NEW from ACC Art Books – Limited Edition: Sukita: EternityClick here to order

Tea was introduced to Britain in the 1650s. Its popularity burgeoned over the following two-and-a-half centuries, until it became a defining feature of British culture.

Drawing inspiration from China, British craftsmen worked to display their skills on numerous tea-related objects, which ritualised the process of drinking tea and imbued it with luxury status. Calling on an array of different materials and techniques, they developed a huge variety of canisters and lockable containers for storing and preserving this precious commodity.

Tea chests and caddies were not merely functional items that might lurk at the back of the kitchen – they were intended for display and were an essential accoutrement for fashionable women. As the habit of tea drinking filtered down the social scale, caddies were made in larger numbers and in more affordable forms.

This book brings together a great range of decorative antique tea containers, presenting them alongside detailed historical research conducted into their making and their place in British society across the centuries. It also explores the materials and techniques employed. With historical art showing tea’s integration into British society, examples of old trade cards and original designs, and a wealth of illustrations of the objects themselves, this is a must-buy book for historians, collectors and those interested in the decorative arts.

From rockers to ravers, The Illustrated Book of Songs is the book every music lover will want. In quick-witted style, Irish writer Colm Boyd navigates us through lists of classic songs for every occasion. Prepare yourself for fascinating facts, cool illustrations and withering commentary on songs presented in lists such as:

       Songs about Getting Dumped
       Songs about Prostitution
       Songs about Environmental Matters
       Songs about Being a Complete and Utter Asshole
       Songs about Gender Identity
       Alternative Christmas Songs
 
The Illustrated Book of Songs
features 70 lists, discussing hundreds of songs from different genres and artists – from Adele to Aretha, Jagger to Jarvis, Rufus to Rosalía. Many of the songs are well-known, others are a little more off-radar. Some have amazing musicality, some have lyrics – quite literally – worthy of a Nobel Prize. Some deal with death, others deal with zebras, one song deals with prostitute-frequenting chess players in Bangkok. You get the idea.

Each of the book’s lists is accompanied by a scannable Spotify code, allowing readers to use their smartphones to directly access the songs mentioned. So, time to get reading and get listening.

Check out the book’s website for more information: colmboyd.com/the-illustrated-book-of-songs.

The Razmnama or The Book of War is the Persian translation of one of the great Hindu epics of India, the Mahabharata. The Mughal emperor Akbar took a personal interest in the translation project and a lavishly illustrated copy was prepared for his personal use. Out of the three copies made, the three-volume Razmnama in the Birla Academy of Art and Culture, Kolkata is the only copy that is complete with 81 miniatures that bear the name of the scribe and the date of completion, 1605. The paintings combine the finest elements of the Mughal court style with the narrative style of storytelling.

Sought after for his colorful coat, Rajah may be possessed of immense strength, but he is impetuous and careless. He often has to be saved from this scourge by resourceful and brave humbler members of the jungle, such as the squirrel Lil Squi and the jungle mouse Chuhi. They are joined by Hathi, Loombar, Magar and others. Written lyrically with beautiful illustrations, Rajah: King of the Jungle is a unique contribution to children’s literature. Intended to be read out to younger children, these delectable tales can also be enjoyed by parents and teachers. For older children, the poetic prose is a source of inspiration.

Wines from Côte-Rôtie, Hermitage and Châteauneuf-du-Pape have made the Rhône Valley world famous. This may be a classic wine region, but as Matt Walls reveals in Wines of the Rhône that doesn’t mean it is set in its ways. Change here is not only driven by innovations in winemaking and fashions in wine, it is also an essential response to a rapidly shifting climate, which has seen temperatures rise significantly over the last 40 years and extreme weather events become more commonplace. Walls provides a rounded picture of this large and complex region, which varies greatly along the 200-kilometer stretch of river, from Vienne in the north to Provence in the south. Beginning with a vivid journey through the terrain, he explores one of the region’s constants, its varied geology, before moving on to the pressing issue of climate. A short tour through the Rhône’s winemaking history, from early Greek settlers to the modern industry, is followed by vignettes of all the AOC-permitted grapes and an explanation of the five levels of the region’s appellation system. Walls encourages readers to venture beyond the famous crus, making it easy for those eager to explore by detailing the terroir of every appellation and describing and assessing typical wines. Profiles of 200 key producers complete the picture. Boxes throughout the text provide interesting asides on current issues as well as key appellation facts, while an appendix on ageing wines offers a guide to the last 40 vintages. This comprehensive examination of a renowned region is an ideal introduction for those new to the Rhône, while providing fresh insights for long-time admirers of the wines.

