Peter Ivens is a buzzing and respected name in interior design. The Belgian interior architect is praised for his talent, his timeless style and impeccable realizations. His designs often come about in close collaboration with his partner in crime Bea Mombaers. The two of them have been working together intensively for over a decade, without really dividing their roles in the classic way, blurring the lines between architecture and decoration. For Ivens each house tells its own personal story. ‘Custom-made’ is a core value in his oeuvre: he tailors each home to the specific needs and personality of its residents. No bells and whistles, no loud, showy signature, but silent luxury stemming from a special, sophisticated choice of materials and a unique sense of space. Ivens’ portfolio is prestigious and diverse, yet his style is recognizable. This beautiful coffee-table book, in which each chapter is dedicated to a different house, is the perfect proof. Except for a brief introduction by design journalist Sisse Bro, the photos by Eefje De Coninck and Senne Van der Ven do all the talking, showcasing Ivens’ universe in the most classy and inspiring way.
The studio of an architect is perhaps the most singular project in one’s oeuvre complete. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one’s working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects’ Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People s Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.
“These are just a few highlights amongst the 43 projects featured in Architects at Home, but each is certain to reveal both the pleasures and challenges of designing a home for oneself.” — Canadian Interiors
This stunning revised and updated edition takes you on a thrilling tour through the fascinating, eclectic and stylish abodes of some of the world’s best-known architects. Not only do these pages offer a rare glimpse into each architect’s personal, private environment, but each uniquely designed project provides insight into how each architect marries trends with their own personal philosophy, and how they inject interior design flair into their own contemporary domain.
Combining rich photography and spectacular imagery with an incisive summary by a leading architecture specialist, Architects at Home provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of prominent architects from around the globe.
Architecture writer Agata Toromanoff introduces Belgium’s 40 most influential contemporary architects and a selection of their most celebrated buildings in full color photography. Belgian architects have been doing well for years and have international allure. This volume showcases works from the most famous Belgian architect-designers such as Vincent Van Duysen and EPRICUM to emerging architects such as Oyo Architects. Several pages are dedicated to each architect, outlining their influences and ideas and revealing the designs that have brought them fame. With this great reference work, you can discover the true extent of the creative achievements that lie within the careers of these architectural giants. Captivating biographies alongside breathtaking photos. A book that is both informative and beautiful.
Text in English, Dutch and French.
Biophilic Visions: The Conceptual Works of Ward | Blake Architects represents a large cross-section of the firm’s work, from its beginnings to the present day. While most monographs showcase built work, Biophilic Visions explores Ward | Blake Architects’ unbuilt projects, giving them a new life in print. These 24 projects are testament to the quest architects face in pursuing designs to fruition and keeping the concepts alive in the face of economic, sociocultural, and architectural adversity.
Based in Wyoming, Ward | Blake Architects works across the United States and beyond. Each of its projects are carefully designed for its location, rich in materials and detail, and embedded with the firm’s approach to biophilic design. Paying attention to views, natural daylighting, healthy materials, and mechanical systems, the architects create buildings and spaces that are not only respectful toward nature and their extraordinary settings, but also to the health and wellness of their occupants.
Biophilic Visions is an invaluable source of thought and creative ideas for those who appreciate modernist design, biophilic solutions, and ingenuity. Illustrated with architectural renders, elevations, and plans, each project is accompanied by an insightful description of the design process and solutions, and the architects’ reevaluation of the unbuilt work.
“Broek’s work’s got attitude.” – Marlene Dumas
“In combining extremes, Broek homes in on our zeitgeist.” – Wilma Sütö
The central theme in the oeuvre of Dutch artist Hans Broek (b. 1965) is landscape. He often paints locations where history has left an indelible mark, manifesting his belief that art should jolt you awake. He finds inspiration all around the world: a telegraph pole under a dark, cloudy Spanish sky; modern bungalows on the outskirts of LA; melting ice caps in Greenland; and wind-blown, rainy landscapes on the Atlantic seaboard in the wake of Hurricane Sandy. His series of paintings that depict prisons, dungeons, cell doors, plantations, and seats of colonial power funded by slavery – ‘guilty architecture’ where injustice was witnessed without intervention – serve as moving, silent witnesses to the ugly history of the Dutch slave trade. With contributions by Edo Dijksterhuis, Dominic van den Boogerd, Wilma Sütö and the artist himself. This book is published on the occasion of the exhibition.
