“When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made.” — Australian Women’s Weekly Icons
“Caine, the timeless gentleman.” — Diego Armes, GQ Portugal
“The engaging images are either black and white or in color and therefore perfectly show all facets of the actor. A wonderful book about a very special and remarkable actor! 5 Stars!” — Lovely Books
“I had to be an actor,” Michael Caine once said. “[…] And of course, you have to remember with me, the alternative was a factory.”
A working-class actor who broke through to stardom, Caine’s screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O’Neill.
Michael Caine: Photographed by Terry O’Neill offers an immersive visual journey through Michael Caine’s career, immortalizing Caine’s charm both in and out of character. Caine occupies a landmark position in cinema and O’Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and color images and includes never-before-seen contact sheets.
Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.
Customers today demand a highly personalized and unique purchasing experience: they require expert guidance in a purchasing process that is relevant and efficient from start to finish. Less Contact, More Impact explores the dynamics of corporate sales today and in the future as a function of trust and cooperation. The RIO model developed by Belgium-based Blinc Sales Institute marks the evolution of a new era in which genuine contact between client and salesperson is crucial to meeting the challenges of customer expectations. The goal of this book is to guide sales in the digital age in order to achieve maximum personal impact, better results, and consistent customer satisfaction in a minimum amount of time.
Peter Hinssen’s radical long-term view on organizing and innovation is as fascinating as it is insightful. This is a great read about the future of business, aimed at those who want to witness the potential of this age of disruption. Adam Pisoni, CEO at Abl Schools, Co-founder of Responsive.org and Co-founder of Yammer. “Peter Hinssen has done it again! The Day After Tomorrow is a provocative and inspiring book that will challenge you, educate you and open your eyes to possibilities that you never thought existed. A must-read for any organization that wants to prepare for disruptive changes.” Costas Markides, Professor of Strategy and Entrepreneurship at London Business School. “Many futurists entice us with fanciful notions. Peter Hinssen, however, manages the impossible, combining a stunning clear vision of the future with a compelling but concrete framework to act on now.” Eddie Obeng, Professor at Pentacle The Virtual Business School For today s organizations, our exponentially changing world has come with great consequences. In this book, Peter Hinssen tells the story of the pioneers who managed to adapt to those changes and who moved beyond today and even tomorrow in their approach to innovation. In doing so, they were able to change the course of entire industries. Peter’s book focuses on the business models of these pioneers, on the organizational culture, the talent, the mindset and the technology we should tap into in order to maximize our chances for survival in the ‘Day After Tomorrow’. It will shift your perspective on your future, on the future or your company and even that of your grandchildren.
Kolobok is a new adaptation and translation of a famous Russian folktale about a resourceful bun (a kolobok) who, as in the tale of the gingerbread man beloved of children in the West, skilfully evades the attentions of various animals. Beautifully adapted in rhyme by Sian Valvis, and with evocative new illustrations by Dovile Ciapaite, Kolobok offers English-speaking young readers a glimpse into the magic and mysticism of Russian folklore. The visceral and environmental elements that are present in Russian folktales bring to life a vivid sense of the nation’s culture and identity.
Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume.
The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period – the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent.
Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d’art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to connoisseurs, collectors and scholars alike.
As a young man, living in Manhattan in the 1970s and ‘80s, Frank Rispoli was drawn to the New Wave and Punk club scenes. Recognizing the inherent performance of sexuality and desire in both fashion and club culture, he documented the intertwining of the two. Always with a camera strapped around his neck, he frequented Danceteria, Tier 3, Max’s Kansas City, Studio 54 and many other clubs in Soho, Chelsea, the Lower East Side, and Midtown. Rispoli asked female clubgoers, bar patrons, singers, and band members if he could photograph their shoes, utilizing the staged sets, props, and bathrooms of the clubs, and the taxis, sidewalks, and rooftops of the city, as his backdrops. A selection of these photographs forms the basis of his first book – High Heels.
Rispoli attributes his interest in women’s shoes to his inability, as a teenager, to look women in the eye and, due to his shyness, focusing on their feet instead. He drew further inspiration from the work of Guy Bourdin, and his advertising photography of the period. Rispoli continues, in his photographs, to capture the fun, freedom, and performance found in other outsider communities and events, such as Wigstock, and the burgeoning art scene in Bushwick, Brooklyn.
