Hand-In-Hand: Ceramics, Mosaics, Tapestries, and Wood Carvings by the California Mid-Century Designers Evelyn and Jerome Ackerman is the first monograph of the artists whose oeuvre was critically influential and is now seen as the epitome of California mid-century modernism. With a preface by Jonathan Adler, the book tracks the couple’s careers in the decorative arts from their beginnings to the creation of Jenev Design Studio and its eventual shift to ERA Industries, as well as their involvement in every prestigious California Design exhibition from 1954 to 1976. Additionally, after almost 30 years of work they continued to create and develop their styles. The Ackermans became known for their uses of a wide spectrum of mediums including weaving, ceramics, wood carvings, and mosaics. The Ackermans’ individualistic and innovative techniques also ensured that great design be both accessible and affordable. Featuring many never-before-seen preparatory drawings and color guides, this book tells the heartening story of a successful collaboration and celebrated partnership, in not only design, but in life.
Hand-In-Hand: Ceramics, Tapestries, Wood Carvings, and Hardware by the California Mid-Century Designers Evelyn & Jerome Ackerman is the first monograph of the artists whose oeuvre was critically influential and is now seen as the epitome of California mid-century modernism. With a preface by Jonathan Adler, the book tracks the couple’s careers in the decorative arts from their beginnings to the creation of Jenev Design Studio and its eventual shift to ERA Industries, as well as their involvement in every prestigious California Design exhibition from 1954 to 1976. Additionally, after almost 30 years of work they continued to create and develop their styles. The Ackermans became known for their uses of a wide spectrum of mediums including weaving, ceramics, wood carvings, and mosaics.
The Ackermans’ individualistic and innovative techniques also ensured that great design be both accessible and affordable. Featuring many never-before-seen preparatory drawings and color guides, this book tells the heartening story of a successful collaboration and celebrated partnership, in not only design, but in life.
These hand models are the stars of the biggest advertising campaigns around, but you’ve never seen their faces… until now. 24 portraits, 24 ways to peel a banana.
Maria Lai (Ulassai, September 27, 1919 – Cardedu, April 16, 2013) is without doubt one of the leading figures in the history of contemporary Italian art. Not only on account of the content of her works, but also thanks to the diversity of her artistic approach, ranging as it does across many media – public art, embroidery, weaving, sculpture, drawing, and writing: all are grist for her poetics. The book is published to coincide with the exhibition at the MAXXI Museum in Rome, which is presenting to the general public over one hundred works by the Sardinian artist, from the early 1960s to her very last works, and explores the various themes dear to the artist with the contributions of experts in their fields: the locations, the creation, and publication of art books, her public art events and her relationship with the written word and her own writing. Her entire oeuvre is distinguished by its powerful visual impact, revealing a ‘way of doing art’ that is nothing other than an instrument of thought. The book’s structure reflects the exhibition’s own sections, arranged by theme, whose titles are paradigmatic of Lai’s oeuvre as a whole: Essere è tessere. Cucire e ricucire; L’arte è il gioco degli adulti. Giocare e raccontare; Disseminare e condividere; Il viaggiatore astrale. Immaginare l’altrove; L’arte ci prende per mano. Incontrare e partecipare.
Published to accompany an exhibition at the MAXXI Museum, Rome, 19 June 2019-12 January 2020.
Text in English and Italian.
Gauri (also known as Gavri or Gavari) is celebrated by tribal communities in the southern part of Rajasthan as a forty-day festival that entails fasting and celebration in honor of Lord Shiva and his consort, the Goddess Parvati. Public performances put on as part of the revelry include dance, storytelling, music and worship.
The tradition of the Gauri dance has been celebrated for centuries, yet there have been no books in English till now on this mystical and enchanting practice. Photographer Waswo X. Waswo has joined with art historian Sonika Soni to create this book that delves into the esoteric world of Gauri dance.