In 1913, photos of The Nataraja bronze from the Chennai Museum inspired Auguste Rodin’s text “The Dance of Shiva”. Written at the end of his life, this vision of Shiva, “Lord of actor-dancers”, revealed the underlying links between Rodin’s dance sculptures (1910), the Cambodian dancer drawings, and his private collection of antique Venus and Buddha sculptures and wood carvings from India.
Through his androgynous vision of Shiva the cosmic dancer, Rodin invites us not only to a new reading of his work but also opens the door to a new vision of Indian theatre and dance.The connections that he suggests between sculpture, poetry, dance, theatre, music, photography and architecture have a particular contemporary resonance.

South Africa is the eighth largest wine-producer in the world and its wine industry is among the oldest of the New World. Today it is one of the globe’s most dynamic industries, compact but diverse. In the past decade a new generation of winemakers has breathed life into centuries-old estates and new, boutique brands alike. The Wines of South Africa begins by introducing readers to the history of South African wine, starting with the arrival of the Dutch and the establishment of what would become Cape Town. Clarke then analyses South Africa’s industry today including the geological, geographical, and climatic conditions that create the parameters and potential of South African wine. He describes the major grape varieties and wine styles and outlines the broad range of wines being produced. The book the current infrastructure of the industry paying particular attention to the role of Black and coloured people in the wine industry since the end of apartheid. Key challenges facing the industry are explored, including profitability and the loss of vineyards as farmers switch to higher-margin orchards; environmental concerns, the effects of climate change, and water conservation; and the legacy of apartheid and continued imbalances in the socioeconomic structure of the Western Cape. The major growing areas of South Africa are described in turn, including an explanation of the Wine of Origin scheme, and the most important producers operating in each one.

A sumptuous celebration of one of the world’s most striking photograph collections from 1967 to 2017. This publication celebrates fifty years of collecting photographs at the National Gallery of Canada. In 1967, when the collection was established, the photography market was in its infancy and the collection reflects the availability of in-depth collections of work by some of the forefathers of the medium such as Charles Nègre, William Henry Fox Talbot, Gustave Le Gray and Roger Fenton, among others. Within a few short years of starting to build the collection the science of photographic preservation and conservation was making remarkable strides and influencing the acquisition and exhibition of photographs in museums. This publication celebrates the collecting of photographs, the historical and art historical context of their making and the deepening of our understanding of their physical nature. The work of 164 artists, such as: Benoit Aquin; Diane Arbus; Eugène Atget; Nicolas Baier; Edouard Baldus; Brassaï; Julia Margaret Cameron; Henri Cartier-Bresson; Lynne Cohen; Benjamin John Dancer; Walker Evans; Robert Frank; Lee Friedlander; Isabelle Hayeur; Arnaud Maggs; Robert Mapplethorpe; John Max; Lisette Model; Eadweard Muybridge; Charles Nègre; William McFarlane Notman; Marc Ruwedel; Jospeph Sudek; William Henry Fox Talbot and vernacular and news photographs by unknown photographers will also be included.

Health Service has held a place at the heart of the nation. Promising to care for the citizens of Britain ‘from the cradle to the grave’, it offers universal health care for all, regardless of wealth or status. This book celebrates the triumphs and trials of the NHS through the years, highlighting key events and medical milestones, and providing a timely reminder of the importance of maintaining this vital institution that has long been the envy of all nations. Publishing to coincide with the 75th anniversary of the NHS.

