboration with the artist Stanley Donwood began in 1994 when the band was developing their second album, The Bends, which was released on 13th March, 1995. 2025 is therefore the 40-year anniversary of the band and the 30-year anniversary of the release of The Bends. The catalogue’s focus is upon the art produced by both Stanley Donwood and the band’s lead vocalist, Thom Yorke presented chronologically. Radiohead’s popularity has never waned and they have a strong core following and new fans (many of who are the children of ‘original’ fans).
The high-quality reproductions are complemented by exclusive interviews with the artists, and essays by Alex Farquharson, Nico Kos Earle, Benjamin Myers, James Putnam and Jennifer Ramkalawon.
A major retrospective is held at the Ashmolean Museum from August 2025 to January 2026.
Birmingham (UK) born and based Ben Sadler’s colorful painted portraits of imaginary people are full of personality, eclectic states of mind, and varying degrees of intrigue. They are also sometimes evocative, emotive, and amusing. The publication features two bodies of work: You and I (2024) and Exclamations! (2023), both of which present small paintings corresponding to each letter of the alphabet (though the letters U and I are curiously missing from the series You and I). The starting point was the idea of visitors to an imaginary exhibition––who are they, what kinds of people are they, and what thoughts are going through their minds? Such questions are explored in celebrated Birmingham-based author Catherine O’Flynn’s text commissioned for the publication, along with a foreword by Deborah Kermode, Chief Executive and Artistic Director of Midlands Arts Centre (MAC), Birmingham, and an interview by London-based creative coach, podcaster, and public speaker Ceri Hand.
“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical
“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks
AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.
In interior design, color is one of the most potent instruments to create mood and personality. Whether the palette aims at quiet harmony or full-blown color contrast, a colorful home is always fun, uplifting and welcoming. Interior photographer Helenio Barbetta shows us the way, with 20 homes that stand out thanks to their purposeful use of color. Author Kurt G. Stapelfeldt investigates how these interiors are shaped by their hues, and how color choices reflect the personality of the inhabitants. When used thoughtfully, color transforms any space into a personal sanctum. From floor-to-ceiling color to small bursts of color, from dark classic blue to bright citrus yellow: All You Need is Colour shows the many ways in which we can use color to liven up our living quarters.
The conceptual art practice of Cerith Wyn Evans encompasses installations, sculpture, film and text, translating ideas from philosophy, art history, film and literature into lyrical, often monumental, site-specific exhibitions. This publication provides valuable insight into Evans’ wide-ranging practice, as well as a document to the artist’s 2025–26 exhibition of the same name – Forms in Space…through Light (in Time) – at Lisbon’s MAAT – Museum of Art, Architecture and Technology. Featuring specially commissioned photographs of Evans’ complex, captivating works in situ, the catalogue includes an introduction by exhibition curator Sérgio Mah, who also conducts an interview with the artist, and an essay by Professor Michael Newman.
Dual Language English and Portuguese.
Goya’s last set of etchings were made between 1815 and 1823, the dark years after the fall of Napoleon, when Goya was living in his farm, The House of the Deaf Man (Quinta del Sordo). Enigmatic and sinister, the etchings were not published until long after his death. They are variously known as The Proverbs, The Dreams, or, most often, Los Disparates, or The Follies. They are some of the most compelling images in Western art and their technical virtuosity is second to none.
A collaboration with the world’s most powerful NGOs, including UNESCO’s GEM Report, Mother Nature in the Bardo explores the impact between art, culture, and the environment. The book illuminates the innate connections between creativity and nature and inspires crucial conversations about humanity’s relationship with nature, sustainability and climate change. Bringing together historical and contemporary artworks from over 100 renowned international artists, galleries, institutions, estates and foundations, Mother Nature in the Bardo speaks to the most critical global dialogues of our time.
A 1000-piece puzzle featuring the artwork of Umar Rashid.
Did the Battle of Malibu actually happen? Probably not. OK, definitely not. But also maybe it did? LA based artist Umar Rashid has given the question a lot of thought and decided that it would be cool if it had happened so for all intents and purposes it did.
And if the Chumash, Tongva, Gabrielino, and other indigenous LA types had in fact gone on to fight the Spanish, armed with a little red Corvette driven by Black Jesus, then, well, we’d have liked to see that. So here it is. It happened.
“In this abridged extract from Don’t Be A Tourist In London, Vanessa Grall suggests a few places to start a conversation in London… and one place to go and listen.” — Londonist
“Discover the capital’s secret spots with Vanessa Grall’s new book.” — Country and Town House
“The cliché says that when one is tired of London, one is tired of life – but I think this book might help some to rediscover the joys of both… there’s probably enough here to keep you going for things to explore for the next decade.” — Amateur Photographer
“This book will encourage the wanderer within. It is a true traveller’s companion as much as a beautifully designed collectable for your bookshelf.” — Polo Lifestlye
Discover the secret recipe for becoming an artful traveler in a messy world.
Don’t be a Tourist in London offers an escape route from the typical tourist itinerary to the British capital, unlocking a vault of thoughtfully-curated itineraries, local secrets, insider advice and little-known urban anecdotes.
For the third instalment of the best-selling Don’t be a Tourist series, the author takes us to her hometown to rediscover the personal joy of travel, following our instincts – not the tour buses. Each episode’s journey has its own mood, inspired by different traveler mindsets shaped by life’s relatable challenges and familiar emotions like heartbreak, career hurdles or strong personality quirks.
This book will encourage the wanderer within. It is a true traveler’s companion as much as a beautifully-designed collectible for your bookshelf. Within the pages of this beautifully bound hardback, you will find…
Secret Restaurants; Time Capsule Pubs; Cosy Hideaways & Unique Date Ideas; Unexpected alternatives to major museums; Film-worthy Walks & Quaint neighborhood Discoveries; Hip London Hangouts; Aladdin’s Caves & booklover Havens; Places to be creative; Obscure/ Underground Adventures; Places to entertain the kids (or the kid in you!); Budget-friendly life-savers; Endless good-to-know advice and fascinating anecdotes.
In the third decade of the 21st century, we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera.
Guerrero grew up against a backdrop of sleek automobiles. As a child she would sit in the driver’s seat of her mother’s Mercedes and dream of one day being in control of such an elegant machine. Her father was a mechanical engineer whose hobby was fixing up cool cars, and she would watch him at work, taking in the details of fins and fenders. It sparked a fascination, which became an adult passion, which eventually inspired an entire body of work. Auto Erotica is Guerrero’s second monograph with Circa and follows Wicked Women down the same electrifying road.
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.