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In The 500 Hidden Secrets of Stockholm Antonia af Petersens shares 500 must-visit places in her hometown, as well as good-to-know facts. The aim of this book is to get you started on discovering the best of Stockholm behind its idyllic, water-surrounded façade. Overrated tourist fodders have been left out in favor of tucked-away finds that will surprise both foreign visitors and savvy residents. Expect to discover quirky details and interesting facts about famous places and timeless favorites to learn about the secret gems where you can imbibe the genuine atmosphere of Stockholm.

Also available: The 500 Hidden Secrets of Berlin, The 500 Hidden Secrets of Copenhagen, The 500 Hidden Secrets of Brussels, The 500 Hidden Secrets of Paris, The 500 Hidden Secrets of Amsterdam, and many more. Discover the series at the500hiddensecrets.com

The book Grandi Giardini Italiani, published for the 25th anniversary of the foundation of the Grandi Giardini Italiani network by Judith Wade, celebrates the places where nature, art and history come together to amaze visitors. The volume sets out to describe the places belonging to the network, taking readers on a journey in search of Italy’s green splendors. The text by author and journalist Delfina Rattazzi maps out an itinerary that spans the entire peninsula, gathering the gardens around focal points that highlight their similarities and help us understand their histories and singularities. Completing the volume is an anthology edited by art historian Caterina Napoleone: a literary stroll among the gardens fashioned by writers. Side by side with the texts, images of the gardens reveal their most beautiful vistas, hidden corners and picturesque details, through photographs that give us the chance to admire these wonderful fusions of human ingenuity and the astonishing power of nature.

“If you really want to get under the skin of a city, the 500 Hidden Secrets series, which covers a number of cities from Chicago to Ghent, all written by people who know the cities inside out, is ideal. It’s an innovative and refreshing take on the traditional travel guide.”- The Independent

What are the 5 restaurants for new Flemish cooking? Where would you find the 5 best antique shops? Where can you find the most unexpected view of Ghent? Where are the cool coffee bars that play the best music? And if you wanted to find the most mysterious places in the Citadelpark, where are they? The 500 Hidden Secrets of Ghent is a wonderfully eclectic guide to this multifaceted city. An insider’s view of Ghent featuring little known facts and snippets of useful information, presenting the quirky and the off-beat, and sharing the whereabouts of some of the city’s wonderful hidden gems like the Hotel d’Hane-Steenhuyse and the Gruut City Brewery.

The 500 Hidden Secrets of Ghent offers a practical guide to Ghent’s finest places, and Derek Blyth covers all bases to ensure no visitor to the city is ever anything short of captivated. Packed with accessible, easy-to-read information summarised in handy lists, maps, itineraries, sections on food & drink, accommodation, green spaces, museums, galleries and shops; this guide is an essential resource for the inquisitive traveler.

Also available: The 500 Hidden Secrets of London, The 500 Hidden Secrets of Dublin, The 500 Hidden Secrets of Paris, The 500 Hidden Secrets of Lisbon, and many more. Discover the series at the500hiddensecrets.com

These pages tell the story without words of a journey through Spain in which the author, the photographer Fernando Manso, visited unknown and hidden corners and captured them on the plates of his large-format camera. From the remotest parts of Galicia to those of Almería, he passed through coasts, deserts and mountains, stopping at old churches, ghostly castles or majestic cathedrals, in forests and gorges, at natural pools and salt mines, and at cemeteries, Arab baths and hermitages carved out of the rock.

Fernando has made the light of these places into the leading figure of his journey. His is a different light, as he has relinquished blue skies and brilliant sunshine, often the stuff of clichés, to make way for visions of places that appear to us with such intimate truth that even if we know them, we can barely recognize them. This is thanks to his technique, his art and the patience with which he waits for the light.

Fernando’s luxury is being able to use all the time in the world to draw us into an artistic heritage that is sometimes secret and hard to reach, and which the viewer has to know how to see. He reveals these places, often in danger of disappearing, after detailed investigation. Both architecture and landscape – for he knows that natural scenery is also a major patrimony that has to be affectionately preserved and protected from speculation – belong to all of us, and we are responsible for their care. We must be aware of this.

The result of that trip is this publication, with beautiful images in reproductions of exceptional quality that present us with a vision of Spain in a different light.

Visions of Paradise: American Wilderness is a singular, timeless publication — a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.

Signed, numbered special edition, slip cased, with signed landscape print (measuring 28 x 23 mm), and limited to 200 copies.

