Farmer: Photographic Portraits by Pang Xiaowei represents a curated selection from more than 1000 portraits taken by Pang Xiaowei during a mammoth mission to photograph farmers from every province in China. It is a monument to China’s agricultural workforce that affords them the recognition they deserve and celebrates their dedication to their country.
The farmers of the Chinese mainland help feed 1.39 billion people. This powerful series of portraits captures the souls of these men and women: their hardiness, their work ethic, their dedication to the land.
Portraiture is one of the strongest visual methods of communication. As Pang Xiaowei says, “Portraits have a language; they can tell us so much. Portraits have force, and that force is directed towards our hearts.” Looking into the eyes of the farmers featured in this book, that connection is evident. These portraits forge a link between the observer and the subject, building on the ancient Chinese tradition of ‘spirit resonance in portraiture’ (chuan shen xie zhao). This aspect of Xiaowei’s photography is explored in an accompanying essay by the celebrated Chinese artist, Chen Lvsheng.
This book highlights and explores some of the world’s most extraordinary and luxurious spa destinations. It offers readers a curated list of 150 exceptional spas across various countries and regions, each renowned for its unique treatments, breathtaking locations, and exceptional wellness experiences. Includes detailed insights into each featured spa, its amenities, signature treatments, wellness philosophies, and the overall ambiance. Readers can expect to find a combination of destination spas, resort spas, urban retreats, and wellness centers that offer a diverse range of holistic therapies, relaxation techniques, and rejuvenating experiences. It could serve as both a practical travel guide for spa enthusiasts and a source of inspiration for those seeking ultimate relaxation and self-care experiences. A bucket-list reference for spa enthusiasts, travelers, and wellness seekers, providing a curated selection of some of the world’s most indulgent and transformative spa experiences.
This elegantly designed book features works by pioneering British photographer Garry Fabian Miller (b. 1957, Bristol) in dialog with one of his key artistic influences, Samuel Palmer (1805-81). Since the mid-1980s, Miller has created photographs without a camera to explore the possibilities of light as both medium and subject. Experimenting with photographic materials and exposure time, his photographs feature intensely saturated colors, not seen before in conventional photography. For this book, which accompanies an exhibition at the Ashmolean Museum Oxford, Miller has chosen works on paper by Palmer from the Ashmolean’s rarely displayed collections to juxtapose them with his own images. Miller compares Palmer’s pioneering use of materials with his own practice, pushing the limits of photography in the dark room. Edited by Dr Lena Fritsch, this book features high quality images and new texts by Sean Borodale, Fritsch, Alexandra Harris, Colin Harrison, Lydia Heeley, and Marina Warner.
This 15 year retrospective on the contemporary South Korean artist Soo Kyoung Lee presents paintings, installations and drawings from both public and private collections dating from 2007 to the present. The work is presented chronologically, and is punctuated by the critical writings of Romain Mathieu, Fanny Drugeon, Eun-lok Shim and Jeong Hyeun. As the artist notes, “The idea is to trace this experience so as to share it, but also, through this synthesis of 15 years of painting, to take stock by looking back, in order to better move forward.”
Georges Jouve (1910–1964) was a major postwar decorative-arts figure who liberated ceramics from academic rules. Nicknamed “Apollo,” he tirelessly explored relationships between form, material, and light, combining utility and ornament, rigor and play. His wide stylistic range—from realism to abstraction—and his signature black glaze quickly set him apart.
This illustrated book traces his career from Nyons and Dieulefit to Aix-en-Provence, highlighting iconic pieces such as cylindrical vases and his collaborations with Janette Laverrière, Étienne Noël, and Mathieu Matégot, including La Saladière and the hotel La Résidence in Saint-Louis, Senegal. Present in the major Salons of his time, Jouve emerged as an agent of modernity and, encouraged by Charlotte Perriand, joined the Steph Simon gallery. Equally at ease with small or monumental formats, he produced vases, fountains, tables, and sculptures, using zoomorphic, anthropomorphic, and abstract forms to make ceramics a vibrant, experimental, and timeless modern art, with lasting appeal worldwide today.
Text in English and French.
The 25th anniversary of the UN Convention on the Rights of the Child is a good reason to put the topic emphatically into the public focus. UNICEF Germany and GEO – with the support of the world’s best photographers and Edition Lammerhuber – do exactly that in this joint pro-bono project. In 40 photographic reports from 15 years, a selection of particularly striking pictures from the UNICEF Photo of the Year competition forms a fervent appeal to respect the rights of the child and to guarantee every girl and boy in the world a childhood in dignity. The volume is edited by Jürgen Heraeus, the Chairman of the German Committee of UNICEF, and Peter-Matthias Gaede, long-serving Editor-in-Chief of GEO. We the Children draws attention to the suffering and hardships, but also to the wishes and dreams of today’s children. We the Children is a book full of hope for a child-oriented world. Text in English and German.