“Building the Brooklyn Bridge is a perfect feast, a would-be time-traveler’s delight, overflowing with rare and evocative and fascinating images.”
– Kurt Andersen
Recipient of the 2021 Book Award from The Victorian Society New York.
The captivating story of how a bridge of unprecedented size and technology was built during an age of remarkable innovation.
This book invites the reader to step back in time to discover why this iconic bridge-proclaimed the ‘eighth wonder of the world’ soon after its completion and a National Historic Landmark since 1964-continues to hold such a special place in the hearts of so many.
Spanning the East River, the Brooklyn Bridge connected for the first time the then independent cities of Brooklyn and New York. This awe-inspiring structure was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph.
Author Jeffrey Richman, historian at Brooklyn’s famed Green-Wood Cemetery, has gathered more than 250 superb nineteenth-century images, many never before published on the printed page, including engineering drawings, photographs, stereographs, woodcuts, and colored lithographs. Flipping through the book, one can imagine the excitement people around the world felt as they followed the progress of the bridge’s construction, either through the illustrated papers of the day or using viewers to look at stereographs in three dimensions. Richman specially commissioned more than forty anaglyphs-3D images generated from the historic stereographs-to recreate the 3D experience on the page. Every copy of the book includes a pair of 3D glasses kept in a pocket inside the back cover, offering the reader the sensation of being at the construction site as the towers began to rise.
A born storyteller, Richman relates how a small group of dedicated engineers and thousands of workers toiled for more than a decade to construct what was then the largest suspension bridge ever built, section by section, from the massive anchorages and elegant towers to the cables and bridge railway (operational four months after the bridge’s official opening). He reminds us how profoundly modern and groundbreaking the bridge was, in its use of steel (a new material) and pioneering construction methods. The bridge still elicits awe and admiration today.
“This is one of humankind’s great creations”-author interview with Michelle Miller on CBS Saturday Morning.
Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. This book explores the contemporary revival of pottery, focusing on six inspiring cities, their history and their makers. Twenty-eight passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and São Paulo introduce us to their work, their studios and their inspiration. Includes a practical and updated source list of places to discover and buy handmade ceramics in the six cities featured. Third and updated edition.
Robert L. Thompson, FAIA, is the founder and lead design principal of the Portland-based firm TVA Architects, a firm that has built a foundation of collaboration, innovation, and conservation through beautiful design. He is responsible for the design of many of the most prominent buildings throughout Oregon and the Pacific Northwest. TVA Architects creatively transforms their clients’ needs and aspirations into elegantly understated works of meaningful architecture, meticulously detailed and impeccably crafted.
The projects documented in this book coincide with the fortieth anniversary of this celebrated architect and his body of work as a designer and innovator.
He founded TVA Architects in 1984 and built an internationally recognized practice, starting in the Pacific Northwest. In 1993, at the age of thirty-nine, Thompson was the youngest architect in America to be inducted into the American Institute of Architects’ College of Fellows for his contribution to the profession. Thompson and TVA Architects have been honored with scores of local, national, and international awards for excellence in design.
His projects have ranged from major corporate campuses, high-rise office towers and condominium towers, sports and recreational facilities, retail and cultural projects as well as multi- and single-family residences. This lavishly illustrated monograph, filled with full-color photography and detailed plans, forms a compilation of select work that celebrates Thompson’s influence across architecture over several decades.
Pavan K. Varma’s illustrated bestseller, Kama Sutra: The Art of Making Love to a Woman is a modern adaptation of Vatsyayana’s classic, Kama Sutra. Varma’s take on the classic treatise is a celebration of love and lovemaking to a woman. The two-thousand year old text, rewritten for a contemporary audience is a confirmation that being sensitive to a woman’s needs is at the heart of the experience.
‘A good lover has to be sensitive to a woman’s needs.’ Pavan K. Varma’s new-age adaptation of Vatsyayana’s cult classic Kama Sutra makes precisely this point. Keeping in mind the celebrated sage’s instruction that men and women are equal partners in the act of consummation, Varma takes us on a witty journey through what has sometimes been seen as a ‘heavy’ manual on sex, and at others as a volume of titillating visuals. This adaptation is a serious tribute to the genius and vision of Vatsyayana, highlighting the ‘modernity’ of what he wrote two thousand years ago – that the fulfilment of women is at the heart of the experience of sex, and that the lines between sex and sensuality, and between social mores and individual desire are indeed fine and must be understood deeply.
