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Rabindranath Tagore: His World of Art focuses on the artist’s world, including cultural influence, visual development and use of color both in his art and in his writing. It features his work in the context of German Expressionism, his role in the development of a modern art in India, his idea of aesthetics and its introduction into Santiniketan as well as accounts of his exhibitions and his interaction with the global art world. This volume traces the course of the artist’s life; his paintings are discussed chronologically, his unique perspective is reflected throughout his writing, and has now been translated from Bengali into English. A brilliant insight into his life and influences and the impact that his work has within the international art scene.

These three volumes describe and illustrate the trilogy of projects that Craig Hamilton has designed at Old Parkland, Dallas, an office campus developed by Crow Holdings. The architecture and sculpture, together with the spaces between buildings, aim to create a working environment inspired by the humanist ideas of the Renaissance. Hamilton’s work there comprises an office building and a bell tower or Campanile on the existing West Campus, together with the entirely new East Campus which occupies a complete city block and comprises of extensive new office accommodation, an orangery restaurant and a small theater. All three projects are rich in architectural and sculptural symbolism.

Hamilton’s understanding and deep respect for both the wider western and American classical traditions of architecture have been a source of inspiration for the work that has been undertaken at Old Parkland.

The volumes include over 150 hand drawings by Craig Hamilton; sketches, models and sculpture by Professor Alexander Stoddart, Sculptor in Ordinary to HM The King in Scotland; photography by Paul Highnam; words by Clive Aslet, visiting professor of Architecture at the University of Cambridge.

Ruudt Peters (b. 1950) is a pioneering conceptual jewelry artist who challenges traditional definitions of adornment by pushing the boundaries of context, wearability, material and presentation. On the occasion of his retrospective exhibition he gives a first complete overview of his forty-four-year oeuvre. All series of his work are comprehensively presented in texts and photographs of objects and portraits. Many previously unpublished views of installations and exhibitions as well as numerous drawings and sketches enhance the review, all complemented by video clips that can be accessed via QR codes, which provide the reader with short movies featuring background information about Peters’s work, and those who wear his pieces and the art of jewelry. The last chapter of the catalogue will be dedicated to Peter’s latest, hitherto unpublished series.

This book accompanies an exhibition, to be held at the CODA Museum, Apeldoorn (NL), 12.11.2017 – 28.1.2018; followed by venues in Huangzhou (CN), Tallinn (EE) and Vincenza (IT) (dates not yet confirmed)

www.ruudtpeters.nl
active on Facebook: https://www.facebook.com/ruudt.peters?fref=ts

Muzharul Islam (1923–2012) has left behind an outstanding architectural legacy in Bangladesh, with a significance reaching far beyond the temporal and geographical horizons of its creation. Yet until now, his work has remained relatively unknown despite its relevance and singularity. This monograph presents numerous photographs and reproductions of detailed original drawings to introduce a series of unique buildings to an international audience, highlighting the Bengali architect’s way of thinking and actions, as well as his engagement in cross-cultural dialogue.

Contributions by practising architects from different continents present multifaceted perspectives on Islam’s work, placing him within a historical context and global interconnections. Muzharul Islam’s pioneering and timeless works address burning issues that are currently shaping the global architectural debate: climate-sensitive and self-sufficient construction, social engagement and overcoming colonial mindsets are all fields that the architect pursued relentlessly since the beginning of his career in the 1950s.

Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue reveals the development of Thailand contemporary architecture, and features five essays and twelve projects that elaborate this perspective. The five essays elaborate the contemporary architecture of Thailand in Southeast Asia, and how Thailand architecture was influenced by western architectural theories and finally found a good balance between modernization and localization. The twelve projects, accompanied with full-color photos and text descriptions, concentrate on the exploration of modernity, regionalism and futurism in Thai architecture from 1940 to 1980, and highlight architectural works that reflect on practical industrial buildings, demonstrate the exploration of Thai contemporary architecture from form, space and architecture to the complex disciplines of ecology, humanities, society and industry.

