From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
King Charles III’s affection for architecture is well-known, but the extent of his engagement has never been fully presented to the public. This is the first book to draw together the many threads, from the ‘carbuncle’ speech, made at Hampton Court in 1984, until his accession to the throne. He has created model settlements such as Poundbury through the Duchy of Cornwall, Dumfries House in East Ayrshire has been made a beacon of social regeneration, and his educational initiatives have changed lives.
The four decades of the King’s commitment to architecture have coincided with Clive Aslet’s career as a journalist, during which he has followed the story and often written about it, not least during the 13 years for which he was editor of Country Life. King Charles III: 40 Years of Architecture is based on new research including many interviews with the architects, critics, advisors and academics who worked with the (then) Prince of Wales on his far-reaching endeavors.
Miami, Florida, is a city that’s highly vulnerable to the effects of climate change. Global design firm ArquitectonicaGEO is at the forefront of designing sustainable, contemporary landscaped environments that address these challenges as well as enhancing the human experience and community wellbeing.
In Resilient Horizons: The Future of Landscape Architecture, ArquitectonicaGEO presents 10 pioneering projects in Miami, offering an insightful case study that explores the transformative role of landscape architecture in creating a more resilient city. Ranging from urban green spaces and neighborhood precincts to large-scale developments and ecosystem restorations, these projects demonstrate how sustainable, innovative landscape architecture can transform not just spaces, but entire communities, and our future cities.
Full-color photography, site plans, drawings, and engaging narratives showcase the innovative approaches that ArquitectonicaGEO uses to design sustainable, resilient, enriching environments. Written in English and Spanish, the bilingual text reaffirms the importance of landscape architecture as a powerful, transformative tool for a greener future.
Text in English and Spanish.
Traditional country parks, which originated in the United Kingdom, are very different to the country parks we know today. With the development of urbanization and the improvement of living standards, city dwellers were no longer satisfied with small urban green spaces, and a new style of country park was born. Conveniently located in the outer city suburbs, with tranquil, natural environments, this new type of park met society’s desire to return to nature, and theses spaces have since become hotspots for tourism and leisure. Country Parks includes detailed theory and case studies showcasing outstanding international country park design; analyzes and promotes the current status and development of the country park and its role in urban development; and provides valuable guidance for professional designers working in the field today.
The Language of Home offers a unique glimpse into the creative partnership of Will Meyer and Gray Davis, cofounders of the globally recognized architecture and design firm known for shaping award-winning residential and hospitality spaces. This curated selection of Meyer Davis’s residential projects spans city penthouses, lakeside retreats, coastal sanctuaries, a Mexican villa, and a luxury yacht—each one reflecting intimacy, elegance, and individuality. The narrative explores the art of design, the joy of collaboration, and the ways personal context shapes the work. As each project unfolds, readers are invited into the world of Meyer Davis, where bold gestures are tempered by careful refinement, revealing a rhythm inherent to the practice: layered, collaborative, and alive. Richly illustrated with photography, sketches, and material boards, The Language of Home is both a showcase of design excellence and an inside perspective into the work of two of today’s most influential voices in contemporary architecture.
In his office Urbana, Bangladesh, Kashef Chowdhury designs architecture that is rooted in the history and nature of the location. Nature in this sense not only consists of vegetation, plants and forests, but also the spiritual and cultural context of a specific environment and landscape. The range of his works includes the transformation of ships, the development of housing and the construction of mosques, museums and corporate headquarters. All of his projects have the common feature that they are based on comprehensive research work, aimed at applying an awareness of a specific location and its nature to achieve a high degree of innovation and original expression. This combination of traditional building styles and contemporary architecture often has an inspirational effect.
The Consciousness Of Place is Chowdhury’s philosophical engagement with his own understanding of architecture, based on his research and lectures. It focuses on the significance of architecture, which is able to connect us to nature and liberate us from hectic urban life. Buildings and workplaces should be transformed into oases of peace and relaxation in order to benefit from nature’s regenerative and relaxing qualities.
Chowdhury stresses the need to listen to nature and appreciate its beauty. Accordingly, he prefers natural materials in his projects, while also using the interplay of light and shadow as a key element to create spaces that inspire us to pause and think.
