Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.
Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.
Warwick Freeman (b. 1953) is regarded as one of the world’s most influential contemporary jewelry artists. His works tell of his life, culture, and history, as well as the history of Aotearoa New Zealand and the country’s unique materials from millimeter thick mother-of-pearl from the pearl shell to the iridescent inner membrane of the pāua (a rainbow abalone).
In the 1980s Freeman co-revolutionized the world of New Zealand jewelry, which led to the creation of a unique artistic language. Initially influenced by western jewelry traditions, and later impacted by a growing awareness of Māori and Pacific adornment practices, Freeman has built a language of emblematic forms across five decades. Through jewelry making he discovers symbols that connect us – from Hook to Hand to Heart to Star.
Text in English and German.
Reality Check shows an overview of a decade of Dutch realism in painting, photography, video, sculpture, installations, drawings and graphics. On the basis of over 50 artists – young and old, established and recently graduated – Sito Rozema – curator at Museum MORE – outlines the latest developments in realism in the Netherlands. What is it in our time that prompts the contemporary artist increasingly opt for a figurative visual language to explore reality? The catalogue, the participating artists themselves have their say: what does realism mean to them?
Text in English and Dutch.
Between the second half of the 15th century and the 20th century, many painters added a fly to both their sacred and profane compositions. It was painted so convincingly that it seemed real. André Chastel, art historian, reconstructed in this book the history of the fly in painting, here reviewed and updated by Sylvia Ferino-Pagden. At least at the beginning, the fly was introduced as an odd masterpiece, an affirmation of the artist’s skill and convictions. A joke for illusionists, which however contains more complex meanings. The fly in painting then evolved. The insect, as we know it, is not well-loved and goes from simply being a nuisance to being the sign of death itself. And over time, la burla di Giotto, Giotto’s joke, generated a series of symbols where the artist wanted to represent the transience and precariousness of life, of earthly joys. The book chases the flies in picture after picture and recounts how the pictures are strewn with even minuscule signals, plots, and traps which, from time to time, take the form of a flower, an insect, a gem. It is a question of knowing how to interpret them to delve into a story that is also an adventure of the human spirit.
Text in English and Italian.
Every entrepreneur dreams to find a success formula to quickly go viral with his/her product or service. Carole Lamarque believes that this formula for success exists, in nature. It’s called a Zoonotic: a virus that is spreading virally all over the world at lightning speed. In this book, she demonstrates with concrete examples how a zoonotic pandemic such as Covid-19 can inspire a successful viral business strategy.
The ‘great apes’ – bonobos, chimpanzees, gorillas and orangutans, are our closest cousins. Indeed anyone who has ever had the privilege of spending time with them will confirm the remarkable similarities and the deep and moving connection they felt.
And yet we humans, the fifth great ape, seem callously able to turn a blind eye to their destruction for the sake of our own rapacious greed. Land, money, cheap ingredients and even components for our mobile phones are prioritized over our family, in a seemingly relentless and insatiable grab for what ‘we’ want, no matter the consequences.
Remembering Great Apes is time for us to say no, no more. We cannot, we will not, let this continue. It is a celebration of the beauty of these species and a cry from those who photograph and love them that things need to change, before it is too late.
This is the third book in the groundbreaking Remembering Wildlife series, a project only made possible by the generous wildlife photographers and supporters who march with us in our determination to give wildlife a voice. We cannot, we simply will not remember wildlife in pictures.
A forerunner of design, René Gabriel (1899-1950) established himself as a decorative artist in most of the salons and international exhibitions of the interwar period. The discovery of several thousand of his drawings, kept at the National School of Decorative Arts in Paris where he taught, allows us to fully understand the scope of the work of this singular creator who was interested in all everyday objects: furniture, wallpaper, fabric, crockery, rugs, but also architecture, illustration, scenography, advertising … Adept of wood, this fervent defender of furniture for all distinguished himself at the time of the Reconstruction by inventing many models for disaster victims and forging close links with industry. This commitment earned him wide recognition, crowned by the René-Gabriel Prize which will reward some of the greatest French designers, such as Marcel Gascoin, Pierre Guariche and Michel Boyer.