Text in English and Dutch
From classic to modern, from minimalist to eccentric: Her Eye showcases the leading female Dutch interior designers you need to see and know. Get to know each of them through personal interviews and an overview of their best work, photographed by Space Content Studio. Her Eye is an inspiring interior design book of the highest level.
Featuring Nicoline Beerkens, Nicole Dohmen (Atelier ND Interior), Lisca van Everdingen (Inside Stories Interiors), Sascha Faase, Evelijn Ferwerda, Sophie Van Der Graaf (Studio Sophie), Leonie Hendrikse (Stock Dutch Design), Ellen ten Hove (Studio Ocean), Mariska Jagt (Yume Atelier), Michelle Jager (Even Eleven), Linda Lagrand (Lagrand Interiors), Mabel Muijres (Mabella Artisans), Judith van Mourik, Martje Overmeer, Roelfien Vos, Derkina Wiegman and Anne Claire Winkelhagen (Clairz).
This lavishly photographed monograph, Mountain to Coast, showcases 20 magnificent residences designed by the renowned American firm Kelly|Stone Architects. These pages feature stunning scenic retreats that are crafted for discerning clients who also want respite from life’s daily stresses or have a legacy home that will be passed down for generations. Set amid beautiful mountain landscapes and coastal climates from across California, Colorado, and Nevada in the south, Canada in the north, and all the way to the beaches of Hawaii in the Pacific, these award-winning homes are bespoke, timeless in character, and innovative in the way they reflect the unique lifestyles, stylistic preferences, and aspirations of the people who inhabit them. The firm’s residential architecture and interior designs focus on being sustainable and minimizing environmental impact by prioritizing energy efficiency, integrating responsible materials, and advancing building science, as well as creating beautiful custom spaces that honor the sites, landscapes, and climates where the houses reside. Mountain to Coast reveals how Kelly|Stone Architects deftly weaves creativity with reality.
Based in New Canaan, Connecticut, David Prutting, Prutting + Co, has built some of the finest contemporary houses in the area. This stunning publication features many of these spectacular residences, as founder David Prutting takes readers behind the scenes to offer a unique builder’s perspective.
Working in an area that was once a hot bed of modernism—where influential modernist architects Marcel Breuer, Phillip Johnson, and Eliot Noyes designed pioneering houses—Prutting has built many award-winning homes that have been inspired and influenced by this architectural heritage. These contemporary residences—designed by Steven Holl Architects, Toshiko Mori Architects, Joeb Moore & Partners, Olson Kundig, KieranTimberlake, plus others—showcase why Prutting + Co. has a well-earned reputation for building custom homes.
It takes a courageous client, a visionary architect, and an exacting builder to bring these homes to life. But it’s the builder who bridges the gap between an architect’s drawings and a client’s reality. In A Builder’s Life Done Well, Prutting offers a down-to-earth look at how his firm navigates difficult sites and complex builds. Recounting his 50-year career, he imparts words of wisdom and advice for clients, architects, and contractors, sharing his experience of building homes and running a successful business.
“… excellent publication … As a tribute to the eminent John Cornforth, it could not be a more appropriate commemoration of his achievements during 40 years of studying English houses, both as houses and as temples to the muses of artistic creation”. Charles Cator, Country Life
John Cornforth (1937-2004), the eminent architectural historian and passionate advocate of the historic interior, believed that inventories were an unrivaled primary resource for the interpretation of the historic interior. The book serves as a tribute to his lifelong interest in the field. Cornforth saw the importance of inventories in inspiring not just changes in approach to the history of the great house, but in underpinning the interpretation of the way in which these houses were used and lived in. Now that there is such fascination with the history of food and life below stairs, the contents of the kitchen and scullery assume as much interest as the grand rooms of entertainment. These inventories provide an opportunity to compare the arrangements of the interiors of the great country houses and town houses of the same noble families in different generations. They will inspire yet fuller interpretations of the households they document, and appeal to country house visitors and historians of interiors, patronage and collecting, and creative designers.
