This scholarly catalogue provides a rich survey of the outstanding English drawings and watercolors in the National Gallery of Scotland’s collection. It ranges from the art of the Stuart court to the late Victorian period – from Isaac Oliver to Lord Leighton. Highlights include important works by artists such as William Blake, John Sell Cotman, John Robert Cozens, John Flaxman, Thomas Gainsborough, Thomas Girtin, Edward Lear, John Frederick Lewis, Paul Sandby and J.M.W. Turner. Key works are illustrated in colour and the text provides an authoritative commentary on issues such as their function, history, date and technique. The catalogue will be a valuable resource for students, art historians, collectors, dealers, picture researchers and all serious enthusiasts for British art.

With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes’ The Trinity Altarpiece, Rembrandt’s A Woman in Bed, Velázquez’s An Old Woman Cooking Eggs and Degas’ Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically ‘certified’ classics to art whose status and significance remains in active contention and from singular ‘treasures’ to ensembles that speak to the larger scope of an artist’s endeavor.

Also available: Unfinished Paintings: Narratives of the Non-Finito Watson Gordon Lecture 2014 ISBN 9781906270919 ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein The Watson Gordon Lecture 2010 ISBN 9781906270384 Picasso’s ‘Toys for Adults’ Cubism as Surrealism: The Watson Gordon Lecture 2008 ISBN 9781906270261 Sound, Silence, and Modernity in Dutch Pictures of Manners The Watson Gordon Lecture 2007 ISBN 9781906270254 Roger Fry’s Journey From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 ISBN 9781906270117

Uncover the stories of 45 female painters and sculptors and their influence on Scottish modern art history. 

In 1885 Sir William Fettes Douglas, President of the Royal Scottish Academy, declared that the work of a woman artist was ‘like a man’s only weaker and poorer’. Yet between 1885, when Fra Newbery was appointed Director of Glasgow School of Art and did much in terms of gender equality amongst his staff and students, and 1965, when Anne Redpath, the doyenne of post-Second World War Scottish painting, died, an unprecedented number of Scottish women trained and worked as artists. 

This book focuses on 45 Scottish female painters and sculptors and explores the conditions that they negotiated as students and practitioners due to their gender. Many of the artists featured are not widely known and so will be a revelation to readers, while others with established reputations are evaluated afresh. 

An essay by Alice Strang and artist entries by twenty-one authors uncover and celebrate women’s contribution to this chapter of Scottish modern art history.

Pioneering Edinburgh photographers David Octavius Hill (1802-1870) and Robert Adamson (1821-1848) together formed one of the most famous partnerships in the history of photography.

Producing highly skilled photographs just four years after the new medium was announced to the world in 1839, their images of people, buildings and scenes in and around Edinburgh offer a fascinating glimpse into 1840s Scotland. Their much-loved prints of the Newhaven fisherfolk are among the first images of social documentary photography.

In the space of four and a half years Hill and Adamson produced several thousand prints encompassing landscapes, architectural views, tableaux vivants from Scottish literature and an impressive suite of portraits featuring key members of Edinburgh society.

Anne M. Lyden, International Photography Curator at the National Galleries of Scotland, discusses the dynamic dispute that brought these two men together and reveals their perfect chemistry as the first professional partnership in Scottish photography.

Illustrated with around 100 masterpieces from the Galleries’ unique, vast collection of the duo’s ground-breaking work.

This absorbing introduction to the story of Rembrandt s rampant fame and influence in Britain is filled with beautiful images. The story of ‘Rembrandt mania’ began in 18th-century Britain with passionate, and often eccentric, collectors acquiring artworks by any and every means. As the craze for Rembrandt ebbed and flowed, each new wave of enthusiasm brought him ever-greater fame and influence, and collectors became increasingly ingenious. This master’s impact not only on collectors and the public but also on British artists over the last four centuries is explored, with lavish paintings, drawings and prints from artists such as Henry Raeburn, Joshua Reynolds and James Abbott McNeill Whistler shown alongside some of Rembrandt’s most famous masterpieces.

The idea of a ‘healing garden’ is well established in many developed countries as a specific form of landscape design method; it meets the physical, psychological, social and spiritual needs of the people using the garden, as well as their caregivers, family members and friends. Shown through detailed theory and illustrations, the first part of this book focuses on the concept, types, and design considerations. The second part of the book provides insightful design descriptions, detailed plan drawings and photos showing the final, built projects on a wide range of types of healing gardens. This book is a unique and informative text and a useful reference for all landscape architects and designers.

