Dive into the bustling city of Stockholm.

With the New Mags City Guide, you can make the most of your time, whether you’re seeking a great meal an inspiring hotel stay, a perfect cup of coffee, or an unexpected art experience. The New Mags City Guide offers an updated, handpicked selection of the best hotels, restaurants, bar, coffee shops, retail concepts, and cultural landmarks.

Surrounded by 30,000 islands that form the archipelago, Stockholm is undeniably attractive but can be a little hard to get—in the best possible way. Take your time exploring the city, get under its skin, let it unfold, and you’ll be richly rewarded. With this guide in hand, Stockholm won’t let you down.

Dive into the enchanting city of Paris. With the New Mags City Guide, you can make the most of your time, whether you’re seeking a memorable meal, a stylish hotel stay, the perfect croissant, or an unexpected encounter with art. The New Mags City Guide offers a curated selection of the best hotels, restaurants, bars, coffee shops, retail concepts, and cultural landmarks. Paris is the epitome of elegance, where timeless charm meets cutting-edge creativity. You’ll never run out of things to see, taste, and experience—and yet you’ll likely leave craving more. Because that’s Paris: a city where FOMO isn’t just real, it’s part of the magic.

With the New Mags City Guide, you can make the most of your time, whether you’re chasing a great meal, a bold new art experience, a design-driven hotel, or a late-night bar that never seems to close. The guide features a curated selection of the best hotels, restaurants, cafés, shops, and cultural landmarks — all reflecting Berlin’s raw energy and constant reinvention.

Berlin is a city like no other — layered with history, shaped by creativity, and driven by freedom. From underground galleries to Michelin-starred kitchens, every corner hums with possibility. You’ll leave inspired, maybe a little restless, and already planning your return. Because in Berlin, the story is never finished — it’s always being rewritten.

With the New Mags City Guide, you can make the most of your time, whether you’re searching for a world-class restaurant, a hidden cocktail bar, an unforgettable hotel stay, or an inspiring gallery visit. The guide offers a curated selection of the best hotels, restaurants, cafés, shops, and cultural landmarks — all carefully chosen to reflect the city’s ever-evolving spirit.

London is a city of contrasts — where history and modernity coexist in perfect tension. From centuries-old pubs to avant-garde design studios, every street tells a story. You’ll leave filled with impressions, ideas, and the sense that there’s still so much more to discover. Because in London, curiosity isn’t just rewarded — it’s required.

With the New Mags City Guide, you can make the most of your time, whether you’re searching for a refined meal, a hidden design gem, an inspiring hotel, or the perfect espresso between fashion shows. The guide presents a carefully curated selection of the best hotels, restaurants, cafés, boutiques, galleries, and cultural landmarks — all reflecting Milan’s effortless sophistication.

Milan is Italy’s beating creative heart — where fashion, architecture, and gastronomy meet in perfect harmony. From historic palazzos to contemporary design studios, every street exudes style and intention. You’ll leave inspired, a little dazzled, and perhaps just a touch envious. Because in Milan, beauty isn’t a luxury — it’s a way of life.

With his residential buildings, office blocks, schools and factories, Boris Velikovsky (1878-1937) made a definitive contribution to Russian avant-garde architecture. His early constructions, such as Gribov House in Moscow, are still very much bound to Russian Neoclassicism, yet since the Revolution of 1917, he increasingly designed Constructivist architecture. One example is his Gostorg Management Building, distinguished by glass facades, the functional division of space and use of state-of-the-art materials. Furthermore in the garden city of Druzhba for instance, Velikovsky intensively engaged with new ideas in town planning. With mostly hitherto unpublished technical plans as well as numerous historical and new colour photographs of his most famous projects, Boris Velikowsky’s contribution to Russian avant-garde architecture is appreciated for the first time in book form.

Unique and renowned for the complexity of its layout and its historical context, Pallazzo Te is emblematic of a multiform artist like Giulio Romano, who developed and perfected in Mantua the experience and influences he had acquired in the Rome of Raphael. Text in Italian. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art. Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.

The scholarly journal produced by the Institute of Classical Architecture & Art (ICAA) is now in its tenth issue and continues to serve as an inspiration for professionals, academics, and enthusiasts alike. This volume is richly illustrated with drawings, photographs, renderings, watercolors, and details in full color. Essays include contributions by Jana Vandergoot on the traditions of ‘urban food’ in Rome and Paul Gunther on the stunning work produced by the ICAA’s Beaux-Arts Atelier and Grand Central Academy of Art. The work of other schools is also represented through student portfolios from the University of Bologna, Notre Dame, Yale, Judson, Miami, the American College of Building Arts, and The Prince’s Foundation for Building Community. A wide range of professional work from across the country is featured in the “From the Offices” portfolio, reflecting regional application of traditional and classical forms. Also available: The Classicist No.9 ISBN: 9780964260139

Mohan Samant (1924-2004), among the earliest of the post-Independence modern Indian artists to train in India and settle as a successful mature artist in the West, has been called ‘one of the few artists who has successfully made the bridge between Eastern and Western traditions.’
Born in Mumbai, Samant received his diploma from the Sir JJ School of Art in 1952, where he had studied under S.B. Palsikar. That year he joined the Progressive Artists Group. Extended periods abroad – 1957-58 in Rome and travel in Europe and Egypt, 1959-64 in New York City – preceded his leaving Mumbai permanently for New York in 1968, where he lived until his death in 2004.
Published in association with Abraham Joel, New York, and Pundole Art Gallery, Mumbai. With an introduction by Ranjit Hoskote and additional contributions from Abhijeet Gondkar, Virginia Kaycoff, Sharad Ghamande, Barbara Bertieri, Abraham Joel, and Judith Wink.

