The conceptual art practice of Cerith Wyn Evans encompasses installations, sculpture, film and text, translating ideas from philosophy, art history, film and literature into lyrical, often monumental, site-specific exhibitions. This publication provides valuable insight into Evans’ wide-ranging practice, as well as a document to the artist’s 2025–26 exhibition of the same name – Forms in Space…through Light (in Time) – at Lisbon’s MAAT – Museum of Art, Architecture and Technology. Featuring specially commissioned photographs of Evans’ complex, captivating works in situ, the catalogue includes an introduction by exhibition curator Sérgio Mah, who also conducts an interview with the artist, and an essay by Professor Michael Newman.
Dual Language English and Portuguese.
How can you stay relevant for your customers? The answer is a combination of the following three factors: technology, personal involvement and social commitment. The past ten years have been marked by the arrival of 4G, mobile services, and robotics. These technologies have brought about a revolution in the field of customer experience and in the future, this will evolve even further. As a company, you will have to take a more active part in the personal life journey of your customers. This opens up the opportunity to tackle, together with your customer, concrete social world problems, including climate change, mobility, and health care. Customers increasingly seek out companies that do good for both themselves, and the world.
This star I give to you is the first publication on the work of London-based artist Freya Douglas-Morris, presenting a body of paintings exploring the poetry, beauty and magic of landscapes and the natural world.
The book documents the artist’s first solo exhibition of the same name at Alexander Berggruen, New York, in 2023, and showcases the eight large oil paintings on canvas and five oil paintings on copper that were on display. This star I give to you includes a conversation between the artist and British publisher Matt Price, a foreword by New York-based writer and Associate Director at Alexander Berggruen, Kirsten Cave, along with studio notes by the artist on each of the reproduced works.
A graduate of the University of Brighton and the Royal College of Art, London, Douglas-Morris has exhibited internationally in China, Taiwan, The Bahamas, Austria, Italy, France and America.
A gem of a book that stays with you long after you have finished it. Edvard Munch wrote continuously; letters, diaries, literary texts and other notes. In Like a Ghost I Leave You you will find striking statements about art versus nature, enemies, money, death and much more. – “Had I been in Possession of the as yet undiscovered little Remote telephone which one carries around in one’s Pocket You would have long ago received Communications from me”- Undated draft of a letter to Jens Willumsen.
Through a selection of Edvard Munch works the Norwegian award-winning author Lene Ask invites children of all ages to draw and be creative together with Munch. The book has texts by Ask accompanied by exercises that are related to Munch’s way of experimenting and encourage children to participate in the wonderful world of Munch’s art. Design by Aslak Gurholt, one of Norway’s most renowned and award-winning book designers.
Ages 8+
Shot over three years from 2019 to 2022, Thank You For Playing With Me by Yolanda Y. Liou is an intimate look at two plus-size models, Enam Ewura Adjoa Asiama and Vanessa Russell. Liou first came across Asiama’s Instagram in 2019 and was blown away by her confidence and charisma. It was the type of confidence that Liou struggled to have about her own body due to her upbringing in Taiwan. “Growing up in Taiwan, I was consistently exposed to the relentless beauty standards that prioritised being skinny… This obsession led me to believe that I was never beautiful enough, and consequently, I felt unworthy of love. I constantly sought ways to conform, believing that only then would I be accepted and appreciated.” Liou’s main aim with this photo book is to help people embrace their individuality.
