Restomods: The New World Order of Handcrafted Cars celebrates the thrilling world of super-refined and highly personalized automobile restoration.
Fusing classic design with cutting edge technology requires an almost impossible level of imagination, creativity and workmanship, resulting in models that frequently test the technical boundaries of vehicle design and engineering. Restomods collects over 50 companies who are at the forefront of this world, among them Singer, Eagle, Tuthill & Alfaholics. Each of the featured firms has contributed directly to these pages, supplying specifications, quotes and the very highest quality professional photographs. The result is a spectacular volume that showcases the new world order of personalized car restoration.
Restomods: The New World Order of Handcrafted Cars is the first volume in the Cars Reimagined series, showcasing the cars and their creators who are pushing motor vehicles to the next level.
This slipcased edition is signed, and limited to 200 copies.
The modifier b+b Auto, founded in Frankfurt, 1973 by Rainer Buchmann and his brother Dieter, caused a stir in the European and international car scene of the ’80s. Their technical innovations and spectacular design made them stand apart from the crowd.
Initially focussed on Porsche cars, b+b established themselves as a name to be remembered when they presented their Porsche Turbo Targa with prismatic coloured varnish at the Polaroid stand on Fotokina 1976 Cologne. At IAA Frankfurt 1979 they launched b+b CW 311, a contemporary modification of the legendary Mercedes 300 SL. Mercedes-Benz was so enthusiastic about the car that they allowed Buchmann to continue using the Mercedes star as a brand logo. During the 1980s, b+b was one of the most successful modifiers of production cars. They transformed off-the-line automobiles into individualized luxury vehicles for those who could afford it – customers from the Arab world, celebrities from the Jet-Set, and many more…
However Buchmann’s real passion belonged to the area of electronic innovations. The money he earned with his tuning activities was invested into research in this field. He was the first to think about centralized door locking by means of remote control as well as park distance control and he invented the first car computers. In 1983 his multi-function steering wheel was protected by patent. This comprehensive book, produced in close cooperation with Merck Group, one of the world’s leading chemical companies for whom Buchmann popularized a new and special kind of bright enamel varnish, presents the complete history of Rainer Buchmann’s technical and entrepreneurial achievements.
In the world of grand touring cars, Aston Martin occupies a special place. The English firm has always distinguished itself by its restraint, by the elegance of its creations, by the discretion of its style, by a reserve rarely observed in a universe that willingly abandons itself to exuberance. This book is devoted to DB models. David Brown relaunched the brand with emblematic cars, including some models that later became legendary, like the famous DB5 of James Bond.
The history of Aston Martin over the past 70 years is organized around eight main designs. They are all strongly typed; directly associated with their creators, and with the nature of the successive owners of the company. Serge Bellu, a specialist in the history of the automobile, has produced a superbly illustrated book on the history of this typically British brand.
The fifth volume in the Car Racing series charts 1969, the year of avoiding unnecessary risk. Le Mans circuit, 14 June 1969. Silence reigns. In a matter of seconds, the din will rise from the engines of 45 cars roaring to life. Into this sonic gap, a man strides towards his destiny. Unlike his neighbors, he does not run. He walks to forestall superfluous danger. At the risk of ruining the race for his crew — and for Ford. Jacky Ickx has just said no to unnecessary risk, no to herringbone starts at the 24 Hours of Le Mans, with drivers leaping into their cars without taking the time to properly strap themselves in before launching full throttle into the race.
Three years earlier, stuck upside down with a back injury and trapped in the cockpit of his BRM he had just spun around on the first lap of the Belgian Grand Prix, Jackie Stewart felt gasoline gushing over him. A mere spark would have spelled tragedy. From this nightmare moment onwards, the Scottish driver campaigned against dangerous circuits and imposed the first safety standards. In 1969, Jacky Ickx — the ‘GT40 walker’ — won the 24 Hours of Le Mans, even as Jacky Stewart was crowned victor of the Formula 1 World Championship in his Matra MS80.
Text in English and French.
Also available:
Car Racing 1965, 9782702210963
Car Racing 1966, 9782702211014
Car Racing 1967, 9782702211113
Car Racing 1968, 9782702211236
The VW Bus is not just a car. It is sentimental, a part of the family. A way of life on wheels. That’s why most of them have names. And almost everyone has some sort of connection to the VW Bus. This book offers fascinating stories about one of the most popular automobiles of all time and the most successful camper van in the world – a kaleidoscope from the world of VW Buses. In 111 chapters, you will learn interesting, funny, surprising and emotional things about a vehicle that was originally intended as a simple delivery van and then made history as a multifunctional vehicle concept.