Sharing this story was not something that Christopher Capozziello ever set out to do, but, over the years, one picture has led to another and a story has emerged. Capozziello says, “The time I have spent with my brother, looking through my camera, has forced me to ask questions about suffering and faith and why anyone is born with disability. Nick has cerebral palsy. Taking pictures has been a way for me to deal with the reality of having a twin brother who struggles through life in ways that I do not.” Capozziello’s photographs take us on a journey through his worries and inquiries, ending his debut book with a different sort of question: what comes next? Part two of the book is a journey he and his brother take across the United States. The work has been shown throughout the United States and has won 33 national and international awards. “The collection, titled The Distance Between Us, is both a brother’s touching tribute and Capozziello’s attempt to come to terms with the reality his brother lives and one from which he happened to be spared”. The Mail

“Wow! Just wow! … It’s a really stunning thing. A love letter that is itself a work of art about a work of art that is Grayson. Both playful and deadly serious … these photos are not simply about ‘serving looks’ but about restlessness and identity and transience. That world is full of possibilities because Grayson has given himself the freedom to be whoever he wants to be, to look how he wants. His gift is that he passes that freedom to us. Ansett’s work is mind-blowing … not cosy at all. Just brilliant photography.” – Suzanne Moore

Grayson Perry is an award-winning artist best known in the art world for his ceramic works. To the wider public, he is perhaps equally famous for his cross-dressing alter ego. This book reveals a unique relationship between Perry and renowned portrait photographer Richard Ansett through a previously unseen archive from photoshoots spanning over 10 years.
Ansett astutely captures the wit, style and irreverence of Perry’s many complex personas. Beyond the snazzy outfits and cheeky poses, these thematic portrait collections offer wry social commentaries on current and popular phenomena, including the EU referendum, American pop culture and the existential questions of life and death.
At once glossy, fabulous and cutting-edge, Muse: A Portrait of Grayson Perry offers a complex, fascinating and ultimately affectionate insight into our recently knighted national treasure with anecdotes and narration from Ansett himself, this is a masterpiece of rhetorical observations and quick-thinking camerawork. Perfect for art geeks, style freaks and Perry’s long-devoted following.

Over five decades, the painter Humphrey Ocean RA’s work has filtered into our national culture. This includes his series of portraits entitled A handbook of modern life displayed at the National Portrait Gallery in 2013; his portrait of Christopher Le Brun, President of the Royal Academy of Arts; and the cover of Sir Paul McCartney’s 2007 album Memory Almost Full, which featured one of the Chair series. Ocean’s practice encompasses painting, printmaking, sculpture, book-making and drawing. Of the last, he has said: ‘Paper is lovely, immediate and personal. I draw as an end in itself.’ In 2019 his exhibition ‘Birds, Cars and Chairs’ was on display at the Royal Academy of Arts. Of these subjects, he says: ‘Birds, cars and chairs are, in that order, ancient, modern and intimate. Without them life would be a lot less bearable.’ These works are reproduced alongside others in the book to provide a fascinating overview of Ocean’s career, with an essay by Ben Thomas, which sets out to discover exactly what it is that makes Ocean’s art so appealing and universal.

Buried in deep valleys, there are citadels of ochre earth. Near the sea there are white chalked casbahs and vast tranquil palm-gardens and deserts of coloured sands run into soot black mountains. Pungent and bustling souks offer spices and potions to ward off malevolent spirits. Slender arched doorways open out into darkened alleys. Scented mint tea is served in pattern-draped tents. The sky is as clear as ever over the Sahara. This is the Moroccan South – a legendary land, sumptuous and austere. This series presents a fascinating chronology of the spread of Islamic art in the form of 12 Exhibition Trails in 11 countries. The programme is based on the unique idea of visitors viewing exhibitions without the works of art being transported- discovering artefacts in their natural environments and within their cultural and historical context. Each trail is presented and written by experts who live in the specified areas and are accompanied by beautiful illustrations.

Text in French.



Also AvailableParis Plaisir ISBN:9782867701139 £55.00Lebanon: The Phoenician Pearl ISBN:9782867701443 £55.00

Robert Helman is one of the 20th century’s major artists. Based in Montparnasse from 1946, he shared in the adventure of the New School of Paris without allowing himself to be trapped by any pictorial trend. Painted with bold gestures and a bright palette, his Suns, Genesis, Roots, Germinations, Trees and High Glides have produced a vast personal cosmogony. Robert Helman has thus managed to communicate his vital energy through powerful and lyrical work, by expressing, in harmony with Nature, the intimate link between his inner personal vision and his artistic achievement.

In the twenty years since the death of the artist and aesthetic heretic James Lee Byars, episodes from his life have taken on the aura of urban legend. Born in Detroit in 1932, he spent much of his adult life outside the United States and died in Cairo, Egypt in 1997. No country, however, influenced his development as an artist more profoundly than Japan, where he lived for most of the decade from 1958 to 1967. While there he immersed himself in Zen Buddhism, Shinto, Noh, the tea ceremony, calligraphy, and numerous other elements of Japanese aesthetic tradition. Yet virtually none of the literature written about Byars discusses that period of his life in depth, and it remains largely unknown to art critics and historians today.

