Sir Edwin Lutyens is widely regarded as one of Britain’s greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens’s most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens’s practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a ‘Lutyens-style’ house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens’s great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens’s enduring architectural genius.
Alvisi Kirimoto is an international architecture, urban planning and design studio. Founded by Massimo Alvisi and Junko Kirimoto in 2002, it is distinguished by its sartorial approach to design, its “sensitive” use of technology and its control of space through the manipulation of paper. Their dialogue with nature, urban regeneration and focus on social issues make their projects unique in the international architecture scene.
Text in English and Italian
a+u’s May issue features Manthey Kula. Based in Norway, the firm was founded in 2004 by Beate Hølmebakk and Per Tamsen. This issue includes 13 built works and five paper-architecture projects. Manthey Kula’s buildings result from the encounter between the given program, sensitivity to the site, and methods of construction, while their paper architecture explores the relationship between storytelling and form through varied inspirations – dreams seen by others, women depicted in literature, an imaginary tribunal, and narratives woven by self and others. Manthey Kula’s architecture is based on story, making, and how things are made. They use words, drawings, and materials to construct a new and potent reality. In a world where architectural approaches and values have diversified, Manthey Kula targets another public realm – fiction – prompting the viewer’s intuition and imagination to “reaffirm our presence in the world.”
Text in English and Japanese.
a+u’s May issue features Francis Kéré, a Berlin-based architect originally from the West African nation of Burkina Faso. His earliest work, Gando Primary School, demonstrated a design process that embraces the cultural and material roots of a place and its people, and as the Gando project expanded in scope to include other social amenities, Kéré’s architecture became a tool of community building and empowerment. This architecture of humanism relies on the metaphor of the palaver tree, under which a community gathers and knowledge is formed and transmitted. Kéré enriches local, basic materials and traditional know-how with thoughtful and forward-looking technological and ecological concepts, creating a sustainable, low-cost, and high-performance architecture that serves as a model for the Global South. Opening with Gando Primary School and ending with ongoing construction projects, furniture pieces, and exhibitions, this monograph presents 34 works. In addition to texts by Kéré and guest editor Andres Lepik, 3 essays by younger architects of African origins situate Kéré’s work in the broader context of architecture and urbanization in the African continent, invoking issues of translatability, authenticity, justice, community, and empowerment.
Text in English and Japanese.
a+u’s May issue features the work of Sancho-Madridejos Architecture Office (S-MAO). Based in Madrid, Spain and established in 1982 by Juan Carlos Sancho and Sol Madridejos, the office has developed a nuanced and committed practice rooted in investigations in plastic arts and aesthetic theory. An essay by their close friends, Antón García-Abril and Débora Mesa, reveals the deeper origins to S-MAO’s approach and describes how their trials and investigations have yielded “new processes in engineering, new construction systems, and a new language.” An ensemble of 20 projects, framed according to two investigative themes, are featured in this monograph, supported by axonometric diagrams and concept models. The multiple views of early study models convey the obsessive search for an “original space,” as described by García-Abril and Mesa, where structure, envelope, and shape come together.
Text in English and Japanese.
The Classicist is an annual journal dedicated to the classical tradition in architecture and the allied arts. Focused on the state of Texas, the Classicist No. 19 explores the state’s rich architectural history as well as contemporary examples of classical design through professional and student portfolios as well as academic articles authored by leaders within the field. Contributors include architectural historian Stephen Fox; Anna Nau of Ford, Powell & Carson Architects; Tara Dudley of the University of Texas at Austin School of Architecture; Kenneth Hafertepe of Baylor University; and architectural author James Wright Steely; alongside submissions to the professional and academic portfolio.