Embark on another cosmic adventure and discover the striking artistry of NASA’s mission patches and logos. This beautifully illustrated book offers a visual tour of NASA’s heritage symbolism from the early Mercury missions of the 1960s to the rovers, orbital telescopes and brand-new lunar capsules of the 2020s.
The countdown is underway! NASA’s first Moon landing since 1972 is now on the near horizon and this follow-up to the popular Space: Posters & Paintings is the perfect way to prepare for take-off. Celebrating the achievements of the men and women who dared to venture into the beyond, Space Mission Patches uncovers the story of the space administration through the indelible artwork of their historic insignias. Perfect for space aficionados, design enthusiasts and kids old and young, this meeting of art and exploration is the definitive testament to the enduring legacy of NASA’s trailblazing journeys to the unknown.
Green is the new black according to Belgium-based garden architects Bart Haverkamp and Pieter Croes. It’s been more than 30 years now since they turned their love for nature into a business. During this time, they’ve completed countless and diverse garden projects, built up an enormous amount of experience and expanded their knowledge. Their method and philosophy evolved accordingly, resulting into their sought-after signature style. Their gardens – many of them on small plots, terraces or rooftops in the city – are anything but clean and fixed: rough outlines and plant selections are made beforehand, but they trust their intuition to make spontaneous decisions on the spot.
In this carefully curated and thoughtfully designed photo book, Bart and Pieter reflect on their work. Their aim is to share their vision and experience and to inspire all gardeners by showing how much is possible when you’re willing to let nature take its course. In this book, Bart and Pieter put their philosophy into words, as an introduction to 20 extensive and inspiring photo reports of their favorite or most important garden projects so far. The third part of the book holds short descriptions of these projects and useful advice on, for example, how to make your garden heat-resistant.
With authoritative texts and a wide array of illustrations, this handsome monograph charts Barbara Rae’s long and successful career as a redoubtable traveling artist. From her native Scotland, particularly the Lammermuirs, to Spain, Ireland, and the polar regions, Rae’s painterly abstraction brings together her fascinations with landscape and travel. Her sketchbooks feature here, too, revealing her process as she uses them to conceive the larger works she makes in her studio.
Some people still experience personal branding as a show of ego. Which it can be.
Most people see personal branding as a tool for business growth and wealth, which it is.
But there are more fulfilling reasons to engage in the process of personal branding like building intellectual legacy and becoming a brave new human. If you want to engage in building a legacy, but not want to be blindsided by aspects like fame and hunt for money, then this is the book on personal branding you need. It offers you the complete range of what it can mean to you, not only the social media aspect.
“With this book, ianka succeeds in describing personal branding on a strategic level. ianka’s broad professional background makes this book particularly strong and valuable. She has experienced nearly everything a personal brand can go through in her career. A look behind the scenes and the sharing of that experience adds immense value. I highly recommend this book to everyone!” — Steven Van Belleghem, entrepreneur and author
“In a world of information overload and AI, developing your own authentic voice is more important than ever. How do you build unique visibility in a world of the Never Normal? ianka has written a wonderful book that makes you reflect on your own journey, your own development, and how you can find and strengthen that unique voice.” — Peter Hinssen, entrepreneur and author
“ianka has not only dared to breathe new life into an existing concept, but she has also ventured to create a book tailored to each individual reader. I sincerely wish I had been able to read this book much earlier because it helps me as a person, but also because it helps me make companies and their leaders better.” — Rik Vera, business philosopher and author
“…packed with superb colour photographs… This book is a wonderful companion to cathedral-crawling, not least in helping the crawlers work out what is, and what isn’t, worth seeing” – Simon Heffer, Telegraph“
A beautifully illustrated guide” — Premier Christianity
“[The] thrilling tale of the medium’s continuity… is set forth by Janet Gough, the erstwhile director of Cathedrals and Church buildings at the C of E, in her latest book, Divine Light” — World of Interiors
“I would recommend that you visit some of these cathedrals, book in hand.” — The Methodist Recorder
“What a gem of a book it is, and its size makes it one to carry around as you visit England’s cathedrals.” — Chronicle
The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.
Divine Light features glass from every Church of England cathedral. It spans 900 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.
The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through colored glass emerges as an early form of mass communications that retains its power to move and inspire today.
Racines | Roots is a vibrant art book reflecting the unique vision of a passionate collector and entrepreneur. Garance Primat unveils a selection of works drawn from the heart of her aesthetic and spiritual journey. For her, art is a life-sustaining force: deep roots nourish our being and link us to nature, allowing us to flourish like a tree.
