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As one of the key players of modern jewelry in the ’20s, Paul Brandt worked with the most famous jewelers of his time, like Fouquet or Sandoz.

He followed eclectic studies in Paris (jewelry, painting, sculpture, medals and stones engraving, chiselling, etc) and finally decided to specialize in jewelry design. With his first creations he joined the art nouveau movement before focusing on an art deco style. He took part in the International Exhibition of Decorative Art of 1925 both as an artist and a jury member. Paul Brandt considered his jewelry as works of art in their own right and displayed them during exhibitions where the scenography kept getting more innovative. From the ’30s, he extended his activity to interior design.

This monograph displays the talent of this major artist who left his mark in France and abroad. Recounting his whole career, it highlights the extent of Paul Brandt’s skills, not only in jewelry but also in medal making, decoration and interior design.

Text in French.

This beautifully illustrated book, with over 300 color reproductions, showcases many of the greatest masterpieces of 19th century Orientalist art. During this period, colonization, and a revolution in means of transportation allowed artists to visit countries from North Africa to the Middle East that had previously been relatively inaccessible. The patterns, colors, and light of this region influenced artists such as Delacroix, Decamps, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet, Matisse, Majorelle and many others. Upon returning to Europe, these artists captured the atmosphere of these distant and exotic lands in painted scenes of daily life and wrote memoirs of their travels. Some returned to settle there, including painters like Dinet, who spent a large part of his life in Algeria, and Majorelle, known as the “painter of Marrakech.” This book offers insight into the Orientalist aesthetic that inspired the movement, and lays the groundwork for a deeper understanding of these vibrant works of art.

Text in English and French.

“The quality of the reprint is nearly perfect, with a good selection of papers for the three sequential parts of the book: the texts, the drawings, and the black-and-white photographs. Text and drawings are on matte heavyweight pages, while the photos are on glossy paper. The inks make everything read well; in particular, the drawing reproductions are exquisite.” — Archidose

Edwin Lutyens, one of the most famous architectural names of the 20th century, died in 1944. As a memorial, three large volumes of his drawings and photographs were commissioned from the thousands found in his office, and were published by Country Life.

All three volumes will be republished in 2023. The first volume contains his own plans, elevations and copious details of the finest examples of his domestic buildings, on which his huge reputation principally rests. The book embodies the quintessence of the man and his work; the variety of style and design seen in the houses brings together in one volume the many strands of Lutyen’s fertile mind. Two further volumes will include his corporate and public buildings.

The genius of Lutyens is now universally recognized. In the work featured in this book, we can now see not just the professionalism of a great architect, but also the loving care with which he set down the most minute detail, with the result that this is one of the few books in existence that can be used to provide working drawings.

“The book provides a fresh take on the difference between the lived experience inside Ferrari and the perception from outside, combining intense scrutiny and global fan adulation.” — Motorsport.com

“The photographs in the book, reproduced with startling clarity while still maintaining a period-correct palette, are a joy to study, demonstrating with profound evidence the progression of the drivers, cars, and competition—as well as the photographers’ techniques—through the decades” – Car and Driver

“The book’s rich visual history and detailed descriptions make it a must-have for any Ferrari enthusiast… .” — Global Village Space
“Beautiful photography is a great way to focus on Ferrari racing, from early Grand Prix to present-day Formula 1.” — Car and Driver
“A must-have book for the Ferrari fan.” — Antique & Collectors Trader

“…simply oozes the Ferrari mystique from every page. Even though I’ve loved Ferrari for decades, reading this book was like falling in love with Ferrari all over again for the very first time. Yes, no question, it’s a must-have Ferrari book.” — Prancing Horse Magazine

Ferrari is the beating heart of the global sporting phenomenon that is Formula 1. Its founder, Enzo Ferrari, was born on the racetrack as a competition driver before he became a creator of mythical road cars. No other team can inspire the passion or match the stories of triumph and tragedy.

Rainer Schlegelmilch and Ercole Colombo are two of Formula 1’s most legendary photographers. They covered the sport from the 1960s onwards, with amazing access inside the Scuderia. Here, for the first time, they come together to pay tribute to Formula 1’s most iconic team.