Text in French.
Edvard Munch (1863-1944) was a visionary and obsessive artist who would not rest until he had captured human existence in its entirety, both in its beauty and in its inner conflicts and contradictions.
Today, paintings such as Madonna, The Scream, and Vampire are known worldwide and shared online and on social media in the millions. Munch has become a part of popular culture. This book gives a concise, accessible and illuminating introduction to Munch’s life and art. It is generously illustrated, including a large selection of images from all stages of Munch’s career.
Miscellaneous Tactics: The Architecture, etc. of OJT examines the work of the New Orleans-based Office Jonathan Tate (OJT). Established in 2011, the firm has emerged as a leading voice within a new generation of architects engaged in the contemporary city. Rather than waiting for institutional or market-driven commissions, OJT pursues a proactive approach, creating their own opportunities, platforms, and development frameworks to realise architectural work on their own terms.
Through 15 featured designs, built and unrealised, as well as research projects, the book demonstrates how OJT strategically engages the specific conditions that shape architectural production today, including local policy, real estate mechanisms, and financial structures. By operating within and against these systems, the practice crafts the ideological and material conditions for their projects. The result is a body of work that ranges from inventive housing prototypes to urban research initiatives, each reflecting a belief in architecture’s capacity to intervene meaningfully in the city.
Lightstream represents Nigel Grierson’s most recent foray into photographic abstraction as he makes long exposures of figures beside the light of the ocean. Taking the maxim from Dieter Appelt “A snapshot steals life that it cannot return. A long exposure (creates) a form that never existed”, Grierson makes beautiful images, which on the surface might appear to owe as much to the medium of painting as they do to photography. However, it is important to him that these are un-manipulated images straight from the camera: “From the outset, my work has been largely about ‘photographic seeing’ as I’m fascinated by what Garry Winogrand so simply described as ‘how something looks when photographed’. Hence, a sense of discovery within the work itself is very important to me; finding something new that I didn’t already know. There’s a huge element of ‘chance, and the embrace of the happy accident within this approach, which is a sort of photographic equivalent of action painting. I’m often more interested in what something suggests rather than what it actually is, each image becoming a starting point for our imagination as it edges towards abstraction”.
Yet what is unique about photography is that it always keeps something of the original subject. So there’s a dynamic duality, a dramatic to and fro in the viewer’s mind, between what it is and what it suggests. The marks and traces created by the moving light, at times have a simplicity like a child’s drawings. On occasion, the residue of a human figure might be reduced to little more than their posture or demeanor, which then seems more significant than ever, a sort of essence, whether that be elusive or illusive.
A visit to a museum is an extraordinary opportunity for imagination, liberation from the mundane routines of daily life, and opening the door to a world of diversified perspectives. In the last two decades, an artistic network has flourished along the scenic banks of Shanghai’s Huangpu River and Suzhou Creek, both prominent waterways in the city. As of 2023, the 6.3-kilometer waterfront along Suzhou Creek has been transformed into an awe-inspiring canvas housing more than 100 vibrant art spaces. Meanwhile, the Huangpu River has become a hub of artistic expression, featuring renowned cultural areas like the Bund, the “West Bund Cultural Corridor” project, initiated in 2010, and the post-Expo venues.
Roaming Shanghai’s Art Museums guides readers through every path that leads to the most important 15 art museums in Shanghai. This book unveils a comprehensive treasure trove of art museum insights, accompanied by precious photographs, and engaging dialogues with directors and architects. From industrial relics to architectural masterpieces by Pritzker Award winning architects like David Chipperfield, Jean Nouvel, and Tadao Ando, it takes readers to a world of art. Embrace the journey of artistic exploration, where each museum visit becomes a transformative and enriching encounter with creativity and human expression.
Text in English and Chinese.
