Known today for his atmospheric views of the river Oise, Charles François Daubigny was a pioneer of modern landscape painting and an important precursor of French Impressionism. Although commercially highly successful he was often criticized for his broad, sketch-like handling and unembellished view of nature, and was dubbed the leader of ‘the school of the impression’. As a result he drew the attention of the next generation of artists, among them Claude Monet and Vincent van Gogh, who were inspired by Daubigny’s frank naturalism, bold compositions and technical innovations. Theirs was an artistic dialogue which spanned thirty years, from the early 1860s to the end of Van Gogh’s short life.
This book will accompany the first major solo exhibition of Douglas Gordon’s work in Scotland since he presented his now celebrated work, 24 Hour Psycho at Tramway in Glasgow in 1993. Gordon is one of a number of Glasgow-trained artists who came to prominence in the 1990s. He has gone on to achieve huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. Gordon works with film, video, photographs, objects and texts, examining issues such as memory and identity, good and evil, life and death. He makes great play with the doubling of images often in positive and negative or in mirrored form. This book will show all the important aspects of Gordon’s work, both past and present. In addition, it will be specially tailored to bring out the particularly Scottish nature of Gordon’s ideas and practice. The exhibition book will contain essays by the exhibition curator, Keith Hartley, senior curator at the Scottish National Gallery of Modern Art, Edinburgh; Dr Holger Broeker, Kunstmuseum; Dr Jaroslav Andel of the Museum of Contemporary Art, Prague and an essay by the renowned Scottish author, Ian Rankin.
Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children.
Contents:
Collage Over the Centuries, an introductory essay by Patrick Elliott; Collage Before Modernism by Freya Gowrley; On Edge: Exploring Collage Tactics and Terminology by Yuval Etgar; catalogue of exhibition works; a Chronology of Collage.
It is Cadell’s zest for life and the diversity of his subjects that makes him unique in the group of artists popularly known as the Scottish Colourists. Influenced by direct contact with the European avant-garde movements taking place at the turn of the century and with early knowledge of the work of Matisse and the Fauves, Cadell’s paintings are confident and rich with colour. Celebrated for his stylish portraits of Edinburgh New Town interiors and his vibrantly colored, daringly simple still life’s of the 1920s, exceptional in British art of this period, he also captured the beauty of nature, especially in the evocative works portraying his beloved Iona.
Established following the 125th anniversary of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the long-standing positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. The fifth lecture was given by Hal Foster of Princeton University. Professor Foster is an acknowledged expert on modernist art and architecture, and has a particular fascination with Pop art. His wide-ranging lecture on Roy Lichtenstein is a gripping engagement with the multiple aspects of the artist’s work: the conjunctions of art and technology, the satirical playing with previous modernist styles, and the sinister background of the military-industrial complex. Also available in the series:
Roger Fry’s Journal: From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners: Watson Gordon Lecture 2007 9781906270254 Picasso’s ‘Toys for Adults’: Cubism as Surrealism: Watson Gordon Lecture 2008 9781906270261
This is the first study of a fascinating, international phenomenon in the art of the past century. Naked portraiture is an original hybrid of the traditional genres of the nude and portrait, and has been created by an astonishing range of major artists, in many different media and in a variety of major artistic centres. Martin Hammer’s ground-breaking book compares work by painters such as Egon Schiele, Paula Modersohn-Becker, Pierre Bonnard, Stanley Spencer, Lucian Freud, Tracey Emin and Jenny Saville. The analysis encompasses a rich tradition of naked portraiture using photographic media, produced by figures such as Alfred Stieglitz, Richard Avedon, Diane Arbus, Boris Mikhailov, Nan Goldin, Gary Schneider and Melanie Manchot. The subjects are men and woman, old and young, black and white, healthy and disabled. They might be lovers, close relatives or friends, with their nakedness suggesting the intimacy and tenderness existing between artist and subject. Conversely, the artist might not know them beyond the circumstance of making the pictures. Many of the images represent the artists themselves, with nudity carrying connotations of self-exploration, vulnerability, playfulness or fantasy. Martin Hammer’s innovative study seeks to explain naked portraiture as a symptom of wider currents in modern culture, a visual parallel to various other manifestations of an impulse to reveal what is hidden, profound, or authentic, beneath the surface facade. The book also opens up for consideration the wider issue of how and why the genre of portraiture has been radically extended and reinvented, in so many different ways, within the art of the last hundred years.
