They Must Fall: Muhammad Ali and the Men He Fought features powerful and often moving images and stories of Muhammad Ali and the men he fought in the ring, by award-winning photographer Michael Brennan.

“Around 1978, I had been in Houston, Texas photographing former Ali opponent George Foreman who had then reinvented himself as a roadside preacher. On the plane back to NYC, I thought, ‘If that’s what George is doing, I wonder what the rest of his opponents are up to?’ I set out to track down as many of the old guys as I could find.”

Brennan spent decades locating Ali’s former opponents to discover what had become of them. This unique book is a look through Brennan’s remarkable archive, containing numerous never-before- seen photos plus poignant stories illuminating the images and contextualizing Ali’s powerful role in the world of sport. Includes a special introductory essay by the late, great Jimmy Breslin.

“Michael Brennan’s iconic 1977 portrait photograph of Muhammad Ali captures something far bigger and deeper than just the beautiful face of a beautiful man. It is a detailed map of the personal journey of one whose incomparable talents and audacity caused literati to swoon, taught a generation to question authority, and ultimately altered the path of a society which had never before seen a man exactly like him. To look at him the way he was then is to remember, with joy and sorrow, who we all once were.” – Jim Lampley, discussing the cover image (Boxing commentator, HBO Sports)

Helena Calmfors is a New York-based artist and performer whose work is inspired by the archetype of the dominant woman. It is a role with which she identifies and yet gently subverts by introducing ‘soft’ elements such as flowers into the typically ‘hard’ aesthetic vocabulary of domination. Central to her work is the feminist belief in the right to own one’s body; she also explores the theme of reclaiming identity through hierarchical power play. The act of creating intimate scenes and experiences is present in all aspects of her art, ranging from performance to watercolor paintings, and digital and Polaroid photography. She uses instant photography as a way of representing the ephemerality of performance and the fleeting intimacy of the dominant/submissive relationship. With an introduction by the Indian-American artist, Ankita Mishra, Forget Me Not is Calmfors’ debut monograph.

Not For A Want Of Trying is an extensive retrospective of the 35-year career of Belgian designer and creative maker Bart Luijten. This comprehensive publication serves as a chronological “picture book” and historical document, tracing Luijten’s profound influence on the Belgian cultural landscape. Spanning 384 pages, the book presents a vibrant explosion of visual material, from iconic music posters for venues like Ancienne Belgique (Brussels, Belgium) and Arenberg & OLT (Antwerp, Belgium) to the avant-garde layout of cult magazines such as Pulp, Plastiks, and Gonzo Circus.

The collection expertly balances Luijten’s high-profile commercial work for clients like Virgin Records, Lannoo Publishers, and M HKA with his deeply personal independent practice, including intricate collages and illustrations. By showcasing design work that bridges the post-punk and pre-internet eras, the book captures a unique evolution in visual communication. While Luijten’s most significant cultural campaigns are front and center, the selection remains idiosyncratic, offering a rare glimpse into the archives and creative mind of a designer who helped shape the aesthetic identity of a generation.

This one-of-a-kind guide takes you to New York’s best-kept secrets, like vintage shops packed with unique collector’s items, opulent spots for high tea, the best places to grab a drink before or after the theater, the best stretches for running, and the coolest sneaker stores. This guide reveals hundreds of addresses, as well as good-to-know facts and interesting information, like the best ways to mingle with New Yorkers, the sports that you absolutely have to see, and 5 things that New Yorkers just know. The 500 Hidden Secrets of New York is the perfect book for those who want to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.

Discover the series at the500hiddensecrets.com

In the late 1950s and early 1960s French New Wave cinema exploded onto international screens with films like Les quatre cents coups, A bout de souffle and Jules et Jim. They were radical, artistic, original and most importantly set up the director as a creative genius; at the forefront were Francois Truffaut and Jean-Luc Godard. Today these films are credited with changing cinema forever. For many film goers they command strong and passionate respect and became the foundations on which a lifetime of cinema-going is built. In the photographs of Raymond Cauchetier we bear witness to the great artistic genius that was central to the process of making these films. Cauchetier’s photographs are a culturally important documentary of the director at work, his methods and processes. His photographs capture some of the most memorable moments in film; Jean-Paul Belmondo and Jean Seberg on the Champs Élysées in A bout de souffle, Jeanne Moreau in the race scene of Jules et Jim, Anna Karina in a Parisian Cafe in Une femme est une femme.
But Cauchetier’s genius lies also in the fact that his photographs are far above just a visual record of these films. They clearly show the same spirit, the same freedom and the same originality that made The New Wave so important. Cauchetier’s photographs are as much a part of The New Wave as the films themselves. In the words of Richard Brody: In these images, Raymond Cauchetier, a witness to art, made art by bearing true witness. This is the first book published in English featuring the New Wave film photographs of Raymond Cauchetier.

