New places, new faces who make the best of Marrakech: from the Palais Rhoul to the princely refuges, Moroccan gastronomy, parties in the desert, and the emblematic treasures that define the magic of the red city. Also admire the Palace of Adriana Karembeu and the princely riads hidden in the medina, true jewels of elegance and mystery. As for flavors, let yourself be seduced by the Moroccan cuisine of chef Moha Fedal.

Admire the hobby horses at Sahbi Sahbi. Live unique experiences: hot air balloon flight at sunrise or magical parties under the stars in the Agafay desert. This book reveals the new places and emblematic figures of Marrakech, such as Don Diego and his festive evenings.

Relive the splendor of the legendary Palais Rhoul Marrakech, a timeless institution where magic and a change of scenery meet. A tribute to the Marrakech art of living, between tradition and modernity, which makes this city an iconic destination. Best of Marrakech is an invitation to explore a city in perpetual reinvention, where each corner reveals a unique story and emotion.

Text in English and French.

The book Grandi Giardini Italiani, published for the 25th anniversary of the foundation of the Grandi Giardini Italiani network by Judith Wade, celebrates the places where nature, art and history come together to amaze visitors. The volume sets out to describe the places belonging to the network, taking readers on a journey in search of Italy’s green splendors. The text by author and journalist Delfina Rattazzi maps out an itinerary that spans the entire peninsula, gathering the gardens around focal points that highlight their similarities and help us understand their histories and singularities. Completing the volume is an anthology edited by art historian Caterina Napoleone: a literary stroll among the gardens fashioned by writers. Side by side with the texts, images of the gardens reveal their most beautiful vistas, hidden corners and picturesque details, through photographs that give us the chance to admire these wonderful fusions of human ingenuity and the astonishing power of nature.

“I was impressed by The Stones. They were dressed casually, had mischief in them and were different to other bands.” Terry O Neill

In July 1962, a group of young men played a gig at The Marquee Club on Oxford Street, London. They called themselves ‘The Rollin’ Stones’ and little did they know they would soon be making music history.

This brilliant new book captures the youth, the times and the spirit of The Stones’ formative early years. And documenting 1963-1965 were two young photographers just starting out in their careers. Terry O’Neill, aged just 25, had a few years’ experience photographing musicians and knew that this group had the same magic as another British phenomenon that just recently started to chart, The Beatles. As the band was starting to record and tour, Gered Mankowitz came along. His first shoot, the now famous Mason’s Yard session, was so fruitful, Gered was asked to tag along on tour to America. Gered was a mere 19 when he picked-up his camera and joined the band on stage in 1965. Between these two legendary photographers, they document the band’s beginnings and these indelible images are forever placed in music’s consciousness. The photography throughout this book is embellished with various memoires and interviews, celebrating the early days and giving an insight into what it must have felt like to go from a small club in Soho with no record deal to touring the world a few years later with a number one record. Terry O’Neill and Gered Mankowitz, two of the most respected, collected and exhibited photographers in the world were sitting in the front-row.

In 2016, London’s Saatchi Gallery hosted the first ever major exhibition dedicated to the band: Exhibitionism, a career-spanning, museum-style display of Stones artifacts and memorabilia. The publication of this book coincided with the opening of this ground-breaking exhibition.

The extraordinary life of Barbara Cartlidge (b. 1922 in Berlin) – influential gallerist, curator, jewelry artist and author – together with the history of her legendary Electrum Gallery, which she founded in 1971 with Ralph Turner in London, are documented for the first time in a single publication. Pioneers and colleagues as well as around seventy internationally renowned artists of the gallery all have their say and, in anecdotes and recollections, countless illustrations and hitherto unpublished images, tell of a strong and resolute woman and the significance of her gallery as a promoter and platform for the understanding of contemporary art jewelry. Particular attention is paid to the life of Barbara Cartlidge, who fled from Germany in 1938. For over fifty years she was a driving force in what she described as the ‘the brotherhood of jewelers who make modern and thought-provoking jewelry all over the world’.