Revealing an alternative story of modern Scottish art, A New Era examines the most experimental work of Scottish artists during the first half of the 20th century. It challenges the accepted view of the dominance of the Scottish Colourists and uncovers the hitherto little-known progressive Scottish art world. Through these works, we can see the commitment of Scottish artists to the progress of art through their engagement and interpretation of the great movements of European modern art, from Fauvism and Expressionism, to Cubism, Art Deco, abstraction and Surrealism, among others. Looking at the most advanced work of high-profile artists such as William Gillies and Stanley Cursiter, and lesser-known talents, like Tom Pow and Edwin G. Lucas, A New Era takes its name from the group established in Edinburgh in 1939 to show surreal and abstract work by its members.
Established following the 125th anniversary of the foundation of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures typify the longstanding and positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. This lecture was given by Neil Cox of the University of Essex, one of Britain’s leading scholars of Cubism and Surrealism, and a particular authority on Picasso, approaching the Spaniard’s work from intriguing angles. He concentrates on a single work, Picasso’s Head of 1913, and in doing so demonstrates how scrupulous focus can open out challenging perspectives in the work of a great master.
Also Available:Roger Fry’s Journey ISBN: 9781906270117 Sound, Silence, and Modernity in Dutch Pictures of Manners ISBN: 9781906270254
This book reveals the wealth of British and European miniatures preserved in Scottish private collections, most of which are not normally on show to the public. Some of these intimate and private works are new discoveries, published here for the first time. These works are drawn from some of the notable private collections in Scotland, led by the most famous of all, that of the Duke of Buccleuch & Queensberry. The protagonists of the Stuart cause are well represented in portraits of Prince James and his sons Prince Charles Edward and Prince Henry Benedict, taken from the collection of one of the most significant Jacobite families, that of the Dukes of Perth. The book illustrates some of the most personal portraits of the leading figures among the great families of Scotland from the early seventeenth to the mid-nineteenth century. Twenty of the key works are illustrated in colour, with extended captions, and a complete catalogue of the collection is also included.
This book brings together over 160 of the finest surrealist artworks by legendary artists including Salvador Dalí, Max Ernst, René Magritte, Joan Miró and Man Ray. The works hail from the four renowned and extraordinary private collections of Edward James, Roland Penrose, Gabrielle Keiller and Ulla and Heiner Pietzsch, and together offer a superb overview of surrealist art.
Ten essays explore the different origins, historical contexts and creative urges behind these collections. Artworks, perhaps more than anything else that one can acquire, are objects of desire and surrealist artworks even more so. The sheer quality of the works acquired (and, in the case of the Pietzsches, still being acquired) is astonishing and, while passionate about their private visions, all the collectors have been mindful of contributing something to the public good.
The collections complement each other to an extraordinary degree and allow us to follow some of the artists’ careers from beginning to end. By uniting them, exciting new juxtapositions emerge along with a fuller and richer picture of the surrealist movement as a whole.
British realist art of the 1920s and 1930s is visually stunning – strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterized by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud’s early work can be seen as a realist coda which continued into the 1940s and beyond. Featuring many Scottish and women artists, this book promises a fascinating insight into this captivating period of British art.
“The most important portraits to me are the ones of people who have enriched my own thinking or awareness. Areas of philosophy, religion, psychological perspectives, poetry, music, art history, women’s roles and the inner life are important issues for me – and all have been nurtured by these people whom I have met through portraiture.” – Victoria Crowe. Victoria Crowe is one of Britain’s most vital and original figurative painters. Here, Duncan Macmillan explores the exceptional skill of this remarkable artist’s portraits and Victoria Crowe, herself, contributes many insightful accounts of her own thoughts and perceptions as each work developed. This book also tells Crowe’s own story – both professional and personal – through her art. She has developed an approach to portraiture that seeks to do more than record the outward appearance of a person: she aims to represent something of the inner life. With 80 illustrations, the portraits include the artist’s family, composer Ronald Stevenson, pioneer medical scientist Dame Janet Vaughan, poet Kathleen Raine, actor Graham Crowden, psychiatrist Professor Sir Peter Higgs and many others.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue discusses the topic of globalization and locality through four essays and eleven projects. The essays attempt to observe the tension between the different forces of globalization, which is being widely debated as a distinguishing trend, and also highlight globalization’s impact on local architecture, as well as the various efforts being taken to ensure local identity and distinctive locality in architecture design. The projects, accompanied with full-color photos and text descriptions, demonstrate the many successful attempts in developing design concepts and methods to cope with the globalization trend while maintaining locality. These essays and projects are carefully selected to represent diversity in project locations, and includes locations such as Thailand, India, Japan, and China.