Author Christian Schlueter, himself a passionate fan of the car, tells endearing, detailed and exciting stories about these legendary vans. He presents models with their production history and special features, introduces visionaries and gives an insight into the car industry. He reports on world records and adventure trips, as well as freedom and nostalgia. A wonderful compendium with photos about the world’s fascination with the VW Bus – a must for every fan and lover of this cult car.
Architecture China is a journal focusing on the leading architectural design projects with regional characteristic in contemporary China. This 2023 Winter issue of Architecture China, focusing on how a new culture could be constructed through the action of building, showcases 12 newly completed museums or galleries, all of which express certain characters in contemporary Chinese culture. Four essays by Li Xiangning, Stanislaus Fung, Aric Chen, and Jiang Jiawei respectively provide different viewpoints on the topic, and expose critical thinking on cultural events that relate to contemporary China.
New frontiers for media architecture: This compendium explores how digital media is shaping cities today and in the years to come. It illustrates groundbreaking use of light and media in urban environments through 36 winning or shortlisted entries from the Media Architecture Biennale Awards in 2014 and 2016 in five categories: Animated architecture, Money architecture, Participatory architecture & urban interaction, Spatial media art, Future trends & prototypes.
László Hudec (László Edvard Hudec, or Ladislaus Edward Hudec) can only be described as a legend. As one of the foreign architects who fled his native country of Austria-Hungary during troubled times, he ended up making his mark on more than 50 projects, including over 100 buildings during his 29-year (1918 to 1947) stay in a city far away from home.
Among them, 25 projects have been listed as Shanghai’s Most Historical Buildings. His signature work, the Park Hotel, is counted as national heritage. How did Hudec come to enjoy his legendary status in a foreign land, especially as he arrived with almost nothing in his pocket? Why does he continue to attract new followers even in the 21st century?
For the last 14 years, Dr. Hua Xiahong has devoted herself to the study of Hudec and his architecture. The Shanghai Hudec Architecture has shown the essence of Hudec’s projects, which is also one part of the essence of Shanghai’s architecture. To know Hudec, is to know the history of Shanghai and the city’s future.
Like an encyclopaedia of architecture, his style has gone through Neo-classicism, Expressionism, Art Deco and Modernism, which not only reflects European and American influences, but also the architect’s personal creativity. Hudec has left behind a lot of work that is remarkable in Shanghai’s architectural history.
Text in English and Chinese.
Architecture China is a journal focusing on the leading architectural design projects with regional characteristics in contemporary China. This issue focuses on how the architectural tradition is maintained as well as redefined in the contemporary context. Two essays by Li Xiangning, Song Wei & Tian Weijia provide different viewpoints on the topic, and expose critical thinking on how to make a new tradition.
Public markets are the world’s oldest retail trading format. The recent resurgence of public markets is unlocking a new era of market cities, which have sparked urban revitalization and fostered community diversity. This new book will look at the latest developments in market design across the globe, bringing readers up to date with the latest developments and demonstrating ideas, projects, and visions that will offer not only information, but inspiration too.
“An ode to the architectural wonders of Iran.” — AD Middle East
“A book that you enjoy picking up because there are always new and exciting things to discover in the photos. A very special kind of eye journey and absolutely worth reading!” — Lovely Books
Iran, the former Persia, lies at an interface between West-East and North-South. Several early trade routes crossed the country, connecting Asia, Africa and Europe, and the cultural wealth and scenic beauty of this region has attracted travelers for over 2,000 years. This rich past makes Iran one of the most culturally interesting countries of Asia.
The art of building has a special significance here. In contrast to other fields of knowledge, visual communication is particularly important in architecture. Much cannot be fully described; it must be made visible.
In his book, Sohrab Sardashti immerses us in the dreamlike world of Iranian architecture. At the beginning of the book, the history of Iranian architecture is briefly described. Then an impressive variety of buildings is presented, divided according to their different functions. Mosques, tombs, madrassas, hammams, castles, palaces and more are all covered. The text at the beginning of each chapter briefly explains the nature and history of that type of building, followed by a series of examples with a short text on each, and an abundance of photos taken especially for this book.
The book allows one to experience the great diversity and fascination of Iranian architecture and is a visual treat for the reader.
Bombay Art Deco Architecture presents a treasury of Art Deco buildings comprising residential, commercial and civic architecture. These monuments were created during the mid ’30s and ’40s, a glamorous and optimistic era that predated the official end of the British Raj. The architects, a small list of first-generation Indian architects and builders, were mostly educated in English schools and trained in western architectural traditionst. Impatient with the British reluctance to shed the Gothic and Indo-Saracenic architectural styles that had dominated Imperial Bombay’s urban landscape, these visionaries were determined to imbue the city with a new modern style. That style shares its provenance with the Art Deco architecture of Miami Beach, termed ‘Tropical Deco’ by author Laura Cerwinske in her seminal 1981 book. Built in the same era, the Art Deco architecture of the two cities exhibits similar scale, geometry, tropical vocabulary, and love of romance.
