Seattle has fueled the hopes, dreams, and imaginations of countless individuals throughout its history. Their energy, ideas, and inventions have influenced the city’s skyline, the evolution of air travel, the music and art worlds, and even the very coffee we drink. They are the reason Seattle is gifted with so many unusual, offbeat, and truly compeling places for explorers to discover and enjoy, from a coin-operated attraction filled with enormous shoes, the world’s greenest commercial building, and urban old growth forests, to a haunted staircase and museums dedicated to pinball, dialysis machines, and rubber chickens.
111 Places in Seattle That You Must Not Miss invites and inspires locals and visitors alike to seek out the Emerald City’s hidden treasures, overlooked gems, and charming curiosities.
Shadows of Boulder Hill presents a group of 50 powerful paintings in oil on linen by artist Tang Shuo (b. 1987 in Guangxi, China) that delve into his childhood experiences in rural southern China. This, Tang’s first book, documents the concurrent exhibitions of these works at Fabienne Levy’s galleries in Geneva and Lausanne, Switzerland, in 2023.
Shadows of Boulder Hill marks a significant point in Tang’s career; in 2023 he incorporated narrative threads into his paintings for the first time, depicting young lovers, recluses, and wanderers lost in imagined and remembered landscapes of lush vegetation and wildflowers. A selection of the fascinating true stories from Boulder Hill that inform Tang’s practice, personal and collective, are detailed in the gallery notes.
Shadows of Boulder Hill includes a foreword by gallerist Fabienne Levy and an essay by multidisciplinary scholar Dr Matthew Holman. Here, Tang appears as an artist who has found his voice as he eloquently explores scenes of family, friendship, suffering, solitude, and survival.
Volker Hermes: Hidden Portraits gathers the essential works by one of the most beguiling artists of the present era, in a very modern reinterpretation of historical privilege.
Using only elements of the original paintings, Volker Hermes masterfully alters photos of historical portraits to mask the faces of their subjects. With each figure concealed under their own ceremonial attire, these one-time elites quickly lose their individuality in a plume of decorations and accessories.
In this official collection, Hermes delivers his wry commentary on wealth, fame and social status with taut imagery, intense focus and a suitably shrewd sense of humor. His immaculately reproduced artworks are accompanied by the thoughts of German art historian Till-Holger Borchert and Professor Francesca Raimondi of Berlin’s Institute for Philosophy, as well as the artist himself.
A must-have revision of classical portraiture from a celebrated digital creator.
“Hermes’s meticulously described collages pay homage to their sources while gently ribbing the social pretensions and ambitions of the courtly classes.” – Christopher Alessandrini, metmuseum.org
The very first retrospective book showcasing the renowned high jewelry Maison Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison’s historical archives.
A photographic reference title authored by Carol Woolton, a leading authority on high jewelry at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewelry and women, making it an essential read for photography and high jewelry enthusiasts worldwide.
Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d’Angers, the artist who ‘discovered the tragic in landscape’. His paintings assemble minutely observed elements of nature into compositions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.
Almost too familiar today, to Friedrich’s contemporaries these extraordinary paintings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich’s Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich’s own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich’s art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.
Jet black hair, porcelain skin, bright red lips and fingernails; figures gazing intensely into the camera; young men and women posing acrobatically with bizarre props; animals and plants in the glaring light of the camera’s flash, situated in urban landscapes, private spaces, or in nature, among rice fields, lotus ponds, and cacti — Ren Hang’s photographs are painfully provocative, but also inward looking and dreamily surreal. Ren Hang depicts the human body as an abstract form, often in idiosyncratic arrangements and perspectives, combining iconic images of William Shakespeare’s dying Ophelia in a river; of Leda, daughter of a Greek king, and the Swan; and of female nudes seen from behind using a distinctive visual vocabulary that draws on abstraction, Surrealism, Dada, and both historic and contemporary photography. Ren Hang’s analog photographs use a playful, humorous visual language to relate the feelings, desires, fears, and loneliness of a young generation in China.