Andy Goldsworthy tells the story of his career in his own words – from school art classrooms to the ambitious retrospective exhibition this book accompanies. In a wide-ranging and personal conversation, Goldsworthy recalls the triumphs and tribulations that have shaped his journey to become an artist of global renown. Illustrated by many of his iconic installations and ephemeral works, this book also includes previously unseen drawings for new creations. This is an unmissable account of the life and work of an artist pushing the boundaries of the art world.

Since taking the helm of the National Galleries of Scotland in 1984, Sir Timothy Clifford has overseen the acquisition of some of the finest, and best-loved works in the national collection. This book chronicles the development of the collection under his directorship and casts light upon the wide range of acquisitions, including the fascinating stories behind their purchase. Lavishly illustrated, highlights of the book include The Virgin Adoring the Sleeping Christ Child by Botticelli, The Three Graces by Canova (purchased jointly with the Victoria and Albert Museum, London), and the most recent major acquisition, Venus Anadyomene by Titian. Works from the Scottish National Gallery of Modern Art’s internationally renowned Surrealist collection are also featured, as well as paintings from the Scottish National Portrait Gallery.

J.M.W. Turner 1775-1851 was perhaps the most prolific and innovative of all British artists. His outstanding watercolors in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed to the Gallery in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner’s career.

This richly illustrated book provides a commentary on the watercolors, addressing questions of technique and function, as well as considering some of the numerous contacts Turner had with other artists, collectors and dealers. The introduction concentrates on Henry Vaughan, one of the greatest enthusiasts for British art in the late nineteenth century, whose diverse collections have not previously been fully appreciated.

The Selous was my very first Africa experience, and it remains my favorite. Robert J. Ross’s extraordinary photographs take us into a natural world unlike any other on earth. A world of elephants. Of wild dogs. Of nature as it should be, can be, might be – if we keep these breathtaking images firmly in mind. A triumph! Bryan Christy, Director, Special Investigations Unit, National Geographic
The Selous Game Reserve in southern Tanzania is Africa’s oldest and largest protected area.  Proclaimed in 1896, and bigger than Switzerland, the Selous is a UNESCO World Heritage Site. The Selous remains one of Africa’s largest and greatest undisturbed ecosystems, teeming with life including one of the two largest elephant populations remaining on the African continent, probably half of all of the wild dogs in Africa, vast herds of buffalo as well as more lions than any other protected area on the continent as reported by National Geographic in August 2013. The game reserve is becoming more important by the day as the pressure on elephants and other species grows – problems that are addressed here in this book. New-York born photographer Rob Ross has spent much of the past four years photographing in this vast and difficult to access reserve. He has compiled more than 100,000 images showing all aspects of the reserves varied landscapes, seasons, flora and large and small fauna. The spectacular large-format photography book features a selection of the very best images including landscapes, wildlife portraits and behavior, night photography, impressionist style work and breath-taking aerials.

Caravaggio’s astonishingly naturalistic and provocative Cupid Victorious hung in the palace of a famous family at the heart of seventeenth-century Rome. Helen Langdon explores how the artist, famed for his originality, created a balance between a suggestion of his own world – a world of lively and rowdy street life – and a complex and ambiguous response to both ancient and Renaissance art and literature. Langdon also looks at the challenge the painting threw out to contemporary painters, whose world was characterized by extreme and bitter rivalries; often they reject his irony, sometimes embellish the painting’s sexuality, and at other times convey an opposing sense of the harmony of the arts.

“It is fortunate that a scholar with Professor Abbi’s tenacity, as well as her scientific credentials, was available and willing to conduct this work… The volume is a superb introduction for the layperson to the wonderful world that Professor Abbi has opened up for us.” – Bernard Comrie, Santa Barbara, California.

“For two decades now, Abbi has marshalled the full intellectual and strategic weight of her training, disciplinary expertise and socio-cultural capital to document, preserve and share with the world the voices, songs, stories and laughter of the Great Andamanese.” – Mark Turin, University of British Columbia, Vancouver.