“THANK YOU BYE was born out of a need to put down somewhere what I have experienced over the last five years. Although it gives the impression of a veil being lifted, it is simply a record of my personal experience. The intention, through these hundreds of photos, is to transcribe the absurd, crazy and little-known world of modelling, by means of an unpublished souvenir album of my time spent in fashion. The result is THANK YOU BYE, which owes its name to the phrase uttered by casting directors every time you walk in front of them. It recounts my moments of sadness, my anxieties, my unease, my questions, but also our laughter, our travels, our togetherness, our mutual support. Five years during which I fought not to lose myself. Thrown at the age of 18 at a speed I found hard to manage into a dimension that was not my own, I embrace all the models who ‘pose’ in this book and who, without realising it, helped me to escape. What you hold in your hands is none other than the last chance to prove that I was still worth something. When you turn the last page, you’ll know that I’ve resigned and can finally say that I’m happy.” – Clémentine Balcaen
I’m Showing How Big the Sky Is is Martina Bacigalupo’s tribute to her former nanny, Chiou Taur Wu, a Taiwanese woman who lived over three decades in Italy. Despite a harsh life—from working in fields and factories to managing her husband’s gambling debts — Chiou remained resilient. At almost 70, she returned to Taiwan, resumed her studies, took dance classes, and began traveling.
Through hundreds of photos from Chiou during ten years of correspondence, Bacigalupo presents a story of extraordinary resilience. Told in the first person, with Chiou’s images and words, the book is a celebration of freedom, humor, and poetry.
This major retrospective catalogue accompanies the first institutional exhibition focusing on the visual works of art by Stanley Donwood and Thom Yorke. The majority of the paintings, drawings and digital works were specifically made for Yorke’s internationally celebrated band Radiohead, formed in Oxford in 1985. The book is beautifully designed in the same size as a record cover and features iconic artworks from the 1980s until today, relating to Radiohead albums, their covers and promotional band images, as well as sketchbooks and rare materials from their archives that have never before been published. It offers fresh views on the art of album covers, exploring the complex relationship between visual art and music.
Radiohead was formed in Abingdon, Oxfordshire, in 1985. The collaboration with the artist Stanley Donwood began in 1994 when the band was developing their second album, The Bends, which was released on 13th March, 1995. 2025 is therefore the 40-year anniversary of the band and the 30-year anniversary of the release of The Bends. The catalogue’s focus is upon the art produced by both Stanley Donwood and the band’s lead vocalist, Thom Yorke presented chronologically. Radiohead’s popularity has never waned and they have a strong core following and new fans (many of who are the children of ‘original’ fans).
The high-quality reproductions are complemented by exclusive interviews with the artists, and essays by Alex Farquharson, Nico Kos Earle, Benjamin Myers, James Putnam and Jennifer Ramkalawon.
A major retrospective is held at the Ashmolean Museum from August 2025 to January 2026.
Birmingham (UK) born and based Ben Sadler’s colorful painted portraits of imaginary people are full of personality, eclectic states of mind, and varying degrees of intrigue. They are also sometimes evocative, emotive, and amusing. The publication features two bodies of work: You and I (2024) and Exclamations! (2023), both of which present small paintings corresponding to each letter of the alphabet (though the letters U and I are curiously missing from the series You and I). The starting point was the idea of visitors to an imaginary exhibition––who are they, what kinds of people are they, and what thoughts are going through their minds? Such questions are explored in celebrated Birmingham-based author Catherine O’Flynn’s text commissioned for the publication, along with a foreword by Deborah Kermode, Chief Executive and Artistic Director of Midlands Arts Centre (MAC), Birmingham, and an interview by London-based creative coach, podcaster, and public speaker Ceri Hand.
“As enterprises embrace AI and automation, three challenges emerge: empowering employees as roles shift, enabling continuous reskilling without disruption, and creating real synergy between AI and human talent. Drawing from real-world transformation programs, this book offers a practical playbook to address these shifts – not with theory, but with actionable strategies, proven tools, and human-centric design. The new AI era demands more than technology; it demands a reimagined employee experience that fuels performance, personalizes learning, and strengthens coaching. When done right, this isn’t just adaptation. It’s transformation, helping people stay relevant, resilient, and ready for what’s next.” — Gal Rimon, Founder and CEO, Centrical
“With clarity and structure, this book turns the overwhelming topic of AI into the confidence leaders need to simply get started.” — Eline Lostrie, Co-CEO, nexxworks
AI Will Replace You shows how organizations can let go of their fear of AI and instead embrace this technology as a lever for growth. Using the practical and accessible AI Navigator framework, you’ll discover how to effectively embed AI into your strategy, get your employees on board, and prepare your organization to become an AI leader.