New places, new faces who make the best of Marrakech: from the Palais Rhoul to the princely refuges, Moroccan gastronomy, parties in the desert, and the emblematic treasures that define the magic of the red city. Also admire the Palace of Adriana Karembeu and the princely riads hidden in the medina, true jewels of elegance and mystery. As for flavors, let yourself be seduced by the Moroccan cuisine of chef Moha Fedal.

Admire the hobby horses at Sahbi Sahbi. Live unique experiences: hot air balloon flight at sunrise or magical parties under the stars in the Agafay desert. This book reveals the new places and emblematic figures of Marrakech, such as Don Diego and his festive evenings.

Relive the splendor of the legendary Palais Rhoul Marrakech, a timeless institution where magic and a change of scenery meet. A tribute to the Marrakech art of living, between tradition and modernity, which makes this city an iconic destination. Best of Marrakech is an invitation to explore a city in perpetual reinvention, where each corner reveals a unique story and emotion.

Text in English and French.

For more than eight hundred years, the Prophet’s Mosque in Medina was tended by the Āghawāt: a secretive fraternity of eunuchs entrusted with the key to the Prophet’s burial chamber. Today only one remains.

In The Tale of Two Keys, Adel Alquraishi, the only photographer ever permitted to document these guardians, sets out to answer the question their existence poses: why were the keepers of Islam’s holiest places required to be eunuchs? His investigation turns on two keys, one to the Prophet’s Noble Chamber in Medina, one to the Ka’ba in Mecca. Through more than 100 photographs of places, objects and rituals rarely seen by any outsider, Alquraishi uncovers a hidden symmetry between the two sanctuaries, of male and female, one and many, that has shaped Islam’s sacred geography for centuries. A landmark of access and artistry, and a companion to his acclaimed The Guardians and Al Astar.

For more than eight hundred years, the Prophet’s Mosque in Medina was tended by the Āghawāt: a secretive fraternity of eunuchs entrusted with the key to the Prophet’s burial chamber. Today only one remains.

In The Tale of Two Keys, Adel Alquraishi, the only photographer ever permitted to document these guardians, sets out to answer the question their existence poses: why were the keepers of Islam’s holiest places required to be eunuchs? His investigation turns on two keys, one to the Prophet’s Noble Chamber in Medina, one to the Ka’ba in Mecca. Through more than 100 photographs of places, objects and rituals rarely seen by any outsider, Alquraishi uncovers a hidden symmetry between the two sanctuaries, of male and female, one and many, that has shaped Islam’s sacred geography for centuries. A landmark of access and artistry, and a companion to his acclaimed The Guardians and Al Astar.

Text in Arabic.

Milton H. Greene (1922-1985), famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a photo shoot for Look magazine in 1953. The pair developed an instant rapport, quickly becoming close friends and ultimately business partners. In 1954, after helping her get out of her studio contract with 20th Century Fox, they created Marilyn Monroe Productions, Inc. Milton and Marilyn were much more then business partners, Marilyn became a part of the Greene family. By the time their relationship had ended in 1957, the pair had produced two feature films, in addition to more than 5,000 photographs of the iconic beauty. There was magic in Milton and Marilyn’s working relationship. The trust and confidence they had in each other’s capabilities was on full display in each photo. Greene passed in 1985, thinking his life’s work was succumbing to the ravages of time. His eldest son, Joshua, began a journey to meticulously restore his father’s legacy. A photographer himself, Joshua spent years researching ways to restore his father’s photographs as well as cataloging and promoting Milton’s vast body of work all over the world. As a result, Joshua established “The Archives,” a company committed to the restoration and preservation of photography. After spending nearly two decades restoring his father’s archive, Joshua Greene and his company are widely regarded as one of the leaders in photographic restoration and have been at the forefront of the digital imaging and large-format printing revolution.
Now Joshua Greene, in conjunction with Iconic Images, presents The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions. With 280 photographs, including newly scanned and restored classics, as well as images that have appeared only once in publication, Greene’s Marilyn Monroe archive can finally be viewed as it was originally intended when these pictures were first produced more than 60 years ago. These classic sessions – 50 in all – cover Monroe at the height of her astonishing beauty and meteoric fame. From film-sets to the bedroom, at home and at play, Joshua has curated a lasting tribute to the work of a great photographer and his greatest muse. Poignant and powerful, joyful and stunning – these breathtaking images of an icon stand above all the rest. The Essential Marilyn Monroe: Milton H. Greene, 50 Sessions is sure to be a book that will become the platinum standard in photography monographs.