“A jewel of Baroque architecture, the Castelluccio Palace is the spotlight of a beautiful book retracing its history, its long restoration and its precious ornaments. These photographs reflect the Sicilian Golden Age.” —Fanny Guenon des Mesnards, AD France
“This monograph is an invitation to visit the Palazzo Di Lorenzo del Castelluccio.”—Italian Vogue
“A Palace in Sicily: A Masterpiece Restored doesn’t just pull back the curtain on the finished palace, it details the four-year-long process through an elaborate array of photos…” —Architectural Digest, and Yahoo
With its sun-drenched sands and Mediterranean waters, Sicily has been a favored destination of travelers for centuries. History is alive on this island, from ancient accounts of the Greeks, Romans, Arabs and Normans; to the journals of wealthy young European men embarking on the Grand Tour. This book captures the sun-steeped aesthetic of the island, while detailing the restoration of one of its finest attractions: the Di Lorenzo del Castelluccio palace.
Marquis de Castelluccio was one of the last “servals” or “leopards” of Sicily – wealthy aristocrats who flooded the island with luxury. Following his death, his home fell to ruin. A half-century later, Jean-Louis Remilleux fell in love with this dilapidated 18th-century palace and made it his mission to restore it. Unveiled for the first time in this beautifully illustrated book, the Di Lorenzo del Castelluccio palazzo is one of the finest testaments to Sicilian architecture and art.
Today, lush green palm trees welcome you to the palace’s imposing front façade. Frescoes, arabesques, masks, imitation marble, ceilings and wainscoting have all restored to their former glory, over decades of elaborate work. This book charts the restoration process and celebrates the astonishing end results. It contains an album’s worth of photographs that capture the beauty of this palace beneath the Mediterranean sun.
Since the 1990s, China’s rapid urbanization has triggered an unprecedented construction boom. If the early phase of urban construction was mainly marked by its extensiveness, the more recent requirements of a highly commerce-oriented society and the ever-changing utilization of space in the digital age have given rise to a concern for — and a renewed recognition of — quality. In this context, Shaping Changes presents recent projects by line+, a design studio founded by two young Chinese architects Meng Fanhao and Zhu Peidong, and its pursuit of design quality through a range of projects from rural revitalization to high-tech headquarters, from education campus to cultural facilities. The diversity and design quality of line+ works is evidenced by its participation at the Arsenale at the 2021 Venice Biennale How Will We Live Together and its recent overseas commissioned projects, which are also presented within this volume.
Multidisciplinary designer and passionate world traveler Jiun Ho looks back on a life of global exploration, inspiration, determination, and boundless creativity in Jiun Ho: Experience, the first monograph from a creative force who has gained international attention for his harmonious, well-balanced interiors and innovative furniture, lighting, and textile designs. Jiun’s body of work, informed by elements observed in the world around him, draws deeply on the colors, textures, and shapes of nature, the designer’s greatest inspiration.
When Jiun was eight years old, his mother took him aside and gave him a single sentence of advice: “You can be poor in life, but Jiun, you should never be poor in experiences.” Those words have gone on to influence all the decisions he has made from that day forward. Born in Malaysia, Jiun moved from his home in Kuala Lumpur in the early 1990s to study interior design and architecture in Chicago. At the age of 26—after a successful but emotionally unfulfilling career with a prestigious international architecture and design firm—he boldly launched his eponymous design company and set out to achieve his personal goal of visiting more than 100 countries by the time he turned 40 and, most important, living a life rich in experiences. Tracing his journeys across the continents with camera and sketchbook in hand, Jiun Ho: Experience is spectacular photographic travelogue as well as a document of the designer’s best work, including luxury hotels, resorts, restaurants, and private residences around the world.
