‘Thoughts For My Children took shape over many years, in many places and at many times. Perspectives and insights on life’s journey would come to me, usually out of the blue and at unexpected times, sometimes on planes far above the clouds, in new places or in familiar surroundings where my mind would wander.’ – Scott Mead.
Over time, this collection of thoughts evolved into a book that explores family, legacy and what it means to share the lessons we learn with future generations. The images that sit alongside the text, part of Mead’s extensive photographic archive, continue to resonate beyond the pages of the family album and expand the reach of the words into something at once deeply personal and universal.
Thoughts for My Children is meant to be picked up and carried with you, the small format inviting moments of contemplation and celebrating the lives unfolding around it.
Photographer Scott Mead (b.1954) revisits his formative years spent documenting New England, USA, in Rites of Passage for the first time. Shot over a five-year period between 1971 and 1976, we follow Mead through early adulthood and explore scenes of discovery, ritual, rural beauty and urban metropolis.
At a junction between an American road trip and a personal visual diary, Mead’s images depict a world as it was then, shaped by political upheaval, profound civil changes and the Cold War. The cloth-bound hardback book features 100 large-format prints of Mead’s poignant photographs to be considered in a new context.
Rites of Passage shows Mead with a camera always at hand and presents his delicate, often amusing and sometimes uneasy portraits alongside cityscapes, landscapes and snapshots of the lives of friends and strangers. All of the artist’s proceeds from Rites of Passage benefit Great Ormond Street Hospital for Children in London.
Burst! Abstract Painting After 1945 looks at the close, but previously unexplored relationship between Abstract Expressionism and Art Informel. Through texts and close to 100 illustrations, the book describes a vital creative exchange across the Atlantic that would entirely redefine painting. Big, expansive, paint-splattered surfaces; spontaneous actions captured on canvas; new ideas of freedom. A story of post-war recovery and Transatlantic dialogue. On both sides of the ocean, society was reacting to the horrors of the Second World War, the Holocaust and the coming of the atom bomb. The book shows how artists searched for new ways to deal with these shattering events. With works by Jean Dubuffet, Natalia Dumitresco, Helen Frankenthaler, Asger Jorn, Lee Krasner, Jackson Pollock, Mark Rothko, Sam Francis, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Georges Mathieu, Hedda Sterne and Clyfford Still, and more.
‘That this is a legitimate question, even a necessary one, is argued by Vergara in a pleasurable manner, with the pace and attitude of a peripatetic thinker. There is something here that reminds one of Montaigne or Stendhal.’ – El País
Throughout history, human beings have excelled at creating art of the highest quality. Aristotle wrote that Homer “surpassed all others” and Pliny the Elder referred to “masterpieces that we never tire of admiring”. Velázquez distinguished between portraits “made with art” and those that were not. What did they all mean exactly? What do we mean when we say that a work of art is good, of high quality? This book is an attempt to explain this central question, which remains surprisingly unexplored.
Alejandro Vergara-Sharp argues that “a deep knowledge of the history of art provides us with the tools to approach this issue objectively”. He then invites the reader to share with him a Socratic voyage of discovery, gradually unveiling arguments that can assist us in understanding this elusive and crucial concept.
“Legendary Bruce Springsteen photographer’s iconic travel images showcased in lavish new coffee-table book, from storms in South Dakota to penguins in Antarctica.” — The Daily Mail
“… a dazzling collection that bursts with vibrant colours and energy. This book is more than just a visual feast; it’s a journey into the stories behind each photograph, offering readers a behind-the-scenes look.” — Digital Photographer Magazine
“This richly designed monograph is both a masterclass in color photography and a deeply personal reflection on a life spent chasing light.” — About Photography
Multi-award-winning photographer Eric Meola is a master of using color and light in photography, creating vivid, evocative, and graphic images. From his famous “Coca Kid” and Bruce Springsteen’s “Born to Run” album cover to his Lifetime Achievement Award in 2023, Meola has had an extraordinary five-decade career.
Bending Light: The Moods of Color is a retrospective bursting with color. It features 100 iconic photographs from Meola’s editorial, advertising, and personal work, as well as his recent experiments with color abstracts. Meola also takes readers behind the lens to reveal the stories and anecdotes behind the creation of each image. Through this intimate and personal account of his creative process and self-expression, the photographer examines his use of color, its symbolism, and how it affects our moods.
For professional and aspiring photographers, and people who appreciate photography, art, and a colorful perspective of the world, this extraordinary collection of images, captured over more than fifty years, showcases why Meola is considered a true innovator in color photography.