HOPSCA, composed of a great number of different functional spaces – hotels, offices, parks, shopping, convention centers and apartments – is a complex which is the periodic product of urban morphology evolution during the rapid process of modernization and urbanization, and has become the inevitable requirement of economic development. A term used to describe integrated developments in urban communities – where people live, work, play and shop in proximity – HOPSCA is emerging as an important piece in China’s urbanization puzzle. It combines urban activities such as office, residence, business, catering, conference, entertainment and so on in an organic way, and forms a complex of multifunction and high efficiency.

This book brings together the excellent design concepts of many well-known design companies in recent years about the HOPSCA all around the world, many projects of which are underway. They will bring new breath and new vitality to urban developments.

The trend for loft residences began among a few select groups, namely artists, artisans and designers. A discarded factory or warehouse is converted into a tall and spacious living area, often highly personalised in design. Over the years, loft residences have developed their own unique style.

This book is divided into two parts: ‘Hard Loft’ – converted factories or warehouses – and ‘Soft Loft’ – new residence space designed in the loft style. In addition, several popular contemporary design styles are featured, such as industrial, Scandinavian, modern and minimalist. Combining different styles within a loft setting means that there are infinite possibilities to explore.

New York reduced to a miniature city? In New York Resized, photographer Jasper Léonard offers you a completely new perspective on The Big Apple. His Tilt-Shift technique creates a dazzling bird’s-eye perspective. Taking pictures from rooftops, helicopters or even drones, Léonard points his lens at the skyscrapers and yellow cabs from above, transforming the city into a swirling ant-hill of miniature people. His images are accompanied by the best quotes about New York, and his unique style guarantees that this is the most original photobook about New York that you will ever see. Praise for Antwerp Resized: “What started as a dissertation with homemade lenses has resulted in a surprising photo book” – Gazet van Antwerpen (newspaper) – “Thanks to his special tilt-shift lenses the photographer creates the illusion you are watching miniature sculptures. Not people but puppets. Not buildings but maquettes” – De Morgen (newspaper) Facebook: Jasper Leonard Photography Twitter: @jasperleonard Instagram: jasper.leonard www.jasperleonard.be Also available: Belgium Resized ISBN 9789401434614 Antwerp Resized ISBN 9789401432702

New York has a history of immigration that results in one of the most dynamic street food scenes in the world. Those who believe food in New York should cost a pretty penny and can only be found in beautifully styled restaurants probably haven’t been further than downtown Manhattan. This book takes you to the far-flung culinary corners of the five boroughs. From sensory-rousing South American snacks in Jackson Heights to homemade noodle dishes in Brooklyn, and from gourmet food trucks in Midtown Manhattan to simple food stalls in Red Hook. New York Street Food introduces you to a culinary New York in all its facets. Culinary adventurer Tom Vandenberghe and food photographer Luk Thys will seduce you once more. With the help of Jacqueline Goossens, who has lived in New York for more than thirty years, they give you fifty recipes from the most delightful venues of the New York street food scene. Also available: Bangkok Street Food ISBN: 9789020987836 Hanoi Street Food ISBN: 9789020997842 Singapore & Penang Street Food ISBN: 9789401403672

Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members.

The 1920s in Germany witnessed a revolution in visual communication, typography, and graphic design that still influences us today. In 1929, Hungarian avant-garde artist and Bauhaus professor László Moholy-Nagy was invited to design a room dedicated to the future of typography at the Martin-Gropius Bau in Berlin as part of a larger exhibition called New Typography (“Neue Typographie”).

The exhibition was organized by the Ring of New Advertising Designers (“ring neue werbegestalter”), a group started by Kurt Schwitters in 1927 which consisted of 12 avant-garde designers and artists who explored a common vision of modernity in advertising and graphic design. In five years, the Ring put on over 20 shows in Germany, and invited guest artists to exhibit with them.