“Showcasing 25 residences by today’s leading classical architects, this wonderful new book also addresses the fundamental issue of collaboration between architect, decorator, landscaper, and the enormous cast of characters who bring their formidable talents to the realization of every project. An Ideal Collaboration is an important addition to the literature of architecture and design.” – Ellie Cullman
“An Ideal Collaboration shares a place in my library next to volumes on great 20th century Classicists. It is essential as a visual reference to the continued evolution of timeless style.” Steven Gambrel
In the follow-up to the critically acclaimed The Art of Classical Details, Phillip James Dodd continues his look at some of the finest examples of contemporary classical architecture in Great Britain and the United States, while also examining how collaboration is the key to their successful design. In reality, collaborative relationships are rare, especially amongst designers, where each is often focused on their own individual objectives and unable to transcend their own egos. Often used as a catch phase, but not often realized, true collaboration requires an understanding and an appreciation – of the role that all parties play in the design and construction of a home. An Ideal Collaboration includes the work of some of the most notable names in contemporary residential design. Architects, decorators, landscape designers, consultants, builders, craftsmen, artists and vendors, all address the design process and the pivotal role that collaboration plays in creating cohesive timeless designs.
Scenic Architecture Office always starts with responding to needs from body & mind, nature, and society, and tries to establish a balanced and dynamic relevance among them through ontological orders composed by space-time and tectonics. This collection includes 12 representative works in its 18 years of practice, and each work contains design concept, sketches, tectonic details, and photos. The works are categorized in “Courtyard Settlement”, “Extension of Homes”, and “Free Cell”. “Courtyard Settlement” refers to reconstruction of the spatial formtype of courtyard; “Extension of Homes”, expansion of the traditional house formtype; and “Free Cell” test of the new formtype. Through explorations of the formtype, they hope to bridge the past, present and future to make architecture a carrier of cultural memory and the times’ energy, and a balanced and dynamic connection between human, nature and society.
We recognize Mario Botta’s buildings for their strong presence. His architecture is not ephemeral. It shapes the mass firmly and precisely. It touches the ground with self-reliance. A building by Mario Botta is an autonomous object. It comprises an ordered world of its own make. It is standing in dialogue with the urban tissue, but it establishes its own order as if it aims at differentiation instead of integration. Architectural order represents the core of his personal idiom. It is a well structured, compositional order which organises everything into a whole, as an underlying thread that connects and brings together houses on the mountains to museums and churches, banks and commercial buildings to buildings on the ground and buildings underground, different buildings at different places in time. The themes that underlie Mario Botta’s architecture are ties that connect and spines that support, common threads that bind one building to the next. His architecture is one of mass. It is then of no surprise that mass is the first thing to be defined and ordered, in his creative process. The volume of his buildings is mostly composed by one or more primary solids. Volume is thus an a-priori for Botta. It is conceived beforehand, the starting point to the adventure of architectural design.
This book is an attempt to answer the questions: What makes historic architecture awe-inspiring? How have the Indian architectural masterpieces retained their vitality even after so many centuries? What spatial qualities and organizational principles have rendered them timeless?
At the outset the author sets forth fundamental Indian philosophical and ideological tenets—the Indian notion of time, the duality of existence, the concept of a world within a world, the idea of opposites as counterpoints, the role of semiotics in providing visual clues in architecture, and the changing perception of space while in movement. The study unravels the inherent virtues of traditional Indian architecture, inferred and exemplified in a range of traditional Indian architectural examples.
Discussion of each site is illustrated with a wealth of visual materials—photographs, architectural plans with analytic overlays and volumetric constructs. Miniature-style reproductions drawn for each example reconstruct their spatial, environmental and experiential qualities and are used to demonstrate the universality of communication in Indian architecture.
“I recommend to every Architect, designer and those who have a passion for New York to own this magnificent book…there is no better on the extraordinary Beaux Arts of New York.” —Lemeau, Decorator’s Insider
“This great, beautiful, glossy, polychromatic slab of a book more than does justice to an epic period in architecture when some of the world’s most luscious buildings were designed for some of the most unpleasant people in American history.” — Timothy Brittain-Catlin, World of Interiors
“New York would be little more than another faceless glass-and-steel city were it not for its Gilded Age buildings and institutions… An American Renaissance: Beaux-Arts Architecture in New York City, written by Phillip James Dodd with photography by Jonathan Wallen, is a gilded embrace of this legacy.” — The Critic
The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1870s to the 1930s, it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not enough for the self-appointed elite to just build their own grand châteaux and palazzos along Fifth Avenue—collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris, and Rome. To flaunt their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts.