From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
During the 1890s and early 1900s Édouard Vuillard (1868–1940) produced a body of work that combines intimate subject matter with abstract form through the simplification of pictorial elements and observation of decorative fabrics and wallpapers. Through these devices he developed an art that is unashamedly decorative and yet always replete with subtle suggestions of deeper meanings. In balancing form and content, psychological drama and abstraction, his pictures are about as close to poetry as any artist’s, and all the more brilliant for their understatement and the near imperceptibility of their craft.
Illustrating many rarely seen paintings from private collections, this book offers a fresh look at the early career of this much-loved artist. Introduced by Chris Stephens, director of the Holburne Museum, and with an original essay by Belinda Thompson.
Cherán is a social, political, and anthropological phenomenon without precedent in Mexico. Rebellious Forests gathers together images captured by Pavel Hroch during his travels in the land of the Purépecha in Michoacán, particularly the towns of Cherán, Comachuén, and Cocucho. These photographs show a world confronting global problems such as deforestation, water shortages, and the violence of organized crime while also rebelling against historical changes, driven by a constant desire to endure. The book reflects the Purépecha community’s successful struggle to achieve autonomy and control over their territory after a confrontation that pitted armed locals against illegal loggers and drug traffickers. This resistance led to the expulsion of these invaders and the establishment of Purépecha systems of security and self-government, based on their own cosmology and traditional practices.
Text in Spanish.
“…dynamic and insightful images.” — Black & White Photography Magazine
Cherán is a social, political, and anthropological phenomenon without precedent in Mexico. Rebellious Forests gathers together images captured by Pavel Hroch during his travels in the land of the Purépecha in Michoacán, particularly the towns of Cherán, Comachuén, and Cocucho. These photographs show a world confronting global problems such as deforestation, water shortages, and the violence of organized crime while also rebelling against historical changes, driven by a constant desire to endure. The book reflects the Purépecha community’s successful struggle to achieve autonomy and control over their territory after a confrontation that pitted armed locals against illegal loggers and drug traffickers. This resistance led to the expulsion of these invaders and the establishment of Purépecha systems of security and self-government, based on their own cosmology and traditional practices.
This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organized by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l’âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, trough the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatization.
Text in English, French and Italian.
In this follow up to Storied Interiors (2018), interior designer Patrick Sutton presents seven beautiful and unique residences. Taking a deep dive into Sutton’s distinctive approach, acclaimed author Vicky Lowry tells the story of each home and how listening to his clients has inherently shaped the design.
The seven homes, located in Delaware, Maryland, Washington, D.C., and Wyoming, run the gamut from a crisply furnished, minimalist countryside retreat and a classic yet contemporary seaside estate, to a historic house given new life with striking furnishings and seductive colors, and a property in Jackson Hole with a pared-down aesthetic rather than the typical trappings of the American West. While Sutton’s objectives for every project might be similar—discovering the ‘story’ to help him craft a design that is influenced by the location, history, and his clients—he is adept at working in a variety of styles, with an approach that remains fluid and open-minded.
Each project in Tailored Interiors is illustrated with gorgeous photography and accompanied by a narrative about the client, their aspirations, and Sutton’s compassionate approach to the design. It is through vision and empathy that Sutton creates such rich, meaningful, and liveable interiors and helps his clients achieve their dreams.
“… Every single image in this 315-page hardcover, coffee-table book offers a fresh perspective of artists we thought we knew well from photos on album covers.” — Jazzwax Substack
“History hiding in plain sight for 60 years.” — WBGO
One of the leading social documentary photographers of the 1960s, Steve Schapiro’s images stand among the most important of the 20th century, covering Muhammad Ali, Martin Luther King, Jr., James Baldwin and many others. These largely unknown jazz photos – shot just before his career breakthrough – showcase his early mastery and his empathy for his subjects, making Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions an essential archive.
In the early ’60s, when Schapiro arrived on the scene, New York jazz was enjoying a golden age. A young freelance photographer who had grown up in the Bronx and somehow snagged a gig with Riverside Records, he began voraciously documenting shows, players, venues, recording sessions and gatherings both in his native New York and later in Chicago. Whether it’s Sonny Rollins lifting weights backstage, or Bobby Timmons lost in an instant of discovery at the piano, Schapiro was on their wavelength.
Written by US jazz journalist Richard Scheinin Jazz: Best of the Apollo, Village Vanguard, and Riverside Sessions features dozens of never-before-seen photos of jazz legends like Cannonball Adderley, Melba Liston, Bill Evans, Wayne Shorter, Freddie Hubbard, Sonny Rollins, Count Basie and more.
1000 piece puzzle featuring the artwork of Sarah Cain.