Through Waswo’s distinctive studio portraiture, with the photographic prints hand-painted by hand-colorist Rajesh Soni, the astonishing visuals of Gauri costuming and performers is presented in beautiful color reproduction. In her essay, Sonika Soni explores the history of this ritual dance with an eye to examine both what is known about it, and what still needs to be discovered, keeping central the conflicting stories of its origins and the folk tales that make Gauri the enigmatic opera of Mewar.
Contents:
Photographing the Elusively Liminal – Pramod Kumar KG; An Enigmatic Opera – Waswo X. Waswo; Gauri Dancers 2010-2018; Gavri – Sonika Soni.
One of the leading Surrealists, Max Ernst could justly be described as the greatest investigator of the human consciousness. He created fantastical, apparently inconceivable images that hark back to our inner world, to the childish reminiscences that feed the subconscious. This book accompanies an exhibition at the Hermitage Museum of some twenty paintings and works on paper from the 1920s, Ernst’s first French period. Many come from a private collection that has its roots in that of noted Paris dealer Aram Mouradian. The early 1920s were an important period that marked the transition from Dada to Surrealism, not only for Ernst but in European art as a whole. In the first half of the decade Ernst produced his so-called proto-Surrealist pictures, in which the artist moved away from avant-garde experimentation towards a more poetic and integral artistic image, starting to experiment with the painting technique itself. Never before shown in Russia, these works represent an important stage in the development of Ernst’s output. Contents: Dimitri Ozerkov: Introduction to Max Ernst; Georges Sebbag: Max Ernst and Aram Mouradian; Julia Drost: Max Ernst and Surrealism in Paris. Published to accompany a major exhibition at the Hermitage Museum in the summer of 2019, which is the first ever solo show of the artist’s work in Russia: Max Ernst: The Paris Years, State Hermitage Museum, St Petersburg, June-August 2019.
• Book accompanying first-ever showing in Russia of key works by Max Ernst, drawing on early exhibitions of the Surrealist’s work by Paris dealer Aram Mouradian• Focus on early 1920s, a period that marked the transition from Dada to Surrealism; designed as an art book more than exhibition catalogue, with insightful contributions by Ernst specialistsOne of the leading Surrealists, Max Ernst could justly be described as the greatest investigator of the human consciousness. He created fantastical, apparently inconceivable images that hark back to our inner world, to the childish reminiscences that feed the subconscious. This book accompanies an exhibition at the Hermitage Museum of some twenty paintings and works on paper from the 1920s, Ernst’s first French period. Many come from a private collection that has its roots in that of noted Paris dealer Aram Mouradian. The early 1920s were an important period that marked the transition from Dada to Surrealism not only for Ernst but in European art as a whole. In the first half of the decade Ernst produced his so-called proto-Surrealist pictures, in which the artist moved away from avant-garde experimentation towards a more poetic and integral artistic image, starting to experiment with the painting technique itself. Never before shown in Russia, these works represent an important stage in the development of Ernst’s output.
Contents: Dimitri Ozerkov: Introduction to Max Ernst; Georges Sebbag: Max Ernst and Aram Mouradian; Julia Drost: Max Ernst and Surrealism in Paris.
Published to accompany a major exhibition at the Hermitage Museum in the summer of 2019, which is the first ever showing of the artist’s work in Russia: Max Ernst: The Paris Years, State Hermitage Museum, St Petersburg, June-August 2019.
“Anyone who appreciates the beauty of antique tools needs to have a copy”
Jim Gehring, The Fine Tool Journal
“Lavish, stunning, outstanding, magnificent … superlatives just don’t do justice to this book.” canadianwoodworking.com Amassed over nearly forty years, the David Russell collection brings together a stunning array of edge and boring tools from Britain, continental Europe and North America, thus providing a broad survey of hand tool-making from prehistory to today. All the tools are illustrated with James Austin’s photographs, with details and marks shown where appropriate. Special attention is given to planes, and the great British makers of the eighteenth and nineteenth centuries are discussed in depth. Since prehistoric times there has been a never-ending quest for better ways to cut and bore wood. Along the way this has produced a wide variety of hand tools, and there are many where beauty and function meet. The book will appeal to a wide range of readers, including collectors, craftsmen, industrial archaeologists and social and economic historians, as well as historians of material culture.