Scenic Architecture Office always starts with responding to needs from body & mind, nature, and society, and tries to establish a balanced and dynamic relevance among them through ontological orders composed by space-time and tectonics. This collection includes 12 representative works in its 18 years of practice, and each work contains design concept, sketches, tectonic details, and photos. The works are categorized in “Courtyard Settlement”, “Extension of Homes”, and “Free Cell”. “Courtyard Settlement” refers to reconstruction of the spatial formtype of courtyard; “Extension of Homes”, expansion of the traditional house formtype; and “Free Cell” test of the new formtype. Through explorations of the formtype, they hope to bridge the past, present and future to make architecture a carrier of cultural memory and the times’ energy, and a balanced and dynamic connection between human, nature and society.

“This book is here to remind long-time movie fans why these important 20th-century icons will forever remain the Fabulous Faces of our time.”
— The Eye of Photography

“Enigmatic, dazzling and fabulous: the faces of Hollywood’s golden age.” — The Times

“A new book pulls together glamorous portraits of film stars from the 1920s to the 60s who could draw an audience with their name alone.”
— The Guardian

“Intense close-ups, staged embraces and smouldering, emotive glances exude star power in this fitting tribute to a bygone age.”
“Star quality emanates from every page.”— The Lady Magazine

Fabulous Faces of Classic Hollywood brings together some of the greatest portraits taken by leading Hollywood portrait photographers during the motion picture industry’s golden years of 1920 to 1960. Little-seen negatives, long buried in the remarkable and internationally renowned archives of the John Kobal Foundation, have been unearthed and printed to reveal some of Hollywood’s favorite stars at the height of their careers. Full-page images of Joan Crawford, Marlene Dietrich, Cary Grant, Gary Cooper, Greta Garbo, Clark Gable, Marilyn Monroe, as well as lesser lights including Anna May Wong, Lon Chaney, Lupe Velez and Ramon Novarro, will remind long-time movie fans why these important 20th-century icons will forever remain the fabulous faces of the movie world.

Selected by best-selling author Robert Dance and writer and award-winning film producer Simon Crocker, over 200 photographs are presented alongside an essay by Dance, describing what it takes to become a fabulous face and an international icon.

“It’s a necessary conversation starter about what’s on the horizon for the wine world, and a roadmap for drinkers who want to align their values with their purchasing.” — Forbes

“As their absorbing book reveals, “climatic challenges” were a major contributor to plummeting levels of wine production that last year saw the global total drop to its lowest level since 1961… Masters and Neather outline many ways in which the industry can adapt to, and fight, climate change.” — Financial Times

“Rooted in Change is a courageous, groundbreaking, hope-filled piece of work. It gives every one of us a practical starting point. And it is a gift to all of us in the wine industry and to anyone who loves wine and cares about the planet.” — Jancis Robinson

“A cork tree will be harvested around 17 times over the 200-year span of its life; around one quarter of the glass recycled in the UK is simply crushed for aggregate. These are two of many facts I learnt from this dense yet lucid book which pulls the curtain to show the pragmatic side of wine we rarely think about.” — Telegraph

This is a compelling new book focused on the intersection of wine and sustainability. It will explore the most urgent issues facing the wine industry today, from climate change and resource management to evolving consumer expectations, offering a rich blend of tradition and innovation to inspire a sustainable future for winemaking.

Wine regions around the world, from the vineyards of Bordeaux to the valleys of California, are grappling with the undeniable effects of climate change. Record-breaking temperatures, extreme weather patterns, and resource scarcity are pressing the industry to rethink how it operates. As wineries increasingly embrace sustainable farming methods—from water conservation strategies to regenerative viticulture practices—the book will take readers through a comprehensive exploration of these pioneering approaches. The book will feature a mix of expert commentary, in-depth case studies, and engaging storytelling that illustrates how sustainability is being embraced across the global wine community—from regenerative farming practices at Tablas Creek in California to innovative water management strategies in Australia’s Barossa Valley.

Appealing to a wide range of readers, from those in the sustainability industry to other sectors, both agricultural and broader product manufacturing sectors.

This issue reveals the development of contemporary Chinese architecture and features five essays and eleven projects that elaborate this perspective. The five essays elaborate the impact of architecture on Chinese life, the Local and the multiplicity of Chinese architecture, and the trend in contemporary Chinese architecture, etc. The 11 projects, accompanied with full-color photos and text descriptions, concentrate on how the contemporary Chinese architectures integrate into and change people’s lives, combine with environmental protection concept, highlight the traditional Chinese culture, and modernize old buildings.