This book represents the first retrospective in print on the fascinating work of the English artist in jewelry David Watkins, who started out as a jazz pianist and sculptor but has been designing jewelry since the 1960s. At the outset of his career, he designed miniature works of sculpture. Later he began producing outsize wearable objects. Watkins is increasingly preoccupied with the interrelationship of the body and jewelry; his pieces of jewelry are becoming autonomous art objects in their own right. David Watkins’s versatility as a jewelry-designer is astonishing: the diverse materials he uses range from paper to acrylic, Neoprene and Colorcore to gold as well as a profusion of plastics. His aesthetic “idiom” encompasses stringent structuring as well as monochrome Minimalism and compositions improvised in stunning forms and vibrant colors. Watkins is equally comfortable working with traditional jewelry-making techniques and computer-aided design as used throughout the manufacturing sector. Drawing on a wealth of photographs, drawings and statements made by the artist himself, the book provides invaluable insights into the way David Watkins works.

The 2000s proved a turning point for the skateboard and its relationship to art. Previously restricted to practical use, the skate deck left the pavement to appear on the walls of galleries and auction houses. Such was the advent of an entirely new contemporary art movement, laconically baptized Skate Art. From silk-screening to Posca markers, from repurposing and twisted shapes to upcycling broken boards, SkateArt is an anthology of specialized and eclectic decks made by artists from all over the world. Text in English and French.

“I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying… I just reached out with the letter in my hand and he took it. He opened it, read it… turned to his security men and said, “this kid’s with me.” I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle.” – Terry O’Neill

From The Beatles to the Rolling Stones, Terry O’Neill fast became the photographer of the 1960s. Having an eye – and ear – for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. “I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we’d do next, after all of this was over. By this, we meant the fame, being the ‘new kids of the moment’. Usually, this sort of celebrity doesn’t last. Little did we know that 60 years later, we’d still be at it.” Music lead O’Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He traveled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage.

O’Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O’Neill has worked with over the past 60 years is a Who’s Who in celebrity; from film to music, sports to politics. Terry O’Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all. Also available by Terry O’Neill: Terry O’Neill’s Rock ‘n’ Roll Album ISBN 9781851497720 Terry O’Neill ISBN 9781851496921 Two Days That Rocked The World ISBN 9781851498062 Breaking Stones ISBN 9781851498161

The modifier b+b Auto, founded in Frankfurt, 1973 by Rainer Buchmann and his brother Dieter, caused a stir in the European and international car scene of the ’80s. Their technical innovations and spectacular design made them stand apart from the crowd.

Initially focussed on Porsche cars, b+b established themselves as a name to be remembered when they presented their Porsche Turbo Targa with prismatic coloured varnish at the Polaroid stand on Fotokina 1976 Cologne. At IAA Frankfurt 1979 they launched b+b CW 311, a contemporary modification of the legendary Mercedes 300 SL. Mercedes-Benz was so enthusiastic about the car that they allowed Buchmann to continue using the Mercedes star as a brand logo. During the 1980s, b+b was one of the most successful modifiers of production cars. They transformed off-the-line automobiles into individualized luxury vehicles for those who could afford it – customers from the Arab world, celebrities from the Jet-Set, and many more…

However Buchmann’s real passion belonged to the area of electronic innovations. The money he earned with his tuning activities was invested into research in this field. He was the first to think about centralized door locking by means of remote control as well as park distance control and he invented the first car computers. In 1983 his multi-function steering wheel was protected by patent. This comprehensive book, produced in close cooperation with Merck Group, one of the world’s leading chemical companies for whom Buchmann popularized a new and special kind of bright enamel varnish, presents the complete history of Rainer Buchmann’s technical and entrepreneurial achievements.

A new photographic exploration of Chicago, a city which attracts the visitor with its profoundly American character. The book presents over 100 photographs shot in Chicago between 2006 and 2011, mainly in black and white. Several aspect of this diverse city are shown. Starting from the most celebrated downtown areas, where so many movies have been shot making them familiar to the entire world, to the suburbs and outskirts of the city, each with its own personality and charm. Page after page, empty streets mix with the most solemn of buildings and the waterfronts; people who work and live here meet other people who come from the Mid-West to check out unexpected urban landscapes. And then there are a number of photographs dedicated to the world of Blues, from the many clubs where the Blues are played and lived each night, to the Chicago Blues Festival, the great late Spring event attended by an extraordinary and multifarious public, who are as much a part of the scene as the artists on stage.

