Traditional country parks, which originated in the United Kingdom, are very different to the country parks we know today. With the development of urbanization and the improvement of living standards, city dwellers were no longer satisfied with small urban green spaces, and a new style of country park was born. Conveniently located in the outer city suburbs, with tranquil, natural environments, this new type of park met society’s desire to return to nature, and theses spaces have since become hotspots for tourism and leisure. Country Parks includes detailed theory and case studies showcasing outstanding international country park design; analyzes and promotes the current status and development of the country park and its role in urban development; and provides valuable guidance for professional designers working in the field today.
From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on New England, the Classicist No. 20 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributors include Michael J. Lewis, Professor at Williams College and architecture critic for the Wall Street Journal; Kenneth Hafertepe, Professor at Baylor University; Aaron M. Helfand, Architect at Knight Architecture in New Haven; Sarah Allaback, author and architectural historian; Mark Alan Hewitt, architect, preservationist, and architectural historian; Keith N. Morgan, architectural historian and Professor Emeritus at Boston University; Kyle Dugdale, architect, historian, and Senior Critic at Yale University; and John Tittmann, founding partner at Albert Righter Tittman Architects, alongside submissions to the professional and academic portfolio.
King Charles III’s affection for architecture is well-known, but the extent of his engagement has never been fully presented to the public. This is the first book to draw together the many threads, from the ‘carbuncle’ speech, made at Hampton Court in 1984, until his accession to the throne. He has created model settlements such as Poundbury through the Duchy of Cornwall, Dumfries House in East Ayrshire has been made a beacon of social regeneration, and his educational initiatives have changed lives.
The four decades of the King’s commitment to architecture have coincided with Clive Aslet’s career as a journalist, during which he has followed the story and often written about it, not least during the 13 years for which he was editor of Country Life. King Charles III: 40 Years of Architecture is based on new research including many interviews with the architects, critics, advisors and academics who worked with the (then) Prince of Wales on his far-reaching endeavors.
a+u’s April issue, guided by guest editors Ko Nakamura, Keigo Kobayashi, and Mamiko Miyahara, investigates the interconnection of architecture and food. Food insecurity is a major challenge that cities face in the Anthropocene that architects and urbanists must rise to meet. Presenting more than 20 projects of varying scales, this issue highlights alternative strategies that architecture and urban design may adopt in the urgent effort to address this shared global burden. Five key themes – New Ways of Production, Globalism and National Strategies, In Community, Meeting the City, and Exploring Food Space – organize the projects. Real-time examples, such as Vertical Urban Farm, reveal possible directions that could be followed, while other projects interrogate existing notions, like Floating Farm Dairy, which aims to reintegrate isolated industrial harbor spaces with the rest of the city by introducing space for animal husbandry. Food is an integral part of not only basic survival but also of fostering community and the conviviality of the built realm. Thus, architecture acts as the crucible where agricultural innovation, forms, community action, and environmental sustainability meet.
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Award-winning firm MDSzerbaty Associates Architecture (MDSA) reflects on past work to explore its use of materiality and the inherent qualities of texture, color, and light.
Architects design, build, and move on to the next project. How often do they reflect on their decisions and the evolution of their work over time, looking back at the choices they made?
MDSA carefully considers texture, color, and light, and explores these inherent qualities of materials in its architectural designs. At first sight, they may seem disparate with adjacent elements, but ultimately exhibit a refined and sophisticated appearance.
In Light, Color, Texture: The Work of MDSA MDSzerbaty Associates Architecture, principal Michael D. Szerbaty examines recent works by the firm to provide a reflective reassessment of the impact of light, color, and texture. Each project contains a discussion revealing how the materials were selected, the decision behind the use of color, and the deliberate window placement to allow natural lighting. Szerbaty’s review across the selected body of work provides evidence of the firm’s evolutionary approach, and an awareness of how buildings alter in place over time.
With full-color photography and insightful commentary, this monograph offers an unparalleled opportunity to gain clear and informative insights into the decision-making process of an award-winning architecture firm.