The series contains a collection of masterpieces by famous Chinese painters of all ages, with a rich variety of subjects and styles. It presents a selection of paintings from the Tang and Song dynasties, including figure and landscape paintings, showing the splendid charm of traditional Chinese painting at its peak from multiple perspectives. The volumes are accompanied by expert interpretations, analyzing the characteristics of the paintings and the key points of appreciation, and guiding the reader through the beauty of the paintings in an insightful text.
John Russell Pope is one of America’s most famous architects, responsible for many major works, including the Jefferson Memorial, the House of the Temple and the West Building of the National Gallery of Art. This book, The Architecture of John Russell Pope, Selected Works: Houses is the first volume of a two-part monograph, to be followed by a volume on public buildings.
Made in association with the ICAA (the Institute of Classical Architecture & Art), this is a lavishly illustrated study of Pope’s extraordinary house designs, often inspired by classical European architecture, standing proudly among his achievements as the crown jewels in many of the USA’s most vaunted ZIP codes. Originally published during the 1920s, Pope’s exquisite floorplans and sketches accompany period photographs and the original commentary by art historian and traditionalist Royal Cortissoz to create a comprehensive and visually stunning account of a true titan of American design.
Houses include: the residence of Ogden Mills, Woodbury, Long Island; Moses and Edith Taylor’s Glen Manor House, Portsmouth, Rhode Island; Charlcote House, built for James Swan Frick in the suburbs of Baltimore; the now lost Oak Hill mansion, Jericho, Long Island; and Brodhead-Bell-Morton Mansion (aka Morton House) in the exclusive Logan Circle area of Washington DC.
Rhythm of Yuloh is Chen Duxi’s new monograph collecting recent artworks and spatial projects. Titled after the traditional sound of the yuloh — an oar used in Chinese sculling — the book reflects Chen’s origin in the water-rich region of Sichuan and his sustained engagement with Chinese traditions across art, philosophy, and music. This book presents Chen Duxi’s systematic aesthetic paradigm grounded in an Eastern sense of poetic realm. It documents his reflections on life, investigations into fundamental patterns, and the ways he maps cognitive structures onto image and space — rendering those inquiries onto the page for readers and viewers to engage.
Hand-woven rugs from Persia are among the most exquisite art works ever created. In this fully revised edition of Persian Rugs, Essie Sakhai reveals recent discoveries that present us with a new understanding of this unique art. With hundreds of stunning new photographs, taken especially for this book, Sakhai takes us on a journey through Iran and beyond.
Beginning with the history and art of creating woven masterpieces, Persian Rugs goes on to present full-page examples of some of the most cherished and valuable rugs and carpets in the world. No two hand-woven carpets are the same, each with its own special property, beauty and quality. Sakhai has handpicked the most important of these and gives detailed explanations of how and why these art forms hold such singular and even mystical appeal. A new demand for original and ancient hand-woven pieces has increased their value greatly, leading to world-record prices being achieved at auction and important examples entering major museum collections around the world.
Miami, Florida, is a city that’s highly vulnerable to the effects of climate change. Global design firm ArquitectonicaGEO is at the forefront of designing sustainable, contemporary landscaped environments that address these challenges as well as enhancing the human experience and community wellbeing.
In Resilient Horizons: The Future of Landscape Architecture, ArquitectonicaGEO presents 10 pioneering projects in Miami, offering an insightful case study that explores the transformative role of landscape architecture in creating a more resilient city. Ranging from urban green spaces and neighborhood precincts to large-scale developments and ecosystem restorations, these projects demonstrate how sustainable, innovative landscape architecture can transform not just spaces, but entire communities, and our future cities.
Full-color photography, site plans, drawings, and engaging narratives showcase the innovative approaches that ArquitectonicaGEO uses to design sustainable, resilient, enriching environments. Written in English and Spanish, the bilingual text reaffirms the importance of landscape architecture as a powerful, transformative tool for a greener future.
Text in English and Spanish.
Philipp Kim and Thomas Strebel founded their architectural practice in Aarau in 2006. Initial competition successes were followed by the construction of numerous public and private buildings. All their projects arise from a precise examination of the brief, the site and the intended use. Functional requirements and specific constraints are translated into clear architectural concepts. This is exemplified by the new extension to the Lärchenplatz campus of the Swiss Federal Institute of Sport Magglingen. The site’s qualities and the complex requirements for sports science led to a building that is experienced in a highly sensorial way.
Text English and German.
