Los Angeles has so much to offer, and this guide helps you to choose where to start when discovering this beautiful city. Where are the best farmers’ markets? Which street foods are not to be missed? What are the liveliest places to go dancing? What are some unlikely places to spot celebrities? Which art galleries are worth a visit? In The 500 Hidden Secrets of Los Angeles, Andrea Richards shares 500 must-know addresses in one of the coolest cities in the United States. It is an affectionate guide to the City of Angels that avoids the touristy places and points out the urban details you are likely to miss. From the best outdoor concert venues to the most beautiful country escapes, this guide is the perfect companion visitors who want to make the most of their stay and residents who want to get to know their city even better. 

Also available: The 500 Hidden Secrets of Miami, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Toronto, The 500 Hidden Secrets of Vancouver and many more. Discover the series: the500hiddensecrets.com

Lam Partners has blazed the trail in architectural lighting design for more than 60 years. The visionary team of designers, architectural imaginers, and technical gurus have illuminated prominent and prestigious buildings, landmarks, and spaces across the United States and around the world.

William Lam founded his eponymous studio in 1961, pioneering the field of modern lighting design and establishing the core philosophies and principles that continue to lay the foundation for Lam Partners and the lighting industry today. Now led by its third generation of principals, Lam Partners collaborates closely with architects to develop custom lighting designs that bring their vision to life. Their passion for architecture and lighting is evident in the energy and enthusiasm injected into the design process, and the technical and creative strategies that enrich architecture and space, and elevate the human experience.

This beautifully presented monograph showcases 25 architectural lighting projects by Lam Partners, including the United States Institute of Peace, Guggenheim Museum Bilbao, Yad Vashem Memorial Museum, The TOWER at PNC Plaza, Salt Lake City Public Library, and SoFi Stadium. It also features a selection of legacy projects, such as the Washington D.C. Metro and Union Station, and the Atlanta Marriott Marquis, considered to be some of Lam’s greatest contributions to architectural lighting.

Pierre-Émile Legrain (1888-1929) was a French bookbinder, framer, landscape designer, furniture designer, and interior architect. This is the first full-length monograph about him, exploring his life and his creations in every genre, and highlighting the formal links between his work as an ensemblier, bookbinder, and draftsman. Pierre Legrain is credited with revolutionizing bookbinding in the early 20th century. In 1916 he was commissioned by the French bibliophile, couturier, and collector Jacques Doucet to design bindings for his extensive library. He created nearly 400 unique bindings for him, and numerous frames for Doucet’s exceptional modern art collection – including a steel frame for Les Demoiselles d’Avignon – as well as a series of African-inspired furniture. He was a member of the UAM, whose logo he designed, and he associated with André Breton, Paul Éluard, Jean Cocteau, the sculptors Gustave Miklos and Henri Laurens, the painter Francis Picabia, and the milliner Jeanne Tachard for whom he designed a garden. His rare body of work – a hundred or so pieces of furniture and a few interiors – is dispersed today in museums and private collections throughout the world.

Text in French.

Once Upon a Pillow features a stunning collection of pillows and accessories designed by Rebecca Vizard. Celebrated for her innovative use of rare antique textiles — from the embroidered metallic threads of ecclesiastical vestments to Venetian Fortuny draperies and Central Asian suzanis –her designs present a perfect balance of art and material culture. A favorite of designers and a discerning public, her pillows and accessories adorn some of America’s finest homes.

An early childhood fascination with textiles eventually led her to create pillows from her growing personal collection of rare textiles and, when Neiman Marcus placed its first order in 1999, B VIZ Design was officially launched. While her collecting forays frequently take her abroad, she returns to her Louisiana roots and its rich history and tradition of decorative arts for inspiration. In addition to Ms. Vizard’s home, rooms in a range of styles and periods by such topflight designers as Gerrie Bremermann, Barry Dixon, Suzanne Kasler and Matthew Patrick Smyth are included to illustrate embroidery, applique, tapestry, needlepoint, Fortuny, damask and brocade and suzani and ethnic pillows. A selection of accessories from lighting, gifts and dog wear of Fortuny fabric is also highlighted, and an annotated textile glossary is included.