“This is the travel photography book for our digital age. Tom’s incredible eye for capturing historical detail creates captivating imagery for the ultimate in escapist pleasure.” Kelly Wearstler, Interior Designer
“A true Renaissance man, Tom shares his vast architectural knowledge, artistic talent, and sense of humor in photographs and watercolors.” Amy Astley, editor-in-chief, Architectural Digest
This book is a celebration of the power of the smartphone camera combined with Tom Kligerman’s unique eye. Tom is a New York architect who adores travel and the different cultures of the world, recording vibrant details and evocative scenes on his iPhone as he journeys from India to New Mexico, from Beaux-Arts monuments to rustic barns, from ocean to mountaintop. The images have been curated into dynamic pairs that spark a conversation about the world and the different ways of seeing it. They are accompanied by Tom’s reflections, and those of his Instagram followers, in a series of captions, comments and mini essays. This book is a child of the pandemic, a time when people could only dream of traveling or relive past experiences, as Tom has done, from the image banks on their mobile devices. It rejoices in both the potential of new media and the physical pleasure given by a beautifully made and structured book. It allows readers a moment of pause and reflection, so necessary if we are not to be lost in the digital feed.
We are living in an age of accelerated change. The internet has washed away all limitations on time and space. Entrepreneurship has been democratized, and economies have globalized. Innovation has rendered entire sectors irrelevant in the blink of an eye. This is the reality any manager has to take into account in order to keep his company viable. Disruption@WORK taps into the roots of disruptive change, and offers a guide in recognising disruption, defining the ways in which it has already had an effect, and what awaits us in tomorrow’s board rooms. In doing this, Disruption@WORK provides a view on the factors we have to deal with in bridging the gap between the individual, his work and corporate strategy, in order to face the future of our companies.
In their remarkable art project Eyes as Big as Plates, ongoing since 2011, the two artists Karoline Hjorth and Riitta Ikonen explore the relationship between humans and nature. To this end, they have traveled the world and created portraits of 52 people in diverging landscapes. The resulting series of photographs presents people whose age is typically over 50, wrapped in artistic, almost living sculptures made of the most diverse natural materials that Hjorth and Ikonen collected from the subjects’ surroundings: their floral, faunal, and fungal cohorts. The sensitively shot photographs open up new aesthetic worlds full of playful effortlessness that convey a strong message: We are nature!
For the Norwegian-Finnish duo, it is not just about a successful photographic image. This second volume of the series consolidates these atmospheric portraits with concise descriptions of those portrayed, who, rather than remain solely as props in the picture, present themselves and their life stories. The Field Notes section compiles further photographic material composed around the portraits. The artists offer insights into the portraits’ process of creation and provide us with the opportunity to accompany the artists on their journeys.
This is the first comprehensive presentation of the Danish furniture designer Jakob Berg (1958–2008) and his work. As a designer, he was ahead of his time and not only continued the story of the golden age of Danish Design but, building on this legacy, fundamentally rethought the approach to seating and rest, sustainability, and the role of different wood types. Today, his furniture designs, which have enhanced home interiors around the world, are as current and relevant as ever. The reader is invited on a panoramic tour of Jakob Berg’s wonderful furniture universe, from his early one-offs, presented in art and design exhibitions during the 1980s, to his indoor/outdoor furniture and his many projects around the world. The publication is authored by leading Danish design experts and lavishly illustrated throughout, with 300 photos, as well as drawings and digital sketches. In addition to portraying Jakob Berg’s inspiring body of work, the book is in itself a piece of Danish Design — a unique experience that is not to be missed.
This is the first comprehensive presentation of the Danish furniture designer Jakob Berg (1958–2008) and his work. As a designer, he was ahead of his time and not only continued the story of the golden age of Danish Design but, building on this legacy, fundamentally rethought the approach to seating and rest, sustainability, and the role of different wood types. Today, his furniture designs, which have enhanced home interiors around the world, are as current and relevant as ever. The reader is invited on a panoramic tour of Jakob Berg’s wonderful furniture universe, from his early one-offs, presented in art and design exhibitions during the 1980s, to his indoor/outdoor furniture and his many projects around the world. The publication is authored by leading Danish design experts and lavishly illustrated throughout, with 300 photos, as well as drawings and digital sketches. In addition to portraying Jakob Berg’s inspiring body of work, the book is in itself a piece of Danish Design — a unique experience that is not to be missed.
Text in Danish.