Amassed over nearly forty years, the David Russell collection brings together a stunning array of edge and boring tools from Britain, continental Europe and North America, thus providing a broad survey of hand tool-making from prehistory to today. All the tools are illustrated with James Austin’s photographs, with details and marks shown where appropriate. Special attention is given to planes, and the great British makers of the eighteenth and nineteenth centuries are discussed in depth.
Since prehistoric times there has been a never-ending quest for better ways to cut and bore wood. Along the way this has produced a wide variety of hand tools, and there are many where beauty and function meet.
The book will appeal to a wide range of readers, including collectors, craftsmen, industrial archaeologists and social and economic historians, as well as historians of material culture.
A new photographic exploration of Chicago, a city which attracts the visitor with its profoundly American character. The book presents over 100 photographs shot in Chicago between 2006 and 2011, mainly in black and white. Several aspect of this diverse city are shown. Starting from the most celebrated downtown areas, where so many movies have been shot making them familiar to the entire world, to the suburbs and outskirts of the city, each with its own personality and charm. Page after page, empty streets mix with the most solemn of buildings and the waterfronts; people who work and live here meet other people who come from the Mid-West to check out unexpected urban landscapes. And then there are a number of photographs dedicated to the world of Blues, from the many clubs where the Blues are played and lived each night, to the Chicago Blues Festival, the great late Spring event attended by an extraordinary and multifarious public, who are as much a part of the scene as the artists on stage.
The Walking Tour City Guide series provides an engaging bridge between conventional tourist books, which contain less information on architecture, and academic books, which are often too specialized for a leisurely audience. A Walking Tour: Ahmedabad – the first to focus on an Indian city – provides hand-drawn illustrations that escort the reader from building to building, providing information on history, architectural styles, uses and purpose, and the architects themselves. Focusing on the blend of medieval and modern architecture in Ahmedabad, the authors explore the magnificent old city and the historic ‘Pol’ houses. They also shed light on the buildings built by modern masters, such as Le Corbusier and Louis Kahn. From havelis and temples to mosques, markets, and buildings that were only made possible because of the work of Mahatma Gandhi, the authors provide a lively illustrated tour through this city which has seen Mughal, Maratha and British influences in its culture, food and architecture.
•Provides a balance between conventional tourist books and academic architecture books
•Explores Ahmedabad from top to bottom, linking architecture, history and culture
•Contains 100 hand-drawn illustrations
The Walking Tour City Guide series provides an engaging bridge between conventional tourist books, which contain less information on architecture, and academic books, which are often too specialized for a leisurely audience. A Walking Tour: Ahmedabad – the first to focus on an Indian city – provides hand-drawn illustrations that escort the reader from building to building, providing information on history, architectural styles, uses and purpose, and the architects themselves.
Focusing on the blend of medieval and modern architecture in Ahmedabad, the authors explore the magnificent old city and the historic ‘Pol’ houses. They also shed light on the buildings built by modern masters, such as Le Corbusier and Louis Kahn. From havelis and temples to mosques, markets, and buildings that were only made possible because of the work of Mahatma Gandhi, the authors provide a lively illustrated tour through this city which has seen Mughal, Maratha and British influences in its culture, food and architecture.