The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognize the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2022 which includes Single Family Residential Projects, Multi-family Residential Projects, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Historical Restoration Projects, Adaptive Reuse projects, Integrated Development. Through brief project descriptions and rich images, it provides a wonderful opportunity for readers all over the world to get a quick glance at what happened in Asian architecture in 2022.

Focusing on the leading architectural designs with regional characteristics, Architecture China is a journal whose mission is to disseminate the creative works of contemporary Chinese architecture and deepen an appreciation of Chinese architectural traditions and trends. In this issue, Architecture China Award, the focus is on outstanding Chinese architecture and architects with the concept of “Building with Nature,” exploring the unique value of contemporary Chinese architecture and its future development direction. The content of this issue includes two articles, as well as the laureates and shortlists of four award categories: Architecture China Award in Practice, Exploration Award in Technology, Exploration Award for Young Architects, and Special Project Award.

You’ve heard of the “Starchitects.” Now meet the “Marketects.” This monograph spans all twenty-five years of Powers Brown Architecture and evinces why all clients deserve good design.

“Marketecture,” a term coined by Powers Brown Architecture as an antithesis to the “Starchitecture,” is a market-driven strategy for striving for the best design solutions for all clients. Through this bottom-up approach, Powers Brown seeks cutting-edge solutions that elevate a seemingly mundane building type beyond client expectations. Its dedication to working with clients to develop cost-effective, market-driven buildings without sacrificing good design has resulted in a broad range of commercial projects that respond to everyday pragmatics while still exhibiting strong architectural ideas and developing new technologies along the way.

In Powers Brown Architecture: Commodity and Virtue in Architecture, the firm presents a curated collection of work that spans its entire twenty-five years in practice and includes projects not covered in earlier publications. The body of work evinces the disciplined structure of the practice itself over a predominant style or form.

Projects such as Hillel Student Center in Washington, D.C. and the Transit Terminal in Galveston, Texas showcase the firm’s approach to public work. Frank’s International and Seismic Exchange explore the possibilities of corporate architecture to create place as much as to make a statement. Arabella showcases the potential for variety, rather than repetition, in a condominium building, and the Thompson Hotel & Arts Residences in San Antonio navigates pedestrian scale in a twenty-storey tower. POST covers the commitment to resiliency and the future of the planet, while MEDDNet™ transforms urban design tactics into a national-scale disaster relief strategy.

The introduction is by journalist Stephen Sharpe, who has covered Powers Brown’s work for nearly twenty years. An extended essay by principal Jeffrey Brown, FAIA, situates the firm’s position at the conversational threshold of scepticism about “Starchitecure” and the reality of everyday architecture, or “Marketecture.” Architecture professor and author Donna Kacmar, FAIA, interviews Brown to reveal the details behind the firm and its work.

This issue of Architecture and Media focusses on the role that mass media and social media have played in contemporary Chinese architecture and how architects actively engage media as an architectural strategy. With case studies on the Aranya Resort and the TV show Dream Home, the issue develops a reading of these projects from a social perspective and discusses how architecture could better act as an agent of change. The issue also includes two recent projects.

One artist‘s whimsical and inspiring way to keep track of the books she has read, Book Marks is a visual journey through a lifetime of reading and remembering that features 434 richly illustrated artworks created on old library checkout cards; each collage or drawing distills the contents of a single title.

This alluring blend of art book and autobiography will capture the imagination. At its heart are hundreds of captivating 3 x 5-inch artworks―intricate collages and drawings created on old library checkout cards, each one representing a book that left an indelible mark on artist Barbara Page. She began creating these illustrated “book marks” as a colorful way to remember titles she was currently reading. Before long, Page embarked on a decade-long art project recreating her reading history, starting with picture books from early childhood.

Every artwork serves as a bookmark for a moment in time connected to a specific title, and, as a collection, they present over seventy years of literature, politics, thought, and culture ― as colored by one woman’s reading choices. Some images may evoke your own memories of a story. Others may feel like little puzzles that require reading or rereading a title to interpret the artistic references.

