“It’s a fascinating journey, and with pages featuring brilliant images of rubies, emeralds, and Jaipur enamel work, it’s a true feast for the eyes.” — Natural Diamonds
Inspired by India is an exploration of more than six centuries of trade, cultural exchange, and inspiration between India and the West. Through the lens of various material categories, including textiles, fashion, jewellery, and perfume, marvellous stories unfold surrounding the histories of objects and the complex networks of cultural exchange they represent. The book explores how some of the most legendary design houses have looked to Indian culture, decorative arts and artisanal crafts for inspiration. Indian-inspired objects from luxury houses including Hermès, Chanel, Cartier, and Dior are featured, revealing creative and fascinating stories of inspiration and creativity.

The stunning Inspired by India also includes rich visual imagery from leading museum and gallery archives, as well as the archives of the world’s greatest luxury houses and renowned fashion designers, including Dries Van Noten, Alexander McQueen, and John Galliano.

“You’ll be in awe of the work of the American rancher and wildlife alike.” — Fox News

“… Krantz delivers a true sense of not only the size and scope of Art and Catherine Nicholas’ Wagonhound Ranch, but also the deep sense of stewardship the Nicholas family and their crew bring to ranching every day.” — Western Horseman

“…Anouk’s photographs tell a visual story of the rancher and his relationship with the land.” — The Eye of Photography

“A stunning photographic collection that celebrates the reality of ranch life.” — Big Sky Journal

Wagonhound is a historic working ranch spanning over 300,000 acres in Wyoming, where the elevation ranges from 5,000 feet to 9,000 feet; where talented, strong, and steady quarter horses supplied by the ranch-owned remuda are required to help the cowboys manage the herds in a spectacularly rugged terrain. Catherine and Art Nicholas, who took the reins of the historic ranch in 1999, take the stewardship of the land very seriously — their vision has been to honor tradition, preserve the land, which is steeped in history, and return it to a pristine condition.

In Ranchland: Wagonhound, Anouk Krantz’s beautiful photography reveals the daily and seasonal rhythms of the ranch and the daily lives of its men and women cowboys, whose long hard days — starting in the dark and finishing in the dark — involve everything from cattle driving to branding to training the best quarter horses in the country and more. Set in a stunning large-format book, these photographs and the stories offer an inspiring new perspective into today’s cowboy/ranching culture and land stewardship of the American West. 

To document and preserve an ancient craft tradition in danger of disappearing, Douglas Brooks apprenticed with five master boatbuilders in Japan between 1996 and 2010, building a different traditional wooden boat with each. His research and experiences were presented in his landmark 2015 publication, Japanese Wooden Boatbuilding. This book documents his most recent apprenticeship, building a cormorant fishing boat with 85-year-old master craftsman Seichi Nasu, in Gifu, Japan.

Using trained cormorants to fish has a 1,300 year history in Gifu, and is done at night from special river craft called ubune, literally “cormorant boat.” The boat features an extended bow with pivoting boom from which is hung an iron fire basket to light up the water and attract fish, which are then retrieved by the enthusiastic birds.

Together with Mr. Nasu, then 85, Brooks worked with several volunteers over a two-month period to build the 42 foot craft, a design largely unchanged for centuries. As in his previous publications, readers are introduced to important aspects of traditional Japanese boatbuilding, including design and measurements, workshop and tools, wood and materials, joinery and fastenings, and above all, secrets of the craft.

Walter Irvine’s account places his personal experiences against the political and cultural changes that surrounded the Lao and Cambodian revolutions of the 1970s and 80s, giving particular attention to refugee movements and the impact. Irvine’s professional involvement as teacher in Laos, social anthropologist in Thailand and UNHCR official in Argentina gives him an insiders understanding of the specificity of culture, the dynamics of political change, the realities of forced exile, and the challenges of refugee work. His description of revisiting Indochina in 2016 puts the account of the early period into perspective.

Tea: Wine’s Sober Sibling is an in-depth guide into the myriad possibilities of pairing tea, and preparing tea, for connoisseurs and beginners alike. It is both a handbook and a cookbook with over 70 original recipes, each with mouthwatering pictures and three matching tea suggestions. In chapters that explore the relationship and pairing of tea and cheese, tea and chocolate, and tea in mixed drinks (both alcoholic and non-alcoholic), you will learn how to use tea as an ingredient for cooking through easy-to-follow recipes. Various methods of steeping tea are covered, and readers will learn how to easily prepare tea for everyday enjoyment, the best practices for restaurant use, and more advanced, intricate methods for the experienced tea lover. Take a deep dive into the world of tea and food pairings with close to 300 pages brimming with information, including 6 pages with tea-related links to recommended tea shops, schools, and videos. 