The Andaman Islands — Great Andaman, Little Andaman, and North Sentinel Islands have been home for milleniums to four tribes: the Great Andamanese, Onge, Jarawa, and Sentinelese. Their languages are known by the same name as that of the tribes. ‘Great Andamanese’ is a generic term representing ten languages among a family of languages that were once spoken by ten different tribes living in the north, south, and middle of the Great Andaman Islands. These languages were mutually intelligible like a link in a chain.

However, today, Great Andamanese is a moribund language of the only-surviving pre-Neolithic tribe, breathing its last breath. When a language is on the verge of extinction, its history, culture, ecological base, knowledge of the biodiversity, ethno-linguistic practices, and the identity of its community — everything is endangered. This is what prompted Prof. Anvita Abbi to conduct a research study to give life to the lost oral heritage of the vanishing world of the Great Andamanese.

Voices from the Lost Horizon is a collection of a number of folk tales and songs of the Great Andamanese. These stories and songs represent the first-ever collection rendered to the Prof. Abbi and her team by the Great Andamanese people in local settings. The compilation comes with audio and video recordings of the stories and songs to retain the originality and orality of the narratives. 

This stunning 2-volume set introduces the Geneva-based Fondation Gandur’s collection of classical antiquities gathered over the past 40 years by founder Jean Claude Gandur. These two volumes are complementary: The first volume investigates the subject of ancient religion by observing images of idols, goddesses, gods, and devotees, and through them related rituals and religious practices; while the second focuses on especially exquisite objects, luxurious trifles known since ancient times as deliciæ. These two volumes interact with each other, forming a whole that offers a sparkling view of Greek-Roman antiquity, from Italy to the Roman Orient of the Later Empire, through archaic Cyprus, classical Greece, and Hellenistic Egypt.

Royal Tombs of India, the first book of its kind on the Islamic royal tombs of India, focuses on the Tughluq and Lodi tombs, Qutb Shahi tombs and Mughal tombs (Humayun, Akbar, Aurangzeb, Jahangir and Nur Jahan, Bibi-ka-Maqbara, and the Taj Mahal). It also discusses the controversy surrounding the location of Babur’s tomb. The tombs are described in the broader historical and architectural context of the reign of Tughluq, Lodi, Qutb Shahi and Mughal dynasties. It traces the history of royal tombs, from the ancient Egyptian pyramids, the Greek/Roman mausoleums and the Chinese royal tombs to the Islamic tombs of Central Asia, Pakistan and India. It also analyses the different characteristics of pre-Mughal and Mughal architecture and how it was influenced by Persian and Indian architecture. The royal tombs of pre-Mughal sultans (Slave, Khalji and Tughluq), Qutb Shahi kings and Mughal emperors are also discussed.

This volume highlights the treasures of Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, formerly known as the Prince of Wales Museum of Western India, and houses a world-class collection of art objects. It is categorized primarily into three sections: Art, Archaeology and Natural History. The Museum has some fine and rare collections featuring ancient Indus Valley artifacts that date back to 3000 BC as well as relics from the Maurya and Gupta period (320 BC AD 800). The Indian Miniature Painting Gallery houses art treasures from almost every significant school of miniature painting.

Greenwich is the one London district whose name resonates around the world. As ‘the place where time began‘, everyone has heard of it, so naturally everyone wants to come here when they visit the capital.

With a memorable and picturesque Thames-side location, its maritime history means that there‘s more to see here per square foot than any other outer London neighborhood, and this new guide tells you how to do it.

111 Places not only tracks down the most interesting nuggets among Greenwich’s mainstream sights, from the Cutty Sark to the Meridian Line, it also lifts the lid on the area’s lesser-known attractions – from haunted Jacobean houses and mudlarking in Deptford Creek to classic pie and mash shops and famous riverside pubs. It explores beyond the confines of Greenwich town centre, turning up treasures like Henry VIII’s favorite residence, Eltham Palace – now an Art Deco gem – and nearby engineering feats like the Thames Barrier.