Shah Rukh Khan is many things: a villain, an anti-hero, a romantic hero, a heart-throb, and a superstar. Khan burst onto the big screen in 1992 as a character-actor who gave even the most reprehensible villains depth. The accolades he won allowed him to take on a plethora of more adventurous roles, proving his versatility and skill to the world of Indian cinema, but also establishing him as a celebrity icon. This book, containing essays from some of Khan’s closest coworkers, offers an intimate and honest picture of SRK the actor and Shah Rukh the man. SRK – 25 Years of a Life looks at Shah Rukh through the eyes of the directors who transformed him into each of his unforgettable roles. It shows the creation of a living legend, tracing Khan from his early days to his current position at the pinnicle of the Bollywood casting lists. As well as offering an insight into Khan’s life that will entrance any dedicated fan, this book is designed to please the eye; its many illustrations are inspired by Bollywood’s hand-painted film posters, reminiscent of the iconic portraits that first revealed SRK’s characters. SRK writes that he hasn’t had time for introspection, and does not dwell on the details of his successes and failures. However, this book puts everything that needs to be known about SRK within the reader’s grasp. With its stark and unembellished accounts of SRK’s personal and professional life, it provides a unique window of insight into this legandary man.
• A collection of 30 essays written by directors who worked closely with India’s most successful superstar, SRK• Honest, personal, and at times deeply emotional, this book is indispensable to any SRK fan• A vibrantly designed book inspired by hand-painted Bollywood postersShah Rukh Khan is many things: a villain, an anti-hero, a romantic hero, a heartthrob, and a superstar. Khan burst onto the big screen in 1992 as a character-actor who gave even the most reprehensible villains depth. The accolades he won allowed him to take on a plethora of more adventurous roles, proving his versatility and skill to the world of Indian cinema, but also establishing him as a celebrity icon. This book, containing essays from some of Khan’s closest coworkers, offers an intimate and honest picture of SRK the actor and Shah Rukh the man.
SRK – 25 Years of a Life looks at Shah Rukh through the eyes of the directors who transformed him into each of his unforgettable roles. It shows the creation of a living legend, tracing Khan from his early days to his current position at the pinnacle of the Bollywood casting lists. As well as offering an insight into Khan’s life that will entrance any dedicated fan, this book is designed to please the eye; its many illustrations are inspired by Bollywood’s hand-painted film posters, reminiscent of the iconic portraits that first revealed SRK’s characters.
SRK writes that he hasn’t had time for introspection, and does not dwell on the details of his successes and failures. However, this book puts everything that needs to be known about SRK within the reader’s grasp. With its stark and unembellished accounts of SRK’s personal and professional life, it provides a unique window of insight into this legendary man.
A unique book by photographer Richard Koek about one of the world’s largest cities, Tokyo. The visitor of this megapolis in Japan will see a lot of neon and plastic, but also traditional kimonos and cherry blossoms. Fashion and advertising are at least as important as etiquette and tidiness. In Tokyo Tokyo Koek reveals the true face of a city where tradition and innovation go hand in hand. Surely the stereotypes are a subject of his photographs, but Koek always gives them his own twist. His colorful images are raw, realistic and extremely striking. Koek knows how to capture the magic of everyday life by putting the ordinary on a pedestal. The beauty of the image and the story behind it always go hand in hand in his works. This is how he shows a different side of the city.
Who is the intriguing man wearing a religious habit and a gold hoop earring in this portrait by Italian Baroque master Il Guercino? And why does he point to a stack of drawings? This fascinating book investigates The Ringling’s portrait of Fra Bonaventura Bisi, a Franciscan Minor Conventual friar whose work as an art dealer, printmaker, and celebrated painter of miniatures made him a major figure in the artistic culture of 17th-century Bologna. Beautifully illustrated, this volume offers new scholarship on both Guercino’s portrait and Fra Bisi’s life, including his extraordinary miniatures, his dogged pursuit of artworks for high-ranking collectors, his passionate efforts to promote the appreciation and collecting of drawings, and – not least – his incongruous gold hoop earring.
Published to accompany an important exhibition of the same name at The Ringling (14 October 2023-07 January 2024), this book, based on years of research, provides a captivating glimpse into art making and art collecting in Baroque Italy.