Sarah Cain brings rooms to life with experiments in color, composition, and non-conformity. Cain modifies canvases by cutting, sewing, and attaching found objects. She also paints floors, walls, and furniture on-site, grounding each space she occupies in the present tense. Her process of creation and destruction is steeped in the history of painting and feminist art practices. and this feeling (2023), incorporates sand and prisms to add a touch of found-object energy to planes of pure color and are typical of Cain’s boundless approach to art.
Kerry James Marshall: The Histories is the most extensive publication on the artist to date, celebrating half a century of his work. It reveals the complex ways in which he has transformed histories of Western painting, centering Black bodies in ambitious compositions set in barber shops, public housing projects, parks, and beauty salons. It charts his use of portraiture to memorialize individuals such as Nat Turner, Harriet Tubman, and Olaudah Equiano. A new series, illustrated here for the first time, looks at under-acknowledged aspects of the history of Africa. With lavish illustrations of all the works in the accompanying exhibition, it also includes chapters on Marshall’s Rythm Mastr project and his various public commissions including his stained glass windows for the cathedral in Washington D.C.. A survey by Mark Godfrey is accompanied by shorter essays by Aria Dean, Darby English, Madeleine Grynsztejn, Cathérine Hug, Nikita Sena Quarshie, Rebecca Zorach, and an interview between Kerry James Marshall and Benjamin H.D. Buchloh.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Ohio, the Classicist No. 22 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field.
1000 piece puzzle featuring the artwork of acclaimed Ferndale, Washington based artist Andrea Joyce Heimer.
Andrea Joyce Heimer’s richly detailed paintings are infused with the dreamlike imagery of a child’s escape into fantasy, and rendered in a flat, paper-doll-like style. The artist’s narratives evoke both a sense of playfulness and profound introspection that make her work utterly unique yet instantly relatable. Let’s face it, we’ve all been stood up at a rodeo in Montana at one point or another in our lives. We just don’t remember it quite like Heimer does.
Andrea Joyce Heimer was born in Great Falls, MT and lives in Ferndale, WA. Her work has been exhibited at the CICA Vancouver, the Whatcom Museum, the Northwest Museum, and at the Megan Mulrooney Gallery in Los Angeles.
A century after Theodore Dreiser and F. Scott Fitzgerald mapped the American Dream’s promise and peril, Lauren Greenfield’s latest photographic monograph, The Queen of Versailles: An American Allegory, arrives in bookstores to visually recapture the origin story behind her hit 2012 documentary film and the 2025 Broadway musical—collectively transforming a documentary mirror onto the national stage, where wealth, overreach, and reality-TV culture converge in one distinctly American aria. Named by The New York Times as “America’s foremost visual chronicler of the plutocracy,” and the best-selling author of four award-winning monographs that incisively deconstruct turn-of-the-century America (Fast Forward, Girl Culture, Thin, Generation Wealth), Greenfield now presents The Queen of Versailles: An American Allegory—the first publication of the complete photographic series from the iconic documentary, featuring essays by Greenfield and longtime collaborator and curator Trudy Wilner-Stack.
For more than 40 years, Benita VanWinkle has traveled the country photographing hometown movie theaters and drive-ins built before 1965 as part of her ongoing documentary project Please Remain Standing—a visual appeal to preserve these historic treasures. VanWinkle has recorded the astonishing range of these iconic structures, from repurposed Quonset huts to grand movie palaces. Her photographs depict magnificent Art Deco detailing and Mayan-style ornamentation, neon-lit theater marquees as well as the whimsical road signs that still entice moviegoers to once ubiquitous drive-ins. An impressive 512 full-page photographs, selected from the thousands VanWinkle has made to date, document 395 present and former movie theaters and drive-ins and conjure a time when Americans embraced the communal experience of going out to the movies—a few hours in which shared laughter and tears unite strangers. The book honors this beloved national pastime and highlights the continuing importance of movie theaters in preserving a town’s sense of community.
Focusing on Calouste Gulbenkian’s determination to preserve his cherished art collection intact after his death, this book tells the story of the creation of the Gulbenkian Museum in Lisbon. It begins with the efforts of the Calouste Gulbenkian Foundation, founded in 1956, to reunite an exceptional art collection then dispersed between Paris, Washington D.C. and London. The book examines the legal, diplomatic and practical measures that made this mission possible and follows the planning of a museum shaped by the most advanced museological thinking of the 1950s and 1960s, whereby the artworks themselves guided decisions across architecture, exhibition design and museography. It also highlights the key roles played by the first generation of Portuguese women curators and international consultants, from cataloguing the works to trial exhibitions and final installation. Ultimately, the volume shows how the Foundation interpreted and translated Gulbenkian’s taste and character into museum form, resulting in a unique and enduring institution.