Commissioned by the Water Colour Society of Ireland, this book is the first to chronicle in depth the history of this distinguished Society, established in Lismore, County Waterford in November, 1870 and recognised today as being one of the oldest and most outstanding art societies in these islands. Members have included such prominent participants as Sir William N.M. Orpen, R.A., R.I., H.R.H.A., Sarah H. Purser, R.H.A., Walter F. Osborne, R.H.A., Mildred A. Butler, R.W.S., H.B.A.S., Mainie Jellett, Paul Henry, R.H.A., Evie Hone, H.R.H.A., Tom Carr, H.R.H.A., R.U.A., R.W.S., O.B.E and many others who succeeded in achieving recognition for their work not only in Ireland but on the international stage. The author sets out to trace the historical development of watercolor painting in Ireland, the difficulties encountered by artists in relation to exhibiting watercolors in eighteenth and nineteenth century Ireland. Brief accounts of the establishment of the Royal Dublin Society’s Drawing Schools are included together with the influence of the nineteenth century English watercolor tradition in relation to Irish students, the foundation of the N.G.I, the role of the governess and drawing master, together with the influences which the Dublin Metropolitan School of Art exerted on countless future members of the Society.   The difficulties encountered by women in establishing themselves as either professional or amateur artists in nineteenth century Ireland, the opportunities for training not only in the field of art but in crafts such as wood-carving and lace and the availability to pursue an art academic training abroad all form part of this book. The vital role of Sketching Clubs and Drawing Societies which led to the birth of the Amateur Drawing Society (later to become known as  the Water Colour Society of Ireland) are included. Founded by six enterprising ‘Lady Artists’, their largely unknown biographical information is provided here for the first time.   Descriptions of early exhibitions, the aristocratic glamor attached to openings, conversaziones, the day to day running of the Society and the need by many artists, particularly women to transform themselves into professional painters form part of the early development of this remarkable Society. The birth of the nineteenth century exhibition watercolor and the requirement by members to market and sell their work throughout Ireland and the U.K. is described.   The author provides concise biographies of over one hundred W.C.S.I artists from the relatively unknown to the widely acclaimed together with illutrations of works from  both public and private collections, the latter, due to the generosity of their owners being illustrated here for the first time.

It is a vast world one enters when writing on the statuettes of the Art Deco era: both in terms of the number of artists that contributed to it, and the number of figures they created. This book studies the influences that shaped these artists’ work – namely, the growth of the Ballets Russes under the aegis of Sergei Diaghilev; the fascination in all things Egyptian that followed the discovery of Tutankhamun’s tomb in 1924; and the Music Hall, with all of its venues, its stars and its glamor. Paris was a magnet for aspiring artists. An unrivaled destination for free-spending tourists, its popularity dwelt in the city’s inexpensiveness, considering the absence of the dollar and the falling value of the franc. A thorough look at its artists and their work can only emerge from long investigation.
Also available by Alberto Shayo: Chiparus: Master of Art Deco ISBN 9781851498222 and Roland Paris: The Art Deco Jester King ISBN 9781851498239
As soon as Bill Wyman was given a camera as a young boy, he quickly developed a passion for photography. After joining what would become the world’s greatest rock ‘n’ roll band, Wyman continued his hobby. When he didn’t have his bass, he had his camera. The result is an arresting, insightful and often poignant collection of photographs, showing his exclusive inside view of the band.
From traveling to relaxing, backstage and on, Stones From the Inside is a unique view captured by a man who was there, every step of the way. Along with the images of the band at work and play, Wyman includes remarkable images of those along for the ride, from John Lennon, Eric Clapton, David Bowie and Iggy Pop to John Belushi and Dan Aykroyd. To accompany his photographs, Wyman offers up wonderful insights, anecdotes and behind-the-photo stories, giving all us a front-row seat and backstage pass to what it was like to be there, as music history was made as a member of The Rolling Stones.

When Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realize that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O’Neill, celebrated photographer, was given unprecedented access to document the event.

O’Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he’d soon put to rest. On stage, dodging television cameras and lights, O’Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O’Neill remembers of Bowie: “He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes – this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet – and it was Ziggy Stardust”.

Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.