“Belgian solutions is first of all a title, that became a way of speaking: ‘Look, a Belgian solution.’ It all started with me stopping to take pictures of situations that I later began publishing on Facebook under this title. After some time people were sending me more and more photos, not only from Belgium of course, but from all over the globe, pictures that in very different and individual ways always kept saying: ‘Look, a Belgian solution.’ or simply: ‘Look, a solution.'” David Helbich Not every solution is an answer to a problem. The Brussels-based artist David Helbich started collecting ‘Belgian Solutions’ in 2006. Once he started to share his photos online on Facebook in 2008 (the Belgian Solutions page has over 23,000 fans), the project gathered speed, with contributions by Belgian Solutions spotters all over the world. Luster is publishing the third, updated and improved edition of the original publication.

The Brussels-based artist David Helbich started collecting Belgian Solutions in 2006; he made photos of the peculiar and sometimes hilarious, no-nonsense solutions that he spotted in his daily surroundings. Once he started to share his photos online on Facebook in 2008 (the Belgian Solutions page has over 25,000 fans), the project gathered speed, with contributions by ‘Belgian Solutions’ spotters all over the world. And because Helbich keeps receiving pictures, he keeps creating content – much to the joy of his fans. Also available: Belgian Solutions 1 ISBN 9789460581571

Basil Spence (1907-1976) was one of Britain’s most celebrated architects. This book explores his extraordinary career from the 1930s to the 1970s, focusing particularly on the post-war period. Initially known for his work on national exhibitions such as the ‘Festival of Britain,’ Spence became a household name in 1951 when he won the competition to design a new cathedral for Coventry. He worked on an unusually wide range of projects from housing in Glasgow’s Gorbals to the University of Sussex and the British Embassy in Rome. Central to his work was a sensitivity toward materials and a commitment to working with artists. Spence’s work is discussed here in a series of essays introduced by a personal memoir specially written by the architect’s close family members.

“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly

Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.

The history of the Bugatti really begins with the development of the successful 16-valve Type 13 model dubbed ‘Brescia’ after its triumph in the 1921 Voiturette race in Brescia, Italy, leading to Bugatti’s incredible racing success throughout that decade and the next. The Brescia Bugatti, written by renowned Bugatti enthusiast Bob King, provides an in-depth account of the origins, evolution and success of what is arguably the most revered car in early motor racing history. Including previously unpublished Bugatti factory data, this definitive, superbly illustrated book documents all surviving vehicles with current details and photographs. This deluxe cloth-bound limited edition is printed on high-quality art paper and comes with an imitation 1966 racing competitor’s bookmark listing individual edition number.

Despite its trademark transparency, the Corum Golden Bridge is a wristwatch full of mystery. This new book describes the iconic linear timepiece’s fascinating history including the innovative mechanical invention conceived by a nonconformist autodidact and the difficult technical breakthroughs by two like-minded personalities needed to achieve the dream wristwatch. This story, chock-full of narrative substance, begins in Switzerland of the late 1970s, at a time when electronic timekeeping was threatening to overtake the magical mastery of mechanical ticks and tocks. The Golden Bridge, spanning the gap between mechanics and art, is an integral part of this era as luxury watchmaking teetered on the brink of extinction. The Golden Bridge additionally helped usher in the era of the independent watchmaker, as its very creation was rooted in shedding light on the work of the watchmaker in a way that no other timepiece before or after it ever would.

After the first Thai comic strip was published in 1907, comics flourished in Siam and developed in uniquely Thai ways. With diverse and leading artists working in each generation there is a wealth of material to consider. Gory horror tales, anti-communist propaganda and socially-engaged graphic novels bear witness to the country’s darker years. From 1990, Thai comics struggled to compete with the sudden influx of unlicensed Japanese manga and went through a hiatus, making a comeback in the late ’90s with a new and alternative scene that deserves wider recognition. Each page of The Art of Thai Comics opens a unique window onto Thai society – a distilled vision of its hopes, fears, delights and horrors. From 20th century interpretations of Jataka tales, which replay the Buddha’s various reincarnations, to tales of modern-day millennial angst. Thai comics past and present offer an entertaining and enlightening viewpoint onto the country’s history, culture and enduring creativity.

This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject “Christ Carrying the Cross,” and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.