In interior design, color is one of the most potent instruments to create mood and personality. Whether the palette aims at quiet harmony or full-blown color contrast, a colorful home is always fun, uplifting and welcoming. Interior photographer Helenio Barbetta shows us the way, with 20 homes that stand out thanks to their purposeful use of color. Author Kurt G. Stapelfeldt investigates how these interiors are shaped by their hues, and how color choices reflect the personality of the inhabitants. When used thoughtfully, color transforms any space into a personal sanctum. From floor-to-ceiling color to small bursts of color, from dark classic blue to bright citrus yellow: All You Need is Colour shows the many ways in which we can use color to liven up our living quarters.
In the third decade of the 21st century, we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera.
Guerrero grew up against a backdrop of sleek automobiles. As a child she would sit in the driver’s seat of her mother’s Mercedes and dream of one day being in control of such an elegant machine. Her father was a mechanical engineer whose hobby was fixing up cool cars, and she would watch him at work, taking in the details of fins and fenders. It sparked a fascination, which became an adult passion, which eventually inspired an entire body of work. Auto Erotica is Guerrero’s second monograph with Circa and follows Wicked Women down the same electrifying road.
Travel with nature and wildlife photographer Wouter Pattyn to explore 12 of the most beautiful nature reserves on the European continent. Along with photographs of stunning landscapes, Wild Places of Europe is a sourcebook of information for the adventurous traveler, including practical tips for booking your visit and taking the best photographs. Immerse yourself in these wonderful places and perhaps make plans to go to one yourself.
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.
A ‘vessel for living’ – such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta’s collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.
There are many ways to perceive and interpret contemporary craft objects – for instance, as works of representational art in materials like ceramics, glass, textile, metal or wood, or as functional, handmade everyday objects. In this publication, the editors have invited different voices in craft theory to investigate the perception of contemporary craft as a particular discourse and aesthetic vocabulary. According to the editors, contemporary crafts can benefit from being discussed as representations of reality that do not rely on the concept of autonomy. As such, neither do they rely on the conventional dualism between aesthetic objects and everyday things. The authors investigate the possibility to perceive craft objects from perspectives that relate to the aesthetic tradition of materialism.
Steve Diet Goedde’s photographs are concerned with fetishism, but they could reasonably be regarded as fashion photographs, for they are about clothes and the roles that dressing imposes on women, or allows them to play. Indeed, Goedde has consistently rejected the visual stereotypes of ‘fetish’ photography. Instead he sets out to seduce and amuse, experimenting with humor, irony and elements of the surreal. Extempore brings together images that are departures in another sense. They represent stolen moments, or glimpses behind the scenes, when the models are not necessarily aware of the camera. Most of Goedde’s models are drawn from his close circle of friends and in these photographs particularly one senses a shared trust and understanding.
5000 Years of Indian Art demystifies the story of Indian art spread over the millennia. This visually stunning book offers a panoramic view of Indian art from pre-historic times to the contemporary period. The absorbing narrative links different predominant artistic genres (like prehistoric art, ancient Indian art of Vedic and Buddhist traditions, temple art, Mughal miniature painting, colonial art, modern Indian art, and contemporary art) that were prevalent in different eras, instead of following formally demarcated historical periods.
The illustrated tale encompasses the entire gamut from the earliest primitive markings on stones, caves, and frescoes to exquisite paintings, sculptures, modern photography, finely crafted artefacts, media-inspired work, popular installations, and other forms of contemporary art. The book displays around 200 select masterpieces of art from museums, galleries, and private collections around India and the world. The history of Indian art is as old as the civilization itself and every major period of history has given it newer modes of expression. This book successfully captures all the myriad influences that have enriched Indian art over the years.
