Kathakali Dance-Theatre records the art of Kathakali comprehensively, right from the scenario that paved the way for Kathakali’s origin and development to its present history. The book chronicles its various facets – the acting, music and costumes, crucial contributions of the masters, momentous incidences, evolution of styles, riveting anecdotes, and related socio-political issues affecting Kerala. The firsthand personal rendition of the author’s experience and the detailed glossary make it immensely readable. Full of photographs depicting the masters of the art, green room activities and the vibrant theatre of Kathakali, this book will be a treasure trove of information for uninitiated readers, arts scholars, theater buffs, potential researchers and students keen about the art and its future.
This work centers upon Manaku of Guler – older brother of the greatly celebrated Nainsukh – reconstructing whatever little is known of his life, but following closely his artistic journey. Manaku came from an obscure little town in the hills of northern India – home to his singularly talented family – and yet his vision knew almost no limits. Endowed with soaring imagination and great painterly skills, this man – with a name that literally means a ruby, whose glow keeps hinting at an inner fire – was capable of painting giant rings of time upon timeless waters, envisioning the world of gods and demons, littered with cosmic battles and earthly triumphs. At least three great series were painted by Manaku: the Siege of Lanka which took forward the narrative of the Ramayana from the point where his father, the gifted Pandit Seu, had left it; the Gita Govinda and the Bhagavata Purana. Every single folio that has survived and is at present accessible – the number comes close to five hundred – from these series finds a place in this uncommonly rich volume. For the second time – Nainsukh of Guler was the first (also published by Niyogi Books) – Professor Goswamy looks here at the entire body of work of a great Indian artist from the past.
The book presents traditional, easy-to-cook Rajasthani meals and related food recipes, for young homemakers, future chefs and all food connoisseurs. It transfers homegrown knowledge to the young generation and caters to multicultural readership. Each recipe has been combined with supplementary food items to present the concept of a tasty, wholesome and nutritious meal. They focus on a fast-changing society where “snacking” is replacing full sit-down meals and “finger food” and “quick bites” fulfill the purpose of a light dinner. The dishes add plenty of nutritive value to the diet and cater to the eating habits and fast lifestyle of the multi-tasking generation.
The select recipes are grouped in five categories cereals, pulses, vegetables, non-vegetarian dishes and special dishes for festivals.
Contents: Welcome to Rajasthan and the Local Cuisine (Padharo Mahre Desh); Flavours of Cereals (Zaika Anaj Ka); Wheat; Sadi bati; Churma; Dupper; Missi roti; Gulgule; Lapsi; Daal dhokli; Wheat ghughari; Wheat flour roti; Puri; Plain paratha; Bharwa / aloo paratha; Sabzi paratha; Meetha paratha; Halwa; Doodh dalia; Maize; Maize roti; Makki ka dhokla; Raab; Maize papadi / khichiya; Bhutta pakodi; Bhutta sabzi; Bhutta pulav; Jajaria; Bhutta barfi; Bajra; Bajra kheech; Bajra gudmudia; Bajra khichada; Power of Pulses (Damdaar Daalen;) Mixed daal; Mangodi / badi; Mangodi ki sabzi; Kadhi pakodi; Pakodi sabzi; Besan gatte; Sabut moth; Besan chakki; Vegetables in a Variety (Sabziyan Swaad-bhari); Ratalu sabzi; Bharwa besan mirch; Mirchi bada; Kachha kela chhilka sabzi; Dried vegetables curry; Pach kuta / ker sangri; Meethi dana methi sabzi; Dana methi papad; Lahsan chutney; Papad sabzi; Kachhi haldi ki sabzi; Mirchi ke tapore; Meat, Poultry, Eggs (Maansahaari Zaika); Laal maans; Keema matar; Chicken curry; Egg curry; Fish curry; Fish fry (snack/ starter).
In the internet age, the means of communication keep changing along with the increasing formation. It becomes more difficult to catch the public’s attention and the monotonous and invariable logos can’t meet the needs of current and future commercial society any more. Designers need to seek new design language to express a brand. Flexible logos are a kind of design form with more variability, stronger adaptability, wider coverage, and fresh visual effect. This new form perfectly follows the development trend of globalized, diversified, and internet integration of online and offline operations in the new commercial society. However, the birth of flexible logos is not only to adapt to new media – and new means of communication – but also a breakthrough of logo design itself that creates new possibilities for the innovation of logo form and breaks the fixed, monotonous, and invariable characteristics of the traditional static logos.
This book explores the creation and methods of the flexible logo design process, and analyses its application across dozens of international projects. Each project explores the notion of broader brand extension stability, as well as the stability of consumers’ psychological recognition.