A compelling account of the luxury and splendor of Newport’s nineteenth-century summer “cottages.”
In his latest contribution to America’s architectural record, Michael C. Kathrens gives house enthusiasts a superbly visual and informative book on Newport’s early resort architecture.
The 19th century was an incredibly vibrant period in Newport, Rhode Island’s, rich architectural history. Opulent private houses-or summer “cottages” as they were known-populated the seaside resort half a century before the rise of the European Revival behemoths of the late 1880s and 1890s. The luxury and splendor of many of these earlier homes often rivaled the sumptuousness of the later “Gilded Age” mansions.
In the decades since 1835, when the first private house was built exclusively for seasonal use, scores of magnificent homes were commissioned by a burgeoning summer colony whose members were among America’s wealthiest and most prominent families, including the Schermerhorns, Lorillards, Goelets, and Joneses. They built their summer residences in neighborhoods known today as Kay-Catherine-Old Beach Road, Bellevue Avenue, Ochre Point, and Ocean Drive, commissioning local talents such as George Champlin Mason Sr., Seth C. Bradford, and Dudley Newton as well as nationally renowned architects such as Richard Morris Hunt, McKim, Mead & White, and Peabody & Stearns. These exceptional houses showcased new architectural expressions and displayed the mastery of those who designed them.
The scope of this volume-the prequel to Newport Villas: The Revival Styles, 1885-1935, Kathrens’s first book on Newport residential architecture-extends beyond 1890, providing ownership histories of each of the thirty-six houses profiled, including Cannon Hill, Chateau-sur-Mer, Elm Court, Beaulieu, Land’s End, the original Breakers, Ochre Point, and Chastellux as well as visual documentation of later renovations. Rare late-nineteenth- and early-twentieth-century interior images reflect a shift in fashion from the exuberant Victorian to a cleaner, more classical style that led to the Edwardian elegance of many of the later renovations by architects such as Horace Trumbauer, Ogden Codman Jr., and Francis L. V. Hoppin.
Stunning archival and newly commissioned photography, architectural renderings, and floor plans aid in fully conveying the remarkable legacy of Newport’s majestic cottages built before 1890, presented comprehensively for the first time.
Zaha Hadid’s gift to the world was a creative genius that captured the collective imagination and influenced designers to challenge the perceived limits that were once imposed by both aesthetics and engineering. Her sudden death in 2016 shocked the global architecture community and the public alike, inspiring a commitment to maintain her passion to create built spaces and works that are as unique as they are endearing to a fascinated global following. Zaha Hadid Architects maintains its commitment to her ideals of fluidity, innovation, originality and organic progression. This practice is driven by the development of rigorous interfaces between natural topographies, human-made systems and innovative technologies that have resulted in almost 1000 landmark projects across the globe. With signature sophistication in the design, and superbly creative structures, Zaha Hadid led her firm to create transformative, cultural, corporate and residential spaces that entered into complete synchronicity with their surrounding environment. Inspired by the shared ideas and prominent for its breadth of practice, and beautifully packaged with detailed drawings, rich photography and insightful commentary, this exquisite book showcases and celebrates the intelligent design approach of the firm under the direction of one of the world’s most extraordinary and iconic leaders in the fields of architecture, design and urbanism.
The renowned Belgian architectural firm BINST ARCHITECTS celebrates 50 years of history with UNTITLED, a major conceptual and analytical book that offers readers an insight into their multidisciplinary oeuvre. It offers a transparent look at BINST ARCHITECTS’ renewed approach to creativity, individuality and expertise, as well as heralding a leap of innovation within the firm. The 1250 (!) page book consists of 8 complementary themes that together form the barcode against which 150 of the firm’s own projects are measured. From urban planning, architecture and interior design over product development to art integration. UNTITLED is a reference work, a glimpse of the future and an iconic object that both in design and finish deepens the book as an artistic medium.