Features works from the following museums: American Museum of Natural History, New York, Archaeological Museum, Sarnath, Ashmolean Museum of Art and Archaeology, University of Oxford British Museum, London, Brooklyn Museum, New York, The Cleveland Museum of Art, Cleveland, Gujral Art Museum, New Delhi, Harvard Art Museum/Arthur M. Sackler Museum, Cambridge, Kabul Museum, Kabul, Kiran Nadar Museum of Art, New Delhi, Indian Museum, Kolkata, Islamabad Museum, Islamabad, Lahore Museum, Lahore, Los Angeles County Museum of Art, Los Angeles, Mathura Museum, Mathura, Metropolitan Museum of Art, New York, Museum of Fine Arts, Boston, Musée Guimet, Paris, Museum für Indische Kunst, Berlin, Museum of the History of Science, Oxford, National Museum of Pakistan, Karachi, National Museum, New Delhi, The Nelson-Atkins Museum of Art, Kansas City, Norton Simon Museum, Pasadena, Patna Museum, Bihar, Philadelphia Museum of Art, Philadelphia, San Antonio Museum of Art, San Antonio, Sarnath Site Museum, Uttar Pradesh, Seattle Art Museum, Washington, Staaliche Museum of Berlin: 91, V & A Images/Victoria and Albert Museum, London Trustees of the British Museum, London .
“These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself.” — Canadian Interiors
This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world’s best-known architects. Not only do these pages offer a rare glimpse into each architect’s personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain.
Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.
Southern California, blessed with an enviable climate, progressively discerning individuals, talented craftspeople, and impassioned artisans, sets the stage for this lushly illustrated volume of work. The book features the work of the renowned Los Angeles–based firm, Studio William Hefner, a practice that integrates architecture, interior design, and landscape. The studio’s impressive portfolio is distinguished by an aesthetic sensibility that merges an elegant simplicity with a luxury of details and materials. Hefner’s signature airy, light-filled spaces effortlessly embrace California’s natural beauty.
This richly illustrated monograph on Hefner’s work showcases beautiful homes, from contemporary to traditional, each conveying the details and depth of design character that make Studio William Hefner’s oeuvre so unique. Studio William Hefner is a master architect whose California-based luxury residential designs are richly detailed and bright, with private views of abundant landscapes and lush gardens.
“A must for art lovers who like their culture with a side of room service.” — Boss Hunting
For centuries, art, design, and architecture have been used to transform, illuminate, preserve, and make sense of the world in which we live. Art and design, much like travel, are acts of discovery, invitations where influence, healing and enchantment are all possible. And as we travel, these art forms connect us to the unknown, deepening our comprehension and appreciation of the places and people we visit. The 28 hotels featured in this book creatively embrace art in its many forms to provide authentic reflections and experiences for every guest. The World’s Best Art & Design Hotels is dedicated to the influence, discovery, and power of art and design, as we travel — bon voyage!
Jerome and Evelyn Ackerman, the prolific artist-couple were central to the development of mid-century design in Southern California. They combined modernist craft—in weaving, carving, ceramics, tapestries, hookings, and mosaics—and made it accessible to the middle class. Their works were celebrated for their combination of bright colors and craftsmanship, with an artisanal attention to detail. In Evelyn and Jerome Ackerman: California Mid-Century Designers Laura Ackerman-Shaw, their daughter, who has expanded their legacy with both commercial and institutional recognition, takes the reader through her parents’ unique impact on post-war design in America. Because of the success of Hand-in-Hand, Pointed Leaf Press is publishing a new book, in a much larger format, with 80% new material, much of it discovered by Ackerman-Shaw in her parent’s archive. By showcasing their output through Jenev Design Studio, ERA Industries, and their involvement in the prestigious California Design exhibitions from 1954 to 1976, readers can see how they translated their ideas into the varied materials of their choosing. Unlike the previous monograph, this book focuses less on their personal lives and more on the Ackerman’s impact on the world, a must-read for collectors and connoisseurs. With new and updated essays by scholars, as well as numerous never-before-seen drawings, photographs, and archival materials, Evelyn and Jerome Ackerman: California Mid-Century Designers is the indelible story of a lifetime of artistic partnership.