Previously published as part of a set, this volume, which concentrates on Samant’s paintings, is now available separately.

Mohan Samant (1924-2004), among the earliest of the post-Independence modern Indian artists to train in India and settle as a successful mature artist in the West, has been called ‘one of the few artists who has successfully made the bridge between Eastern and Western traditions.’
Born in Mumbai, Samant received his diploma from the Sir JJ School of Art in 1952, where he had studied under S.B. Palsikar. That year he joined the Progressive Artists Group. Extended periods abroad – 1957-58 in Rome and travel in Europe and Egypt, 1959-64 in New York City – preceded his leaving Mumbai permanently for New York in 1968, where he lived until his death in 2004.
Published in association with Abraham Joel, New York, and Pundole Art Gallery, Mumbai. With an introduction by Ranjit Hoskote and additional contributions from Abhijeet Gondkar, Virginia Kaycoff, Sharad Ghamande, Barbara Bertieri, Abraham Joel, and Judith Wink.

Previously published as part of a set, this volume, which concentrates on Samant’s paintings, is now available separately.

Mohan Samant (1924-2004), among the earliest of the post-Independence modern Indian artists to train in India and settle as a successful mature artist in the West, has been called ‘one of the few artists who has successfully made the bridge between Eastern and Western traditions.’ Born in Mumbai, Samant received his diploma from the Sir JJ School of Art in 1952, where he had studied under S.B. Palsikar. That year he joined the Progressive Artists Group. Extended periods abroad – 1957-58 in Rome and travel in Europe and Egypt, 1959-64 in New York City – preceded his leaving Mumbai permanently for New York in 1968, where he lived until his death in 2004. This volume, the definitive work on the artist, presents a comprehensive overview of Samant’s life and work. Also included are essays on Samant’s place in the development of modernism in post-Independence India, a chronological survey of the styles, techniques and themes employed by the artist, and analyses of the media and techniques he utilized.

Published in association with Abraham Joel, New York, and Pundole Art Gallery, Mumbai. With an introduction by Ranjit Hoskote and additional contributions from Abhijeet Gondkar, Virginia Kaycoff, Sharad Ghamande, Barbara Bertieri, Abraham Joel, and Judith Wink.

Basil Spence (1907-1976) was one of Britain’s most celebrated architects. This book explores his extraordinary career from the 1930s to the 1970s, focusing particularly on the post-war period. Initially known for his work on national exhibitions such as the ‘Festival of Britain,’ Spence became a household name in 1951 when he won the competition to design a new cathedral for Coventry. He worked on an unusually wide range of projects from housing in Glasgow’s Gorbals to the University of Sussex and the British Embassy in Rome. Central to his work was a sensitivity toward materials and a commitment to working with artists. Spence’s work is discussed here in a series of essays introduced by a personal memoir specially written by the architect’s close family members.

British realist art of the 1920s and 1930s is visually stunning – strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterized by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud’s early work can be seen as a realist coda which continued into the 1940s and beyond. Featuring many Scottish and women artists, this book promises a fascinating insight into this captivating period of British art.

Angry, outrageous, defiant, and courageous are some of the words that describe the American Abstract Expressionist artist Lee Krasner (1908-1984) – the subject of this very personal memoir inspired by Ruth Appelhof’s 1974 summer with her in East Hampton, Long Island. Best remembered by many as Jackson Pollock’s widow, she is regarded more by ‘art-world insiders’ as the producer of a major body of work that influenced the evolution of contemporary art – in particular, that made by women in the 20th and 21st centuries. As a scholar and a friend, Appelhof re-examines Krasner’s contributions in light of the intellectual and emotional experiences that she so candidly shared with her in weeks of interviews. In addition,  Appelhof explores Lee Krasner’s relationships with others – friends, art-world luminaries, artists, and other ‘summer sitters’ allowed into her private sanctuary – through interviews. Those recollections will offer a window into the artist’s intense and idiosyncratic personal life as well as into her contributions through the groundbreaking work she produced over the course of more than six decades.

Contents: Prefaces by Helen Harrison, Director of the Pollock-Krasner House and Study Center, and Barbara Rose, Art Historian and Critic; Chapter 1: Driving Ms. Krasner; Chapter 2: The Tapes: Fact or Fiction; Chapter 3: Cards on the Table; Chapter 4: Swing of the Pendulum; Chapter 5: Summer Sitters; Chapter 6: In Spite of Herself.