Moholy-Nagy’s room in the New Typography show was called “Where is Typography Headed?”. He created 78 freestanding panels with work by himself, other artists, and contemporary printed matter, which addressed the current trends and future direction of typography. The panels are reproduced together in this book for the first time, along with an Abcdarium of terms and concepts by a roster of noted typography and design historians.

It is often said that you can’t take the same walk twice in New York. Its history may be short compared to that of European cities, but it is also a history marked by lightning-fast change. This pictorial journey into the history of New York City starts from the small town that began as New Amsterdam in the 17th century, tracing the unbridled expansion of the 18th century and waves of mass immigration of the 19th and 20th centuries. The authors, both experienced NYC tour guides, explore iconic districts like Times Square, Harlem, Wall Street, Central Park, Ellis Island and the Bronx, bringing the past and people to life through engaging stories and images. An inspired selection of archival photos, prints, vintage maps, stereographs, and ephemera make this publication, with its elegant, silver-edged finish, a fascinating visual homage to the vibrant city that is New York today.

From the best green spaces to go fetch, to the most stylish cafés and hotels that welcome guests on four legs, this guide tells you all you need to know to have a tail-wagging time in New York City. With beautiful photography, handy maps and plenty of insider’s tips, it lets you in on where to eat, drink, walk, visit and stay, alongside profiles of some of New York’s most interesting dog owners. Whether you’re looking for weekend get-aways or doggy day-trips, find out just how much more fun the city can be when you’ve got your pooch in tow.

Always New: The Posters of Jules Chéret highlights ​the role that French artist Jules Chéret (1836–1932) played in transforming the ​illustrated poster into a form of ephemeral art that embraced the public’s interest in novelty and rapid change during the 19th century. Recognized as the father of the poster, Chéret was ​one of the first artist​s to bring colorful, large-scale advertisements to the streets of Paris. ​People strolling down the boulevards were captivated not only by Chéret’s vibrant images, but also by how frequently new designs appeared. Chéret’s printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicize the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the ​United States, the book features ​over 100 works that span the artist’s career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.

The Lone Star State continues its love affair with innovative and contemporary architecture and design. Showcasing a stunning range of modern homes, this book will inspire best-design practice and spur on lifestyle dreams. Set out with beautiful full-color photography, New Texas Modern delves into the finer details of trending architectural styles. The exquisite kitchens, glorious living spaces, sumptuous bedrooms, luxurious bathrooms, spectacular outdoor entertaining areas, and other delightful spaces, are all part and parcel of the Texas residential dream. Abundant available space, a sense of Texas architectural historical vernacular, and a need to cater to the harsh Texas climate all combine together to produce gorgeous livable contemporary residences to delight the eye and the senses.

Architecture China is a journal focusing on the leading architectural design projects with regional characteristic in contemporary China. This 2023 Winter issue of Architecture China, focusing on how a new culture could be constructed through the action of building, showcases 12 newly completed museums or galleries, all of which express certain characters in contemporary Chinese culture. Four essays by Li Xiangning, Stanislaus Fung, Aric Chen, and Jiang Jiawei respectively provide different viewpoints on the topic, and expose critical thinking on cultural events that relate to contemporary China.

From wild parrots in the streets of Tokyo to prize pigeons outside New York, this book brings together the world’s best contemporary photography of birds and asks us to look anew at these mysterious winged creatures in all their complexity and majesty.

Featured photographers: Frankie Alduino, Barbara Bosworth, Xavi Bou, Giacomo Brunelli, Robert Clark, Tim Flach, Andrew Garn, Mark Harvey, Leila Jeffreys, Simen Johan, Tracy Johnson, Katerina Kaloudi, Sanna Kannisto, Tom Leighton, Neeta Madahar, Dillon Marsh, Joseph McGlennon, Yoshinori Mizutani, Yola Monakhov, Carla Rhodes, Pentti Sammallahti, Joel Sartore, Aniruddha Satam, Søren Solkær, Tamara Staples, Luke Stephenson, Julia Tatarchenko and Janice Tieken.