“… It’s as elegant and considered as Bowie himself, a mixture of gallery-level quality and personal scrapbook charm.” — Louder Than War
“…one of the most stunning and possibly heaviest books in the Bowie canon.” — God Is In The TV
“His images are not just records, they are living archives, fragments of history with a capital H…He doesn’t just show; he frames, builds, lights without trickery, but with a sense of rhythm that feels almost musical.” — Eye of Photography
“The result is a rare, career-spanning portrait of the chameleonic rock star, featuring never-before-seen images and candid recollections from a man who knew Bowie as both icon and friend. It’s also a record of proximity: of what it means to move through life alongside an artist who refused to repeat himself.” — Interview magazine
Official photographer to music legend David Bowie, Denis O’Regan presents a personal edit from his unrivalled collection of photographs. Accompanying Bowie on two world tours and enjoying a decades-long relationship with the star, no one photographed Bowie more than Denis O’Regan. As Bowie himself once remarked, ‘Denis, Rock ‘n’ Roll is in your blood’.
From the door of Olympic Studios, where Bowie recorded Diamond Dogs in 1974, to live stadium shows in the 1990s, Denis’s full archive is at last opened and many unseen images revealed for the first time. David Bowie by Denis O’Regan tells Bowie’s musical story in pictures, with O’Regan’s own words relaying his experience of documenting that incredible journey.
Author of the hugely successful Ricochet: David Bowie 1983 (Particular Books, 2018), O’Regan has toured with the biggest stars from The Rolling Stones and Queen to Pink Floyd and Duran Duran, to name a few. But it is his photographs of David Bowie, taken over two decades at over 200 concerts worldwide, that he is best known for. David Bowie the showman and David behind-the scenes, O’Regan has captured it all in this showcase of one of the world’s most talented performers.
The Dialogues by Portuguese painter and writer Francisco de Holanda give unprecedented insight into the opinions, preoccupations and character of Michelangelo, already in his lifetime the most celebrated and influential artist in Europe. These Dialogues record his participation in the discussions about art hosted by Vittoria Colonna, his closest friend. Michelangelo’s opinions and ambitions during the period when he was painting The Last Judgement come vividly to life, as does the world in which he moved. No other text brings us so close to Michelangelo the artist, poet and thinker. The Dialogues are presented here in the classic translation by Charles Holroyd, painter, engraver, art historian and director of the National Gallery. The introduction by David Hemsoll situates the Dialogues in the context of Michelangelo’s career and the artistic world in Rome. Sixteen pages of illustrations include some of Michelangelo’s finest drawings, and views of the Rome he knew.
This book offers a privileged journey through the geography and history of Italian and international figurative culture kept at the Pinacoteca di Brera, Milan, with works spanning a chronological period from the 13th to the 20th centuries. The Pinacoteca, born within the Enlightenment culture as a testimony to the progress of the human spirit, remains today a dynamic and lively instrument of civilization. The book reconstructs the patronage and provenance of the paintings and the way in which they were received; it specifies their technical data, as well as introducing comments and in-depth studies.
In addition, the rich illustrative apparatus leads to continuous comparisons and new explorations.
Twice by Jacques Sonck brings together duo-toned portraits of people in twos and threes that Jacques Sonck photographed on the street over the course of thirty years. Jacques Sonck shoots classical analogue black-and-white portraits with an eye for the extraordinary. His oeuvre is a celebration of the diversity of humankind. Sonck is attracted by people who stand out from the crowd, either by an anomaly in their appearance or by their extrovert attitude and Twice demonstrates diversity and his anthropological taste within photography. His eccentric models are unique individuals who walk the border of ‘normality’. Although his work is often compared with that of Diane Arbus, who photographed humans on the margins of society, Sonck is more interested in the physical appearance than in the social position of his subjects.
In English and French.
a+u’s March issue presents Irish architecture through 20 houses by six architecture firms. These houses, nestled in the landscape of Ireland, paint a portrait of the physical conditions of the island. Architects Tom de Paor and Andrew Clancy serve as guest editors and begin the feature in conversation. They describe Ireland as being gently exhausted and without past glories, but not yet melancholic. The 20 houses responding to the island are practically designed yet with sensitive qualities of “dry and wet,” “soft lighting and fleeting shadows,” and “modeling and its staining.” These houses are individual attempts by their architects to find something that was already “constructed, abandoned, found” and to discover their own architectural language in Ireland. Their images, drawings, and give form to a notably new Irish architecture.