This book explores the illustrious gardens in Suzhou as both an important page in the history of Chinese gardens, and as a place of recreation and cultivation for the people. Based on architectural surveys of Suzhou gardens and an analysis of Zhuozheng Yuan (the Humble Administrator’s Garden) and Liuyuan (the Lingering Garden), this abundantly illustrated book presents the overall gardening characteristics and gardening skills of Jiangnan Garden. Included here are 196 rare archival images of actual gardens, echoed by Song lyrics and calligraphic writing, which provide a comprehensive interpretation of the art of traditional Chinese gardens in both form and shape. The essays are characterized by an urbane and elegant narrative style and occasional passages of lyric expression, and touch on the fields of history, architecture, literature, and painting. The finalized English version faithfully transmits the original meaning, making the whole book a wonderful reading experience.

Text in English and Chinese.

The heart of every great city is its market, and for Barcelona that place is the world-famous covered market, La Boqueria. In this book of recipes, photographs, and stories, the 2500 square meter (around 27,000 square feet) market with over 300 stalls comes to life. Maps that show hard-to-find places, insider recommendations, mouth-watering recipes, and culinary history make for a must-have book to accompany a visit, or to prepare some of the wonderful dishes that can be found here. This journey into the universe of the Boqueria, where the top chefs in the city shop every day, brings together the love of food and this fabled city.

Nineteenth-Century European Painting: From Barbizon to Belle Époque represents a comprehensive guide to the range of stylistically diverse genres of nineteenth-century European painting. Accessible and insightful, this exquisitely illustrated volume presents the historical context behind the century’s essential artistic movements including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting, Academic Painting, and Impressionist Painting. Influenced by an overwhelming wave of political, military and social change, nineteenth-century Europe represented an era more diverse in painterly subjects and styles than any before it. Indeed, it was a period that saw many European painters moving away from the strictures of the academy system, choosing instead to use their training to develop new techniques and traditions. A collection of independent stories, this book also outlines the unique progression between the different movements, exciting and enlightening the reader about the most magnificent period of art the world has ever known. Contents: Foreword; Dr. Vern G. Swanson; Introduction; Author’s Note; STYLES: The Barbizon School; Romantic Painting; Orientalist Painting; The Pre-Raphaelite Brotherhood; Realist Painting; Academic Painting; Impressionist Painting; The Newlyn School; Post-Impressionist Painting; SUBJECTS: Landscape Painting; Venetian View Painting; Maritime Painting; Sporting Painting; Animal Painting; Genre Painting; Cardinal Painting; Costume Painting; British Neoclassical Revival Painting; Belle Époque Painting; Conclusion; Endnotes; Bibliography. Featured works from museums and collections including: Louvre, Paris, Yale University Art Gallery, New Haven, Wallace Collection, London, Fine Art Museum of San Francisco, The Tate Gallery, London, The Schaeffer Collection, New South Wales, The Royal Collection, The Royal Academy of Arts, England, The Musée D Orsay Paris, Henri de Toulouse-Lautrec, The Metropolitan Museum of Art, New York (Catherine Lorillard Wolfe Collection), The J. Paul Getty Museum, Los Angeles, The Hermitage, Saint Petersburg, Russia, Russell-Cotes Art Gallery and Museum, Bournemouth, England, Rijksmuseum, Amsterdam, Plymouth City Museum and Art Gallery, Stanhope Forbes, Philadelphia Museum of Art, Pennsylvania, PA, USA, Paisnel Gallery, London, National Gallery, London, National Gallery of Victoria, Melbourne, Museum of Fine Arts, Boston, Museo e Gallerie Nazionale di Capodimonte, Naples, Italy, Museo de Arte, Ponte, Puerto Rico, Musée Marmottan, Paris, Musée D Orsay, Paris, Auguste Renoir, Metropolitan Museum of Art, New York, among many others.

A portrait of an eminent jewelry artist and her unique creations!

Inspired by the Arte Povera movement, the Italian jewelry artist Annamaria Zanella (b. 1966) uses base materials, which only gain meaning through their context. Corroded metal or found objects convey statements that can be both political and personal in nature. Zanella wants to bring the soul of the material to light through the work of her own hands.