Ferrari: From Inside and Outside features contributions from iconic figures including Piero Ferrari, Luca di Montezemolo, Stefano Domenicali, Jean Todt and legendary designer Mauro Forghieri. The book is edited by internationally celebrated Formula 1 commentator and Michael Schumacher’s biographer, James Allen.

A Japanese garden represents the essence of Japanese culture, embodying the country’s spirit and philosophy. It has a distinctive style, quality of materials and emphasis on details. Modern Japanese Gardens captures this spirit through the work of 20 contemporary Japanese garden design masters.

The gardens featured in Modern Japanese Gardens are drawn from a variety of locations in Japan, placed in different settings, from private houses and temples to cafés, restaurants and stores. Some are of traditional appearance; others have a distinctly modern aesthetic. In common, all the gardens have been influenced by Japanese culture and society, created by masters who are internationally recognized and lauded for their skills.

Modern Japanese Gardens includes insightful text on each garden, revealing the concept behind the design and the use of plants, alongside photography exploring both the detail and the overall aesthetic that shape the design.

For almost 300 years, pocket watches were important accessories for the nobility and middle-classes. In order to store the watches securely and stylishly, artfully designed stands that matched the wearer’s interior were developed and were an impressive reflection of the history of European art and culture from the Baroque to the early 20^th-century. The stands ranged from miniature versions of grandfather and mantle clocks to one-off works of art made from wood, ceramic or metal.

Until now, research on pocket-watch stands has attracted little attention. This publication provides a first representative overview of more than 800 objects from a unique private collection in southern Germany, documenting its wealth of designs, which encompass a large repertoire of Christian, mythological and political themes. Scholarly texts on the history of the objects, their designs, and restoration issues make this an indispensable standard work in this field.

Text in English, German and French.

Appreciation of the works by the German artist couple Annelies and Fred Stelzig from Besigheim in the discipline of art made for architecture has been a long time coming. To mark the 100th anniversary of them both, the town of Besigheim has made this its task. For the large retrospective, a publication is launched that focuses on the incredible breadth of their production for the very first time. Waiting to be discovered alongside wall ceramics and carpets are works in wood, glass, and enamel. Numerous contributions by authoritative experts present the personal backgrounds of the couple, trace lines of development, and highlight the material specificities of their works. Over 300 illustrations additionally provide a lively impression of the couple’s ability to be versatile yet at the same time retain continuity during their long creative period, from the 1950s to their last work in 2006.

With contributions by Christian Behrer, Dieter Büchner, Christiane Fülscher, Sabine Gärttling, Inken Gaukel, Regina Ille-Kopp, Andreas Janssen, Cornelia Marinowitz, Martha Pflug-Grunenberg, and Sandy Richter.
Text in German.

“A very inspiring book that shows that visions do not have to be castles in the air…” — Lovely Books Germany

“The clouds the limit: an opulent book as an appreciation for a big-thinking designer.” — Sueddeutsche Zeitung

Norman Foster is a globally recognized figure in architecture. His agency has created more than 300 projects around the world, many of which have profoundly marked and transformed the cities and landscapes in which they reside.
This new monograph, published in partnership with the Centre Pompidou, presents more than 80 of Foster’s key projects, from the Cockpit (1964), a private house in Cornwall, through to Spaceport America (2006-2014), the world’s first terminal for space tourists, built in the desert landscape of New Mexico. Each project is illustrated with drawings, sketches and photographs, placed alongside insightful text.
The book also features an essay by Frédéric Migayrou, curator of an attendant Centre Pompidou exhibition on Foster; a biography by celebrated architectural critic, Philip Jodidio; and an extensive interview with Foster himself. Foster has also contributed an anthology of six analytical texts, written across the broad span of his career.

