The collection of British silver at the Ashmolean Museum has all, with one notable exception (a tankard of 1574 given in 1790), been acquired since shortly after World War II. In relation to other major museum collections, therefore, it is young. Yet amounting to over 550 objects, many of which are of spectacular quality and rarity, it is one of the most important collections of its kind in the world, equaled only for the ‘golden age’ of English silver by the Victoria and Albert Museum in London and the Museum of Fine Arts in Boston. The collection has never been fully catalogued and this will be the first time a complete catalogue has been published.
Tornabuoni Art Paris opens 2023 with an exhibition dedicated to the relationship between art and poetry, examining the case of Giuseppe Ungaretti, on the 110th anniversary of his arrival in Paris, a defining moment in his literary career.
The catalog, with texts by Alexandra Zingone, literary critic and curator of the exhibition, tackles the analysis of the art of the ‘short century’ with a global view, taking into consideration the constant dialog between the various exponents of the cultural world.
Through passages from critical texts by Ungaretti as an interpreter of art, the volume follows the exhibition among the many works by contemporary artists, including Giacomo Balla, Alberto Burri, Giuseppe Capogrossi, Carlo Carrà, Giorgio de Chirico, Piero Dorazio and others.
Throughout his multidisciplinary career, Ungaretti found himself indiscriminately analyzing various genres, including Futurism, Metaphysical, Informalism, Socialist Realism and Expressionism of the Roman School.
The exhibition develops around the poet’s pieces, in some cases in the form of original manuscripts and first editions.
Accompanying the volume is an extremely rich iconographic and archival apparatus accompanies the reader in discovering a virtuous example of the links that have always existed between literature and the visual arts.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue reveals the development of Thailand contemporary architecture, and features five essays and twelve projects that elaborate this perspective. The five essays elaborate the contemporary architecture of Thailand in Southeast Asia, and how Thailand architecture was influenced by western architectural theories and finally found a good balance between modernization and localization. The twelve projects, accompanied with full-color photos and text descriptions, concentrate on the exploration of modernity, regionalism and futurism in Thai architecture from 1940 to 1980, and highlight architectural works that reflect on practical industrial buildings, demonstrate the exploration of Thai contemporary architecture from form, space and architecture to the complex disciplines of ecology, humanities, society and industry.
The Kabbalistic idea of creation, as expressed through light, space, and geometry, has left its unmistakable mark on our civilization. Drawing upon a wide array of historical materials and stunning images of contemporary art, sculpture, and architecture, architect Alexander Gorlin explores the influence, whether actually acknowledged or not, of the Kabbalah on modern design in his unprecedented book Kabbalah in Art and Architecture. Gorlin brings light to the translation of the mystical philosophy into a physical form, drawing clear comparisons between philosophy and design that will excite and exalt. Comprising ten chapters that each outline key concepts of the Kabbalah and its representations, both in historic diagrams and the modern built environment, Kabbalah in Art and Architecture puts forth an unparalleled and compelling reinterpretation of art and architecture through the lens of the Kabbalah and Jewish mysticism. A chapter on the Golem, and an epilogue that discusses German artist Anselm Kiefer’s powerful interpretations of the Kabbalah, complete this unique book.
“An important document that should be included in any library of design and architecture.” – Daniella Ohad
“A masterful blend of émigré biography and architecture and design history, proving that the twentieth century fostered more than one modernism.” – Donald Albrecht
Christopher Long, author of seminal monographs on Adolf Loos, Kem Weber, and Paul T. Frankel, turns his attention to the little-known architect and designer Jock Peters, a largely forgotten figure of early Los Angeles modernism.
This visually rich study is also an intimate portrait of an architect who, like too many, struggled to establish a career during the early decades of the 20th century, years ravished by World War I and the Great Depression. Among Peters’s early works in Germany are designs for the Levantehaus and Karstadt department stores, an innovative design dated 1916 for a magnificent glass pavilion, and his work for Peter Behrens after the war, but the architect’s most accomplished and compelling work came after 1922 when he settled in Southern California. Most notable are the strikingly lavish and elegant commercial interiors Peters designed for the iconic Bullock’s Wilshire store in Los Angeles and the tragically forgotten Hollander department store in New York City; both projects brought him international recognition.
The breathtaking scope of his short-lived career includes modern film sets for Famous Players-Lasky, later Paramount Pictures, while working under the legendary art director Hans Dreier; a dynamic sales office for the trendsetting Maddux Air Lines, which later became TWA; and modern residences, including the still extant homes he built for cinematographer Alfred Gilks, who would later win an Academy Award for An American in Paris, and art gallerist and developer William Lingenbrink for whom Peters also designed stores and a vibrantly colorful sidewalk for the Silver Strand beach development north of Los Angeles. Lingenbrink, a major supporter of the burgeoning modernism, also commissioned Jock Peters, alongside Schindler, to design houses for Park Moderne, the legendary avant-garde modernist retreat for artists in Calabasas. Peters also designed the retreat’s Streamline Moderne pump house, clubhouse, and zigzag fountain, which still stands.