“Terry was everywhere in the 60s – he knew everything and everyone that was happening” Keith Richards
“Terry O’Neill rates rightly as one of the best photographers in the world. He captures something special” Sir Michael Caine
“When it comes to photographic legends there can be few more prolific or revered than Terry O’Neill, the man who shot the greats.” VOGUE
“This sumptuous collection of portraits, taken over six decades, represents the best of his memorable career and should grace every coffee table in the land” The Daily Mail
“I’ve been repeatedly asked to write my autobiography – I have seen an awful lot of famous people at their best and worst – but I’m not interested in making money trading their secrets or mine. I want my pictures to tell a story not sell a story.” Terry O’Neill
Terry O’Neill is one of the world’s most celebrated and collected photographers. No one has captured the frontline of fame so broadly – and for so long. For more than 50 years, he has photographed rock stars and presidents, royals and movie stars, at work, at play, in private. He pioneered backstage reportage photography with the likes of Frank Sinatra, David Bowie, Sir Elton John and Chuck Berry and his work comprises a vital chronicle of rock and roll history.
Now, for the first time, an exhaustive cataloging of his archive conducted over the last three years has revisited more than 2 million negatives and has unearthed unseen images that escaped the eye over a career spanning 53 years. Similarly, his use of 35mm cameras on film sets and the early pop music shows of the 60s opened up a new visual art form using photojournalism, to revolutionise formal portraiture. His work captured the iconic, candid, and unguarded moments of the famous and the notorious – from Ava Gardner to Amy Winehouse, from Churchill to Nelson Mandela, from the earliest photographs of young emerging bands such as the Beatles and the Rolling Stones to her Majesty the Queen at Buckingham Palace. O’ Neill spent more than 30 years photographing Frank Sinatra, amassing a unique archive of more than 3,000 Sinatra negatives.
Add to that the magazine covers, album sleeves, film poster and fashion shoots of 1,000 stars, and Terry O’Neill – comprises the most compelling and epic catalog of the age of celebrity. Terry O’Neill has worked for the most prestigious magazines in the world including Time, Newsweek, Stern, Bunte, Figaro, The Sunday Times, Vanity Fair, People, Parade, Vogue and many others. And his award launched to showcase the work of young emerging photographers is now one of the most highly prized global competitions in art. The Royal Society of Arts has honored him with the rare Centenary Medal for his lifetime achievement. Only a dozen have ever been awarded in recognition of ‘outstanding contributions to the art and science of photography.’
Painter, draughtsman, graphic artist, sculptor, wall designer, set designer, choreographer, author: Oskar Schlemmer (1888-1943) is one of the most diverse artists of the modern age. Embodying the all-encompassing Bauhaus concept of uniting the arts and crafts, his works always focused on a vision of the future in which modern man would live in harmony with technical and societal innovations.
To mark the Bauhaus anniversary in 2019, the first monographic exhibition on Oskar Schlemmer in Eastern Germany is to take place in Gotha in 2019. With two inspiring essays as well as a biography and chronology, this catalog introduces us to the Bauhaus master’s fascinating world of ideas, in particular those generated during the vibrant 1920s and 1930s.
The exhibition will be held at the Herzogliches Museum Gotha (DE), 28 April – 28 July 2019.
Text in German.
The Jewellery Museum, with its collection that is unique in the world, is a place of wonder and learning. The treasure hunt with Schmucki provides many journeys of discovery for the whole family, accompanied by the pearl pig Schmucki who helps with her sensitive nose. Divided by thematic islands and stages, children learn in a playful way about the meaning of jewellery both in the past and still today as a magical protector, status symbol or in relation to other people. They thereby gain insight into the cultural life of various eras in different countries. The reading of the book doesn’t necessitate a visit to the museum, even at home one can go on a wonderful journey of discovery. This children’s museum guide is intended as a book that grows alongside the children, as it offers the reader stories and riddles with graded levels of difficulty to captivate them. These can be solved either alone or with the help of adults, depending on their age. They learn new concepts, discover worlds of symbols, can learn about working in a museum or can be inspired creatively. This museum guide is suitable as a picture book for reading out loud and it encourages interaction between children and adults with its fascinating questions. The treasure hunt also encourages independent explorations suitable for different age groups. The topic of jewellery is accompanied by craft projects and furthermore a timeline, a glossary and a red magnifying glass for decoding secret clues. Text in German.