Ring Redux presents more than a hundred avant-garde rings by renowned international artists who explore this age-old jewelry form with great vitality and relevance to society today. In the essay “Riffs on Rings“, Ursula Ilse-Neuman provides valuable insights into the astonishing variations on one of the most intimate and enduring forms of body adornment, revealing the profound and subtle differences in how these artists evoke the ring’s potential to express ideas that extend beyond its ornamental role. The skill and audacity infused in these intimate sculptural forms is captured in stunning new color photographs. In the “Artists’ Voices” section, the jewelers provide valuable perspectives on the conception and execution of their works. The collection of rings presented here has been acquired over five decades by Susan Grant Lewin and will be exhibited at the SCAD Museum of Art, Savannah, Georgia.
“Hands down the wine book of the year.” —David McIntyre, Washington Post
“…paints a glorious picture of Bordeaux as seen through the skittish and mischievously observant eyes of Somerville and Ross – cousins and writing partners.” —Victoria Moore, The Telegraph
Journeying through the Medoc in the autumn of 1891, Anglo-Irish cousins and traveling companions, Edith Somerville and Martin Ross (aka Violet Florence Martin) bring their distinctive mélange of wry wit, acute observation and unabashed horror at the barefoot treading of Cabernet Sauvignon to this delightful account of vendangeurs lofty and low-born as they bring in the harvest in time-honored fashion. Illustrated using Somerville’s equally delightful sketches, this is a story of two feisty ladies for whom anything remotely pretentious is fair game.
Better known for their tales of an Irish R. M. (resident magistrate), Somerville and Ross outraged their respective families – who referred to them ‘the Shockers’ – by combining travel writing with the fight for Women’s Suffrage. The contrast between the emancipated pair and the largely unreconstructed characters they encounter on their travels only serves to heighten the charm of an already indelibly charming book.
The Classic Editions breathe new life into some of the finest wine-related titles written in the English language over the last 150 years. Although these books are very much products of their time – a time when the world of fine wine was confined mostly to the frontiers of France and the Iberian Peninsula and a First Growth Bordeaux or Grand Cru Burgundy wouldn’t be beyond the average purse – together they recapture a world of convivial, enthusiastic amateurs and larger-than-life characters whose love of fine vintages mirrored that of life itself.
“Who better to supply us with our first comprehensive historical survey than the wine writer with the magic pen, Hugh Johnson?” – Jancis Robinson MW
Hugh Johnson has led the literature of wine in many new directions over a 60-year career. His classic The Story of Wine is his most enthralling and enduring work, winner of every wine award in the UK and USA. It tells with wit, scholarship and humor how wine became the global phenomenon it is today, varying from mass-produced plonk to rare bottles fetching many thousands. It ranges from Noah to Napa, Pompeii to Prohibition to Pomerol, gripping, anecdotal, personal, controversial and fun. This new edition includes Hugh’s view on the changes wine has seen in the past 30 years.
In his Foreword the celebrated historian Andrew Roberts writes: “The genius of The Story of Wine derives from the fact that it is emphatically not a dry-as-dust academic history – there are dozens of those – but an adventure story, full of mysteries, art and culture.”
The volume Nicolas Party | L’Heure Mauve collects a vast visual epic in which Party plays a variety of roles, sometimes impersonating the artist, others the scenographer, the conservator, or the sculptor. His work, and the title of the show, are inspired by L’Heure Mauve, a piece created in 1921 by the Canadian painter Ozlas Leduc that highlights the different interpretations given to the relationship between man and nature throughout the history of art. The result is a constantly changing natural environment: it can be a place full of danger and catastrophe, a territory to be conquered, an expanse disseminated with ancient ruins, or even silences where there are no traces of human presence. Nature finally becomes the theater for the Anthropocene, its connection with humanity by now inextricable, and the passing of time and the finiteness of existence make way for a feeling of melancholy.
Our artist interrogates the world’s image, and he does so by dialoguing very concretely with the spaces and the works belonging to the collection of the Montreal Museum of Fine Arts. The present volume reflects this personal evolution by employing a unique graphic framework and a packaging that is as precious as its contents.
Text in English and French.  
In this invaluable and thought-provoking book, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including what makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions.
Imagine Buildings Floating Like Clouds represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times—from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi’s untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time.
Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that “any work, any artistic object, any gesture is a critical reminder of reality and our existence”. (Germana Agnetti).