The Auroville Architects Monograph Series documents the pioneering work of the architects whose vision shaped Auroville, a unique international township in southeastern India. This monograph, the second in the series, is a comprehensive record of the work of Piero and Gloria Cicionesi, whose architectural legacy translates Auroville’s philosophy of community living into built form. Piero (b 1935) and Gloria (b 1933) Cicionesi hail from the magical town of Florence in Italy. They arrived in Auroville a week after its inauguration on 28 February 1968 and have since made it their karma-kshetra. This unique International Township based on the Integral Yoga of Sri Aurobindo and The Mother is a source of inspiration to many architects around the world. This publication brings together essays, drawings and photographs to demonstrate the elegant legacy of Piero and Gloria Cicionesi, for whom architecture is not only a search for beauty but also has a deeper social aspiration. This book has been enhanced with 7 augmented reality videos, each linked to a photograph marked with the symbol. These videos include interactions with Piero and Gloria as well as documentation of their journey and work in Auroville. The videos are available through the BooksPlus mobile app. To play the videos, please follow the instructions given on the copyright page.
Darwishi Ur-atum Msamaki Minkabh Ishaq Eboni, the son of an Egyptian pharaoh, is only nine years old when he dies. He is mummified and laid to rest in a tomb, with the powerful Golden Scarab of Mukatagara hanging around his neck. Thousands of years later, during a transport of three precious sarcophaguses, there is a terrible storm. Lightning strikes, the lorry plunges from a flyover and the sarcophaguses are hurled through the air. During all this, a little white shape escapes the wreckage unnoticed…
Angus Gust is ten and has a perfectly normal life. Then one night a little mummy appears in his room! Life changes completely. Angus and Dummie (short for his real name) become best friends. One dreadful day, Dummie’s scarab goes missing. Without the scarab Dummie falls terribly ill. Angus must now do everything he can to find the scarab, so Dummie doesn’t have to face death again. Can Dummie be saved in time?
In this second book in the Dummie the Mummy series, Dummie, Angus and Nick travel to Egypt. It’s Dummie’s great wish to return to his country to visit the grave of his father, Pharaoh Akhnetut. Unfortunately, Egypt has completely changed in four thousand years and Akhnetut’s grave seems untraceable. To make matters even worse, Nick falls ill and Angus and Dummie set off without him. Then something terrible happens – Dummie has to give everything he’s got to save his best friend. Yet he is also determined to find his father’s grave. Fortunately, he remembers more and more about his life long ago and this proves to be very handy!
This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiam for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves.
The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.
Foreword; Introduction; 1 Rembrandt’s Fame in Britain, 1630 1900: An Overview- Christian Tico Seifert; 2 Rembrandt and Britain: The Modern Era – Patrick Elliott; 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700 1840 – Stephanie S. Dickey; 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain – Jonathan Yarker; 5 Regarding Rembrandt: Reynolds and Rembrandt – Donato Esposito; 6 Rembrandt: Paragon of the Etching Revival – Peter Black; 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850 1930 – M.J. Ripps; Catalogue; Bibliography.
Seventeeth-century Dutch art is famed throughout the world. Yet how ‘Dutch’ are those paintings in actual fact? Did the countless history pieces, landscapes, portraits, still lifes and scenes from everyday life truly originate in cities like Amsterdam, Haarlem, Delft and Leiden? Or might the cradle of these genres actually be located somewhere else?
This book presents over 90 masterpieces by Flemish and Dutch artists to show how 17th century Dutch painting could never have flourished the way it did without the foundations laid in 16th century Antwerp. Thoroughly researched, it tells the story of the talented and accomplished artists and merchants who migrated north in search of religious liberty and new commercial opportunities after Antwerp fell to Spanish Catholic troops in 1585.
With text contributions by Koenraad Jonckheere, professor of art history at Ghent University and author of the bestseller A New History of Western Art, Micha Leeflang, curator at the Museum Catharijneconvent, and Sven Van Dorst, head of the restoration studio at The Phoebus Foundation, and others.
This monumental monograph is dedicated to Dutch painter Jaap van den Ende (Delft, 1944). In richly illustrated chapters, four authors illuminate the development of a multiform oeuvre spanning almost six decades. Starting in the 1960s as a purely abstract, ‘systematic’ painter, figuration reluctantly made its appearance in the mid-1980s. For Van den Ende, however, these, at first glance very different approaches to painting, are not mutually exclusive. Since the late 1990s, abstraction and figuration have coexisted within the same painting. ‘I have started to feel more and more, to strive to be fully present,’ says Van den Ende. ‘I am not someone who exclusively abstract thinking. I want to touch everything.’