The pulsating monochrome of Drago’s 36 Chambers series is met with the iconic street photography and graffiti that defines Maï, JonOne and the alleys of New York. Their eclectic tour of the streets takes the reader through some of New York’s most distinctive neighborhoods as seen through the lens of celebrated photographer Maï Lucas. Meanwhile, JonOne’s unique graffiti writing permeates the pages with vibrant red accents. JonOne’s paintings defy the ‘rules’ of graffiti. With a tremendous sense of movement and color, his compositions combine freestyle, hand-painted aesthetics with a sense of repetition akin to textile patterns. His work has often been compared to that of abstract expressionist Jackson Pollock and French artist Jean Dubuffet. By layering precise strokes and vibrant color, he creates a uniquely balanced yet dynamic visual experience.
TVBoy leads Drago’s 36 Chambers series into an artistic representation of the digital age in this eclectic collection of fine art, drawings and graffiti. His unique iconography depicts heavily caricatured children whose block-like heads are interchangeable with television screens. These inimitable characters have a Kauai grace reminiscent of Katano, Kaikai and Murukami but are unmistakably influenced by the occidental imagery of comic strips defined by the likes of Schultz and Watterson.
Artists of The Spanish Golden Age such as Murillo, Zurbarán and Velázquez were the key to instigating a truly passionate appreciation of Spanish art among the great collectors at the end of the Modern Age, as well as the public institutions or other institutions that sprang from private initiative after the Industrial Revolution.
There are notable sets of works created by Spanish artists in the United Kingdom, from the Osonas to Joan Miró, such as the ones conserved in Apsley House, Pollok House and the Dulwich Picture Gallery. The collections owned by public institutions also include a significant number of masterpieces of Spanish art, including the National Gallery of London and the National Gallery of Scotland in Edinburgh. Other public and private collections, such as the Wallace Collection, the Duke of Stafford Collection, the Fitzwilliam Museum and Bowes Museum, also contain masterpieces.
New York City’s borough of the Bronx draws millions of people annually to visit the largest zoological park in the United States, or to catch a baseball game at Yankee Stadium. Beyond the animal cages (and batting cages) is a section of the city filled with art, food, music, and unusual sites that can only be found in one place: Da Bronx. The Bronx offers some of the most amazing experiences for visitors to New York City because it is so unexplored. You can take a canoe down a river, or take a course in pole dancing school. The Bronx has a rich history, which includes the American Revolution, that has given way to today’s rebels in street fashion. Sit down and feast on dishes from Ghana and Italy. Learn to roll cigars. Pay homage to the founders of rap music and hip hop culture. And explore quiet cemeteries’ stunning architecture. The borough is home the largest park in New York City, waterfront vistas that are unparalleled, and access to riverfronts and bays. Whether you are a first time visitor, longtime resident, or a native, you will find 111 hidden gems in the Bronx. The most unexplored borough of New York City is yours to discover with 111 Places in the Bronx That You Must Not Miss.
This popular work sheds lights on Taoism, China’s great indigenous religion during this vibrant and glorious period of Chinese history. Without these insights, we can have only limited understanding of an important aspect of China’s social, political, and of course, religious life.
The Scrovegni Chapel, a masterpiece in the history of painting in Italy and Europe in the 14th century, is considered to be the most complete series of frescoes executed by Giotto in his mature age. Mirabilia Italiæ is a unique series. It owes its existence to an innovative and ambitious project: an atlas of the great monuments of Italy that will display them in all their details, from the best known to the least. This series represents a completely new way of documenting art. Mirabilia Italiæ provides a guided tour of each monument, fully and accurately explained. Each atlas contains hundreds of color photographs, arranged in a precise topographical sequence and accompanied by diagrams showing the exact location of each detail. The atlas is complemented by a volume of texts edited by the premier scholars in the field, consisting of critical essays and descriptive notes. Essays examine the monument from the art-historical point of view, and record the alterations it has undergone over time. Descriptive notes analyze the content and significance of the images. Extensive cross-references link the essays and notes to the images, facilitating consultation of the work. The General Editor of Mirabilia Italiæ is Salvatore Settis, Director of the Scuola Normale Superiore in Pisa.
Text in Italian.
The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style in English silver. Later, the firm created jewelry and silver in the historicist and naturalistic styles and was at the forefront of the Gothic revival. Among the firm’s customers were the Prince Regent, later King George IV, and such notable figures as William Beckford, Thomas Hope, Lord Castlereagh, Prince Lieven and the Duke of Wellington.
Known as ‘Oil’ and ‘Vinegar’, Rundell and Bridge were of wildly contrasting personalities. While Philip Rundell was an irascible taskmaster deemed to be the best judge of gemstones in London, the urbane John Bridge, described by a contemporary as the ‘complete courtier’, was the public face of the firm. He guided the Prince Regent in assembling a magnificent collection of gold and silver works, both antique and new, which today forms part of the Royal Collection.
Thomas Daniell was thirty-six years old when he and his nephew William, barely sixteen, sailed out from Gravesend in April 1785, headed for the East. They arrived in Calcutta via China the next year.