An architect and a critic discuss what unites them, common reasoning that gives rise to a dialogue that establishes a link between buildings, built or just thought of, and images taken from the artistic tradition, mainly Italian. The result is a presentation of Peluffo & Partners’ architecture seen through the spaces, bodies and figures drawn from suggestions from the world of art, ancient and contemporary, cinema and architecture itself.
The volume includes shots by Ernesta Caviola, who has consistently photographed the architecture of Peluffo & Partners and collaborated in the fine-tuning of the images.
This survey of contemporary winery architecture around the world profiles 30 wineries, and explores how the new generation of growers are incorporating a thoughtful approach to architectural design into their wider public-facing identity and mission. Following his earlier book, which explored winery architecture in Italy, the author has selected wineries in Europe, Asia, Africa, America and Oceania to illustrate how quality and sustainability have become priorities in the construction process. Responding to the increasing interest in traveling to see first-hand where wine is produced, he examines how wineries are creating well-designed and engaging spaces that are in tune with the surrounding landscape, highlighting the connection between the building, its surroundings, and the agricultural community.
Tectonism is the most advanced and most sophisticated contemporary architectural style. There are, to date, only relatively a few fully satisfactory built examples, and most of them are still of a relatively modest scale. It is the thesis of this book that tectonism, as defined and illustrated here, represents the future of 21st century architecture. This thesis is optimistic with respect to the long-term rationality of the discipline of architecture, i.e. with respect to its capacity to discern and ascertain, via its internal discourse, the superiority of tectonism, and to spread its influence and impact as global best practice accordingly. This optimism also extends to the rationality of the wider society, as represented through private clients, public clients, and through end-user acceptance, to be susceptible to the guidance it will receive from its architectural expert discourse. This optimism is based on a critical analysis and appraisal of architectural history. The avant-garde intuitions of the early modernists in the 1920s, backed up by sound theoretical arguments, did win over the discipline in the 1930s and 1940s, and spread its real impact on the global built environment throughout the 1950s, 1960s and 1970s. The current avant-garde intuitions within the movement of tectonism, although very different from modernism, are equally well thought through as the arguments in this book will attempt to demonstrate. — From the Introduction, by Patrik Schumacher
Kengo Kuma is an acclaimed Japanese architect whose work masterfully engages architectural experimentation, traditional Japanese design, and 21st-century technology. This results in highly advanced yet beautifully simple, gentle, human-scaled buildings.
Kengo Kuma: Substance, the follow up to Topography (2021), explores the work of Kengo Kuma and Associates through six materials: wood, fabric, metal, bamboo, stone, and paper. The beautifully illustrated volume presents more than 30 projects, from captivating wood pavilions, ethereal textile installations, and sculptural woven structures to abstract stone fountains, aluminum chain screens, and monumental wood-and-steel bridges.
The featured projects are from around the world and range in typology and scale. Highlights include the Taoist temple in Shinpu; Kusugibashi bridge in Yamaguchi; Ephemeral Tent in Shanghai; Namako pavilion for Design Canberra Festival; a bamboo tea house in China; and the Wakuni Shoten tobacco store in Tokyo; among many others. Each project is illustrated with exquisite imagery that showcases how Kuma’s architectural designs are conceived and crafted to reveal the inherent qualities of the materials.
As Kuma continues to forge a new design language, he offers readers insight into how he has engaged with different materials to further progress his ideas and advance the world of architecture and design.
In Pavilions for Giving, Dr Jin-Ho Park explores how the role of the modern architect continues to evolve and emphasizes the importance of giving back to the community. This book presents six meaningful projects that have been valuable to the community of each location and served a bigger purpose to society. The details of the creative and constructive processes highlight the hard work and coordination behind each pavilion, which are even more impressive given the positive contribution of each finished structure. The six pavilions have not only improved the everyday lives of people, including children and the older generation, but they have involved student architects who have gained valuable experience.