In 1851 John Ruskin came to the defence of the young artists of the Pre-Raphaelite Brotherhood by writing two letters to The Times, refuting widespread criticism of their paintings. Soon afterwards he published a pamphlet entitled Pre-Raphaelitism, beginning almost a decade of public support for the work of William Holman Hunt, John Everett Millais and their associates.
Already established as one of the leading writers on art, he took a personal risk in defending the Pre- Raphaelite cause, but saw a parallel in the hostile reaction to the paintings of his artistic idol J. M. W. Turner. In Millais especially, Ruskin hoped to nurture a worthy successor in landscape painting, arguing that the Pre-Raphaelites’ attention to truth and detail offered the opportunity to establish a “new and noble school” of British art.
This is the first compilation of all of Ruskin’s published writings relating to the Pre-Raphaelites, beginning with the celebrated passage in the first volume of Modern Painters (1843) exhorting young artists to “go to nature in all …. rejecting nothing, selecting nothing and scorning nothing,” later claimed by Hunt to have been an inspiration. As well as Pre- Raphaelitism (1851), rarely reprinted since, and the fourth of the 1853 Edinburgh lectures, it includes all the comments on paintings in the annual Academy Notes (1855-9) which pertain to Pre-Raphaelitism, underlining Ruskin’s significant contribution to the movement’s popular success and the widespread acceptance of its principles. From the period after 1860, when Ruskin was concentrating more on social issues, come the the little-known articles published in the Nineteenth Century magazine under the title The Three Colours of Pre-Raphaelitism (1878), and a number of lectures, including the last of his Slade Lectures, The Art of England (1883), delivered just a few years before his mental faculties failed.
Edited with a commentary and preface by Stephen Wildman, Director of the Ruskin Library and Research Centre, University of Lancaster, and with an introduction by Robert Hewison, one of Ruskin’s successors as Slade Professor of Art at the University of Oxford.

These previously unpublished images of New York’s waterfront are presented here as part of a unique editorial project: the iconographic perspective is analysed and discussed in Pauline Vermare’s interview with Sophie Fenwick, and finds further literary development in the photographer’s poetry, on which she started working during the pandemic and is used here to accompany the visual narrative.     

The language of photography is used here — in a series of black and white and color shots — to retrace the memory of a transformation and to express the urgency of documentation that in these pages evolves from personal to universal. The invitation to travel voiced by Fenwick is visual poetry articulated in a series of pictures, each of which possesses the potential to become a true icon.

Text in English and French.

“Now you can learn about and enjoy the big redo at ground level… “ — The Seattle Times

“This technical book pairs vintage tokens of remembrance—like midcentury blueprints and construction photos—with modern renderings of the tower, giving context to Olson Kundig’s plan for the since-completed upper deck.” — Architectural Digest
Originally built for the 1962 World’s Fair, the Space Needle quickly became an international icon of the Pacific Northwest and a symbol of Seattle. At the time of its construction, the tower pointed the way toward the future with a sense of optimism, possibility, and invention. In its 55th year, the Space Needle is again representing an enhanced future with the Century Project, a holistic renovation of the upper levels led by Olson Kundig that repositions the iconic tower for its next fifty years. New Heights: Transforming Seattle’s Iconic Space Needle documents this latest chapter of the Space Needle’s story with an in-depth look at the innovations, challenges, and triumphs realized by the client and project team, as seen through the eyes of the architects.

‘British Wine’ was once shorthand for bad imported grape mush. Not anymore. The rise of sustainable methods, youthful experimentation and, dare we say it, a new climate, mean that Britain is no longer the home of a few fine sparklings but a whole roster of dynamic reds, pinks and even oranges. This book celebrates the people who are growing, producing and championing the best of new British wine. This sumptuous coffee table book, filled with superb original photography, brings together personal interviews with some of the most inspiring people in Britain’s fast-growing, eclectic wine scene – taking you on a tour of over 30 influential winemakers, sommeliers and restaurants, from Cornish vineyards to Scottish wine bars.

Death to grey. After too many years of polite neutrals and subdued palettes, color is finding its way back into the home. At last. Adding pops of color to an interior is like adding a dash of spice to your favorite dish. Emma Merry has brought together 35 brilliant interiors, from jewel-bright color-drenched spaces to sophisticated homes with unexpected splashes of color. Alongside specially commissioned photography there are fascinating accounts of how the homeowners have injected personality into their living spaces, using color in unusual ways to create a mood or make a statement.