“Often, we just see the byline of the photographer next to a picture. In this collection, we now learn insider information about the Rolling Stones from the contributors who carried cameras.” — Reader’s Digest

“On the heels of the Rolling Stones’ latest album, “Hackney Diamonds”, a new coffee-table book collects rare and never-before seen images of the band.” — Airmail Weekly Instagram

“Perhaps the most interesting of the crowd is the man on the inside, founding member and bassist Bill Wyman…His photos have rawness and vulnerability. From Keith Richards with the black eye he got from Chuck Berry to Mick Jagger reading the Bible, Wyman’s giving us truth.” — Airmail

“… Although they showcase the band inevitably becoming the greatest rock band on the planet, they also show the things audiences and fans weren’t exactly privy to — until now.” — 1883 Magazine
“The collection is intimate, stunning and a comprehensive visual history of the band.” — Goldmine Magazine

The Rolling Stones: Icons brings together the greatest photographs ever taken of the greatest rock ’n’ roll band of all time. The result is the most important anthology of The Rolling Stones’ images ever compiled, featuring the iconic, the awe inspiring and the surprising.

Spanning six heady decades, and countless tours and album covers, this thrilling portfolio features imagery from some of the most eminent names in photography, alongside the photographers’ own memories and reflections. From Terry O’Neill’s images of the young, uncompromising new band taken in Tin Pan Alley, through Michael Brennan’s photos of their creative peak in the ’70s, and on to the stadium tours of the 21^st-century, as shot by Greg Brennan, The Rolling Stones: Icons captures many of the milestone moments of the band’s remarkable career.

Includes photographs by: Terry O’Neill, Michael Ward, Gered Mankowitz, Linda McCartney, Michael Joseph, “Spanish Tony” Sanchez, Dominique Tarlé, Ed Caraeff, Barry Schultz, Al Satterwhite, Michael Brennan, Ken Regan, Brian Aris, Denis O’Regan, Douglas Kirkland, Greg Brennan and founding member, bassist and photographer, Bill Wyman.

For thousands of years, the peoples of Central Asia have created spectacular textiles for every aspect of life. Infinite care, resources and time have gone into making elaborate costumes (connoting the wearer’s identity and place in society), equestrian items, and exquisite furnishings for settled as well as nomadic lifestyles. Items of dress were decorated literally from top to toe: boots were embroidered with metal thread, while hats were stitched, appliquéd and felted. The women of a family would come together to embroider dazzling suzanis to form part of a bride’s dowry; master dyers and weavers would craft vibrant ikat hangings. Combined, these objects tell an evocative story of life along the Silk Road in times past.

This book brings together outstanding textiles from the Neville Kingston Collection, featuring many previously unpublished pieces. It is the second volume to document this exceptional English collection; Turkmen Carpets: The Neville Kingston Collection was published in 2016.

This book has been designed to present several Ipostudio architecture projects produced in different periods that feature assonances and shared conceptual characteristics and principles. Ipostudio is a working group that was founded in Florence 40 years ago. It carries out architectural design in the sphere of civil architecture, specializing in the areas of social and health structures, schools, special types of residence, and social housing. The works presented in this book are unborn projects that never saw the light. Now, many years later, it seems only fair to give them another chance and, in a sense, a new life. The primary intention of this book is to tell the story of the origin and development of the design process. What do these unborn projects tell us? They have a great advantage: they will never be put to the test of reality but will remain a potential of outstanding ideas. Almost all the projects presented were conceived as entries in Italian and international architecture competitions. The book is divided into six chapters addressing various aspects of architectural composition through the critical interpretation of a series of works.

The most comprehensive anthology of writings by visitors to the eternal city ever compiled – witty, profound and endlessly entertaining.
Drawing on French, Italian, Spanish, English, German, Scandinavian and American sources, Ronald Ridley has compiled a vivid collage-portrait of Rome through the centuries, illustrated with three hundred images and published in three elegant volumes: The Middles Ages to the Seventeenth Century, The Eighteenth Century and The Nineteenth Century. Presented here is the first volume.
How did visitors arrive? Where did they stay? What were their expenses? What did they see of churches, palaces, villas and antiquities? What did they like or dislike of what they saw? What did they think of Rome in all its contemporary facets? What events did they witness? What portraits do they provide of people in Rome at the time of their visit? Excerpts from memoirs by more than two hundred visitors give a myriad fascinating insights and together provide a detailed account of Rome over nearly a millennium.