Over half of the more than 800 cards housed in a two-drawer library case are illustrated here. Interwoven with personal accounts of the artist’s life, each card represents a literary work that drives the narrative, directly and indirectly. Book Marks underscores the interplay between our experiences and our reading and can remind us how a good book can linger in our mind for months, if not years.

These compelling artworks resonate and inspire, as will Page’s story. Like many, the artist discovers strength in the words of authors many of us know and love, and, through reading, she gains knowledge that feeds her personal growth and scientific interest in the world around her. As Page’s life is disrupted by tragedies ― one husband’s mental illness and another’s decline into dementia―she forges forward, finding new focus and reinventing her life.

Among the books represented in the 400+ artworks:

Robert McCloskey’s Make Way for Ducklings, Marjorie Kinnan Rawlings’s The Yearling, Louisa May Alcott’s Little Women, Mark Twain’s The Adventures of Huckleberry Finn, George Orwell’s 1984, Shakespeare’s MacBeth, Kathryn Hulme’s Nun’s Story, Ernest Hemingway’s A Farwell to Arms, Benjamin Spock’s Baby and Child Care, Rachel Carson’s The Silent Spring, Wolfgang Langewiesche’s Stick and Rudder, Eldridge Cleaver’s Soul on Ice, Alix Kates Shulman’s Memoirs of an Ex-Prom Queen, Wassily Kandinsky’s Concerning the Spiritual in Art, Don Marquis’s Archy and Mehitabel, Toni Morrison’s The Bluest Eye, Robert Pirsig’s Zen and the Art of Motorcycle Maintenance, Louise Nevelson’s Dawns + Dusks, Jane Austin’s Pride and Prejudice, Mollie Katzen’s Moosewood Cookbook, William Least Heat-Moon’s Blue Highways, Bruce Chatwin’s The Songlines, David Quammen’s The Song of the Dodo, Paul Theroux’s Old Patagonian Express, Elisabeth Sheldon’s A Proper Garden, John McPhee’s Annals of the Former World, Alex Haley’sRoots, Italo Calvin’s Cosmicomiche, Alfred Wainwright’s A Coast to Coast Walk, Alexander Stille’s The Future of the Past, Anthony Bourdain’s Kitchen Confidential, Alan Weisman’s World without Us, Kate Atkinson’s Life After Life, Andrew X. Pham’s Catfish and Mandala, Meg Wolitzer’s The Interestings, Katharine Harmon’s The Map as Art, Mitch Albom’s Tuesdays with Morrie, Jhumpa Lahiri’s The Lowland, Louise Penny’s A Trick of The Light, Oyinkan Braithwaite’s My Sister, The Serial Killer, Dave Eggers’s The Circle, Orhan Pamuk’s Museum of Innocence, Daniel James Brown’s Boys in the Boat, Will Schwalbe’s End of Your Life Book Club, Haruki Murakami’s What I Talk About When I Talk About Running, Elizabeth Kolbert’s The Sixth Extinction, Susan Orlean’sThe Library Book, Amor Towles’s A Gentleman in Moscow.

Krishna Reddy worked a revolution in printmaking by discovering the method of printing numerous colors from a single metal plate. Experiments in the possibilities of simultaneous color printing remained unpredictable until Krishna analyzed the oil contents of inks and effected ways of controlling that. The impact was a remarkable viscosity: graphic artists could now work with the intensity of tones and range of colors in a single print. That, along with the spirituality of his art, makes Krishna Reddy a legend in his lifetime. Santiniketan is only one of the 250 universities to have him as an artist in residence. A museum in Bangalore devotes a wing to his prints. Paris and London, Ljubljana and Venice, Austalia and Argentina, Morocco and China-biennales and triennales boast his retrospectives. Solo shows, multiple workshops, lectures, publications, portfolios-Krishna Reddy’s life is buzzing with activitiy. For Krishna, it is not enough to produce his art; one is responsible for sharing one’s knowledge, too. This book is an attempt to portray this artist with a message. It is, as we said, a study in the creativity of a master.