“…a beautiful book, filled with captivating images and explanatory text which never gets too dry or too technical…” – Revolution
Despite the functional obsolescence of the mechanical wristwatch (our phones and computers tell more accurate time) the early 21st Century has seen a boom in the development, production, and appreciation of all things horological. Whether it is presented to the collector as an alternative investment, as a feat of micro-mechanical technology, or as a showcase of artisanal mastery, the mechanical wristwatch has never possessed more forms, functions or facets than it does today.
The Wristwatch Handbook is written from the epicentre of a renaissance, a place in time between the Quartz revolution and the rise of the smart device – where the mechanical wristwatch is the antidote to the microprocessor and the permanent buzz of your inbox. From the multi-axis tourbillion, to the split-second chronograph, to the sidereal sky chart, The Wristwatch Handbook covers it all and does so with more than 470 rich illustrations from over 90 of the World’s leading brands.
The book is separated into two sections. The first section provides the reader with a comprehensive understanding of the mechanical movement. Its chapters explore power, transmission, distribution and regulation illustrating the basic concepts before considering the innovation and complexity that takes place further toward the cutting edge. From the fifty-day power reserve, to the constant force mechanism, and the 1,000Hz mechanical escapement, section 1 will allow the reader to understand and appreciate what is happening beneath the dial of their watch. Section two allows the reader to take this understanding and apply it to the vast range of complications (functions) that exist in modern horology. Each chapter showcases a distinct category of complication. For example, the regatta timer, pulsometer, and monopusher chronograph join a host of others in a chapter entitled ‘Recording Lapses of Time’; The power reserve indicator, dynamograph, and crown position indicator are featured in a chapter for ‘Power and Performance Indication’; The moon phase indicator, annual calendar, and planetarium can be found in the ‘Astronomical Complications’ chapter. Once the functional categories are exhausted, the final three chapters explore whimsical complications that have little regard for practical function, novelty time indication, and the ‘super-complicated’ watch – a rare breed of timepiece that houses an intimidating host of complications featured throughout the book. Upon completion of The Wristwatch Handbook the reader will be able to identify even the most exotic complication from across the room, and be able to share their appreciation and understanding of what makes it so useful and compelling.

The Wristwatch Handbook is “brand agnostic”, using only those watches that most aptly illustrate the given subject-matter. As a consequence the book places equal emphasis on the classic and the cutting edge, on watches produced in large volume or exclusive runs, by industry-leading technology or at the hand of a master. In doing so the book provides an unparalleled range of watches from over 90 brands, allowing the reader to determine for themselves which brands, complications, and styles they will build their collection from.

The wee folk have returned! Uncover the mystery of who they are and why they are here in the first book of the Vinetrope Adventures. Following a young girl, Sara, who has recently lost her mom to cancer, Return of the Vinetropes tells the story of a remarkable fairy-like creature found in Sara’s back yard. Lucinda Vinetrope: born wise, full-grown, and all alone. She may only be 12 inches high, but her personality is huge! Her arrival signifies the return of the Vinetrope nation, but also the return of their evil counterparts, the Chargons and the Vinkali. Joined by a supporting cast of comedic characters, animal and human alike, Sara and Lucinda set off on their quest to find the other Vinetropes and protect their world from danger.

Between 1885 and 1891 the Swiss pastor Wilfried Spinner sojorned in Japan on behalf of the East Asian mission. He founded the first Christian parishes in Tokyo and Yokohama and began to intensively teach there. However, his interest was also directed at local beliefs, which informed the everyday lives of the population. He brought back to Europe around eighty religious scrolls, comprising some painted hanging scrolls and numerous black-and-white prints (ofuda). Ofuda are paper amulets featuring representations of important deities, Buddhas and bodhisattvas, which were printed in and distributed from temples. Some of them additionally feature calligraphy, which was written by the monks in the presence of the pilgrims. They are evidence to their pilgrimage and accompany them onwards as protection and good luck charms. The recently discovered collection of Wilfried Spinner in the Ethnographic Museum at the University of Zurich covers a broad spectrum both figuratively and in content.

Text in English, German, and Japanese.

A ‘vessel for living’ – such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta’s collection of contemporary studio jewelry and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

When the British colonial power in the nineteenth century extended its influence to the mountainous borderland between India and Burma, it brought about an era of fundamental cultural changes for the native Naga tribes. The guns of the conquerors were followed by the dogmas of the missionaries, as well as the drawing pens and cameras of the documentarians. Their pictures and artifacts soon found their way onto the tables of parlors and into Europe’s museums.
The spectacular material culture with its individualistic aesthetics, along with the fascination of headhunting, soon led to the Naga being stylized as the epitome of ‘noble savages’. The pictorial documentation of the tribe reached its peak in the 1930s, following the research expeditions by the Austrian ethnologist Christoph von Fürer-Haimendorf and his German colleague Hans-Eberhard Kauffmann.
The photographic heritage of Kauffmann, believed to be lost and then rediscovered by the author, is the focus of this publication. It attempts, by means of a detailed pictorial ethnography, to reconstruct the aesthetic and cultural reality of the Nagas in the 1930s, through the ethnographer’s lens. This is contextualized by Fürer Haimendorf’s photographs, alongside other sources.
A detailed introduction presents the working practices and analyzes the biographies of the two ethnographers and their political and ideological entanglements.