This book is the first thorough examination of Byars’s days in Japan, the evolution of his art there, and the experiences and relationships that shaped it as well as of his final days and death in Egypt. Written by an art historian who has spent fifteen years researching Byars’s life and work, this is a seminal volume that satisfyingly elucidates the link between his art and Japanese culture.

With the recent recognition of Chandigarh’s Capitol Complex as a UNESCO World Heritage Site, the spotlight on its creator, Le Corbusier considered the 20th century’s greatest architect-planner attains a more illustrious glow. Against this backdrop, Le Corbusier Rediscovered: Chandigarh and Beyond weaves together an anthology of inspired essays by eminent, global experts on Corbusier’s life, ideas and work, both in Chandigarh and at other places. The diverse yet interlinked themes forming a composite compendium, rediscover the timelessness of Corbusier’s architecture and revisit his impact in India and the world over. Current issues like conservation of Chandigarh’s architectural heritage, future strategies for its growth and the Smart City model for Indian urbanization are also addressed. The book is imbued with a patina of historicity imparted by the inclusion of some rare archival images and texts. With focussed essays by international experts like B.V. Doshi, William J.R. Curtis, Raj Rewal, Rahul Mehrotra, Jacques Sbriglio, Michel Richard, Alfredo Brillembourg, S.D. Sharma, Jagan Shah, Rajnish Wattas and Sumit Kaur on thematically linked topics this richly illustrated book – with nearly 250 images – constitutes a seminal new publication. It rediscovers Le Corbusier and his crowning glory Chandigarh, viewed afresh in a new light.

This book is a fascinating study of the cultural history of Thanjavur – starting from its early days of grandeur during the Chola Empire when the Chola ruler Raja Raja I built the Rajarajeswaram temple, now known as the Brihadeeswara temple, which celebrated its 1000th year of consecration in 2010. It weaves together known and unknown histories of the various rulers – the Cholas, the Nayaks, the Marathas and the British – and of the Big Temple into a rich tapestry of cultural heritage that is Thanjavur. The historical stories presented in Thanjavur reveal to the reader the treasure house of the Sarasvati Mahal Library and lead them into the narrow lanes, or sandhus, where the painters who created the now famous Thanjavur style lived beside bangle-sellers, textile merchants, perfumers and the devadasis. The reader is invited on a long trip along the fertile river bank of Kaveri where Carnatic music and Bharatanatyam as we know them today were created and flourished. The temples, the palaces, the bronzes, the paintings, the frescoes, the cuisine, the weapons of war and ivory dolls, the kalamkaris, and literary genres are all brushstrokes that make up this colorful painting, which tells the story of the city of Thanjavur. Contents:
Foreword Of Granaries and Palaces: A short history of Thanjavur’s rulers The Sacred and the Secular: An unbroken tradition of painting in Thanjavur Manuscripts and Melodies: Thanjavur as the cradle for Carnatic music Rituals as Rhythms: Dance and drama in Thanjavur Zest for the Good Life: Crafts in Thanjavur Thanjan’s Wish: Thanjavur today and tomorrow Photographers of Thanjavur in the 19th Century Appendix 1: Treasures of the Sarasvati Mahal Library Appendix 2: A selected list of streets in the Thanjavur fort area (Municipal Wards 3-4) Appendix 3: Maps of the Thanjavur district and Thanjavur fort Appendix 4: Family trees of the kings of Thanjavur Bibliography and Suggested Readings Glossary A Word of Thanks Index

The Book of Tea (1906) by Okakura Kakuzō has long become a classic. Its title notwithstanding, the book is not a manual on tea. Rather it is an essay, better a hymn, to culture, aesthetics and the spirit of tea as a symbol, a paradigm, of the Asian soul. It was created by a passionate Japanese scholar whose life was devoted to renew and spread the values of the East in the same moment in which his own country seemed to deny them in order to embrace Western culture. This new edition has an important apparatus of over 200 notes to explain the contents of the book and supply all the information needed to understand it fully (concepts of Eastern philosophy, history, geography, biographical information), something that so far has never been done. It also contains an important essay by Giancarlo Calza on Okakura and his role to foster intercultural understanding and the development of spirituality through the aesthetics and practice of the tea ceremony as a style of life. Contents: The Cup of Humanity; The Schools of Tea; Taoism and Zennism; The Tea-room; Art Appreciation; Flowers; Tea-masters; Okakura: A Life in Style by Giancarlo Calza

This stunning book documents a collection of 66 extraordinary pieces of petrified wood, mainly from Western United States (Arizona, Oregon, Washington). Specially photographed they are shown in their entirety and in magnificent details.