This publication is a manifesto of a form of architecture that harmonizes with the respective location, reflecting the identity of its culture and people. Chowdhury regards his task not so much as work and more as an activity stemming from his love of an art form that serves the people – which he believes is the nature of architecture.
In recent years, Chowdhury’s constructed works have attracted international attention and have been awarded prizes such as the 2022 RIBA International Prize and the 2016 Aga Khan Award for Architecture.
Award-winning firm MDSzerbaty Associates Architecture (MDSA) reflects on past work to explore its use of materiality and the inherent qualities of texture, color, and light.
Architects design, build, and move on to the next project. How often do they reflect on their decisions and the evolution of their work over time, looking back at the choices they made?
MDSA carefully considers texture, color, and light, and explores these inherent qualities of materials in its architectural designs. At first sight, they may seem disparate with adjacent elements, but ultimately exhibit a refined and sophisticated appearance.
In Light, Color, Texture: The Work of MDSA MDSzerbaty Associates Architecture, principal Michael D. Szerbaty examines recent works by the firm to provide a reflective reassessment of the impact of light, color, and texture. Each project contains a discussion revealing how the materials were selected, the decision behind the use of color, and the deliberate window placement to allow natural lighting. Szerbaty’s review across the selected body of work provides evidence of the firm’s evolutionary approach, and an awareness of how buildings alter in place over time.
With full-color photography and insightful commentary, this monograph offers an unparalleled opportunity to gain clear and informative insights into the decision-making process of an award-winning architecture firm.
Old Westbury Gardens: Days of Grace on Long Island honors the life and legacy of the house that Jay Phipps built to woo his English love, Dita Grace. In his efforts to secure her hand in marriage, he promised to recreate the world of elegance, gardens, and dogs that she had known in Sussex. She said “Yes”—and the rest is Westbury.
Designed in 1906 by English connoisseur and family friend George Crawley, the house was furnished with British antiques and craftsmanship, with gardens planted under Dita’s discerning eye. Of the hundreds of mansions built on Long Island around the turn of the twentieth century, Old Westbury Gardens is now unique—the only one preserved in its original condition.
In 1959, Peggie Phipps Boegner generously placed Old Westbury Gardens in trust, in memory of her mother, Dita, so that the public could enjoy the place where she herself had been so happy. Maintained to the highest standards of authenticity, it is now a showcase of architecture, horticulture, and the decorative arts.
Forty international projects in six categories present the most innovative and forward-looking solutions, whose contribution to building culture development is clearly evident. The focus is on all the relevant themes of transformation development: use of resources, circular processes, biodiversity etc. The editors take a comprehensive look at current developments in the building sector and inspire novelty. With InteriorPark, they have been driving sustainable developments in the building sector forwards since 2010.
Text in English and German.
From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these ‘Doomsday spaces’ into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. “Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality,” says Adam Reynolds.
In a former shipyard of 8,000 square meters at the ultra-hip NDSM Wharf in Amsterdam, you will find Europe’s largest street art museum: STRAAT. Yearly an impressive 200,000 visitors admire their collection of over 180 works by around 170 artists, many of which were specially created for this location. As STRAAT’s collection is constantly refreshed and expanded, it’s time for a second catalogue featuring only new works by about 80 artists. Divided into chapters by genre—muralism, art and activism, native/nature, abstract graffiti, and installations—and interspersed with essays by experts like Steven P. Harrington, Carlo McCormick, Charlotte Pyatt and Christian Omodeo, this book is a wonderful anthology of the key figures in the contemporary street art scene.
As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O’Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification.
For them, abstraction involved absence and presence – the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be. How does a crisp painting technique relate to an aesthetic of absence?
Ski & Art is a visual tribute to the world of skiing, where adrenaline, landscape and creativity come together. In this richly illustrated book, author Katie Bamber explores how ski culture inspires artists – from iconic alpine posters to illustrations that make the powder fly off the page. Ski & Art, the successor to Surf & Art and Skate & Art, tells the story of a lifestyle shaped by mountain communities, subcultures and a shared love of freedom and expression. Bamber selected the 22 ski artists who define the scene, interviewed them and showcases their finest work. This book is a must-have for anyone fascinated by the cross-over between sports and art, and by the unique magic of the mountains.