The Miller Ceramic Art Collection features masterpieces highlighting the artistic ideals of numerous luminaries of mid-twentieth century to early twenty-first century American ceramic art. In addition, the collection includes important examples of European and Japanese ceramic artworks of the same period. Marlin Miller’s profound understanding of materials began with ceramic engineering. His interest in brick and its role in architecture informs a keen eye for surface texture, dimension and materiality.

The publication is a comprehensive presentation of one of the world’s most distinguished private collections of contemporary studio ceramics, and an observation on the correlation between ceramics and architecture. With contributions by Meghen Jones, Sequoia Miller, Michael McKinnell and Wayne Higby.

The Swiss artist Otto Künzli has revolutionized modern art jewelry. In the 45-odd years in which he has been addressing the topic of jewelry, Künzli has carved out for himself a unique position of far-reaching international influence, not only as an artist and a pioneer but also as an author and mentor. Otto Künzli’s works are based on complex reflection, conceptual and visual imagination. The result: objects with a clear, minimalist appearance, captivatingly crafted to perfection and highly visible – jewelry that adorns and at the same time possesses an autonomous aesthetic status of its own. The publication presents for the first time Otto Künzli’s highly diverse oeuvre. It includes hundreds of jewelry objects as well as interdisciplinary conceptual works from the artist’s various creative phases. An extraordinary artist’s book designed in close collaboration with Otto Künzli and Die Neue Sammlung – The International Design Museum Munich.

Otto Künzli was born in 1948 in Zurich, Switzerland. Since 1991 Künzli has held the Chair of Art Jewelry at the Academy of Fine Arts in Munich – as the successor of Prof. Hermann Jünger. Otto Künzli’s work is represented in numerous international museums and collections. Alongside numerous awards, in 2010 Otto Künzli was awarded the Swiss Grand Prix Design, and in 2011 the Goldener Ehrenring der Gesellschaft für Goldschmiedekunst, the golden ring of honor conferred by the German Association for Goldsmiths’ Art.

The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith’s art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and ’60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom.

The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these creative artists is beautifully displayed through color photographs, which serve to highlight their great talent.

The Alice and Louis Koch Collection of finger rings was originally collated by a jeweler from Frankfurt am Main, once described as the German ‘Cartier and Fabergé’. By 1909 the collection comprised 1,722 rings from Antiquity to 1900. Rene Lalique, a contemporary of the time, was included, undoubtedly as a modernizer of the ring form. In the past twenty-five years the fourth generation of the family continued where Louis Koch and his wife Alice left off and expanded the collection to include rings from the twentieth and twenty-first centuries.

This publication will present the complete collection of contemporary rings, now kept in the Swiss National Museum, Zurich. Nearly 600 rings by artist jewelers from around the world document how these miniature works of art have become modern sculptures showcasing new materials and techniques, daring designs and current themes.

Text in English and German.

The unique cultural landscape of southern Africa (Nambia, Zimbabwe, Botswana, Mozambique and South Africa) is a highly dynamic and complex area where old traditions are confronted by explosive social and political upheavals. The resulting contradictions and conflicts stimulate a directions as well as ancient roots. The collection of highly varied essays by knowledgeable experts on Africa ranges from historical and political problems to questions of artistic production and of how to deal with culture and nature in the face of industrialisation and globalisation. Art is one of the major subjects, and the contemporary artistic activities, including photography. The publication presents a picture of a vigorously alive southern Africa, contradicting common western Cliches which regard the region as having no art and solely being riddled with problems of post-apartheid, crime and AIDS.

The representation of mysterious and fantastical figures, magical inscriptions and mythical beings that are half man and half beast are characteristic of the jewelry works and art objects created by Ulo Florack. With artistic mastery and an exuberant imagination, he tells stories using gold, silver, platinum and enamel. Ulo Florack is a multi-talented artist. It is almost impossible to categorize him. The question of whether he is more a painter or a jewelry artist cannot be answered definitively: both aspects cross-pollinate each other. His jewelry objects incorporate sculptural elements, whilst the choice and application of colors reveal the artist. His style is very distinctive and his objects use surprising ideological and intelligent imagery, which consciously hovers in the grey area between fantasy and reality.

Text in English & German.