“I went to Noma and interviewed René (Redzepi). We were talking about art and food but the restaurant was closed. Everybody asked me how was the food, what did you eat – and he basically gave me some marmite. The best marmite I’ve ever had.” – David Shrigley

“This is not a coffee table book….notions of ‘taste’ get a grilling, while there are some fruity artist interviews….that make for entertaining accompaniments.” – Melanie Gerlis, The Financial Times

“This comprehensive and expansive explorations of art restaurants marries the nourishment of senses, both visual and taste, along with the meeting of minds.” – Chris Corbin, Corbin and King group

“A new and unique book.” – Layla Maghribi, The National News

This is the definitive guide to Art Restaurants — a new way to appreciate food. Christina Makris, collector of art and a Patron of The Tate and RA, takes the reader on a tour of 25 of the world’s greatest art restaurants, from New York to Hong Kong and Cairo to London.

Makris traces their stories, details the art highlights, and meets artists, restaurateurs and chefs including Vik Muniz, Julian Schnabel and Tracy Emin. A captivating guide to where great art and memorable food meet.

Restaurants featured include: Abou el Sid, Cairo; Bibo, Hong Kong; Casa Lever, New York; Chateau la Coste, Aix en Provence; Colombe d’Or, St Paul de Vence; Currency Exchange Café, Chicago; del Cambio, Turin; Dooky Chase, New Orleans; Gunton Arms, Norwich; Hix Soh, London; Kronenhalle, Zurich; Langan’s, London; Lucio’s, Sydney; Michael’s, Santa Monica; Mr Chow, London; Osteria Francescana, Modena; Paris Bar, Berlin; Red Rooster, New York; Scott’s, London; Sketch­, London; The Ivy, London.

Including interviews with: Ai Weiwei; Antony Gormley; Beatriz Milhazes; Bill Jacklin; Conrad Shawcross; Damien Hirst; David Bailey; David Hockney; David Shrigley; Gary Hume; John Beard; John Olsen; Julian Schnabel; Maggi Hambling; Michael Craig-Martin; Michael Landy; Peter Blake; Polly Morgan; Sanford Biggers; Tracey Emin; Vik Muniz.

“Opening it and turning the pages is an invitation to dream, to wonder, and to appreciate the very large emotional size of the natural landscapes in the United States.” — Frames
“The 230 beautifully rendered black & white images in the book provide a compelling tour of America’s wild places and national parks, from Yosemite and Yellowstone to Death Valley and Utah’s Canyonlands to the Hudson Valley in New York and beyond.” — Black & White Photography

“From towering redwoods in California to the remote canyons of Utah, his work shows us not just what these places look like, but what they feel like to those who dare to go.” — About Photography

“Ortner’s use of black-and-white film and large-format cameras for Visions of Paradise unveils the true essence of the natural world. By peeling away color, he forces us to immerse ourselves more deeply and see anew America’s breathtaking sites through the purified language of light and shadow, form and texture, shape and pattern…” — VIE Magazine

“… a photographic masterpiece celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film.” — Dodho Magazine

Visions of Paradise: American Wilderness is a singular, timeless publication—a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.

With the New Mags City Guide, you can make the most of your time, whether you’re searching for a world-class restaurant, a hidden cocktail bar, an unforgettable hotel stay, or an inspiring gallery visit. The guide offers a curated selection of the best hotels, restaurants, cafés, shops, and cultural landmarks — all carefully chosen to reflect the city’s ever-evolving spirit.

London is a city of contrasts — where history and modernity coexist in perfect tension. From centuries-old pubs to avant-garde design studios, every street tells a story. You’ll leave filled with impressions, ideas, and the sense that there’s still so much more to discover. Because in London, curiosity isn’t just rewarded — it’s required.

With the New Mags City Guide, you can make the most of your time, whether you’re searching for a refined meal, a hidden design gem, an inspiring hotel, or the perfect espresso between fashion shows. The guide presents a carefully curated selection of the best hotels, restaurants, cafés, boutiques, galleries, and cultural landmarks — all reflecting Milan’s effortless sophistication.

Milan is Italy’s beating creative heart — where fashion, architecture, and gastronomy meet in perfect harmony. From historic palazzos to contemporary design studios, every street exudes style and intention. You’ll leave inspired, a little dazzled, and perhaps just a touch envious. Because in Milan, beauty isn’t a luxury — it’s a way of life.

Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.