José Bedia: Inner Circle Journey 1976 – 2026 is a rich exploration of the career and work of Cuban artist – José Bedia. From being a formative member of the “Volumen Uno” Cuban art renaissance, Bedia’s international outreach continually grew from the 1980’s onward, reaching worldwide acclaim – spanning from his participation in the monumental exhibit Magiciens de la Terre in 1989 to winning First Prize at the Beijing Biennale in 2010. His unique artistic craft focuses on organic elements, tribal symbology, and shamanism from diverse cultures. Bedia’s work and artistic creations are deeply informed by living and past ancestral communities everywhere and his personal interactions with them, while simultaneously using a “field work” approach of an ethnographer or anthropologist to create his paintings, drawings, sculptures, and installations. Anchored by his 5-decade retrospective at the MARCO Museum of Monterrey, and also accompanied by text from various art scholars, this book will look at his trajectory focusing on his different styles and periods throughout the years, as well as images from his personal travels, and tribal collection, that directly impact his artistic output.
Text in English and French.
Kettle’s Yard Art & Artists introduces readers to the key artists represented in the Kettle’s Yard collection. It focuses on works collected by Jim and Helen Ede between 1957 and 1973, which remain on permanent display in the Kettle’s Yard House.
Organized alphabetically by artist surname, each chapter features:
– An image of the artist’s work in situ at Kettle’s Yard
– Reproductions of significant artworks from the collection
– Biographical details covering early life, education, and major achievements
– Insights into the artist’s relationship with the Edes, Kettle’s Yard, and Cambridge
The text is enriched with excerpts from Jim Ede’s writings and archival material, including letters exchanged with the artists. Conceived as a companion to the Kettle’s Yard House Guidebook ISBN 9781904561613, this publication offers an accessible introduction to the art on display at in the Kettle’s Yard house and the stories behind the artists who created it.
This gorgeous book highlights seventy works from an important private collection built over more than four decades with discipline, curiosity, and passion. It is one of the finest private collections of African art from West and Central Africa, through South Africa and Madagascar. Conceived around four main themes – Governance and transmission, Protection and caring, Coming together (celebrating, partying, judging and praising), Serving and beautifying – this selection offers a capacious general introduction to the topic of African art and furthers our understanding of the artworks’ source cultures.
The beautiful photographs of the seventy works in the first part of the publication are followed by a whole chapter dedicated to some important avant-garde photography masterpieces showing the narrow relationship between this movement and nine fascinating African art works belonging to the collection. The objects are shown side by side with renown works from Alfred Stieglitz, Man Ray, Lajos Kassák, Hannah Höch, Erwin Blumenfeld, Maurice Tabard, Karl Blossfeldt and Robert Doisneau.
Striking a balance between often published and lesser-known masterpieces from the collection, the present volume unveils to the public a selection of seven contemporary artist-photographers (Jean Marc Tingaud, Louis Tirilly, Nicolas Bruant, Roger Ballen, Groupe Street Collodion Art, Coco Fronsac, and Frédéric Vidal) who have been asked to represent, in a contemporary and personal style, for the first time, nine renowned works.
Text in English and French.
The Art & Times of Daniel Jocz presents the entrancing and challenging work of American jewelry artist and sculptor Daniel Jocz. There is a spontaneous quality to the work, yet it is always rich with meaning. His open spirit is fully embodied in the 2007 neckpiece series An American’s Riff on the Millstone Ruff. Inspired by the extravagant scale of 17th-century Dutch ruffs at the Rijksmuseum in Amsterdam, he decided to update them with automobile paint.
Jeannine Falino takes an in-depth look at the twists and turns of Jocz’s long career, from his early geometric sculptures to the fashion-forward flocked Candy Wear collection, and from his ruminations on Marlene Dietrich in the form of necklaces featuring enamel smoked cigarettes to the wall reliefs he explores today. Wendy Steiner considers Jocz’s place in the avant-garde through the lens of fashion and culture, while Patricia Harris and David Lyon explore his involvement in the rollicking Boston jewelry scene of the late 20th century.