This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at 20 of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age—often providing a glimpse inside buildings not otherwise viewable to the public. While some of the buildings and monuments featured are world-renowned landmarks recognizable and accessible to all, others are obscure buildings that history has forgotten.
Set amid the magnificent achievements of an American Renaissance, this book recounts not only the fascinating stories of some of New York’s most famous and significant Beaux-Arts landmarks, it also recalls the lives of those who commissioned, designed, and built them. These are some of the most acclaimed architects, artists, and artisans of the day—Daniel Chester French, Cass Gilbert, Charles McKim, Augustus Saint-Gaudens, Louis Comfort Tiffany, and Stanford White—and some of the most prominent millionaires in American history—Henry Clay Frick, Jay Gould, Otto Kahn, J.P. Morgan, John D. Rockefeller, and the ubiquitous Astor and Vanderbilt families. Names that—as Julian Fellowes (the acclaimed director of Downton Abbey) notes in the Foreword—“still reek of money.” Excerpt from the Introduction
When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality.
In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of ‘exhibition’. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.
Relationships between architects and clients – built upon expressed values, as well as their import into the final work of architecture – are typically not discussed in architectural education, rarely considered in architectural criticism or theory, and usually missing in most writing about architecture. This monograph seeks to highlight and address this deficiency. The book focuses on the process that the firm uses to help their clients to define values, and to intone them through architectural design. Exquisitely presented throughout, this volume presents a range of built and in-process works at a variety of scales, complexity, and locations, with various clients. Most of these projects have not been previously published. The projects will be documented and discussed within the context of the value proposition and design process that distinguish Pickard Chilton’s approach to architecture.
This highly anticipated monograph focuses on the architectural output of Enrique Browne, a talented and prolific Chilean architect and co-founder of Browne & Swett Arquitectos, based in Santiago. Over the last 40 years, this South American architect has been trying to reconcile natural and artificial worlds through architecture. They are one indissoluble unity. This book showcases in rich photographic detail how his innovative projects incorporate multiple environmental aspects that result in a complex, layered response to the challenges of place, form and identity in Chile.
Browne’s practice has developed architectural designs in a diverse range of scales, with emphasis on sustainability and energy efficiency. This volume delves into Browne’s processes, such as developing variations of the “grapevinestructure typology” to create a “double green skin” as a green wall (or roof), to protect dwellings from the region’s strong westerly sun; or combining vegetation and its oxygenation benefits with building to counter pollution; or using both artificial and natural light as a material for illuminating spaces or volume. This book also includes commentary on the new zeitgeist surrounding modernity and the impacts of the digital and globalized world on architecture today. Highly regarded, and a prolific writer and designer, Enrique Browne has a unique way of looking at the world. Showcasing the wide range of his design, this title is sure to impress.
This new monograph celebrates the creative accomplishments of one of the world’s most influential architects, Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA’s Gold Medalist’s design, architecture, and planning, tracing Pelli’s motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe – museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans – are presented in rich full color with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.
Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue reveals how old buildings can be updated to realize innovation through renovation, and features three essays and eleven projects that elaborate this perspective. The three essays discuss regenerative architecture in Pakistan that create contemporary examples of traditional architecture, the revitalization of old buildings in Hong Kong, China for heritage conservation—along the concept of updating the “hardware” and “software” of the building—and the sharing and regeneration of historical heritage spaces in old towns in Xiamen, China. The 11 projects, accompanied with full-color photos and text descriptions, highlight architectural works that showcase the theme of renovation and innovation across projects that include a house, library, chapel, and clinic, to reveal how these buildings embody sustainability and innovation, and re-energize cities.
Skolnick Architecture + Design Partnership: Public/Private presents the first monograph from the award-winning New York-based architectural firm. Covering over 40 years of work, the book – presented in a unique double-sided, two-cover format – exhibits projects in both the public and private sectors. Included in the public section is a sprawling center for entrepreneurial education, a science center built in an old turbine hall, a sky-lit synagogue, two colorful and bright public libraries, and a children’s museum inspired by Leonardo da Vinci. The private side features a serenely spatial six-story townhouse, a sublimely linear beach house, a residence and matching studios for two painters, and luxurious twin villas in Anguilla. With text by principal architect Lee Skolnick, and a foreword by Pulitzer Prize-winning architectural critic Paul Goldberger; each chapter provides valuable insight into the extensive planning and highly intellectual process that goes into each project. Skolnick Architecture + Design Partnership: Public/Private celebrates the accomplishments of a firm still operating at the top of their game.