Beautifully produced facsimile of a watercolor artist’s book recording many of the most fascinating birds and animals of the Galápagos Islands. Profits to go to the Galápagos Trust.
Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewelry in the late 1970s. Since then she has extended her practice from “wearable objects” and textile works to dance collaborations and installations in historic buildings. Broadhead’s work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. This comprehensive overview also comprises larger scale and collaborative works that aim to elicit a particular experience or to start a train of thought.
Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February – 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January – 2 February 2019.
The gifted artist Gideon Kiefer makes his debut with painterly work in this book. Kiefer’s inspiration comes from his grandfather’s art books that he read as a child, with prints of work by masters such as Rubens, Caravaggio and Repin. He selects and reinterprets details that intrigue him. Small additions, such as handwritten text or small anecdotes, betray a piece of the personal content hidden in each work, just as they expose the artists’ growing concerns about the current climate crisis.
The text is by cultural journalist Eric Rinckhout.
“Gideon Kiefer’s work balances on the cusp between beauty and horror, tradition and trash, sweet memories and apocalyptic visions, encapsulating his unwavering belief in the power of art and the solace of beauty. He wields his brush, waging war against darkness.” – Eric Rinckhout
Published to accompany an exhibition in Cultuurcentrum de Werft in Geel (Belgium) from 15 January to 17 March 2022.
Text in English and Dutch.
The most comprehensive anthology of writings by visitors to the eternal city ever compiled – witty, profound and endlessly entertaining.
Drawing on French, Italian, Spanish, English, German, Scandinavian and American sources, Ronald Ridley has compiled a vivid collage-portrait of Rome through the centuries, illustrated with three hundred images and published in three elegant volumes: The Middles Ages to the Seventeenth Century, The Eighteenth Century and The Nineteenth Century. Presented here is the second volume.
How did visitors arrive? Where did they stay? What were their expenses? What did they see of churches, palaces, villas and antiquities? What did they like or dislike of what they saw? What did they think of Rome in all its contemporary facets? What events did they witness? What portraits do they provide of people in Rome at the time of their visit? Excerpts from memoirs by more than two hundred visitors give a myriad fascinating insights and together provide a detailed account of Rome over nearly a millennium.
Simon Speigner is a pioneer of sustainable, energy-efficient building in Austria. His practice sps architekten focuses on creativity and innovative solutions to produce unconventional, customer-orientated buildings that are both aesthetic and sustainable. The practice has won numerous wood-building awards and state prizes, for instance for the oh456 plus-energy office building and cultural power plant in Thalgau.
Text in English and German.
Pierre Bonnard and His Dogs offers a fresh perspective on the painter’s work through the central place his dogs held within it. Present in his photographs, drawings, and paintings—from his Nabi beginnings to his final years in Le Cannet—they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard’s vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection.
The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.
Perhaps Norman Weber – as a native of Schwäbisch Gmünd – was born with a love of jewelry. Following a traditional training as a gold and silversmith in Kaufbeuren-Neugablonz, where he teaches today at the State Vocational College for Glass and Jewellery, he studied with professors Hermann Jünger, Otto Künzli and Horst Sauerbruch at the Academy of Fine Arts in Munich. Here the then 25-year-old began his search, together with his colleagues Karl Fritsch, Peter Bauhuis and Karen Pontoppidan, for new paths and definitions in contemporary jewelry. Today Norman Weber is the storyteller in the contemporary studio jewelry scene. For example with the brooches from his series “Portraits”, which investigates clichés such as Barbie dolls. Focusing on a particular area of interest – popular images, comics and populist icons – the artist enmeshes the images in perfectly executed constructions – Weber is after all a goldsmith through and through – thereby giving them a new home. At times the critical jewelry artist places these figures in a completely new context. In this way jewelry is moved in the direction of pop and takes on the character of shrill fashion emblems. Precious stones made of velour in jewelry conjure up a smile on the lips of a viewer before he even begins to reflect on the meaning of the spurious stones. But Norman Weber not only tells stories. Other pieces are shaped by underlying constructivist elements – convincing jewelry because their mechanical elements are infused with an exciting dynamic.
This monograph provides a first survey of the oeuvre of this talented jewelry master. Exhibition in the Deutsches Goldschmiedehaus Hanau from 2nd September 2010 and further venues thereafter, in Munich and Schwäbisch Gmünd.
Text in English & German.
Founded in Geneva in 2009 by François Dulon and Juan Madrinan, the always context-related architecture of Atelier March strives for its own identity, flexibility and sustainability. The 20-strong team has completed numerous projects in the fields of architecture, restoration, interior finishing and landscape design, a selection of which is presented in this volume: including the simple chalet in Nax (2012), which is subtly integrated into its surroundings, the restored and extended Grand-Théâtre in Geneva (2019) and an assisted living facility in Aïre-le-Lignon (2023), based on spatial sequences.