The color used is intended to evoke feelings and reactions. To this end Zanella studied the history of colors and their production, especially that of her unmistakable blue. She produced a blue pigment according to a recipe from the fourteenth century, invoking in its modern use pioneering artists such as Giotto, Wassily Kandinsky and Yves Klein.

Annamaria Zanella is represented in numerous museums, including Musée des Arts Décoratifs, Paris (FR); Kunstgewerbemuseum Berlin (DE); Die Neue Sammlung The Design Museum, Munich (DE); Museum of Arts and Design, New York (US); Schmuckmuseum Pforzheim (DE); Museo degli Argenti, Florence (IT); Victoria and Albert Museum, London (GB); Palazzo Fortuny, Venice (IT); Cooper Hewitt, Smithsonian Design Museum, New York (US); Swiss National Museum, Zurich (CH).

Text in English and Italian.

A key, a safety pin, a balloon, a propeller, a voltmeter – these unexpected objects in art jewelry rewrite the world of the Norwegian “jewelry engineer” Sigurd Bronger. He carries over his fascination for machines and instruments in humorously constructed jewelry pieces, and transforms natural materials and everyday objects into meticulously executed, complex and ingenious constructions. In his Oslo “Laboratorium Mechanum” Bronger works on his witty “carrying devices” – brooches, pendants, and rings with balloons, sponges, eggs, even his mother’s gallstones, or with medical equipment, which have a greater positive effect on the mind than on the physical well-being. An established feature of his work, which symbolically marks the entrance into Bronger’s world, is the key. This current publication offers such a key; a review of over thirty years of his creative work: from Bronger’s experiments with materials and constructions in the struggle with the avant-garde Dutch art jewelry to his attempts in fathoming out states of expansion and emptiness in jewelry. He revolutionized contemporary creative jewelry work in such a way, not just in Norway, where to this day he still finds new forms of expression at the interface of jewelry, art, design and engineering. With works from the 1980s to the present day, the book will carry you off into the humorous world of the decorative engineering art of Sigurd Bronger, one of the most significant Norwegian jewelry artists today. Text in English, German & Norwegian

HOPSCA, composed of a great number of different functional spaces – hotels, offices, parks, shopping, convention centers and apartments – is a complex which is the periodic product of urban morphology evolution during the rapid process of modernization and urbanization, and has become the inevitable requirement of economic development. A term used to describe integrated developments in urban communities – where people live, work, play and shop in proximity – HOPSCA is emerging as an important piece in China’s urbanization puzzle. It combines urban activities such as office, residence, business, catering, conference, entertainment and so on in an organic way, and forms a complex of multifunction and high efficiency.

This book brings together the excellent design concepts of many well-known design companies in recent years about the HOPSCA all around the world, many projects of which are underway. They will bring new breath and new vitality to urban developments.

Postcards were to people in 1900 what the Internet was to the world in 2000. The world went from a thousand to a billion postcards in a very short span of time, with the finest painters from India, Austria and Japan getting involved. Paper Jewels is the story of postcards during the Raj, and covers India, Pakistan, Sri Lanka and Burma. It is the first book on the subject and features hundreds of professionally-restored images in original format, weaving together the postcard artists, photographers, and publishers who define the rich history of the medium. The author’s research also charts the history and progression of the technological aspects of postcard publishing and its key players. The concluding chapters explore the role postcards played in the Independence struggle, from the First Non-Cooperation Movement through the Dandi March and Partition. It includes some of the earliest cards of Mahatma Gandhi, Mohammed Ali Jinnah and other political figures. Many of the images in the book have not been seen since they were first published nearly a century ago. Published in association with The Alkazi Collection of Photography.

Joan Eardley (1921-1963) is one of Scotland’s most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley’s working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley’s subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley’s life and art.

This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer’s ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them beyond the circumstance of making the pictures. Many of the images represent the artists themselves, with nudity carrying connotations of self-exploration, vulnerability, playfulness or fantasy. Martin Hammer’s innovative study seeks to explain naked portraiture as a symptom of wider currents in modern culture, a visual parallel to various other manifestations of an impulse to reveal what is hidden, profound, or authentic, beneath the surface facade. The book also opens up for consideration the wider issue of how and why the genre of portraiture has been radically extended and reinvented, in so many different ways, within the art of the last hundred years.