Petrified wood is formed from fallen trees that in the absence of oxygen and microbes, and with water containing minerals, through a replacement process called permineralization, slowly transform into visually spectacular fossils. But Nature often uses a paintbrush in its preservation magic, splashing the wooden canvas with an array of colors and hues before fixing it in a matrix of hard durable quartz, thereby creating splendid works of art. Petrified wood has been found throughout the world, but actual petrified forests are truly noteworthy in the United States, the most famous being the Chinle Formation forest of Arizona.

From cars made of carrot to tea-smuggling spies; Popeye’s spinach to the hallucinogenic effects of lettuce, renowned garden expert Chris Beardshaw takes us on a journey though history’s most fascinating plants, flowers, vegetables and herbs: the ones that changed the world, the ones that almost did, and the ones that certainly didn’t! Ranging from Roman times to present day and even covering future plant-inventions, 100 Plants that (almost) changed the World is a fascinating compendium of stories about the plants and vegetables we see, nurture and consume every day. If you have ever wondered why carrots are supposed to help you see in the dark or why we hang fairy lights and decorations on our Christmas trees then this is the book for you a fun and quirky new volume that offers unique exploration of our planets most fascinating plants.

Bloom: The Luminous Gardens of Frederico Azevedo presents the accomplished work of Frederico Azevedo – the Brazilian landscape designer who has established himself as the leading gardener of the Hamptons. With stunning projects all over Long Island, Azevedo’s work carries an emphasis on flowers which he uses to ‘lure the eye through the flow of the design’. His signature curving, floral borders are the hallmark of an Azevedo garden. He also often creates multi-dimensional vistas using layers of flowers, trees, grasses, shrubs, and hedges for a dramatic effect. The results of his impeccable designs are soft and romantic, but always sophisticated, well executed, and most importantly, adaptable to whatever its environment may bring. Discover the luminous world of Frederico Azevedo and his dazzling gardens.  Contents: Introduction; Casa Meu; Vista; Bloom; Green; Border; Tree; Stone; Water; More.

Architectural plans generally are beset by problems as the project develops. A prospective architect needs to learn how to critically assess and problem-solve any design issues. And to every problem there is a solution, using the ‘Fifteen Principles’ for solving design problems efficiently.

With nearly 20 projects from well-known architects, this book provides an unmissable opportunity to learn from the experts. Famous architects walk through the design process, with full-color photographs, drawings and sketches of ideas. Each architect examines design problems encountered during the project, and offers examples of critical thinking that resulted in practical solutions. This book will form a valuable reference for architects and students.

New Orleans, like Venice, is built in a location that at first sight seems curious in the extreme. How could it be that these cities, built so precariously in the face of a watery threat, were to become among the great cities of the world? How could a site below sea level, at a swampy curve in the River Mississippi become one of the most visited cities in the United States, and possess a unique kind of magic that separates it from other cities?

Geoffrey H. Baker’s gem of an architectural guide answers these burning questions. Inside these richly illustrated pages he explains how the urban design works for this city’s plight, which is frequently handicapped by nature’s capacity to destroy in the form of hurricanes. Timothy’s beautiful photography showcases the unique topography and architectural fabric of New Orleans, and Geoffrey’s insight illuminates the city’s inimitable spirit that’s born of its constant battle for survival.

Luis Bustamante has a refined and very sophisticated style, and has been working for over thirty years. This book shows his latest projects from the last five years, in places such as London, Miami, Madrid, Aspen, Cantabria, Marbella, Mexico City, Barcelona, The Hamptons and St Moritz, among others. His passion for art has developed a style that fits perfectly with art collectors around the world.

Luis Bustamante’s fundamental concern has always been to generate relationships. Not only are the spaces he designs intended to achieve this but he himself aspires to it with his clients. Bustamante understands design in the best posible way: as an extraordinary living art.

Switzerland is well-known for its host of remarkable collections of 18th century European porcelain. Exemplary representatives include renowned collectors such as Dr Albert Kocher and Dr Marcel Nyffeler. A number of these magnificent collections can be found today – as a result of endowments or gifts – in Switzerland’s renowned institutions. Today, the ‘white gold’ from Saxony still fascinates Swiss connoisseurs: this publication is dedicated to their passion for collecting and for exceptional treasures, and is enriched with articles by renowned art historians and porcelain experts. An impressive overview of the gems from the most sumptuous Meissen porcelain of the early period.

Color photographs of Italian provincial towns and landscapes taken at the beginning of the 1980s that were included in Viaggio in Italy, curated by Luigi Ghirri, in 1984. It presents a completely new picture of the ‘Bel Paese’ beyond any folkloristic clichés.

Text in English and Italian.