The architect Paul Tissier (1886-1926) turned his short life into a multi-faceted artistic adventure. A student at the Beaux-Arts de Paris, where he founded the Association symphonique, he became president of the famous Quat’z’Arts ball. His talent as a watercolorist and draughtsman made him a witness to the ruins of the 1914-1918 war. Whether in the devastated regions or on the Côte d’Azur, he developed a unique catalogue of modular houses inspired by the region, combining traditional architecture with modern design. In 1923, Tissier was entrusted by the Société des grands hôtels de Nice with the organization of exceptional festivities based on themes such as Russia, the Far East, Ancient Rome and Latin America, as well as underwater kingdoms and many other fantasies revolving around childhood, fashion and cubism. With his wife Gisèle, he was responsible for both the scenography and the staging: splendidly colored painted canvases, extravagant costumes, spectacular dances, processions, naval jousts, fireworks and illuminations… A shooting star, Paul Tissier created almost 100 festivities across Europe in three years, before suddenly passing away. This first monograph draws on the 400 set elements and 2,000 graphic documents that survive in his archive, taking us to the heart of the excesses of the Roaring Twenties.

Text in French.

The fisherman’s hut and the arcachonnaises, magnificent residences of the Belle Époque, have shaped the coastline of the Arcachon basin, from the Ville d’Hiver d’Arcachon to the tip of Cap Ferret. Following in the footsteps of Art Deco architects such as Roger-Henri Expert and Le Corbusier, a new generation of designers from the early 1950s went on to leave their mark, sometimes modernist, sometimes brutalist, on the Basin’s landscape, with a series of villas and houses that, alongside the rare collective dwellings, gave it its distinctive present-day appearance. Concerned to preserve the natural setting, the architects have competed in ingenuity to fit into this grandiose and fragile territory. Among them, the Salier-Courtois-Lajus-Sadirac team from Bordeaux, Raphaëlle and Jacques Hondelatte and Anne Lacaton and Jean-Philippe Vassal (Pritzker 2021), have invented an art of living here, with architecture that respects the environment, which has helped to make this unique natural site between the dunes, the pine forest and the ocean better known and loved.

Text in French.

The book explores the Arabic script in its widest possible usage in Africa: in Arabic texts; as a sacred Islamic script; and as a script for writing African languages. Through various contributions, the book examines the social impact of Arabic-script writing, aiming to parse the materiality of the book in African societies and to understand African manuscripts in their life cycles from creation to archival shelf. Essays examine Arabic-script manuscripts as material objects, statements of social values, cultural affirmations, and spiritual companions. They peel back the chronological layers of `ajamī writing that has been used for instruction and cultural and political identity, and remind us of how new technologies enhance access to these manuscripts, just as they present challenges to the intellectual property they represent. Essays are organised into five parts: Manuscript Collections, Manuscript Networks, Manuscripts and Social Values, and Technical Issues; with a concluding essay that identifies the core texts in West Africa’s manuscript culture during the past 300 years.

Twenty-five portraits of upcoming and renowned interior architects and designers from all over the world. The follow-up volume of the highly successful Generation Next, ISBN 9782875500649.

The name Johann Joachim Kaendler (1706–1775) is closely entwined in the 18th century with the golden age of the Meissen Porcelain Manufactory. His exceptional artistic talent, coupled with craftsmanship, enabled him to capture the daily life of the nobility in their palaces and residences in numerous figures and groups. In doing so, he did not limit himself to official events but reflected tastes and aspirations as well as current trends. In the publication Magnificence of Rococo impressive porcelain figurines from top-class European private collections are brought together for the first time: on over 300 pages, these magnificent, often unique objects provide insights into courtly life of the Baroque and Rococo periods.