For almost 15 years, the architectural couple Pascal Fournier and Sandra Maccagnan has been working in the Unterwallis region to produce a remarkable oeuvre. The individual buildings consciously react to their developed, usually rural environments and are able to clarify them, thereby achieving a more beautiful, complete whole.

Text in French and Italian.

Musicscapes: The Multiple Emotions of Indian Music is a visual diary, comprised of 30 years of photo documentation. It explores Indian music through the lens of the passionate photographer Shobha Deepak Singh. Shobha is a chronicler, dedicated to representing the musical zeitgeist of modern India in pictographic form. Retelling history through evocative black-and-white portraits, she displays the many moods, iconic moments and the ‘rasa’ of Indian music. From the maestros of vocal music, Balasaheb Poonchwale, Kumar Gandharva, Bhimsen Joshi, Kishori Amonkar and Shubha Mudgal; to legendary instrumental musicians, Bismillah Khan, Ravi Shankar, Amjad Ali Khan, Ali Akbar Khan, Vilayat Khan, Hari Prasad Chaurasia, Shiv Kumar Sharma, Ronu Mazumdar and Zakir Hussain; Shobha captures some of the boldest and brightest talents that have emerged from India’s diverse music community. Her unique visual language portrays these artists with a rawness and verve no other photographer’s camera could match.

K.C. Korfmann, author/photographer behind the Beliefs anthology, has returned with another stellar photography book. Korfmann is a new voice in the world of photography. Born and raised in the United States, he moved to Switzerland in 1969, shortly after completing his law studies. He began experimenting with photography in his early teenage years, using various equipment and 35 mm film. In the 1980s, he acquired an 8×10 inch field camera and was individually mentored by a number of established photographers. Among the artists whose work has influenced him stand the classic masters – Eugene Atget, Edward Weston, Ansel Adams and Paul Strand – but also other lesser-well-known content creators, whose projects, like Korfmann’s, display a talent that has yet to be recognized by the mainstream.

This delightful jewel-like book evokes unmistakably Italian landscapes and cityscapes. Anne Desmet’s pen commits every detail to paper, and the small-scale format emphasizes her distinctive flair for capturing the relationship between extreme foreground and distance. This is a unique opportunity to explore Italy, from the Apennines to the Veneto, through the eyes of a meticulous and precise artist.

Located in the Straits of Mackinac between Michigan’s Upper and Lower Peninsulas, Mackinac Island is a magical place, accessible only by ferry, private boat, or small plane. In 1887, Grand Hotel was built on the island to accommodate a new leisure class. Today, horse-drawn carriages (no motorized vehicles are allowed) still bring guests to the 660-foot-long porch to catch the breezes off the Great Lakes. When the Musser family – the owners of the hotel – brought in designer Carleton Varney, a 40-year relationship began, as did an ongoing mission to renovate, update, and create the guest rooms, public spaces, and outer buildings of Grand Hotel. That project continues today. (“The job of decorating is never done,” says the designer.) Varney has developed a vision that brings visitors back year after year to their choice of the 397 rooms – no two of which are alike. In Rooms to Remember, Varney – in his usual colourful and anecdote-filled style – walks the reader through over 200 lavish photographs of the 43 Named Rooms and Suites, providing decorating details, history, and insights. This book is the perfect visual guide for anyone ready to explore the beauty and history the hotel has to offer, and a takeaway memento for those who’ve visited this special place. Come along and join this glorious tour of an iconic American hotel! Contents: Foreword by Dan Musser lll, Introduction by Carleton Varney.

Accented with detailed maps of renowned interior designer Tom Stringer’s extensive travels, this beautifully compiled monograph takes the reader on an immersive journey around the world and back again through the interiors of his eponymous firm’s finest residential projects. Stringer’s design approach is externally inspired and internally driven, largely informed by his great life passion: travel. His love of adventure resonates throughout this book; on each page, one sees how this remarkable designer’s imagination is simultaneously both rooted in the classics and expanded into innovative layers of colors, textures, cultures, and function.

Revealed through his personal history and influences, Stringer shares how he uses magical discoveries made on his global travels to create the most special living environments that are true to his clients own personalities and passions. He describes the design process as a voyage of discovering the distinctive narrative of each client and home, connecting them with a sense of wonder and the communal spirit of their space. Stringer’s unique approach to visual storytelling is encapsulated in the unique interiors of the residential projects highlighted here.