This important study on early modernism includes never before published material from the architect’s personal archive, still in family hands. These remarkable and inspiring images-more than 250 historic photographs, etchings, watercolors, and drawings-alongside Long’s insightful narrative, demonstrate how Peters, despite his early death, managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue reveals the development of contemporary Chinese architecture and features five essays and eleven projects that elaborate this perspective. The five essays elaborate the impact of architecture on Chinese life, the Local and the multiplicity of Chinese architecture, and the trend in contemporary Chinese architecture, etc. The 11 projects, accompanied with full-color photos and text descriptions, concentrate on how the contemporary Chinese architectures integrate into and change people’s lives, combine with environmental protection concept, highlight the traditional Chinese culture, and modernize old buildings.
Focusing on the leading architectural designs with regional characteristics, Architecture China is a journal whose mission is to disseminate the creative works of contemporary Chinese architecture and deepen an appreciation of Chinese architectural traditions and trends. In this issue, Architecture China Award, the focus is on outstanding Chinese architecture and architects with the concept of “Building with Nature,” exploring the unique value of contemporary Chinese architecture and its future development direction. The content of this issue includes two articles, as well as the laureates and shortlists of four award categories: Architecture China Award in Practice, Exploration Award in Technology, Exploration Award for Young Architects, and Special Project Award.
The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognize the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2022 which includes Single Family Residential Projects, Multi-family Residential Projects, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Historical Restoration Projects, Adaptive Reuse projects, Integrated Development. Through brief project descriptions and rich images, it provides a wonderful opportunity for readers all over the world to get a quick glance at what happened in Asian architecture in 2022.
The temples of the Early Chalukyas, dating from the 6th to 8th centuries, are unrivalled in all of India for their comparatively early date and unusually complete condition, the remarkable juxtaposition of their different constructional techniques and building styles, and for the sheer beauty of their figural and decorative carvings. In spite of their appeal and outstanding historical significance, these monuments have until now lacked an adequate publication.
This volume is the first to fully describe and illustrate the architecture and art of the Early Chalukya temples in Badami, and nearby Mahakuta, Aihole and Pattadakal, all situated on or near to the Malprabha River in central Karnataka. Michell’s definitive text is complemented by forty of his measured drawings, which constitute the most thorough graphic documentation ever undertaken. These are accompanied by more than 150 splendid, newly commissioned photographs by Surendra Kumar.
Contents:
Preface; Historical Background; Architecture; Sculpture; Badami; Mahakuta; Aihole; Pattadakal; Maps; Building Chronology; Glossary of Architectural Terms; Glossary of Indian Names; Select Bibliography; Photo Credits; Index.
You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.
“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.
In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.
Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.
The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.
This book narrates the complete detailed history of the New Rome Convention centre in Rome and its construction through numerous and evocative images of the work site showing the complexity of the construction stages and the special techniques that were necessary. There are photos of the completed building, by internationally renowned photographers and an essay by Joseph Giovannini, and is completed with very rich iconographic material composed of technical drawings on various scales, and sketches by the Massimiliano Fuksas, author of the work together with Doriana Fuksas.
The NUVOLA (NEW CONVENTION CENTRE) is a work of outstanding artistic merit, featuring innovative logistics solutions, and a choice of technically advanced materials. The structure rises in the historic EUR quarter and covers a surface of 55,000 square metres. The project concept can be defined in three images: the Theca, the Nuvola, and the Lama of the hotel structure. The Theca [display case] is the enclosing structure in steel and double glass facades that encases the Nuvola [cloud], the true core of the project, enclosed inside the Display Case box underlining the contrast between the organization of free space without rules, and a geometrically defined form. The Nuvola contains an auditorium with seating for 1850, cafés and snack bars, and support services for the auditorium. This highly flexible complex is able to house congresses, exhibitions, and events with a seating capacity of almost 9,000 people. The book has been published on various types of paper and differently sized sheets which are inserted within the pages.
Studio Fuksas, directed by Massimiliano and Doriana, is one of the most famous international architectural firms in the world. Over the past 40 years, the firm has developed an innovative approach through a surprising variety of projects all over the world and and has been awarded numerous international prizes.
Architecture China focuses on cutting-edge architectural designs with regional characteristics in contemporary China.
This issue, Winter 2020, Architecture as Infrastructure, selects a series of pioneering architectural cases in China elaborating on how a new kind of architectural infrastructure can be formulated. It includes two essays respectively written by Zhang Bin and Tan Zheng, and the built projects of the 11th Horticultural Exposition of Jiangsu Province. Another series of built projects “Toilet Revolution” is also included.
Both the academic writings and architectural practice in this issue reveal the hidden potential of urban infrastructure in the current construction in China.
The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognize the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2021, which includes Single Family Residential Projects, Multi-family Residential Complexes, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Conservation Projects, Integrated Projects, Socially Responsible Architecture, and Sustainable Buildings.