You could come to London and spend half your time in Greenwich, and we wouldn’t blame you if you did. This book tells you how to make the most of London‘s maritime borough.

The Caravane Earth Foundation presents The Majlis book, a rich and colourful documentation of the creation of the “Majlis” exhibition, a multi-layered nomadic project at the 17th annual Biennale di Venezia. The book tracks the multifaceted nature of the exhibition itself, which comprised an architectural object, an exhibition, and a garden, all three hosted by the Abbazia di San Giorgio Maggiore in Venice, Italy. Additionally, the book tells the broader story of Caravane Earth, chronicling research conducted by the foundation and the key ideas that form its philosophy and agenda. The Majlis highlights the main elements of the project in Venice while giving an introduction to key members of Caravane’s community of experts.  

With a narrative structure broken into four sections – Exhibition, Architecture, Craft, and Earth – The Majlis book features interviews with important figures and institutions from these fields, stunning visual documentation of the creation process and featured artefacts, and critical writings on permaculture, architecture, and craft. Featuring discussions with the Smithsonian Foundation, landscape architect Todd Longstaffe-Gowan, The International Network for Traditional Building, Architecture & Urbanism (INTBAU), director and curators of the Sheikh Faisal Museum, and many more, the collection provides a deep look and education into the many causes championed by Caravane Earth.

“…sumptuous large illustrations of the selected Works, with a beautifully printed tonality”
“lt is exciting to think about how this important collection can continue to grow while this publication is already a beautiful tribute to Scottish art.” 
 Journal of the Scottish Society for Art History, Volume 29, 2024-2025, p.128
The National Galleries of Scotland is home to the most important collection of Scottish art in the world. This beautifully illustrated book introduces the collection through 100 works, specially chosen by the curatorial team who care for them.
The selection ranges chronologically from a 16th-century portrait of a Scottish king to 21st-century instalations and prints. Some of the most famous painters in Scotland’s history feature alongside some of the finest artists working in Scotland today. Many of the most distinctive movements in Scotland’s artistic heritage are represented, including the Celtic Revival, Arts and Crafts, the Glasgow Boys and the Scottish Colourists.
Each of the 100 works is reproduced alongside a text by one of 23 three expert contributors. The introduction gives an overview of the collection and Scottish art history more broadly. It is perfect for those who already love Scottish art, and those who are yet to discover its riches.  

Viewed from a satellite at night, the Peak District National Park appears as an island of darkness, surrounded by the streetlights of northern England’s industrial cities. From these cities come many of the park’s visitors, drawn to one of the most loved and most visited National Parks in the world, often treating it as their own personal playground. This book guides you to 111 Places in the Peak District That You Shouldn’t Miss and includes 11 carefully selected walks to help you explore them on foot. Alongside familiar highlights, it uncovers offbeat, surprising and unusual sites that even regular visitors may have overlooked or never heard of. From the gentle limestone dales of the White Peak to the dramatic edges and rugged moorland of the gritstone Dark Peak, the scenery is wonderfully varied. Stone-built villages, prehistoric remains and traces of early industry add further depth. Join us as we explore the lesser-known corners of Britain’s original National Park in the expert company of the man known as Mr Peak District.

James VI & I, the only child of Mary, Queen of Scots, has often been overshadowed by the dramatic lives of his mother and son, Charles I. This book seeks to redress the balance by centering the first monarch to reign over both Scotland and England and uncovering the artistic treasures created during his extraordinary reign.

The cultural riches of James’s court are showcased, revealing his diverse roles as ruler, scholar, politician, father and patron of the arts. His court’s passion for jewelry and fine clothes is illustrated in the vivid portraits and miniatures by John de Critz and Nicholas Hilliard – just two of many artists and craftspeople who thrived in its artistic and intellectual climate.

Five richly illustrated chapters demonstrate James’s impact on early modern Britain, while reconsidering the reputation of a king traditionally presented as preferring hunting and drinking to the duties of daily governance. Packed with exquisite art works and sumptuous objects, this book brings James’s court vividly to life.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.