Text in English and Japanese.
The Archetypal Artist, a collection of essays on the life and art of F.N. Souza, invites readers to the collective unconscious party; a high voltage zone consisting of stark art images and commentary. Be prepared to be shocked, bewildered, and amazed. Beware — since most of Souza’s art images overlap with your personal unconscious, you will be triggered. Everything you have repressed and rejected will stare back at you in full glory. As the shadows and multivalent archetypes come alive and begin dancing, be strong to hold aloft the light of your own consciousness. This is what Souza did when confronted by the collective unconscious. He began mining images from it, giving them form on his canvas, culminating in a journey towards individuation and wholesomeness.
This collection of 21 essays combining research in art history, Eastern – Western philosophy, classical literature, Jungian analysis, psychology, anthropology, religion and theater began as a personal quest by the author to seek answers to cultural constructs of life, body and sexuality. The conditioned and structured lives of men and women in society troubled her. Authoritarian narratives from religion and state thwarted attempts to attain autonomy at every step. The path to spiritual enlightenment was strewn with doubts and finding a synthesis of East and West was challenging. The tryst with Souza’s art began with questions, but the very first interlude was cathartic. Embark on a subjective journey into the world of F.N. Souza.
“He’s been behind the camera forever. A friend of the light. Does he have a pact with the heavens? Do they tell him secrets? The language of light? He somehow travels on the same frequency. Respectfully engaging with the source.” — Samantha Morton
“Most portraitists kill their subjects. He keeps them alive. He doesn’t want to freeze you in time. He’s made portraiture sexy again, but not stupid. Vulnerable but never weak.” — Marlene Dumas
The ultimate showcase of photographer and filmmaker Anton Corbijn’s iconic work, spanning from the 1970s to today.
Anton Corbijn (b. 1955) is one of the most important photographers and directors working today, renowned for his iconic portraits of musicians, actors, and artists, as well as his distinctive visual work in music videos and album covers.
This gloriously illustrated, oversized book pays homage to Corbijn’s love for the arts – an interest that has led to lifelong friendships with Bono, Nick Cave, Tom Waits, Michael Stipe, Dave Gahan, and other iconic musicians. Looking back over five decades, it features hundreds of creative, offbeat images that Corbijn was able to capture largely as a result of his close relationships with his subjects.
Corbijn, Anton highlights and rediscovers iconic images, celebrating his legacy and lasting influence on visual art and pop culture to this day.
With text contributions by Adam Clayton (U2), Anton Corbijn, Marlene Dumas, Johan Faes, Samantha Morton and Tom Waits.
This publication accompanies a grand retrospective exhibition at Fotografiska Stockholm, from 13 June until 12 October 2025. The exhibition will be traveling to Fotografiska Berlin, Tallinn and Shanghai.
The Family of Migrants is inspired by the legendary exhibition The Family of Man, an ode to humanity created by photographer and curator Edward Steichen, that opened at the Museum of Modern Art in New York in 1955. This book features around 200 photographs and will show the most striking photography that tells universal, timeless stories of human existence, such as departure, journey and arrival, and themes like family, loss and love.
Among the hundreds of images are iconic as well as unknown photos by, among many others, Lewis Hine, Chien-Chi Chang, Abbas Attar, Robert de Hartogh, Wang Fuchun, Dorothea Lange, Stephan Vanfleteren, Ara Güler, Leonard Freed, Ata Kandó and Ishiuchi Miyako.
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In this book, photographer Jeroen Hofman returns to the memories of his childhood. In his typical style, he captures the raw beauty of Zeeland. Vast nature reserves, wide empty beaches and the continuous change by the tide characterize the landscape. This book is an ode to the place where Hofman’s love for Zeeland began.
With a text contribution by Franca Treur, author and journalist for NRC Handelsblad, and an interview with Jeroen Hofman.
Text in English, German and Dutch
The very first retrospective book showcasing the renowned high jewelry Maison, Chaumet features a collection of iconic editorials and campaigns captured by major photographers such as Guy Bourdin, Peter Lindberg, Mario Testino, Mario Sorrenti, Richard Burbridge, and Paolo Roversi. Additionally, it presents previously unreleased autochromes from the early 20th century, offering a captivating glimpse into the Maison’s historical archives.