In the 1970s, in the region of the Landes, between Bayonne and Peyrehorade, on the banks of the Adour River, the photographer Jeannette Leroy and the art dealer Paul Haim created a sculpture garden around a modest farm, La Petite Escalère.
Paul Haim has evoked the bewitching beauty of La Petite Escalère better than anyone else: “The nonchalant visitor will pass from the shade of Les Barthes to the brightness of the Moura, from the freshness of the fountains to the suffocating heat of the forest. Coming around a bush, he allows himselfto be surprised by an unusual presence. Immutable. … Far from the agitations of the world, sinking into nothing-ness, watching the clouds go by, contemplating the places of joy.”
Text in English and French.
The handmade rug industry has gone through a revolution in the last twenty-five years, and no one is better placed to explain how and why than Fritz Langauer and Ernst Swietly, who have been buying, making, collecting and writing about rugs for over fifty years. Rugs are now being made in colors and designs unimagined just a few decades ago. This new book is the only title available that shows how carpet making has changed in all traditional rug making nations as well as demonstrating through images of rugs in interior settings how the style and use of rugs has changed. Carpets carry many unspoken narratives about peoples and places – this new book reveals some of these for the first time thanks to the first-hand experience of the authors in the souks and bazars of the Middle East.
The mansions of North Kolkata described in Great Houses of Calcutta were built by the cream of the indigenous elite during the city’s colonial era. Some exceptions apart, these are now largely forlorn reminders of the ways of life, aspirations and aesthetic values of the wealthy Indian land owners, bankers and traders who flourished during the heyday of the city’s colonial era of the eighteenth and nineteenth centuries. The houses are an important part of the urban and architectural history of Kolkata and are past representatives of the ongoing debate over what it means to be modern while representing a living culture in built form. Taking off from Joanne Taylor’s widely acclaimed award-winning book The Forgotten Palaces of Calcutta and drawing from her thesis The Great Houses of Kolkata, 1750-2006, this book is a more comprehensive endeavor bringing in Joanne Taylor’s first hand experiences and research in Kolkata and Jon Lang’s knowledge of the broader context of architectural history and the attempts to display contemporary design attitudes in built form, not only in today’s changing world but also during India’s colonial and post-colonial eras. Contents: Foreword and Preface; Prologue: The Symbolic Function of Buildings; Part I: Calcutta and The Great Families- Calcutta-The Great Families of Calcutta; Part II: Architectural Antecedents and Potential Precedents-The Indigenous Architectures of Bengal; The Contemporary Architecture and Ways of Life of British Calcutta; Part III: The Great Houses; The Generic Technical and Cultural Nature of the Mansions and Palaces of Bengal; Twelve Great Houses of Calcutta; Part IV: Today and Looking Ahead- Evolving Histories: the Great Houses in the Twentieth and Twenty-first Centuries; The Future?.
The mansions of North Kolkata described in Great Houses of Calcutta were built by the cream of the indigenous elite during the city’s colonial era. Some exceptions apart, these are now largely forlorn reminders of the ways of life, aspirations and aesthetic values of the wealthy Indian land owners, bankers and traders who flourished during the heyday of the city’s colonial era of the eighteenth and nineteenth centuries. The houses are an important part of the urban and architectural history of Kolkata and are past representatives of the ongoing debate over what it means to be modern while representing a living culture in built form. Taking off from Joanne Taylor’s widely acclaimed award-winning book The Forgotten Palaces of Calcutta and drawing from her thesis The Great Houses of Kolkata, 1750-2006, this book is a more comprehensive endeavor bringing in Joanne Taylor’s first hand experiences and research in Kolkata and Jon Lang’s knowledge of the broader context of architectural history and the attempts to display contemporary design attitudes in built form, not only in today’s changing world but also during India’s colonial and post-colonial eras.