It wasn’t until the late 1950s that red wines became the foremost category in Bordeaux. While reds still dominate, since the 1990s there has been a revival of interest in the region’s whites. In The White Wines of Bordeaux, Mary Gorman-McAdams explores in depth all of the non-red wines of Bordeaux, examining the history and evolution of these less well-known wine styles. The permitted varieties are covered in depth and each appellation is explained in terms of its terroir, styles and significant wines. Key producers, and their vine growing and winemaking approaches, are profiled for each appellation. The challenges and catalysts for change, from shifts in wine buyer demographics to environmental issues, are analyzed. The book concludes with a chapter on vintage white Bordeaux.
Never reprinted since their first, posthumous appearance in 1935, these woodcuts were the only printed versions of his work to receive Rodin’s full approval. Mostly self-educated, Rodin was a passionate re-reader of his favorite books, and Ovid’s Love Elegies occupied a special place in his imagination. These woodcut illustrations were taken from the astonishingly free and improvisatory life drawings he made in his later years. For many people these are the most entrancing manifestation of his genius. Privately published in 1939 in a very strictly limited edition, these 31 beautiful images are very rarely seen. This edition marries Rodin’s illustrations to Christopher Marlowe’s glittering translation, which was ceremonially burnt by the Archbishop of Canterbury in 1599.
From multi-colored patchwork identities from collaged faces, via dot-by-dot murals or wildly patterned paper impressions of monuments to fragmented smartphones as gravure plates – the two find new, specific forms of expression in each of their series of works. The love of paper cannot be overlooked and the first book itself is long overdue. Just in time for Various & Gould’s anniversary exhibition in Berlin’s Urban Spree Gallery, this monograph presents the breadth of their work, deepened by essays by selected authors.
Text in English and German.
Silence of the Tides
presents a stunning selection of images from a newly-released documentary about the Wadden Sea, the largest tidal wetlands area in the world. Stretching for 500 kilometres (310 miles) and encompassing 43 islands, this UNESCO World Heritage Site touches on the North Sea borders of the Netherlands, Germany, and Denmark. The film beautifully captures the vulnerable relationship between nature and humans, and the unique dynamic of the Wadden Sea and its surroundings. This book features frames from the documentary and photographs of the filming itself which have been selected by its director, Pieter-Rim de Kroon, an award-winning Dutch cinematographer.
“Silence of the Tides is a cinematic portrait that breathes and gives the audience the opportunity to draw their own conclusions.” – Pieter-Rim de Kroon.
“A hypnotizing large screen look into the cycles and contrasts of the seasons: life and death, storm and silence, the masses and the individual. All this is set against a larger than life backdrop of sky, water, wind, mist and constantly changing light.” – Film and Digital Times.
Alpine Elegance invites you to step inside 14 extraordinary chalets that fuse timeless charm with cutting-edge luxury. From the snow-dusted forests of Val d’Isère to the sunlit slopes of Snowmass, from the artistic allure of Courchevel to the tranquil reaches of Crimea, each home tells a unique story of elegance, innovation, and the enduring allure of the mountains.
This exclusive volume unveils a symphony of craftsmanship and natural beauty, where the line between indoors and outdoors blurs to create spaces that are both sanctuaries and works of art. Experience the refined coziness of Étoile du Nord in the heart of the French Alps or marvel at the seamless modernity of Analog House nestled in the Californian woods. Explore a family home in Kitzbühel, where tradition meets sophistication, and the Art Chalet Courchevel, a bold celebration of creativity.
Philippe Van Cauteren, director of the Municipal Museum of Contemporary Art (S.M.A.K.) in Ghent, has for many years written letters to artists all over the world. He directs his thoughts in a very personal manner to artists who inspire him. Van Cauteren’s letters are written in a straightforward and accessible way; at times, they even verge on poetic. They offer an insight into how a curator experiences and interprets art, and also provide a clear and succinct introduction to the work of each artist to whom he writes. This richly illustrated book contains more than 100 letters. In an introductory manifesto – a final letter to Jan Hoet, his predecessor and the founder of S.M.A.K. – Van Cauteren also describes the ‘ideal museum of the future’. This book is a reflection of the contemporary cultural arena, the roles of a museum, and the way in which diverse parties can collaborate constructively. It features letters to, amongst others, Michaël Borremans, Berlinde De Bruyckere, Jan Fabre, Adrian Ghenie, Jan Hoet, Mark Manders, Thomas Ruff, Pascale Marthine Tayou, Ed Templeton, Rinus Van de Velde and Vincent van Gogh. Contents: Almost 100 letters to artists.