Choosing bronze as her favorite medium, Meera Mukherjee (1923-1998) formed her own simplistic, modernist, life-like world of sculptures. They possess a ‘lifeforce’ that speaks to the ordinary being instead of alienating them. Mukherjee’s commitment to her practice made her valiant enough to step out of her comfort zone and dedicate herself to visual arts. Her devotion to the craft traditions of India guided her to Madhya Pradesh, Bengal and South India. The artist’s language is similar to that of the quotidian life in her immediate surroundings, shedding light upon social issues.

This one of a kind volume offers an understanding of Mukherjee’s art through the most comprehensive collection of essays by writers who have known her personally and professionally, as well as from translated texts and excerpts from her diary and letters. Published in association with Akar Prakar Gallery, Kolkata, Emami Art, New Delhi, and supported by Raza Foundation.

Ganesh Haloi, one of the best-known abstract Indian artists of his generation, was born in Jamalpur, in present-day Bangladesh, in 1936, and moved to Kolkata in 1950. This book accompanies an exhibition of lyrical works which meditate on the fluid world of nature and water, creating an elegy to living and lost aquatic landscapes in translucent color, shapes, and lines. He expresses a visible joy in composition, and a deep sense of pathos. Ganesh Haloi represented India at the Berlin Biennale in 2014, and exhibited at Documenta 14 in Athens and Kassel in 2017. Published in association with Akar Prakar Gallery, Kolkata.

Ganesh Haloi, born in Jamalpur, Mymensingh (now in Bangladesh), moved to Calcutta in 1950 after the Partition of India. Witness to India’s resilient culture, its freedom and struggle for its secular modernism, Haloi is among the artists of the generation who have played a significant role in the shaping of Indian modern art.

Haloi has cultivated a singular vocabulary of abstraction and landscape. This painterly world is textured with knowledge references that the artist is attuned to over decades — from archeology, ancient architecture, art history to sacred philosophy and poetry. His works are exercises in bringing life to the genre of landscape painting through the assembly of disparate symbolic forms.

With extensive essays by eminent art critics interspersed with folios of many previously unpublished works from throughout his life, this monograph documents Haloi’s earth-toned abstract vocabulary that has drawn over time on a vast breadth of iconography, ideas, and movements.

Published in association with Akar Prakar, Kolkata & New Delhi.

Somnath Hore was born in Chittagong (now in Bangladesh) in 1921. By the 1950s, he earned a name as one of the premier printmakers in India, and headed the Graphics and Printmaking Department at Kala Bhavana, Santiniketan. Hore started the paper-pulp print series Wounds in the late 1960s as a response to the Naxalite movement in India and the social unrest around the world. The artist felt the intense need to translate his witnessing of the many problematic realities into art in the form of ‘wounds’. He wanted to reproduce the essence of a cut or injury with his works using printmaking, turning to intense research and experimentation with the red and white colors and the light and shadow effect on a three-dimensional model to reach a satisfactory outcome. This volume talks about the series, its inception, making, and perceptions about and around the main theme.

This is the ultimate bible to Paris unknown.

If you want to see Paris like it is in the movies, Nessy will show you the director’s cut. If you seek the unusual and the underground, she’ll take you down the rabbit hole and park you at the mad hatter’s doorstep. If you think you know Paris, let Nessy challenge you.

This book will encourage the wanderer within. It is a true traveler’s companion as much as a beautifully-designed collectible for your bookshelf. You are about to acquire this curious local’s key to the city that will unlock a precious vault of addresses. Within the pages of this beautifully bound hardback, you will find…

20 Secret Restaurants; 70 Time Traveller’s Bars and Cafés; 50 Romantic Hideaways and Unique Date Ideas; 60 Unexpected Cultural Alternatives to major museums; 50 Movie-worthy Walks & Eye-opening Neighbourhood Discoveries; 35 Cabinets of Curiosity and Aladdin’s Caves; 50 Hip Parisian Hangouts; 50 Places to Inspire & Use Your Creativity; 35 Booklover Havens; 60 Local Food Gems; 40 Places Parisian Families actually take their Kids; 65 Urban Retreats; 30 Obscure/ Underground Adventures; 50 Budget-friendly life-savers; Endless good-to-know Paris tips.