Georgia has for the last 25 years been resurrecting its unique winemaking tradition and rediscovering the distinctiveness of its native varieties. A handful of producers in 1997 has now exploded to more than 1,300. Wine is arguably more important to Georgia than to any other country and its people firmly believe their country to be the birthplace of wine. Yet Georgian wines are still largely unknown in the West.

Lisa Granik, who began visiting Georgia 30 years ago, starts The Wines of Georgia with a brisk tour through the history of the country and analysis of its complex geology, before moving on to consider Georgian wine culture. She explains not only winemaking methods and viticulture but also the centrality of wine to Georgian culture. Georgia can claim more than 400 native Vitis vinifera varieties; here Granik profiles the most commonly planted grapes, as well as the many ‘lost’ varieties being revived. The second half of the book details each of the major regions. Of Georgia’s 20 PDOs, 15 are in the east, in Kakheti. With a history of wine education dating back 900 years, this prolific winemaking region is home to the qvevri, the conical clay vessel that for many represents Georgian winemaking. Stretching west, the regions become more sparsely populated; some places are still pioneer wine territory, with more amateur and self-taught winemakers. Granik provides details on the most significant producers, along with tips on sites of interest and places to eat and stay, for those visiting the country. This definitive book on Georgian wine is an essential text for anybody studying or making wine today.

The successor to the bestselling Cosmopolitan Living – 15 new city houses and apartments from all over the world, each one with a strong metropolitan feel.

Includes: Maddux Creative, London; Helena Clunies Ross, New York; Sebastiaan Van Maanen/Ramses Caesar, Amsterdam; Brent Buck Architects, New York; Messana O’Rorke, New York; Nadine Fabry, Düsseldorf; Ooaa, Madrid; Steven Van Dooren, Amsterdam; Pupil Office, Singapore; Hauvette & Madani, Cologny (Switzerland); Mathieson Kurraba (Australia); Studio Liu Sydney (Australia); Rodolphe Parente, Paris.

“Common (不二)” is a Buddhist term that comes from the Dictionary of Buddhist Studies. “All matters in the world are originally one and equal, without distinction.” This means that nothing is different from each other.

Born with a congenital disability, Liu Yi underwent more than 20 operations to slowly stretch his body from the “sphere.” He always smiles innocently in life, with paintings, art, and innocence to heal himself while infecting others. Since April 14, 2015, Liu Yi started drawing on his smartphone with his fingers every day. This “assignment” soon became a part of his life.

Common Innocence of Liu Yi is a simple yet satisfying read, with hundreds of little drawings created by the artist, accompanied by his thoughts, the names of paintings given by Jian Guoer during their conversations, as well as comments from professionals.

Text in English and Chinese.

“A must for every fan of this sport who will undoubtedly lick their fingers at this sublimely published beautiful and historical documentation material.” — NL Magazine

“…required reading for neophytes and ardent devotees alike—Grands Prix: 75 Years of Formula One Racing.” — Robb Report

“A new book of images of Grand Prix Formula One racing brings all the thrills of the circuit to your coffee-table.” — Arts & Collections Magazine

“The strength of the book lies in its dual identity: as a luxurious coffee table book, it has the feel of art, while its content serves both aficionados and novices.” — I-M Magazine

With an introduction by three-times World Champion Sir Jackie Stewart, Grands Prix: 75 Years of Formula One Racing showcases a stunning collection of photographs from the beginning of this thrilling and dangerous sport in 1950, right up to the present day. From the words of the creators themselves, we learn how talented F1 photographers succeeded in capturing the excitement and the speed that is the essence of Formula One. World-class images of the cars, the drivers and world-renowned circuits such as Monaco, Monza and Silverstone, as well as F1’s most dramatic moments of high-speed combat between the sport’s definitive rivalries, create a comprehensive picture of the world’s favorite motor sport, the Grand Prix.
A closer look at each F1 Champion, beginning with Giuseppe Farina who won the very first Grand Prix, through to the reigning World Champion Max Verstappen, alongside the heroes and icons that make up this spectacular sport, not only reveals the guts, bravado and sheer skill of those who bring motor racing to life, but gives us an insight into how the world of Formula One plays out behind the scenes.