Born into a family responsive to nature and art, she has honed her eye through contact with different cultures during her travels, particularly in Australia and the United States, where she became aware of how everything in the realm of nature was interconnected. This quest inspired her to acquire the Domaine des Étangs in Charente Limousine.
With its ability to question the world and shape the future, contemporary art occupies a special place in her eclectic collection, interacting with modern art from around the world, minerals and wisdom-bearing objects. Garance Primat invites us to trust her sensibility as we explore the universal, where words struggle to grasp the interconnectedness of living things. An original message emerges from the “root” of things, awakening a shared consciousness. This book, built around the etymology of seven key words linked to nature and the universe, is an invitation to let ourselves be carried away by the senses and discover the invisible links that unite us.
Text in English and French.
More than a book of recipes, this cookbook explores Lee Miller’s life through the influence of food and how it ascends to becoming the creative vehicle that she eventually swaps her camera for and uses to build bridges, heal old wounds, and to empower other women. A woman of many lives and mistress of her own re-invention Lee Miller, model, surrealist and fashion photographer, war correspondent and gourmet cook does everything wholeheartedly and with an imaginative flair. Much has been written about the varied forms of her creativity but Lee Miller’s achievement as a gourmet chef is usually left to being an endnote. Her granddaughter Ami Bouhassane sees this part of her life as Miller’s longest battle and most extraordinary personal accomplishment in every sense. Contains over a hundred of Lee Miller’s recipes as well as images by her and others in both color and black and white.
This beautiful book of her wartime fashion work addresses Lee Miller’s contribution to the fashion industry in these years and her significant service to the survival of British Vogue magazine.
Audrey Withers, Lee Miller’s editor at British Vogue, in 1941 wrote ‘she [Lee Miller] has borne the whole weight of our studio production through the most difficult period in Brogue’s [British Vogue’s] history’.
Containing over 130 images, with the majority printed full page this book also contains accompanying text by Ami Bouhassane, Lee Miller’s granddaughter and Co-Director of the Lee Miller Archives, who provides insights into Lee Miller’s work process. In two additional essays, fashion historian Amber Butchart writes on the fashion of the period and Robin Muir, contributing editor to British Vogue, discusses Lee Miller’s work for Vogue.
“Penrose” wrote Andre Breton “est Surrealiste dans l’amitie” and ‘The Friendly Surrealist’ is an apt description for the man who more than any other nurtured friendships and connections which introduced European Surrealism to the British art world. Roland Penrose embraced the fantasies and rebellions of the Surrealist movement through his friendships with artists such as Picasso, Man Ray, Miro, Ernst and Tàpies. His own works, which often reveal the true emotions behind his relationships with his wives, Valentine Boue and Lee Miller, constitute an important contribution to British Surrealist art.
1937 could be named ‘the summer of love‘ for Lee Miller, Roland Penrose, who had recently met for the first time & their friends, Max Ernst, Leonora Carrington, Picasso, Dora Maar, Man Ray, Ady Fidelin and more. This facsimile of Lee and Roland’s photograph albums shows their summer holiday together as portrayed in the 2024 feature film LEE and demonstrates the freedom and friendship of these artists as World War Two looms on the horizon.
Painter Roland Penrose and photographer Lee Miller’s move to Farleys in Sussex, UK, was not to settle down but to create, entertain, and inspire. In this publication, their son Antony Penrose, recalls the 1950’s with a fascinating insight into his parents’ lives, as they transformed Farleys from a traditional farmhouse into a hub of art. Farleys with unexpected decoration and surreal living had a wealth of 20th century artists visiting the home. The book is designed to reflect the colors and designs from the color on the walls to the textiles of the furnishings.
Surrealist before she knew of the movement Lee Miller was ‘caustically brilliant, yet totally loyal, unpretentious, human and intolerant of sham. She was a consummate artist and a consummate clown; at once an upstate New York hick and cosmopolitan grande dame; a cold, soignée fashion model and a hoyden… She was a mechanical ‘tinker’, in the sense that her friend [the artist] Alexander Calder once called himself ‘just a tinker’. She was the nearest thing I knew to a mid-20th century renaissance woman’ described David E. Scherman, LIFE photographer and her very close friend.
Lee Miller was one of the most original photographic artists of the 20th century, her Surrealist eye informed everything she did. Her work presents the world in a way that encourages us to view it in a different manner.