The most comprehensive anthology of writings by visitors to the eternal city ever compiled – witty, profound and endlessly entertaining.
Drawing on French, Italian, Spanish, English, German, Scandinavian and American sources, Ronald Ridley has compiled a vivid collage-portrait of Rome through the centuries, illustrated with three hundred images and published in three elegant volumes: The Middles Ages to the Seventeenth Century, The Eighteenth Century and The Nineteenth Century. Presented here is the first volume.
How did visitors arrive? Where did they stay? What were their expenses? What did they see of churches, palaces, villas and antiquities? What did they like or dislike of what they saw? What did they think of Rome in all its contemporary facets? What events did they witness? What portraits do they provide of people in Rome at the time of their visit? Excerpts from memoirs by more than two hundred visitors give a myriad fascinating insights and together provide a detailed account of Rome over nearly a millennium.
In this book you will find a stunning collection of homes from the 20th century that have been lovingly restored to their modernist splendor and are still lived in. Photographer Jan Verlinde captures the power of the interiors and architecture on film like no other. Author Thijs Demeulemeester explains the houses in detail, based on interviews with residents, insights from the architects and the chosen interior styles. In this successor to the successful Homes for Nomads and Homes for Collectors, you will discover which modernist gems are still hidden and how they are lived in today.
Text in English, French and Dutch.
Strategy execution is complex. Three out of four organizations fail to implement their strategies, despite consultancies, literature on the subject and all available best practices. But why exactly do most strategies fail? Based on leading research, real stories, case studies and practical tools, the author takes you into the world of values, beliefs, emotions and often hidden underlying motivational forces that influence individual and collective behavior in organizations. He shows how consciously and effectively dealing with these human dynamics, often neglected in the strategic process, has a major influence on the performance of your organization and the successful realization of your strategy. If you are serious about making your strategy a success, have the urge to keep asking “why”, and have the courage to take a less conventional approach, this book will inspire you.
50 Ways to Cycle the World is the kind of book you’d give to a friend or family member who’s considering cycling somewhere in the world but feels that there are too many obstacles to overcome. 50 Ways encapsulates 50 unique cycling projects accomplished by 75 cyclists from 23 countries. It serves as the ultimate visual guide and encyclopedia to traveling by bicycle no matter what your personal situation is. You’ll find impressive, powerful, emotional and incredibly fun stories on almost every page, accompanied by the beautiful and inspiring photography shot all over our planet by the many cyclists who’ve shared their cycling stories.
Want to know what it’s like to cycle alone, with a dog or a cat, with kids, or with strangers you meet on the road? Or how to travel by tandem, folding bicycle, e-bike or on a bamboo frame? Or maybe you’re simply in need of that last little push over the doorstep, inspired by those who’ve seen the world by bike. Featuring over 400 revealing questions and answers, we’re sure 50 Ways to Cycle the World will tell you exactly what you need to know in order to overcome whatever is holding you back from starting out on your big adventure.
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Joan Eardley (1921-1963) is one of Scotland’s most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley’s working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley’s subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley’s life and art.
On the occasion of its 15th anniversary this coffee-table book reveals the work of A-tipica, an events agency which is a pioneer in wedding planning in Spain.
Thanks to the experience it has amassed over 15 years, A-tipica stands out for its capacity to support and advise couples during their wedding preparations. Its slogan is ‘we’re your accomplice’ because they adapt to each client’s taste while managing to allocate their budget in a balanced fashion.
They design, produce and coordinate magical events with sophistication, taking care of even the tiniest details and giving each wedding a unique style. Everything is planned, from the venue to the flowers, so that the future married couple can enjoy themselves and relax in the most unforgettable moment in their lives.
This book offers an overview of A-tipica’s legacy, a photographic survey of countless weddings where elegance, sophistication and savoir-faire reign.