In the late 1950s and early 1960s French New Wave cinema exploded onto international screens with films like Les quatre cents coups, A bout de souffle and Jules et Jim. They were radical, artistic, original and most importantly set up the director as a creative genius; at the forefront were Francois Truffaut and Jean-Luc Godard. Today these films are credited with changing cinema forever. For many film goers they command strong and passionate respect and became the foundations on which a lifetime of cinema-going is built. In the photographs of Raymond Cauchetier we bear witness to the great artistic genius that was central to the process of making these films. Cauchetier’s photographs are a culturally important documentary of the director at work, his methods and processes. His photographs capture some of the most memorable moments in film; Jean-Paul Belmondo and Jean Seberg on the Champs Élysées in A bout de souffle, Jeanne Moreau in the race scene of Jules et Jim, Anna Karina in a Parisian Cafe in Une femme est une femme.
But Cauchetier’s genius lies also in the fact that his photographs are far above just a visual record of these films. They clearly show the same spirit, the same freedom and the same originality that made The New Wave so important. Cauchetier’s photographs are as much a part of The New Wave as the films themselves. In the words of Richard Brody: In these images, Raymond Cauchetier, a witness to art, made art by bearing true witness. This is the first book published in English featuring the New Wave film photographs of Raymond Cauchetier.

This visually rich monograph explores the ceramic practice of Jane Yang D’Haene, whose work bridges memory, material, and identity through clay. Accompanied by immersive photography throughout, the book traces Yang D’Haene’s journey from architecture and interior design to ceramics, revealing an artistic language shaped by Korean heritage, diasporic experience, and deeply personal transformation.

Structured through a series of poetic and critical chapters—including reflections on moon jars, glaze, painting, transition, and studio practice—the book moves between intimate autobiography and broader cultural inquiry. Yang D’Haene writes with lyrical sensitivity about loss, displacement, ritual, and the search for balance between past and present. Her vessels emerge not simply as objects, but as emotional and psychological landscapes that hold both remembrance and reinvention.

Essays by Glenn Adamson and Hyeyoung Cho situate her work within contemporary ceramic discourse, abstraction, and the evolving condition of diasporic identity. Together, the texts illuminate a practice rooted equally in disciplined craftsmanship and conceptual openness.

More than a survey of ceramic works, this book is a meditation on endurance, material memory, and the quiet possibilities of making. Through clay, Yang D’Haene creates a space where Korea and America, grief and beauty, silence and expression coexist in delicate equilibrium.

1000 piece puzzle featuring the artwork of acclaimed New York based contemporary artist Larissa Bates.

The trend for loft residences began among a few select groups, namely artists, artisans and designers. A discarded factory or warehouse is converted into a tall and spacious living area, often highly personalised in design. Over the years, loft residences have developed their own unique style.

This book is divided into two parts: ‘Hard Loft’ – converted factories or warehouses – and ‘Soft Loft’ – new residence space designed in the loft style. In addition, several popular contemporary design styles are featured, such as industrial, Scandinavian, modern and minimalist. Combining different styles within a loft setting means that there are infinite possibilities to explore.

The Tracy diary offers us the unique opportunity to accompany 27 nineteenth century travelers on an adventure of a lifetime, exploring Mount Desert Island, Maine, in August of 1855. This first group of summer visitors was a distinguished company and hailed primarily from New York, Hartford and Boston.

In addition to Charles Tracy, a prominent New York lawyer, whose descendants through his son, Charles, daughter, Francis, and son-in-law, J. Pierpont Morgan, continue to summer on the island. The traveling party also included Frederic Edwin Church, a leading Hudson River School artist, and his friend, Theodore Winthrop, who died gallantly in the opening battle of the Civil War and then became posthumously famous as a novelist.

After more than 170 years, Church’s playful sketches have been reunited with the first-hand account penned by Tracy, whose words strike a familiar chord in the memory of all who return again and again to the beauty and variety of Mount Desert Island.

New York reduced to a miniature city? In New York Resized, photographer Jasper Léonard offers you a completely new perspective on The Big Apple. His Tilt-Shift technique creates a dazzling bird’s-eye perspective. Taking pictures from rooftops, helicopters or even drones, Léonard points his lens at the skyscrapers and yellow cabs from above, transforming the city into a swirling ant-hill of miniature people. His images are accompanied by the best quotes about New York, and his unique style guarantees that this is the most original photobook about New York that you will ever see. Praise for Antwerp Resized: “What started as a dissertation with homemade lenses has resulted in a surprising photo book” – Gazet van Antwerpen (newspaper) – “Thanks to his special tilt-shift lenses the photographer creates the illusion you are watching miniature sculptures. Not people but puppets. Not buildings but maquettes” – De Morgen (newspaper) Facebook: Jasper Leonard Photography Twitter: @jasperleonard Instagram: jasper.leonard www.jasperleonard.be Also available: Belgium Resized ISBN 9789401434614 Antwerp Resized ISBN 9789401432702