Through brief jury comments, project descriptions and rich images, this book provides a wonderful opportunity for readers all over the world to give a quick glance at what happened in Asian architecture in 2021.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue focuses on the topic of Architecture Writing and Literature, and features five essays and ten projects that elaborate on this topic. The five essays, separately, introduce Writing Architectural Pedagogies, Indian Architectural Literature in UKs Academe, Architecture of Writing and Criticism, How to Believe in Architecture becoming Author of History and Writing Habitation and Inhabiting Writing. The ten projects, accompanied with full-color photos and text descriptions, highlight various types of architectural works from China, India, Indonesia, Japan, Malaysia, Singapore, showing how architects show their projects through words, depending on the types of architectural work.
Digital Architecture employs computer modeling, programing, simulation, and imaging to create both virtual forms and physical structures, and it is becoming increasingly popular in today’s architecture landscape the world over.
This book presents the fast-shaping and actively progressing digital architecture scene in China as it discusses the current status and trends in its development, design, and construction, in the different dimensions of digital architecture.
It includes four parts: Theoretical Explorations; Building Practice; Research Projects; and a chronology of digital architecture in China. The first part summarizes the understanding and positioning of digital architecture in China from the perspectives of construction, design techniques, and design concepts. The second and third parts provide readers with a wealth of information and resource through many analytical diagrams, technical drawings, and construction and completion images. This book is not only an academic review, but also a lively account of digital architecture in China. This read will feel like a visit to a vivid Chinese digital architecture exhibition, and will be a welcome addition to any architecture reference collection.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue focuses on how cultural identity and social responsibility can be embodied within architecture and space design, and features three essays and eleven projects that elaborate on this topic. Each essay discusses the social situation in Australia, Malaysia, and India, respectively, as the eleven projects, accompanied with full-color photos and text descriptions, highlight architectural works that include a community center, nursery, hostel block, and cultural museum, among others, to reveal how through these buildings cultural identity is strengthened, or social responsibility is extended.
Regarded by critics to be one of the most progressive American firms to be seen in the last 30 years, Hariri & Hariri Architecture was established in 1986 by Iranian-born Cornell-educated sisters, Gisue Hariri and Mojgan Hariri. Their work imbues their own unique brand of modernism across conceptual, residential, commercial and institutional works. The practice has a voice that is distinctly its own. The firm’s work has often been described in the language of poetry or art. What differentiates its work is the firm’s insistence that it approaches all projects, small or large, in a ‘holistic’ manner. While this approach integrates multiple dimensions and considerations, there are two overriding imperatives that transcend others to define its design narrative: ‘nature and identity.’ These key principles are celebrated in this visually stunning book. A significant addition to IMAGES’ growing list of titles in its global-reaching Leading Architects series, this beautifully photographed book showcases an enormous body of work by a firm led by two multi-disciplinary practitioners.
The studio of an architect is perhaps the most singular project in one’s oeuvre complete. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one’s working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects’ Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People s Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum not only for presenting Asian phenomena and their characteristics to the world but also for understanding diversity and multiculturalism within Asia from a global perspective. In the 21st century, Asia has been developed fast in the wave of globalization, and the living and urban environment are changing rapidly along with the economic development. In this process, many Asian cities are carrying out large-scale urban infrastructure construction in the process of rapid urbanization, and building a large number of iconic buildings that represent the characteristics of the country or city. This issue focuses on Living in the 21st Century, through three perspectives: the transformation of spatial functions, the contradiction between urban development and individual dwelling, and architecture in the age of self-media.
“This exhaustive study will be an invaluable tool in identifying not only where a piece was made and when, but in understanding the processes of its manufacture” The Regional Furniture Society
“Cataloguers now have an impressive volume of new information to draw on when describing anything from a simple tea tray to those suites of papier mâché furniture which remain as impressive today as when they dazzled visitors at the great international exhibitions of the 19th century” Antiques Trade Gazette
As one of the few decorative arts about which little has been written, japanning is today fraught with misunderstandings. And yet, in its heyday, the japanning industry attracted important commissions from prestigious designers such as Robert Adam, and orders from fashionable society across Europe and beyond. This book is a long overdue history of the industry which centered on three towns in the English midlands: Birmingham, Wolverhampton and Bilston. It is as much about the workers, their skills, and the factories and workshops in which they labored, as it is about the goods they made. It tells of matters of taste and criticism, and of how an industry which continued to rely so heavily upon hand labor in the machine age reached its natural end in the 1880s with a few factories lingering into the late 1930s. Richly illustrated, it includes photographs of mostly marked, or well-documented, examples of japanned tin and papier mâché against which readers may compare – and perhaps identify – unmarked specimens. Japanned Papier Mâché and Tinware draws predominantly upon contemporary sources: printed, manuscript and typescript documents, and, for the period leading up to the closure of the last factories in the 1930s, the author was able to draw on verbal accounts of eyewitnesses. With a chapter on japanners in London, other European centers, and in the United States, together with a directory of japan artists and decorators, this closely researched and comprehensive book is the reference work for collectors, dealers and enthusiasts alike. Contents: From Imitation to Innovation; Enter the Dragon!; The Lion of the District; Japanning & Decorating; Not a Bed of Roses!; Clever Accidents?; Decline of the Midlands Japanning Industry; The Birmingham Japanners; The Wolverhampton Japanners; The Bilston Japanners; Japanners in London and Oxford; Products; Other Western Japanning Centres; Appendices.