“… essential reading for anyone interested in conservation, African history, and the human spirit. It is a moving portrait of a park that continues to inspire global efforts in environmental stewardship, even under the most difficult circumstances.” — Ninu Ninu
“This book is a reminder of the park’s value both in local terms and on a global scale, and why the fight to protect it must continue.” —Outdoor Photography
Virunga National Park, the green lung in the eastern DR Congo, is Africa’s oldest nature reserve. The park is breathtakingly beautiful and offers an unparalleled diversity of ecosystems—from active volcanoes to tropical rain forests, from the glaciers of the Rwenzori peaks to the savannas of Rwindi. It is home to an exceptional array of wildlife, including the world’s last mountain gorillas. Thanks to these unique features, Virunga is listed as a UNESCO World Heritage site. This publication, written by around 40 experts, explores the complex history of this Congolese gem. It sheds light on those who have dedicated themselves to its preservation since 1925, as well as the current teams fighting to address the countless environmental and social challenges in a region plagued by conflict, poverty, and humanitarian crises. Through their efforts, the park has become a catalyst for development and stabilisation of the entire region. The book invites us on a fascinating journey where resilience and innovation serve the park and surrounding communities, continuing to shape the legend of Virunga.
To celebrate the 60th anniversary of the establishment of diplomatic relations between Switzerland and South Korea, this volume offers a unique point of view on the work of Ji-Young Demol Park and Lee Lee Nam. The evocation of nature unfolds through connections interwoven over the centuries between culture and objects, materials, colors, and motifs. Jade- and pine-colored decorated ceramics, cobalt oxide for the horizon, porcelain white as snow or the moon, all feature in the work of both artists, their gazes meeting and reflecting in the landscapes of a great painter of old, Jeong Seon (1676-1759). Despite all their differences, the mountains rendered in ink by Ji-Young Demol Park and Lee Lee Nam’s virtual landscapes are truly united by the uniqueness of their relationship with this cultural heritage as well as the strength of their individual universes, oriented towards the re-enchantment of nature.
Text in English and French.
“The richness of the illustrations in this larger format enables us to better appreciate the intricacy of her illuminated manuscripts, the tonal subtleties of Traquair’s tooled leather book bindings and the processional scale of her muraled interiors.” — Journal of the Scottish Society for Art History
A fully updated and expanded edition of the definitive study of Phoebe Anna Traquair.
This is a compelling account of the life and career of Phoebe Anna Traquair, a leading figure in Britain’s Arts and Crafts movement. The new edition features new research about her artistic practice, materials and technique as well as her intellectual life, including her correspondence with John Ruskin. Her total commitment to the place of art in her daily life is revealed alongside new details on her family and social life.
Traquair was remarkable for her openness to all types of art, and worked in a range of media including embroidery, enamels, illuminated manuscripts and murals. This new edition features 120 illustrations including new discoveries, as well as some of her most famous and best-loved works.
Beautifully illustrated and featuring the artist’s own words, this book is at once a fascinating biography and an artistic study of one of Scotland’s first professional women artists.
After studying art for many years under highly respected teachers, Asta Nørregaard (1853–1933) became an established artist. She exhibited at the Paris Salon and carried out numerous portrait commissions for prominent figures from the upper class of Norwegian society, and from the fields of science and culture. She also ran her own painting school and established endowments for female artists and musicians. Even though Nørregaard is primarily known for her portraits, she also painted landscapes, interiors, and religious scenes. For many years, Nørregaard was overshadowed by more famous contemporaries, but recently she has gained recognition as a substantial force in Norwegian art history.
This book brings together the breadth of Nørregaard’s artistic practice. It presents portraits of leading cultural and scientific figures of her time, studies of dress and fashion, and a museum-based detective story in which the question of who is portrayed takes center stage. Taken together, the texts offer an understanding of Nørregaard, not only as a portrait painter, but as an active participant in the art world and as an artist who challenged the boundaries of what women could be in her time
Christian Krohg was a key figure in the Norwegian art community of the 1880s and 1890s, and was strongly influenced by the ideology of realism. In his view, art should have meaning for a broad segment of the population, not merely serve as wall decorations for the bourgeoisie. Three types of motifs were recurrent themes for Krohg during this period: the working-class hero, scenes from family life and “the fallen woman”. Many people responded to his literary and visual representations of the poverty-stricken girl Albertine. He depicted members of the working class with great sympathy in paintings such as Errand Boy Drinking Coffee and Woman Cutting Bread. The Gaihede family, fishermen from Skagen in Denmark, are portrayed in many everyday situations, as are members of Krohg’s own family. The catalogue sheds light on the subject matter of the exhibition, Krohg’s period of study in Berlin and its impact on him, his relationship with Georg Brandes, the novel Albertine and Krohg’s own use of photography as a model for his work and a medium.