The Daniells traveled across India, painting oriental scenery wherever they went. Their views were widely appreciated and are representative of that fascinating period. The Daniells returned to England in September 1794. This special book presents a selection of their work in India, bringing alive the scenery and architecture of that age.
Every religion is the product of the spiritual realizations of some of the greatest human minds, the likes of whom rarely walk on this earth. Religion becomes a unifying force when it focuses on the enlightening thoughts preached by these men; however, it tends to become disruptive when it depends on the limited knowledge of ordinary people to interpret them. The World of Religions presents eight major religions of the world and discusses their origin, growth, and their impact on society. The chapters reveal the greatness of every religion, all of whom aspire to integrate purity, compassion, and peace in everyday life. Contents: Foreword; Preface; The Art and Science of Religion; Hinduism: The Religion of Inclusiveness; Buddhism: Religion of Compassion; Jainism: Religion of Asceticism; Sikhism: Religion of the Gurus; Zoroastrianism: Religion of Goodness; Judaism: Religion of Obedience; Christianity: Religion of the Saviour; Islam: Religion of Surrender; Religion in the E-age; Acknowledgements; Select Bibliography.
“Seldom does a collection of art history essays leave readers yearning for a second volume…”—Barbara Wisch, Renaissance Quarterly
Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.
The sari is the most representative apparel of India that has intrigued men and tempted women all over the world. Worn in a variety of ways, the sari is a fabric-length of varying densities in its body, borders and end pieces often woven by combining a range of cottons and silks in colors and patterns that are constantly evolving. Saris of India is an exhaustive overview of this fascinating unstitched garment and a cutting-edge documentation of design and all that supports it socially, culturally and economically.
Traveling district by district, village by village, the book explores an entire spectrum of traditional weaver and printer settlements in fifteen sari-producing states of India. Thus emerges the first comprehensive compilation of the whole range and scale of the sari: the structures, designs, colors, the format, and technology that make up the lingua of the sari; the inspiration, living experience and sensibilities of the weaving and printing communities; their economic viability and market system; and their predicament in an age of transition.
For the first time, this book offers a step-by-step guide for at least 108 ways of draping the sari, through a series of line drawings and color photographs, after revealing the rationale of the varying lengths and widths of the sari in the distinctive wearing styles of every region. Produced after 20 years of research, Saris of India illustrates the vibrancy and splendor of this age old garment through extensive documentation and stunning photographs. A vivid account of how saris come into being for the lay reader and the specialist – be they textilists, designers, scholars or developers who will find this book equally engaging.
Jan Steen, one of the most popular painters of the Dutch Golden Age, is known for his humorous depictions of dissolute households, tavern interiors, quacksalvers and love-sick young women. He was unrivalled in poking fun at every conceivable human weakness and vice. A lesser known fact is that he also painted historical scenes: pieces based on episodes from the Bible, apocryphal writings and mythology – stories full of excitement, drama and passion. As with his genre pieces, Steen devoted a great deal of attention in his history paintings to the interaction between the figures, and was keenly aware of the satirical possibilities in every story. In contrast with his later image, Jan Steen was a versatile and ambitious artist with a profound knowledge of art history and literature: knowledge that comes to the fore in his history pieces. This richly illustrated publication, written by experts on Jan Steen, focuses on a little-known part of the artist’s oeuvre.
Contents: Introduction, followed by three essays on Jan Steen’s history pieces, and a selected catalog of the most important paintings featuring biblical and mythological subjects.
The book will be published to accompany the eponymous exhibition at the Mauritshuis, The Hague, the Netherlands.
Since the dawn of time, people have been fascinated by the idea of traveling to the stars, which is vividly illustrated by utopian and dystopian works of architecture, the visual arts, and cinematography. In many ways, the designs and symbols associated with space travel also found their way into popular culture in the former Soviet Union and its satellite states. Often spurned as propaganda by the West, they informed the design of mass-produced consumer goods and public art works in the USSR. While in our part of the world space travel largely turned into a political race as a result of the Cold War, its appeal found an aesthetic expression in everyday life in the East.
This book presents the results of in-depth research and extensive travels through a total of seven countries. Its prime focus is the impact of space exploration on everyday life in its pioneering age between the late 1950s and the 1980s and the persistence of related concepts and utopian ideas in today’s society. Told as a visual story, it combines artistic and documentary photography, portraits of contemporary witnesses, landscape snapshots, and historical documents. It is in part an historical investigation since many of the pioneers of the space age are no longer alive and many of the formerly ubiquitous items have disappeared.
Text in English and German.
The largest maps in the world are to be found in the floor of the Citizens’ Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam’s town hall. At that time, the city was the world’s leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.