Contents: Foreword and Preface; Prologue: The Symbolic Function of Buildings; Part I: Calcutta and The Great Families- Calcutta-The Great Families of Calcutta; Part II: Architectural Antecedents and Potential Precedents-The Indigenous Architectures of Bengal; The Contemporary Architecture and Ways of Life of British Calcutta; Part III: The Great Houses; The Generic Technical and Cultural Nature of the Mansions and Palaces of Bengal; Twelve Great Houses of Calcutta; Part IV: Today and Looking Ahead- Evolving Histories: the Great Houses in the Twentieth and Twenty-first Centuries; The Future?.
teNeues NYC Stationery is proud to share our newest offering, classic Playing Cards with our signature style curated from museum art and illustrations from our favorite artists around the world printed on embossed, premium blue-core card stock in a gift box with flip-top magnetic closure.
Our Watercolor Camera art is drawn and painted by hand from Kimberly Ellen Hall for her company Nottene. Kimberly creates one-of-a-kind hand painted art in sketchbooks for gifts, home decor and wallpaper. She creates art with a lovely loose style using optimistic color choices and whimsical subjects.
Our little portable box is giftable and great for travel, fits in any bag and the magnetic closure keeps the cards together between games.
- Standard deck of 54 playing cards including 2x joker cards
- Full-color, richly -printed artwork on embossed, blue-core card stock
- Giftable flip-top box with magnetic closure
- Box measures: 3.75 x 2.75 x 1″
Kimberly Ellen Hall is one half of Nottene, pronounced (nuh-ten-uh), a Philadelphia based print and pattern studio that makes hand-drawn and printed wallpaper and fabric. Kimberly is interested in drawing the small details of everyday life. Her illustration work has graced runways, books, museums, and retail products internationally.
Artist and print designer Sabina Savage creates her own visual world informed by nature, myth and history in the exquisite hand-drawn illustrations printed on her silk and cashmere scarves. A Savage Kingdom is the first book on her eponymous luxury brand, marking its 10th anniversary and exploring the fascinating narratives behind some of her most successful drawings to date.
Grouped by collections, A Savage Kingdom guides readers through the details and symbolism contained within each design, presenting large-scale images of the pencil drawings and full-color prints of the scarves.
Writer and curator Zoë Lescaze introduces the book, covering Sabina’s development as an artist and the tensions between humans and other animals at play in her designs. A Savage Kingdom is for devotees of the brand and those new to it alike, interested in drawing, craftsmanship and fantastic tales.
The goldsmith and art dealer Johann Karl Bossard (1846–1914) is regarded as one of the key figures of Historicism in Switzerland. This publication focuses for the first time on not only the workshop’s exceptional production and signature style but also the appropriation and adaptation of historical paradigms as well as Bossard’s international network. The production of jewelry, cutlery, weapons, and commissions for the Church are particularly explored in further detail. In addition, an overview is also given of the production by the successors of the Bossard goldsmithing atelier, extant until 1997. The approximately 500 images lend an impression of the immense workshop legacy, which is preserved by the Swiss National Museum. Moreover, key objects from public and private collections are published for the first time and presented in a comprehensive catalog section.
Text in German.
This book presents a personal collection of ancestor sculpture and protective deities, following the ancient migratory and trade routes of the Austronesian, Southeast Asian Bronze Age, and Hindu-Buddhist peoples. The author, Thomas Murray, has spent a lifetime studying this art through his endeavors as a peripatetic dealer, collector, and field researcher. The objects illustrated come from a swath of widely varied cultures from Nepal eastward to Hawaii, with the overwhelming majority from Indonesia and Southeast Asia. Murray’s eye is highly informed and based on an unusually large sampling of objects to which his experience and research have exposed him. The artworks documented represent some of the top examples he has acquired and retained over the course of a long career. They are characterized by sculptural balance and a harmony of line, as well as a rare quality of expressiveness. Each ranks high in terms of aesthetics and desirability within its own particular style as perceived by the art market and by other western aficionados.