Disruptive innovation and digital transformation are reshaping today’s business landscape. But with the right partners, these challenges become powerful opportunities. Collaborate to Innovate is a hands-on guide for established organizations seeking to innovate faster through start-up collaboration. Packed with proven frameworks, real-world case studies, actionable tools, and ready-to-use methods, this playbook demystifies the complexities of startup partnerships and provides a clear roadmap to build high-impact, strategic collaborations that truly make a difference.
John Constable (1776–1837) is England’s best-loved landscape painter, and the familiarity of his images can disguise how revolutionary he really was. His passionate concentration on the truth of the natural world influenced not just other painters but the whole course of romanticism, and the spontaneity and energy of his vision and technique remain as fresh today as ever.
It was a long journey for this sensitive, not very sociable man, a journey whose fascinating twists and turns we can trace through his many vivid letters, where Constable shared his developing ideas and practice with a small group of friends and patrons. To read his letters today is to gain unparalleled insight into a pioneering creative mind. For the first time, these letters have now been selected and arranged into chronological order to create a coherent narrative. The editor is the leading expert on Constable, Anne Lyles, and she has also written an extensive introduction.
From the design of the first Cyclone 30 cyclotron to the global recognition of proton therapy, the narrative follows a path marked by breakthroughs, crises overcome, and strategic rebounds. It explores the technical, financial, and human challenges faced by an academic start-up that grew into an international player, balancing boldness with rigor, applied research with industrial performance. But IBA is more than a technological pioneer: it is a corporate citizen committed to advancing the common good. Its model is based on balancing the interests of stakeholders—patients, employees, customers, shareholders, communities, and the environment. Its mission — “to protect, enhance, and save lives” — is made tangible through the thousands of patients treated, the hundreds of accelerators installed worldwide, and a culture deeply rooted in trust, transparency, and long-term vision. Beyond machines and markets, IBA is a mindset: an attentive and daring organization, faithful to its roots yet firmly focused on the future.
Old Westbury Gardens: Days of Grace on Long Island honors the life and legacy of the house that Jay Phipps built to woo his English love, Dita Grace. In his efforts to secure her hand in marriage, he promised to recreate the world of elegance, gardens, and dogs that she had known in Sussex. She said “Yes”—and the rest is Westbury.
Designed in 1906 by English connoisseur and family friend George Crawley, the house was furnished with British antiques and craftsmanship, with gardens planted under Dita’s discerning eye. Of the hundreds of mansions built on Long Island around the turn of the twentieth century, Old Westbury Gardens is now unique—the only one preserved in its original condition.
In 1959, Peggie Phipps Boegner generously placed Old Westbury Gardens in trust, in memory of her mother, Dita, so that the public could enjoy the place where she herself had been so happy. Maintained to the highest standards of authenticity, it is now a showcase of architecture, horticulture, and the decorative arts.
Jutting into the North Sea, Norfolk is one of England’s largest and most diverse counties. With no motorways and few large towns, its sense of remoteness is exactly what draws visitors and delights those who live here. Once the country’s most prosperous region, Norfolk is rich in history, reflected in its market towns, idyllic villages and a skyline of medieval church towers – the county has the greatest concentration of medieval churches in the world. Though it feels far from everywhere, Norfolk is surprisingly accessible, just a few hours from London or the Midlands. Predominantly rural, its landscapes are more varied than expected, from the sandy forests and heathlands of the Brecks to the wetlands of the Broads and the dunes and beaches of the North and East Coast. 111 Places in Norfolk That You Shouldn’t Miss uncovers ancient secrets and hidden stories, revealing places you might otherwise pass by.
Bapji: The King Who Would Be Man is an intimate and evocative chronicle of Maharaja Gajsingh II of Marwar-Jodhpur—a sovereign born to grandeur, yet shaped by contemporary changes with traditional responsibilities. It narrates a parallel story of a man escalating from within history to a place in posterity, as well as de-escalating into democratic, contemporary times to be one among his people.
Set against the sweeping changes of post-colonial India, this is the story of a royal figure who does not cling to power, but channels his heritage into relevance and purpose. With grace and wisdom, he reconciles the solemnity of tradition with the demands of democracy, becoming not just a keeper of palaces and customs, but a king of conscience—a man of his time, and for his people.