Burst! Abstract Painting After 1945 looks at the close, but previously unexplored relationship between Abstract Expressionism and Art Informel. Through texts and close to 100 illustrations, the book describes a vital creative exchange across the Atlantic that would entirely redefine painting. Big, expansive, paint-splattered surfaces; spontaneous actions captured on canvas; new ideas of freedom. A story of post-war recovery and Transatlantic dialogue. On both sides of the ocean, society was reacting to the horrors of the Second World War, the Holocaust and the coming of the atom bomb. The book shows how artists searched for new ways to deal with these shattering events. With works by Jean Dubuffet, Natalia Dumitresco, Helen Frankenthaler, Asger Jorn, Lee Krasner, Jackson Pollock, Mark Rothko, Sam Francis, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Georges Mathieu, Hedda Sterne and Clyfford Still, and more.
“Outsider art” is the name given to the idiosyncratic work of self-taught creators who are driven to use their own invented visual language to bring forth images from their imaginations. It is outside the continuum of art history, outside the boundaries of art recognized by established art institutions, and outside the collective discourse of the mainstream art world. This book examines the underlying biases, ideologies, and social factors that inform the various approaches to outsider art, including myths surrounding mental illness, movements toward social inclusion, and movements away from the marginalizing effect of labels. Most importantly, Outsider Art of Canada explores how we think about art and who is entitled to call themselves an artist. In this survey dedicated to outsider art in Canada, the first of its kind, the artists introduced have much to tell us about their need to create, unapologetically and without regard to public opinion.
The !Xun & Khwe Art Project was developed in 1993 in a refugee camp in Schmidtsdrift, South Africa. After being party to the struggles for liberation from colonial rule, endangered groups of San people from Namibia and Angola were relocated there. They eventually found their final home in the self-governing South African community of Platfontein. The art of the !Xun and Khwe came about during the short period of transition from a traditional way of life to a modern, globalized society. This is what makes them unique. The collection of Hella Rabbethge-Schiller reveals the remarkable creativity and visual expressiveness of the artists. Despite otherwise depending on oral transmission, the San have captured their stories for posterity here in images charged with energy.
Text in English and German.
Chosen for the 59th Venice Biennale, to represent contemporary creation at the Lebanese pavilion Ayman Baalbaki is a Lebanese artist born in Beirut in 1975. He first trained at the Institute of Fine Arts of the university Lebanese school in Beirut, then at the National School of Decorative Arts in Paris. Five years after his arrival in France, he received the silver medal in painting at the Francophone Games and then participated in several exhibitions worldwide. Lebanon, France, Great Britain, Argentina, Egypt and Niger are all countries that welcome the works of the artist.
His productions of the last 10 years have been compiled through this unpublished work, published in French, English and Arabic. The authors endeavor to decipher his paintings and installations, crossed by societal issues specific to Lebanon: war, abortive revolt, political and financial bankruptcy, the tragedy of the port of Beirut or even pandemic. The artist paints anonymous portraits of his contemporaries, which have today become symbols of the Middle East. It represents the city, its buildings, erected, but also in ruins. His art is vibrant, dynamic and textured.
Text in English, French and Arabic.
Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organized exhibitions, published books, exhibited archelogical artifacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travelers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle’s Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li’s work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner’s account is accompanied by nine short texts – by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh – that trace the diverse threads and ramifications of Li’s practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.
“Do come in as often as you like – the place is only alive when used” – Jim Ede
Take a room-by-room journey through the Kettle’s Yard house in Cambridge (UK), former residence of curator and ‘friend to artists’ Jim Ede and his wife Helen. Home to their substantial collection of 20th century art, furniture, ceramics, glass and natural objects, the house remains open for visitors to experience as the Ede’s intended: art as a way of life.
The carefully curated interior spaces in the original converted cottages (1957) and Leslie Martin-designed extension (1970) are a masterclass in balance and restraint, appealing to aesthetes across the spectrum of art and design from fine art to fashion; interior designers, architects and art historians.
Richly illustrated with new photography by Gilbert McCarragher and inspired by classic mid-century guidebooks, this book will catch the eye of long-time fans of Kettle’s Yard as much as those discovering the house for the very first time. A companion publication Kettle’s Yard Art & Artists ISBN 9781904561620 is also available.