Photographer Serge Anton has been traveling the world for over 30 years. Emotions collects the ‘character heads’ that he photographed during his countless trips to Africa and Asia. Since the success of his Faces book he has made many more and has added these in this updated edition. Anton’s portraits tell stories without words. They reveal recognition of exotic faces from distant cultures. The nuances in their expressive looks, the light that shines through the monochrome black and white images, the wrinkles that seem to represent lives. Serge Anton’s portraits decorate many modern bohemian restaurants and hotels from Brussels to Marrakesh.
Text in English and French.
Charley Toorop’s work has its own originality and power. This is not to say that she did not have an eye to the work of other artists. On the contrary. Toorop admired the painting of Piet Mondrian, but also of foreign contemporaries such as Pablo Picasso and Fernand Léger. Yet there is one artist who she believes stood at the cradle of her artistry and for whom she subsequently had respect throughout her life: Vincent van Gogh. His work was for her ‘the breakthrough to a new world’.
Four essays explain her fascination and place it in a broader context. They include her travels to the Borinage and southern France where she saw the landscape and people through Van Gogh’s eyes, her awe of Van Gogh’s ‘deep barren love of reality‘ placed in the social and political engagement of the interwar period and her interest in man’s state of mind.
Painter, engraver, illustrator, writer and art critic, Félix Vallotton (1865-1925) is known for the impact of his compositions, a combination of his decorative instincts and graphic wit. His revival of the woodcut in the 1890s quickly established him in the art and literary circles of Paris, and his talent as a prolific illustrator, especially for the press, spread his fame throughout Europe and as far afield as the United States. He illustrated bestsellers such as Poil de Carotte, by Jules Renard, and contributed to the most fashionable avant-garde periodicals of the time: including, La Revue Blanche, Le Rire, Le Cri de Paris, L’Assiette au Beurre, and Le Canard Sauvage, in Paris, Jugend and Die Insel, in Munich and Berlin, The Studio, in London, The Century Illustrated Monthly Magazine, in New York, among others.
This book assembles a number of critical essays and a selection of around 250 reproductions to explore this little-known aspect of Vallotton’s work. It is being brought out to coincide with the online publication of Félix Vallotton illustrateur. Catalogue raisonné (volume 32 in the Catalogues raisonnés d’artistes suisses series, created by Fondation Félix Vallotton, Lausanne, and Institut suisse pour l’étude de l’art, Lausanne/Zurich (SIK-ISEA).
Text in French.
Images:
Bleus d’aujourd’hui, dessin de Félix Vallotton en couverture du Rire, 1er décembre 1894
Que les chiens sont heureux !, dessin de Félix Vallotton en couverture de Nib, 15 février 1895
Portrait of Stéphane Mallarmé, dessin de Félix Vallotton, The Chap-Book, 15 août 1895
In this first published monograph devoted to the work of the Spanish painter and sculptor Ángel Botello, the artist’s most illustrious works curated from private collections, museums and the artist’s estate are presented in a collector’s edition.
Text in English and Spanish.
Artemisia Gentileschi has been the subject of much attention in recent decades. Research dedicated to her has, however, often returned a stereotyped and reductive image of the artistic universe and personality of the painter. The professional figure of Gentileschi, who was able to move with great success in what we now call the art system, finally finds new dignity. Unpublished attributions from private collections are flanked by the painter’s masterpieces, reconstructing the framework of the international commissions that consecrated her as a protagonist of the European Baroque, in the most complete and up-to-date volume dedicated to the artist. The innovative charge of language and the exceptional nature of Artemisia’s iconographic choices reveal the documented interests and literary, scientific and musical frequentations that the painter skillfully cultivated in every city that recorded her passage.
Text in English and Italian.
Faneuil Hall is fine and the duck boats are just dandy, but if you want to go beyond the Boston of brochures and get to the heart of this mysterious, charming old metropolis, you have to dig deep and be willing to get a little weird. 111 Places in Boston That You Must Not Miss is a guidebook with a twist: one that takes you far off the beaten path – and the Freedom Trail – to explore a side of the city that’s offbeat, unexpected, and completely fascinating for visitors and locals alike.
Whether you want to pay your respects at the memorial for a fictional character, sneak behind a vending machine to go shopping for sneakers, sip cocktails where hardened criminals sat behind bars, or hang out with some life-sized puppets, you can do it all here… and before dinnertime, to boot. Throw on your Red Sox cap, hop on the T, and uncover some secrets along the way.
In the misty highlands of the Andes, Sandra Velasco Jordan first encountered the gentle creatures that would one day become her life’s passion and purpose. From these childhood moments among Peru’s verdant mountains to establishing her acclaimed textile business in California, Jordan’s journey with alpacas weaves a story as rich and textured as the fabrics she creates. Loving Alpaca, with a preface by the acclaimed interior designer Holly Hunt, chronicles a life lived between worlds—from Peru to Chile, India to the Philippines—as Jordan draws upon her multicultural experiences to build a business that honors tradition while embracing innovation. With unwavering dedication, she works alongside Peruvian herdsmen and women weavers, preserving ancient crafts while introducing their exceptional artistry to global markets. More than a memoir, this impressionistic portrait reveals how alpaca fiber became the thread connecting Jordan’s past to her present, her heritage to her home. Through her story, we discover the profound relationship between craft and identity, sustainability and beauty, nature and creative expression. Journey with Jordan as she transforms her love for these remarkable animals into a mission that celebrates cultural heritage, champions ethical practices, and creates spaces of harmony and beauty wherever her path leads.
Horses of Iceland is photographer Guadalupe Laiz’s first book celebrating her love for Iceland, its people, and its horses. Taken over a period of five years, Laiz’s photographs are a portrait of the beauty and gentleness of the Icelandic horses in their natural habitat.
In this superb large-format volume, first published in 2019, Laiz captures the beauty and strength of the Icelandic horses in a compelling pictorial journey. Her sensitive photography showcases the inherent nature of the horses in intimate portraits and against Iceland’s dramatic landscapes. The magnificent color and black-and-white images present the horses in fine detail, bringing the majestic animals to life.
Laiz invites readers to share her love for Iceland, its people, and the horses. She has since returned to Iceland numerous times to photograph the horses for her follow-up publication.
Leaving behind a comprehensive archive, Alfred Buckham wrote in detail about his exploits, including his nine crashes and how, to get the best images, he would stand up while flying in an open biplane, tying his right leg to the seat with a scarf, in order to loop the loop in ‘perfect safety’.
But dive a little deeper and there is an even more interesting story – how he created these unbelievable photographs. Using a combination of different negatives, Buckham used his skills in the darkroom to craft stunning images that capture the experience of flight but with a little extra drama.
Published to accompany the first major exhibition of Alfred Buckham’s work, this book draws on the photographer’s archive, held by his grandsons, and exciting new acquisitions made by the National Galleries of Scotland including the camera he took to the skies and a selection of the negatives used to craft his most celebrated images.