Published to accompany the Lee Krasner Retrospective at the Barbican Art Gallery, London, fromThursday 30 May-Sunday 1 September 2019, and at Schirn Kunsthalle, Frankfurt, from Thursday 10 October 2019-Sunday 12 January 2020, and at Zentrum Paul Klee, Bern, from Friday 7 February-Sunday 10 May 2020, and at the Guggenheim Bilbao, from Friday 29 May-Sunday 6 September 2020.

This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet’s pen commits every detail to paper, and the small-scale format emphasizes her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist.

Between 1963 and 1970, Lawrence Halprin and Associates realized a quartet of public plazas in Portland, Oregon, that redefined the city and set a bold new precedent for urban landscape architecture. Dubbed the Portland Open Space Sequence and composed of the Lovejoy Fountain, Pettygrove Park, and Forecourt Fountain (later renamed Ira Keller Fountain), plus the lesser known Source Fountain, the plazas were a dynamic collage of striking concrete forms, gushing water, and alpine flora that, in their seamless mix of nature and theater, created a playful metaphorical watershed coursing through the central city. Where the Revolution Began is the story of how these plazas came to be. Born of the creative experimentation and collaboration between Halprin and his wife, pioneering choreographer/ dancer Anna Halprin, the sequence came to life in the unlikely setting of the city’s first scrape-and-rebuild urban renewal project. But Halprin defied the conventions of both American urban renewal and midcentury modernism, designing the kind of inviting, exuberant public space not seen since Renaissance Rome’s Trevi Fountain and Piazza Navonna. For Halprin, the plazas became the first step in a career-long exploration of sequential works of landscape design, from the Haas Promenade in Jerusalem to the Roosevelt Memorial in Washington, D.C. For Portland, Halprin’s work marked the beginning of a tradition of remaking the city around interactive public spaces such as the famed Pioneer Courthouse Square. And for landscape architecture, the plazas offer some of the earliest precedents for the ecologically and socially responsive urbanism ascendant today.

Formed in 2008, Mercurio Design Lab (MDL) masterfully manages to express its design potential. Lead by Massimo, a rare architectural polymath who is motivated by a strong spirit of innovation, philosophy and experimentation, MDL seeks to elevate and balance the synergies of the Asian architectural context with indomitable Italian style and tradition. MDL considers its projects as artistic masterpieces and makes a special contribution to the architectural scene of the city through the creation of dramatic and futuristic buildings, always respecting three fundamental criteria: the functional, the aesthetic and the social. This richly illustrated monograph is a comprehensive review of MDL’s exceptional artistry and diversity and it’s another icon for IMAGES’ Master Architect series, an absolute must for all collectors of beautiful books on sophisticated global architectural culture.

Color photographs of Italian provincial towns and landscapes taken at the beginning of the 1980s that were included in Viaggio in Italy, curated by Luigi Ghirri, in 1984. It presents a completely new picture of the ‘Bel Paese’ beyond any folkloristic clichés.

Text in English and Italian.

New York City’s Cathedral of St. John the Divine has been built stone by stone, story by story for over 125 years. Now collected for the first time in one stunning volume, this oral biography gathers stories behind the still unfinished Cathedral. Over 175 voices, compiled from new interviews and archived material, speak to the fascinating reasons why church and city leaders decided to build the world’s largest Gothic Cathedral, the meaning behind the building’s architecture, and an inside look at some of the world’s most noteworthy events. New photos and freshly unearthed snapshots of the majestic structure punctuate this tome. The words of Bishops and Deans are collected alongside those of Cathedral Artists in Residence Phillipe Petit and Judy Collins, public figures David Dinkins and Al Gore, artists Madeleine L’Engle and Jessye Norman, Cathedral employees, neighborhood residents, and more, illustrating the vibrant life that fills this colossal building.

November 19, 1479: a dynastic alliance, two noble scions, a regal wedding, short-lived and with an unhappy ending. These pages reconstruct the story of the magnificent bas relief in the Acton Collection (Villa La Pietra, Florence), commissioned to celebrate the marriage between Antonio Basso Della Rovere, nephew of Pope Sixtus IV, and Caterina Marzano d’Aragona, the niece of King Ferdinand I of Naples. The heraldic symbols of the three coats of arms leave no doubt about the identities of the characters and events surrounding its creation, and lead us to the original location of the work, born as the overdoor to the main portal of the Basso Della Rovere Palace in piazza della Maddalena in Savona. Through close examination of the Della Rovere in Rome, this study highlights some previously unknown facts about the family’s origins and returns to Savona and its role as a political, cultural, and artistic protagonist in late 15th-century Italy.

This book celebrates the extraordinary talent of Raphael, 500 years after his death.

This is the story of an unequaled master whose figure has surpassed that of other leading figures of the Renaissance. His talent grew with astonishing rapidity, starting with the years of training at the workshop of his father Giovanni Santi: in 1500, at only 17 years old, he was already defined ‘magister’.

The author leads us into the folds of the extraordinary story of Raphael, studded with masterpieces that have become cornerstones in the history of art, and helps us to understand his timeless talent through new comparisons and explanations. The deep knowledge and the profound passion of the author make reading the book exciting and unforgettable.