“… a wonderfully kinetic, joyful, and gorgeous tribute to Kirk’s work for just about every edition of Vogue” — Vogue.com

Neil Kirk in Vogue: The Supermodel Years is a unique retrospective of 1980s and ’90s fashion, as captured by one of the most exceptional photographers of the era.

A prominent and prolific fashion photographer for over four decades, Neil Kirk’s sensational body of work has left a lasting impression on designers, editors and catwalk models across the fashion industry. A frequent contributor to Vogue US, British, Italia and Deutsch throughout the ’80s and ’90s, his photographs helped propel some of the biggest fashion names into the public sphere during an era when supermodels were becoming A-list celebrities and fashion designers were pioneering an innovative take on modern luxury.

With a foreword by Bryan Ferry and contributions from Helena Christensen, Claudia Schiffer, Manolo Blahnik, Sam McKnight, Stephen Jones, Yasmin Le Bon, Christian Lacroix and Jasper Conran among others, this is every fashion lover’s dream in one beautifully illustrated, must-have volume.

Featuring Salma Hayek, Carla Bruni, Cindy Crawford, Yasmeen Ghauri, Valentino Garavani, Vivienne Westwood, Malcom McLaren, Ewan McGregor, Kate Winslet, Jerry Hall, Linda Evangelista, Rachel Williams, Jonathan Rhys Meyers, Robin Wright and many, many more.

“The beautifully illustrated book is more than just an illustrious coffee-table tome. It is a fun and informative read, chock-full of behind-the-scenes anecdotes, stories, and little-known secrets of the families and friends that populate the industry.” — Jewellery Outlook

“… Jewelry Creators: Dynamic Duos and Generational Gems is not only a tribute to the people behind the jewels, but also a reflection on the collaborative nature of creativity in contemporary jewelry.” — Laura Astrologo Porche’s Substack

“It is a fun and informative read, filled with behind-the-scenes anecdotes, stories and little-known secrets of the families and friends that populate the industry.” — Intervals by Anthony DeMarco

Jewelry Creators: Dynamic Duos and Generational Gems is a beautifully illustrated book that celebrates the relationships at the core of the jewelry and gemstone industry. Divided into two chapters, the book provides an insight into the world of those that work as a duo, be it family members or close friends, and those that are part of a generational legacy. More than just an illustrious tome presenting the art of jewelry making, Jewelry Creators is a fun and informative read with behind-the scenes anecdotes and little-known secrets from 22 brands. All who are featured in the book have merged their artistic talents and professional styles, complementing one another to create some of the most memorable and enduring pieces that delve into the past, reveal the present, and speak to the future. Whether you’re new to the jewelry world, a longtime enthusiast, a collector who cherishes innovation and heritage, or simply someone who delights in lively conversational narratives, the stories shared within these pages are here to inspire.

Architecture China focuses on cutting-edge architectural designs with regional characteristics in contemporary China.

This issue, Winter 2020, Architecture as Infrastructure, selects a series of pioneering architectural cases in China elaborating on how a new kind of architectural infrastructure can be formulated. It includes two essays respectively written by Zhang Bin and Tan Zheng, and the built projects of the 11th Horticultural Exposition of Jiangsu Province. Another series of built projects “Toilet Revolution” is also included.

Both the academic writings and architectural practice in this issue reveal the hidden potential of urban infrastructure in the current construction in China.

Architecture Asia, as the official journal of the Architects Regional Council Asia, aims to provide a forum, not only for presenting Asian phenomena and their characteristics to the world, but also for understanding diversity and multiculturalism within Asia from a global perspective.
This issue focuses on the topic of Architecture Writing and Literature, and features five essays and ten projects that elaborate on this topic. The five essays, separately, introduce Writing Architectural Pedagogies, Indian Architectural Literature in UKs Academe, Architecture of Writing and Criticism, How to Believe in Architecture becoming Author of History and Writing Habitation and Inhabiting Writing. The ten projects, accompanied with full-color photos and text descriptions, highlight various types of architectural works from China, India, Indonesia, Japan, Malaysia, Singapore, showing how architects show their projects through words, depending on the types of architectural work.