Reveals: Portraits from Five Continents showcases Wendy Newman’s intimate photographs from an expansive, soul-searching journey across global terrains. Raised in White Plains, New York and shaped early by an innate sense of style that led to a decades-long career at Harper’s Bazaar and Prada, Newman ultimately turned away from the fashion industry in pursuit of something more meaningful: an authentic understanding of people and cultures beyond the surface.
Spanning 11 years of global travel, the book compiles a remarkable body of portrait photography captured across diverse regions—from Asia and South America to Africa and the Middle East—culminating in her time in Uganda. Guided and influenced by her studies at the International Center of Photography and mentorship from renowned photographers such as Robert Caputo, Phil Borges, and Steve McCurry, Newman developed a portrait style rooted in presence and human connection.
Organized into five thematic chapters—rivers, mountains, deserts, islands, and jungles—the book uses geography as a framework to explore the shared humanity that transcends place. More than a collection of photographs, Newman’s work reflects an emotional journey, capturing fleeting yet profound encounters and silent, powerful exchanges.
Yoga & Art is an in-depth exploration of the world of yoga, in which breath, movement and creativity flow seamlessly. In this richly illustrated book, author Renee Marie Schettler explores how yoga culture inspires artists across styles, from meditative line drawings to paintings that capture the stillness of a pose mid-motion. The fourth book in a series including Surf & Art, Skate & Art and Ski & Art, Yoga & Art tells the story of a practice shaped by ancient tradition, contemporary life, and a shared search for balance and presence. The book features 25 yoga-inspired artists whose work explores diverse and thoughtful interpretations of the same practice. Yoga & Art is a must-have for anyone fascinated by the crossover between mindfulness and art, and touched by the quiet power of the practice.
“In the beginning, there was tagging and writing on the walls.” From Style Writing to Art is the first anthology of Street Art ever published worldwide. Magda Danysz, the internationally renowned Street Art gallerist, guides the reader on this immersive journey into the heart of the most interesting artistic movement at the turn of the century. This book grapples with Style Writing, Graffiti, and Street Art. It focuses on the fascinating emergence of the movement amongst the graffiti pioneers of the 1960s, their first appearance in galleries in the 1980s, right up to the cutting-edge works made by the Street Artists of today. Spanning over four decades, the book is divided into three sections with each containing detailed accounts of the surfacing of different styles and techniques. Each period is complete with extensive biographies and analysis covering 50 legendary artists including Seen, JR, Miss Van, JonOne, Shepard Fairey, Quik, Blade, Doze Green, and Keith Haring. “Let me repeat myself,” Danysz writes, “if only for the sceptic eye, for the blind and lost or for the latecomers who ve simply just missed the boat: I believe this type of urban art to be the most important artistic movement at the turn of the century.”
Once Upon a Time… is the first chapter in the Dorothy Circus Trilogy, beautifully cataloging every exhibition held at this extraordinary gallery between October 2010 and December 2011. The book brilliantly captures the mystical and enticing atmosphere with a collection of the most cutting-edge surrealist artwork of its time. The Dorothy Circus gallery is a world leader in showcasing this new and exciting artistic genre and this book offers a chance to comprehend the true essence of the Lowbrow art movement. Once Upon a Time… features displays by Nicoletta Ceccoli, Mia Arauyo, Ana Bagayan, John Brophy, Martin Wittfooth, Bejamin Lacombe, Natalie Shau, Mathew Pasquarello, Mark Elliott, Naoto Hattori, Ray Caesar, Paolo Guido and Joe Sorren, with each accompanied by its own insightful foreword.
Also available in the series: Walk on the Wild Side: Annual Catalogue 2 ISBN 9788888493954 Doors of Perception: Annual Catalogue 3 ISBN 9788888493961
Drago’s impressive library already includes the works of many internationally celebrated and influential photographers such as Boogie, Estevan Oriol, Ed Templeton and JR. The Street is Watching encapsulates the talent of these artists together with over 100 contributing photographers in a single and revolutionary anthology. These featured photographers include Larry Clark, Glen E. Friedman, Martha Cooper, Jamel Shabazz, Bruce Davidson, Jim Goldberg, Mary Ellen Mark, Bruce Gilden, Ryan McGinley, Hugh Holland, Jill Freedman, C.R. Stecyk, Dash Snow, Bruce LaBruce, Ivory Serra, Olivia Bee and many more. The book also features insightful contributions from the curator, Paulo Luca von Vacano; Miss Rosen, a New York-based photo editor and photography book specialist and Ethel Seno, a project manager and curatorial coordinator at MOCA, Los Angeles.