Text in English and German.
“Opening it and turning the pages is an invitation to dream, to wonder, and to appreciate the very large emotional size of the natural landscapes in the United States.” — Frames
“The 230 beautifully rendered black & white images in the book provide a compelling tour of America’s wild places and national parks, from Yosemite and Yellowstone to Death Valley and Utah’s Canyonlands to the Hudson Valley in New York and beyond.” — Black & White Photography
“From towering redwoods in California to the remote canyons of Utah, his work shows us not just what these places look like, but what they feel like to those who dare to go.” — About Photography
“Ortner’s use of black-and-white film and large-format cameras for Visions of Paradise unveils the true essence of the natural world. By peeling away color, he forces us to immerse ourselves more deeply and see anew America’s breathtaking sites through the purified language of light and shadow, form and texture, shape and pattern…” — VIE Magazine
“… a photographic masterpiece celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film.” — Dodho Magazine
Visions of Paradise: American Wilderness is a singular, timeless publication—a photographic tour de force celebrating the extraordinary majesty and rich legacy of America’s wild places, as seen through the eyes of one of the country’s foremost wilderness photographers, Jon Ortner, and conveyed through the transcendent medium of black-and-white film. Ortner has always been fascinated with the natural world, particularly as an avid hiker in the American wilderness. This luxurious book collects in a large format his inspiring landscape images, forming a passionate tribute to the American wilderness. In this sensational portfolio of 200 black-and-white images, Ortner has rediscovered and reinterpreted the compelling beauty of many of his most cherished wilderness locations with remarkable portrayals of their sublime, dramatic, tranquil, and transcendent aspects. Join Ortner as he guides us through his visions of paradise.
“It’s an incredible book, absolutely astonishing…” — Eurythmics Podcast
“These were images that did not attempt to construct an image, but rather honestly portray a rock band on its way to world domination. This makes the images raw, candid and strikingly timeless.” — HOOM Magazine
Gered Mankowitz is among the most important, prolific and hard-working photographers of the last century. Timed for release on the eve of his 80th birthday, Photographs is his most comprehensive book yet, encompassing 65 years of an illustrious career from 1960-2025, with classic, rare and never-before-seen imagery. Mankowitz made a name for himself in London’s burgeoning Swinging Sixties scene. A session with Marianne Faithfull led to him working with The Rolling Stones as their official photographer throughout the mid-60s, and he went on to capture music legends from Jimi Hendrix and The Yardbirds to Elton John and Kate Bush. Mankowitz never stopped growing as an artist, taking promotional shots of movie stars such as Elizabeth Taylor and Richard Burton, creating prize-winning advertising imagery for clients from Heineken to British Rail, shooting emerging artists, and publishing numerous books of his work. With accompanying text from the photographer, a natural storyteller, Gered Mankowitz: Photographs reveals an artist in constant conversation with his medium, adapting his craft and remaining relevant in an ever-evolving industry.
This book, published to accompany the exhibition of the same title, explores Jean-Paul Riopelle’s interest in northern Canada and his works devoted to this theme. It highlights in particular the wonderful series of paintings he made in the 1970s, including both the works themselves and archival materials that delve into this period when Riopelle was especially energetic. It was a time when he organised a number of trips to the region to fish, hunt, and immerse himself in nature, seeking the communion that was so dear to him.
But it was not just the vegetation in northern Canada that attracted Riopelle; the indigenous peoples he encountered were also a source of great inspiration for him. In combination, these two aspects of the land filled his imagination and molded his intellectual and artistic perspective.
The reader will become acquainted with his less well known and unpublished works, and follow Riopelle’s artistic development as he ranged over the frozen landscapes of the far north and the limitless forests further south, taking stock of the way the natives adapted to their environment. The book emphasises the fact that Riopelle’s oeuvre deliberately kept its distance from works that depicted nature as the defining emblem of the Canadian nation. Rather, the artist was the bearer of a unique personal sensibility that was able to visually evoke that particular territory in a dialogue between reality and imagination.
The more than 100 works included in the book (paintings, sculptures, prints, and mixed-media works) are part of a narrative consisting of four main sections (Canadian Nordicity as Viewed from Paris; The Experience of the North; Borrowing from the North; The North and Art), whose themes are examined in essays contributed by specialists in relevant fields.
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love – impossible to manufacture or hide. They were also recognized by body language – evidence as subtle as one hand barely grazing another – and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots – over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs – many fragile from age or handling – have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world’s elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope – indeed human connectivity – are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.