This book offers a beautiful exploration of Henri de Toulouse-Lautrec’s works in lithography. It explores the new artistic approach to the poster at the end of the 19th century, which bridged visual and popular culture and turned the relationship between ‘high’ and ‘low’ art on its head. Technical innovations in lithography pioneered by Lautrec and other artists produced larger sizes, more varied colors and new effects and launched the role of the poster as a powerful tool for communication and marketing in fin de siècle Paris. Lautrec’s embrace of celebrity helped to define the famous hotspots (theaters, cabarets and café-concerts) of fin de siècle Paris and made their stars recognizable figures across the whole city.
Works by contemporaries such as Pierre Bonnard, Théophile Alexandre Steinlen and Jules Chéret also feature, and Lautrec’s influence on British, and particularly Scottish, artists of the period will be explored. These include Walter Richard Sickert, Arthur Melville, John Duncan Fergusson and William Nicholson.
Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist – as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx: Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer Liz O’Brien reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute.
Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist – as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.
This beautifully illustrated book, with over 300 color reproductions, showcases many of the greatest masterpieces of 19th century Orientalist art. During this period, colonization, and a revolution in means of transportation allowed artists to visit countries from North Africa to the Middle East that had previously been relatively inaccessible. The patterns, colors, and light of this region influenced artists such as Delacroix, Decamps, Berchère, Bridgman, Ziem, Gérôme, Corrodi, Dinet, Matisse, Majorelle and many others. Upon returning to Europe, these artists captured the atmosphere of these distant and exotic lands in painted scenes of daily life and wrote memoirs of their travels. Some returned to settle there, including painters like Dinet, who spent a large part of his life in Algeria, and Majorelle, known as the “painter of Marrakech.” This book offers insight into the Orientalist aesthetic that inspired the movement, and lays the groundwork for a deeper understanding of these vibrant works of art.
Text in English and French.
Until the early seventeenth century, the distribution of paintings and other art works was in the hands of the artists, but after that to an increasing extent it was taken on by specialists.The most important art dealers were active in Amsterdam, the art center par excellence. Hendrick Uylenburgh and his son Gerrit Uylenburgh were leading figures among these dealers. The Uylenburghs, father and son, ran an art business and at the same time headed a painters’ workshop where renowned artists worked. Rembrandt worked for this business from 1631 to 1635. He painted countless commissioned portraits and as well as historical paintings and ‘tronies’ also did grisailles and etchings. While working for this business he met Saskia Uylenburgh, a cousin of the art dealer, whom he married in 1634. Uylenburgh & Son provides insight into the nature and significance of the Uylenburghs’ enterprise and also discusses their investors and customers. A great deal of new material has been found about the Uylenburgh family and is presented here for the first time.
Born into the American aristocracy, Elizabeth Eyre de Lanux abandoned high society to pursue an artistic career. Starting her training with Constantin Brancusi, she then arrived in Paris in 1919, following her marriage to French diplomat and writer Pierre de Lanux. She soon met the designer Eileen Gray. Eyre took over Gray’s research on laquer and continued experimenting with innovative materials not previously used in furniture, namely cork, amber and linoleum. With Evelyn Wyld, she created a literary universe in which the poetry of her rugs, blended with furniture and lamps in totally new ways, all in an environment of muted shades and modern comfort.
An ambitious artist in the Surrealist Paris of the interwar years she wanted to believe in a peaceful future. But the crash of 1929 and World War II sounded the death knell for the career of this fresh new talent, ensuring that her creations became the rarest of objects. A bridge between the pioneering Eileen Gray and the rational Charlotte Perriand, like them, Eyre de Lanux drew inspiration from Japonism. Neither poor, nor stripped bare, her rare architectured interiors have remained secret until now.
Elizabeth Eyre de Lanux is a recognised name but a forgotten talent. With Eileen Gray, Eyre de Lanux, Charlotte Perriand and Maria Pergay, the four cardinal points have now been identified.