A photographic reference title authored by Carol Woolton, a leading authority on high jewelry at British Vogue, Sylvie Lécallier, director of the photographic collection at Palais Galliera Musée de la Mode in Paris, and Flora Triebel, a curator specialist in 19th-century photography at Bibliothèque Nationale de France, delves into the close ties Chaumet has woven with photography since its inception, revealing its innovative collaborations over the years. From the 1930s to the present day, the book offers a portrait of high jewelry and women, making it an essential read for photography and high jewelry enthusiasts worldwide.
“…I was pretty sure I had seen it all and would not find anything new in the book. I am delighted to report I was wrong.”– Marion Fasel, The Adventurine
“…a combination of excellent photographic professionalism and the infinite beauty of the star, who together gave birth to a real work of art.” – Di Redazione, Harper’s Bazaar Italia
“An extraordinary collection of photographs that celebrates one of Hollywood’s most iconic faces.” – Donato D’Aprile, L’Officiel Italy
“An intimate look at a Hollywood icon.” – Closer
“Bling, boobs & booze: She was famous for her diamonds, her tempestuous love for Richard Burton and her luminous acting. Now, a book of iconic images peels away the layers to reveal the woman behind the legend.”– Roger Lewis, Daily Mail
Elizabeth Taylor was the face of classic Hollywood. As one of the 20th century’s most loved stars, her image is instantly recognizable the world over. ACC Art Books and Iconic Images proudly present the work of eight wonderful photographers — Douglas Kirkland, Milton Greene, Gered Mankowitz, Norman Parkinson, Eva Sereny, Terry O’Neill, Gary Bernstein and Greg Brennan — who were fortunate enough to capture the star at different moments of her life. Throughout the book, the photographers share their memories of working with the icon, from patient pursuits to charming persuasion, each enlightening us with an inside view of what it was like to work with such an icon. The book presents a mix of set, fashion, portrait and behind-the-scenes photographs, including some rare and never-before-seen images. Forever Elizabeth is a visual tribute from some of the world’s best-known photographers to a star who continues to captivate our hearts.
“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.
They Must Fall: Muhammad Ali and the Men He Fought features powerful and often moving images and stories of Muhammad Ali and the men he fought in the ring, by award-winning photographer Michael Brennan.
“Around 1978, I had been in Houston, Texas photographing former Ali opponent George Foreman who had then reinvented himself as a roadside preacher. On the plane back to NYC, I thought, ‘If that’s what George is doing, I wonder what the rest of his opponents are up to?’ I set out to track down as many of the old guys as I could find.”
Brennan spent decades locating Ali’s former opponents to discover what had become of them. This unique book is a look through Brennan’s remarkable archive, containing numerous never-before- seen photos plus poignant stories illuminating the images and contextualizing Ali’s powerful role in the world of sport. Includes a special introductory essay by the late, great Jimmy Breslin.
“Michael Brennan’s iconic 1977 portrait photograph of Muhammad Ali captures something far bigger and deeper than just the beautiful face of a beautiful man. It is a detailed map of the personal journey of one whose incomparable talents and audacity caused literati to swoon, taught a generation to question authority, and ultimately altered the path of a society which had never before seen a man exactly like him. To look at him the way he was then is to remember, with joy and sorrow, who we all once were.” – Jim Lampley, discussing the cover image (Boxing commentator, HBO Sports)
James VI & I, the only child of Mary, Queen of Scots, has often been overshadowed by the dramatic lives of his mother and son, Charles I. This book seeks to redress the balance by centering the first monarch to reign over both Scotland and England and uncovering the artistic treasures created during his extraordinary reign.
The cultural riches of James’s court are showcased, revealing his diverse roles as ruler, scholar, politician, father and patron of the arts. His court’s passion for jewelry and fine clothes is illustrated in the vivid portraits and miniatures by John de Critz and Nicholas Hilliard – just two of many artists and craftspeople who thrived in its artistic and intellectual climate.
Five richly illustrated chapters demonstrate James’s impact on early modern Britain, while reconsidering the reputation of a king traditionally presented as preferring hunting and drinking to the duties of daily governance. Packed with exquisite art works and sumptuous objects, this book brings James’s court vividly to life.