Cities today continue to evolve against manifold backgrounds, and the players active in urban development are becoming more diverse. Globalization has brought worldwide competition between cities, and the impact of IoT (Internet of Things) and other technologies is transforming the urban landscape in unprecedented ways since the industrial revolution. To comprehend future changes of next-generation cities, ‘Place’ and ‘Urbanism’ must be viewed not in isolation but rather, in terms of their complementary relationship. In today’s context, where both architecture and the city belong to an indivisible domain, we want to provide occasions for thinking about the city from the viewpoint of architecture, and architecture from the viewpoint of the city. JA 116, City: Ever Evolving introduces changes taking place against this multifarious background in 21 cities around the world.
With this issue, JA inaugurates a new series called ‘Place+Urbanism’ that will explore the changing face of the city, presenting a perspective that goes beyond individual projects.
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From Brooklyn brownstones to Bauhaus blocks, Art Deco icons to towering skyscrapers – New York’s ever-evolving skyline spans all architectural styles, tracing the history of this modern metropolis. From famous icons like the Flatiron Building to hidden architectural gems, the guide features more than 50 must-see buildings spanning all architectural styles. Whether you’re a seasoned New Yorker or a curious visitor, this is your boldly opinionated guide to the most arresting buildings in The Big Apple.
In this invaluable and thought-provoking book, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including what makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions.
Imagine Buildings Floating Like Clouds represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times—from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Radiant City is a major monograph documenting a decade of figurative and geometric work by London-based British contemporary artist Lucy Williams (b. 1972, Oxford). Her mixed-media bas-relief collages depict modernist architecture and interiors, from tower blocks and municipal buildings to private residences in Palm Springs.
All made painstakingly by hand, this is a contemporary art practice that, with the precision of an architect or a draughts person, references craft traditions, using materials including paper, Plexiglas, wood veneer, fabric, piano wire, and thread. Space, form, pattern, design, and geometry meet with color and light to form mesmerizing, detailed scenes such as tiled swimming pools with mosaic walls, the imposing facades of Brutalist buildings, and domestic interiors containing bookcases replete with books, vases and ornaments.
In addition to figurative works, the publication also features the artist’s Threaded Collages, abstract geometric pieces inspired by Bauhaus tapestries, constructivism and traditional Welsh quilting. Williams creates repeated triangular and diamond forms, using colorful painted papers along with silk and cotton threads.
Featuring a variety of text contributions, this, Williams’s second trade monograph, has been designed by Kristin Metho, edited by Matt Price, and produced by Hurtwood. It is published by Hurtwood with generous support from Berggruen Gallery, San Francisco.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on Northern California, the Classicist No. 21 explores the region’s rich architectural history; contemporary examples of classical design through professional and student portfolios; and academic articles authored by leaders within the field. Contributing authors include Daniel Gregory, architectural historian and editor; Laura Ackley, author of San Francisco’s Jewel City: The Panama-Pacific International Exposition of 1915; Lucia Howard, Partner at Ace Architects and Piraneseum; Therese Poletti, author of Art Deco San Francisco: The Architecture of Timothy Pflueger and journalist at MarketWatch; and Andrew Shanken, Professor of Architecture at UC Berkeley College of Environmental Design.
This issue features the architecture in Taiwan, an island state in East Asia largely covered with rugged mountain ranges throughout its length, whilst densely populated along the perimeter.
Over the past 25 years, architecture in Taiwan has transited from a field exclusive to professionals, to one that is relatable and enjoyed by the masses. Even amidst volatile political and challenging economical situations, the administering of public works and commissioning of projects managed to maintain the country’s creativity and rationality. This is also where architects overseas found unprecedented design freedom, realizing one of their best works in the island.
The featured projects are borne out of their unique conditions, those that reflect the architects’ concerns with the environment, cultures and histories. Through them, we begin to understand and appreciate the island that was once named “IIha Formosa (beautiful island)”.
The 1970s was a time when “architectural theory” was widely discussed and published. Leading historian of architectural theory, Professor Harry F. Mallgrave, writes an essay on the discourses that were particularly important and the architecture connected to them, while also taking into account aspects of the cultural and social background of that era. This entire issue is made up of relevant works of architecture and discourses laid out with reference to the three topics that Professor Mallgrave outlines in his essay – The Presumed Crisis of Meaning, The Real Crisis of Urban Theory, and The First Stirrings of the Ecology Movement, Both Natural and Human. Finally, the editorial team added examples related to the topic of The Vernacular and the Language of Modernism. The result is a cross-section of the 1970s: an era that was neither the “best” nor the “worst” of times.