Text in English and Norwegian.
Sikh Heritage, with a foreword by Hardeep Sigh Puri, is a succinct and delightfully photographed glimpse into the community’s religion, its ten gurus, its temples, traditional systems of governance, history, architecture, and the famous Golden Temple. This book traces the history of the valor and devotion of the Sikh community, which forms less than 1 per cent of India’s one billion population, yet produces over 50 per cent of the country’s food reserves. Despite the brutal assaults of history faced by the Sikh community – such as the partition of Punjab – they still maintain the merit of their heritage. Looks at how the thriving Sikh diaspora has spread across the globe; and how they always took the words of the gurus with them wherever they went. This work has captured the relics that have borne witness to the establishment of the Sikh community and identity. Most of these heritage objects associated with the gurus are in private collections or in gurdwaras. A photographic documentation of the Sikh historicity through objects both in time and space, such as the beautifully captured images of Takhats or temporal seats of the Sikhs, portray a unique relationship between the edifice and the Sikhs – thus, each photograph is a story in itself. This new approach aims at the conception of Sikh heritage not only as the sacred masterpieces of the past to be valued and conserved, but also as emblematic and living spaces to be appropriated by the local communities who are the bearers of a rich and active collective memory.
A vivid portrait of much-loved artist, Joan Eardley, and her relationship with the Scottish coastal fishing village, Catterline.
Joan Eardley, one of Scotland’s most loved artists, first visited the coastal fishing village of Catterline in north-east Scotland in 1951. It sparked a fascination that would last the rest of her life.
She made the village her home and found inspiration in the dramatic light and rapidly changing weather. The gentle landscapes and wild rolling seascapes she painted there in wind, snow, rain and sunshine are among her best-loved works.
Focussing on Eardley’s relationship with Catterline, this book includes previously unpublished archival material as well as specially conducted interviews with many of those in the village who knew her, shedding new light on Eardley’s life and artistic practice. A vivid portrait is painted both of Eardley and of the village, showing the vital part Catterline played in her development as an artist.
Looking for the ultimate guide to New York City? You’ve found it! The New York Bucket List brings together the most authentic, quirky, romantic, and one-of-a-kind tips. Whether it’s your first time in NYC or you’ve been living here for over 50 years, this guide will inspire you like never before. This compact pocket guide helps you get the absolute most out of the city. It’s divided into nine themed chapters (Adventurous, Authentic, Romantic, Special, Trendy, Happy, Tasty, Sexy, Fun) so you can easily find the best tips without feeling overwhelmed. Say goodbye to decision fatigue—and getting lost in the city that never sleeps. New York isn’t just a city trip. It’s a journey around the world.
The Perfect Home Office highlights the many options that come into play when designing a home office. It brings together a wealth of inspiring visuals and design ideas from home offices around the world, along with practical guidance and the latest trends. The author introduces a variety of designs and styles – from London to Tokyo, from country-style to industrial – that might inspire us to turn our home offices into more than just a place to work. From tiny offices to panoramic workplaces, from ‘the messy office’ to ‘the glamour office’, every type of office worker will find what they are looking for.
Previously published as Where We Work ISBN 9789401478335.
Taking those steps that will lead to your ultimate victory and achieving top performances, everyone dreams of it. In The Ultimate Victory, top sports psychologist Ellen Schouppe teaches you how developing attitudes such as leadership, energy management and mental resilience can leverage your talents. Take your personal development into your own hands, be inspired by top performers and achieve your own goals as a professional in your field, as an athlete, as an entrepreneur, but above all, as a person.
Utrecht, The Netherlands. 13 February 2034. A self-driving car is hacked and its safety features deactivated, causing a deadly accident. NATO, supervising global internet security, realizes the whole world is in danger when soon afterwards two more attacks occur. Europol inspector Lara Hartman and communications specialist Frank Willems are at the forefront of a desperate manhunt for the criminals behind these acts of cyber terrorism. Everything seems to be pointing to a dangerous computer virus. But time is running out, and they must find an antivirus that can prevent evil from striking again…