New York has a history of immigration that results in one of the most dynamic street food scenes in the world. Those who believe food in New York should cost a pretty penny and can only be found in beautifully styled restaurants probably haven’t been further than downtown Manhattan. This book takes you to the far-flung culinary corners of the five boroughs. From sensory-rousing South American snacks in Jackson Heights to homemade noodle dishes in Brooklyn, and from gourmet food trucks in Midtown Manhattan to simple food stalls in Red Hook. New York Street Food introduces you to a culinary New York in all its facets. Culinary adventurer Tom Vandenberghe and food photographer Luk Thys will seduce you once more. With the help of Jacqueline Goossens, who has lived in New York for more than thirty years, they give you fifty recipes from the most delightful venues of the New York street food scene. Also available: Bangkok Street Food ISBN: 9789020987836 Hanoi Street Food ISBN: 9789020997842 Singapore & Penang Street Food ISBN: 9789401403672

Nestled in the historic heart of Ghent, a UNESCO World Heritage Site, the Design Museum Gent celebrates Belgium’s rich design culture within a cluster of listed buildings dating back to 1755. Framed around a picturesque courtyard, the museum’s existing architecture tells a story of heritage, with one side still incomplete and forming a missing link in the historic streetscape.

Architects Carmody Groarke lead a sensitive restoration and extension of the museum, introducing a new exhibition and events wing that completes the courtyard and redefines visitor circulation. This book documents the entire construction process, from the site phase to the use of lime-cured bricks made from city waste and the completion of the new museum.

Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members.

The 1920s in Germany witnessed a revolution in visual communication, typography, and graphic design that still influences us today. In 1929, Hungarian avant-garde artist and Bauhaus professor László Moholy-Nagy was invited to design a room dedicated to the future of typography at the Martin-Gropius Bau in Berlin as part of a larger exhibition called New Typography (“Neue Typographie”).

The exhibition was organized by the Ring of New Advertising Designers (“ring neue werbegestalter”), a group started by Kurt Schwitters in 1927 which consisted of 12 avant-garde designers and artists who explored a common vision of modernity in advertising and graphic design. In five years, the Ring put on over 20 shows in Germany, and invited guest artists to exhibit with them.

Moholy-Nagy’s room in the New Typography show was called “Where is Typography Headed?”. He created 78 freestanding panels with work by himself, other artists, and contemporary printed matter, which addressed the current trends and future direction of typography. The panels are reproduced together in this book for the first time, along with an Abcdarium of terms and concepts by a roster of noted typography and design historians.

Food is more than just nutrition – it is culture, identity and history. The new Nordic cuisine movement has challenged our ideas about Nordic food culture and forged a new understanding of what it means to eat in harmony with nature. With its ideals of sustainability, seasonal ingredients and modern culinary innovation, the movement has had a deep impact on both the restaurant sector and the world of everyday food. This book has been compiled on the occasion of the exhibition New Nordic. Cuisine, Aesthetics and Place at The National Museum of Art, Architecture and Design, which explores the interaction between the evolution of new Nordic cuisine and trends in other forms of contemporary culture. Architecture, contemporary art, design and studio crafts are woven together to provide a broader understanding of the movement’s aesthetic characteristics. How did materials, people and landscape interact to produce a distinctly Nordic culinary identity?

Text in English and Norwegian.

Atlas of the New World is a visionary photographic project by Giulia Piermartiri and Edoardo Delille that merges documentary rigor with speculative imagination. Projecting future climate scenarios onto present-day landscapes using analog photography techniques, the book creates a compelling visual atlas of a planet in transformation. Each image overlays real places with ghostly visions of the world to come: flooded cities, vanished glaciers, scorched forests. Scientific data meets poetic insight as the work explores six geographies deeply affected by the climate crisis—from the vanishing Maldives to the scorched forests of Russia and California, the disappearing glaciers of Mont Blanc, and the flooded river basins of China.

Accompanied by texts from scientists and writers, the book invites us to see what is not yet visible: a future already seeded in our present. Atlas of the New World is both warning and proposition—a lyrical cartography of climate collapse and an urgent call for imaginative resilience.