Text in English and Dutch.
Highlights of the Frans Hals Museum presents a richly illustrated selection of 40 masterpieces from the diverse and expansive collection of the Frans Hals Museum in Haarlem. Spanning six centuries of art, the book highlights works ranging from Old Masters to contemporary installations — including painting, photography, and video art. Both celebrated Dutch artists and internationally renowned names are represented, offering a vivid impression of the museum’s unique character and curatorial vision. Designed as both an introduction and a lasting memento, this compact volume appeals to art lovers, museum visitors, and anyone interested in Dutch cultural heritage. With its accessible bilingual format (Dutch and English), high-quality reproductions, and thoughtful presentation, the book invites readers to discover — or revisit — the stories and treasures held within one of the Netherlands’ most renowned museums.
Text in English and Dutch.
“Unprecedented daring, originality and strength”: as early as 1890, critics praised the bold style of Betzy Akersloot-Berg (1850–1922). A pupil of Hendrik Willem Mesdag, she was a pioneer, world traveler and passionate painter of coasts and seas.
This richly illustrated publication presents new insights into Akersloot-Berg’s artistry, travels, studio practice and significance. It is the first substantial Dutch/English-language publication on the Norwegian-Dutch artist since 2000 and marks an important reassessment of her work, which has been preserved in the museum dedicated to her in her former home on Vlieland and has received only sporadic attention in Norway. Published to coincide with the first major Dutch retrospective at Museum Panorama Mesdag, the book includes contributions from, among others, Jenny Reynaerts, Sunny Bergman, guest curator Marguerite Tuijn, Museum Panorama Mesdag, Museum Tromp’s Huys, NordNorsk Museum and Perspektivet Museum, Tromsø.
Text in English and Dutch.
This beautifully presented monograph features the outstanding architectural and planning design work of Washington D.C.–based David M. Schwarz Architects, a firm with a significant focus on how buildings relate and contribute to their surroundings. Featuring 40 projects across the United States, the range of work in this book is extensive and includes cultural, sports and entertainment, office and residential, mixed-use, retail, hospitality, civic, healthcare, and education projects.
Each project is richly photographed in lavish full color, with text commentary by Craig P. Williams, who has been associated with David M. Schwarz Architects for nearly forty-five years. All essays in this volume are based either on Craig P. Williams’s firsthand recollections or direct conversations with his colleagues who worked on those projects.
With vivid memories of his first visit to the Scottish National Gallery in the 1970s and his initial encounter with Hugo van der Goes’ The Trinity Altarpiece, Rembrandt’s A Woman in Bed, Velázquez’s An Old Woman Cooking Eggs and Degas’ Diego Martelli, Robert Storr discusses the shifting balance of museum collections from historically ‘certified’ classics to art whose status and significance remains in active contention and from singular ‘treasures’ to ensembles that speak to the larger scope of an artist’s endeavor.
Also available: Unfinished Paintings: Narratives of the Non-Finito Watson Gordon Lecture 2014 ISBN 9781906270919 ‘The Hardest Kind of Archetype’: Reflections on Roy Lichtenstein The Watson Gordon Lecture 2010 ISBN 9781906270384 Picasso’s ‘Toys for Adults’ Cubism as Surrealism: The Watson Gordon Lecture 2008 ISBN 9781906270261 Sound, Silence, and Modernity in Dutch Pictures of Manners The Watson Gordon Lecture 2007 ISBN 9781906270254 Roger Fry’s Journey From the Primitives to the Post-Impressionists: Watson Gordon Lecture 2006 ISBN 9781906270117
This catalogue for an exhibition at the Bonnefanten Museum in Maastricht features paintings by Pieter Bruegel the Younger and his contemporaries that depict the popular religious subject “Christ Carrying the Cross,” and examines these works for covert critiques of power and politics in Flanders during the 16th and 17th centuries. The show explores how artists incorporated both direct and indirect social and political criticisms into paintings on this theme, and brings together a selection of works from Bruegel the Younger, his predecessors, contemporaries, and followers.