“… essential reading for anyone interested in conservation, African history, and the human spirit. It is a moving portrait of a park that continues to inspire global efforts in environmental stewardship, even under the most difficult circumstances.” — Ninu Ninu
“This book is a reminder of the park’s value both in local terms and on a global scale, and why the fight to protect it must continue.” —Outdoor Photography
Virunga National Park, the green lung in the eastern DR Congo, is Africa’s oldest nature reserve. The park is breathtakingly beautiful and offers an unparalleled diversity of ecosystems—from active volcanoes to tropical rain forests, from the glaciers of the Rwenzori peaks to the savannas of Rwindi. It is home to an exceptional array of wildlife, including the world’s last mountain gorillas. Thanks to these unique features, Virunga is listed as a UNESCO World Heritage site. This publication, written by around 40 experts, explores the complex history of this Congolese gem. It sheds light on those who have dedicated themselves to its preservation since 1925, as well as the current teams fighting to address the countless environmental and social challenges in a region plagued by conflict, poverty, and humanitarian crises. Through their efforts, the park has become a catalyst for development and stabilisation of the entire region. The book invites us on a fascinating journey where resilience and innovation serve the park and surrounding communities, continuing to shape the legend of Virunga.
This title looks back upon and celebrates 40 years of Kiki’s business, her life, and her remarkable story. From the delicate shimmer of amethysts to the radiant sparkle of citrines and peridots, Kiki’s signature pieces have graced the ears and necks of style icons across generations – including HRH Catherine, Princess of Wales, the late Queen Elizabeth II, and Princess Diana.
“The eternal challenge for a designer is to make pieces which are relevant and modern as well as timeless … The fact that Kiki McDonough has achieved this in countless collections over forty years is nothing short of a triumph” – Carol Woolton, jewelry historian and British Vogue Jewelry Editor
On the eve of her jewelry business’s 40th anniversary, Kiki McDonough opens the vault to share the remarkable journey behind one of Britain’s most beloved jewelry designers. What began in 1985 with a single concession in a friend’s store has since blossomed into a globally celebrated brand, known for its vibrant use of colored gemstones, timeless elegance, and deep connection with the women who wear it.
With over 200 stunning photographs, this beautifully curated book is both a visual feast and an inspiring portrait of a female-founded and female-led company that changed the face of modern jewelry.
Through rich imagery and candid storytelling, Kiki reflects on four decades of creativity, determination, and evolution. She takes us behind the scenes of her design process, shares memories from the early, chaotic days of balancing motherhood and entrepreneurship, and explores how her work continues to resonate with modern women around the world. Her mission has always been simple yet revolutionary: jewelry should be bought by women, for women, pieces that speak to their style, their confidence, their joy. More than a retrospective, it’s a celebration of a legacy still in the making – a story as colorful and joyful as Kiki’s exquisite jewelry.
Over the course of a year, Brian Rose set out to photograph all the neighborhoods at the ends of the subway lines in New York City. He had multiple reasons for engaging in such a project, but the strongest was the desire to portray New York as a highly diverse, multi-centered metropolis. Having spent a major part of his career photographing the city through often challenging times – the dichotomy of destruction and creativity of the 1980s, the mortal wounding of 9/11, and the suspended animation of the Covid-19 pandemic – Rose was perhaps uniquely equipped to document the city at this moment of political uncertainty under the increased strain of new arrivals, many of whom are refugees from around the world. For a new generation of New Yorkers, the trains roll on ceaselessly, and despite the title, Last Stop is not so much about endings as it is about reinvention.
Dr. Clement Williams was a British army surgeon, political agent, and businessman who gained unparalleled access to the court of King Mindon, the great ruler of Mandalay, between 1861 and his premature death in 1873.
William’s official diaries, his legal disputes, his commercial contracts, his travel book, and (most of all) his extraordinarily rare photographs offer a unique portrait of an ancient civilization on the cusp of industrial, technological, and political change. Drawing on primary sources and academic works, The Informal Imperialist has already been recognized as a significant contribution to Burmese studies within and beyond Myanmar. And, by weaving Williams’s story into a clear and compelling narrative, it reveals a vanished world to both scholars and general readers alike.