Text in English and Japanese.
Academics, designers and managers in the nonprofit sector, provide valuable information to students of historic preservation and landscape history, and to a more general public that, as editor Charles Birnbaum says, must be educated about the value of modern landscape design.
“More than just a biography, this book is a critical assessment of Aditya Prakash’s oeuvre as a designer, painter and philosopher” – Mark Jarzombek Professor of History, Theory and Criticism, MIT
“At once deeply moving and seriously informative, this book details a life in architecture in post-Independence India dedicated to social service, education, and environmental reform.” – Anthony Vilder, Professor of Architecture at The Cooper Union
“This book charts the intellectual odyssey of the pioneering artist, architect and urban planner, Aditya Prakash, a multi-talented renaissance man.” – Partha Mitter, writer & historian on art & culture
“An intimate, revelatory analysis of a life that exemplified the cosmopolitan modernism and national commitments of India’s founding, Nehruvian generation.” – Sunil Khilnani, Avantha Professor & Director, King’s India Institute, King’s College London
Vikramaditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash’s life was dedicated to finding the ‘one continuous line’ which linked art – as the search for the beautiful, architecture – as the enabler of life, and planning – as the ethic of protecting the interests of poor.
Interspersed with a series of visual essays, this book is conceived as an introduction to Prakash’s vast body of work. Besides practising architecture, he was an academic, a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. This volume documents Prakash’s education as an architect in Delhi and London, his early modernist works, his deep artistic impulses, his love of theatre, and his efforts to rally a culture of academic inquiry. The narrative describes his successes and failures, his arguments for and against modernism, postmodernism and globalization, and his passion for sustainable urbanism, the animal and the acoustic. The book concludes with an interpretive essay on Prakash’s life and legacy, along with lavish illustrations of a portfolio of select works.
London is a city of innovation. In its suburbs, green roofs grow on flats, homes are insulated with cork and light timber structures have been designed to be as beautiful as they are energy efficient; in the center, striking new offices are retro-fitted over preserved buildings, while communal hubs are creatively built from reclaimed materials. The original photographs and detailed design interrogations in this book look at the way the capital is responding to the ever-pressing need to build with the environment foremost in mind – talking to the London architects, designers and residents who are creating a city that lives, works, plays and produces sustainably.
Industrial archeologists study towns and landscapes created over the past several centuries that were planned to integrate home and work. This ground-breaking book features architectural case studies of company towns in 48 locations – workers’ villages, mill towns, mining towns, cité ouvrières, bruk städer, colonias industriales, villaggi operai – many of which are UNESCO World Heritage sites. Extensive illustrations and images document the ways in which architectural experiments responded to the entrepreneurial initiatives that were the basis of these communities. The authors, two esteemed professors whose work focuses on the conservation of industrial heritage, examine the role of architectural and urban culture in creating the identity of these unique towns, and the consequences of their abandonment.
Beginning with Habitat ’67, his seminal experimental housing project constructed for Montreal World’s Fair, Safdie has contributed meaningfully to the development of many building types – museums, libraries, performing arts centres, government facilities, airports and houses – and the realisation of entire cities. Volume Two of this new, two-volume monograph features an essay by Safdie presenting his current thoughts on the significant issues facing architecture today. Complementing it are texts by William Mitchell on the theme of a global practice responding to a wide range of varied local conditions, and by Thomas Fisher on Safdie’s books, which, like his buildings, continue to influence the international architecture community. Featured projects from around the world, include from the United States the Salt Lake City Main Public Library, the Peabody Essex Museum and the US Institute of Peace Headquarters; from Israel the Holocaust History Museum at Yad Vashem, the Yitzhak Rabin Center and the new city of Modi’in; from India, the Khalsa Heritage Memorial Complex; and from China, the Guangdong Science Center and the Guangzhou No. 2 Children’s Palace. Previously announced.