“…packed with superb colour photographs… This book is a wonderful companion to cathedral-crawling, not least in helping the crawlers work out what is, and what isn’t, worth seeing” – Simon Heffer, Telegraph“
A beautifully illustrated guide” — Premier Christianity
“[The] thrilling tale of the medium’s continuity… is set forth by Janet Gough, the erstwhile director of Cathedrals and Church buildings at the C of E, in her latest book, Divine Light” — World of Interiors
“I would recommend that you visit some of these cathedrals, book in hand.” — The Methodist Recorder
The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.
Divine Light features glass from every Church of England cathedral. It spans 900 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.
The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through colored glass emerges as an early form of mass communications that retains its power to move and inspire today.
Handpicked: Painting Flowers From 1900 to Today celebrates the beauty and vitality of flower paintings of the 20th and 21st centuries. Beautifully illustrated, this anthology features essays on paintings by significant figures of the 20th century, as well as contemporary artists working with the genre of flower painting in new and often experimental ways today.
Artists: Hurvin Anderson, Vanessa Bell, David Bomberg, Louise Bourgeois, Jai Chuhan, Andrew Cranston, Kaye Donachie, Gigi Ettedgui, Anna Freeman Bentley, Marjory Garnett, Tirzah Garwood, Gluck, Lubaina Himid, Howard Hodgkin, Isak of Igdlorpait, Nerys Johnson, David Jones, Poppy Jones, Joy Labinjo, Doron Langberg, Aubrey Levinthal, Charles Rennie Mackintosh, Rory McEwen, Cedric Morris, Cassi Namoda, Mary Newcomb, William Nicholson, Winifred Nicholson, Chris Ofili, Jennifer Packer, Celia Paul, Bryan Pearce, Emma Prempeh, Bianca Raffaella, Eric Ravilious, Anne Redpath, Henri Rousseau, William Scott, Judith Tucker, Euan Uglow, Charlotte Verity, Édouard Vuillard, Caroline Walker, Alison Watt, Christopher Wood, Clare Woods.
Few, if any, cities have a literary history as rich as that of London. Writers have written about it; and lived, loved, stayed and died there. Here are 111 stories to be revealed. Among them are the lives of writers and their characters, and the plots and venue. Where can you see the first printed book in the western world, or visit the library with no books? Where did two poets marry secretly and then flee to Italy; and what happened when Sigmund Freud met Salvador Dalí? What is the mystery of the signed copy of Mein Kampf?
This is a guide to the capital unlike any other – not only enlightening to residents who may have thought that they knew their city (and their books), but the visitor, too. These are sights you shouldn’t miss – but which you’re unlikely to find without this book.
Published to coincide with the exhibition at Kettle’s Yard, Christopher Wood: In Love offers an intimate and revelatory encounter with one of Britain’s most compelling modern artists. Drawing on new research and previously unpublished works from private collections, the book traces Wood’s brief yet incandescent career through the relationships, places and creative exchanges that shaped his art. Structured in a series of thematic ‘acts’, it moves from London and Paris to the Mediterranean and Brittany, weaving together painting, drawing, stage design and archival material to illuminate Wood’s passionate devotion to both art and life. Six newly commissioned essays explore questions of love, performance and sexuality in the early twentieth century, situating Wood within an international avant‑garde network that included Jean Cocteau, Serge Diaghilev and the Ballets Russes. Beautifully designed and richly illustrated, this publication is an essential contribution to Christopher Wood scholarship and a vital companion to a vibrant moment in British modernism.
Arriving in Britain just as war was declared Lee Miller, an American with no permit to work, used her camera as her principle means of combat during World War II.
Before Lee Miller left Britain to report in Europe she covered the Blitz, civilians braving the destruction around them and their contributions to the war effort as well as wartime fashion, camouflage and the women in the armed forces on the home front.
This book curated by the Lee Miller Archives is Lee Miller’s photography in Britain during the war with an essay by Ami Bouhassane.
While the Renaissance is primarily associated with the development of linear perspective and the rediscovery of the antique within European contexts, it was also a period of global multi-sensory exchanges: perfumes and spices were traded over land and by sea, while chocolate, gold, silver, cochineal, ivory, and lapis lazuli were extracted from Africa, Asia, and the Americas for consumption and transformation into a multitude of objects – with both productive and destructive results. Renaissance Wonders: Art & The Senses, which focuses on the ‘long’ Renaissance (c.1450-c. 1650), highlights global connections within Europe and between Europe and other cultures in order to investigate how new navigational technologies and the ambitions of exploration led to an exponential growth in the exchange of works of art and other crafted artifacts, as well as of materials, technologies, skills, and ideas.